Institut für Musikwissenschaft ( )

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1 Institut für Musikwissenschaft ( ) FORSCHUNG: science to science Beitrag in einer Konferenz-Publikation Pölzl-Hofer, Elisabeth Maria: Wenn sich die Oper selbst parodiert - Aspekte zur italienischen Opernparodie des 18. und 19. Jahrhunderts, in: Steffen Rother, Jonas Pfohl (Hrsg): copy & paste - meins, deins, unsers im Gespräch23. internationales studentisches Symposium des DVSM e.v.institut für Musikwissenschaft der Universität Wien Oktober 2009Programmheft. 2009, Flath, Beate: The relevance of acoustical parameters in communicating brand images in commercials, in: Manuela Marin / Meike Knoche / Richard Parncutt (Hrsg): 1st International Conference of Students of Systematic Musicology. Abstracts. Graz Grillitsch, Doris; Parncutt, Richard: The effect of music listening on spatial skills: The role of processing time., in: M. Adachi et al. (Hrsg): Proceedings of the International Conference on Music Perception and Cognition. Eigenverlag Marin, Manuela Maria: A cross-cultural approach to emotions evoked by atonal music, in: Marin, M. M., Knoche, M. & Richard Parncutt (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts. Department of Musicology, University of Graz. [print, ISBN: ; Internet, ISBN: ]. Graz Marin, Manuela Maria: Relations between Implicit Knowledge of Western Harmonic Tonality and Linguistic Abilities in Preschool Children, in: Music Graduat Students' Society (Hrsg): Programm. Eigenverlag Parncutt, Richard: Why systematic musicology? Why a student conference?, in: M. Marin et al. (Hrsg): First International Conference of Students of Systematic Musicology (SysMus08): Abstracts.. Eigenverlag Parncutt, Richard: Corporality in the timbre vocabulary of professional female jazz vocalists, in: M. Marin et al. (Hrsg): Proceedings of the First International Conference of Students of Systematic Musicology. Eigenverlag Parncutt, Richard; Dibben, Nicola; Painsi, Margit; Marin, Manuela Maria: The professional relevance of music psychology: An internet survey, in: xxx (Hrsg): xxx Peltzer-Karpf, Annemarie; Marin, Manuela Maria: A dynamic systems approach to the development of language and music., in: FENS (Hrsg): FENS08, Abstracts von 5

2 Marin, Manuela Maria; Parncutt, Richard: Pre-schoolers' abstract knowledge of Western harmonic tonality., in: Emery Schubert (Hrsg): International Conference on Music Communication Science, Abstract Book & Program Marin, Manuela Maria; Parncutt, Richard: Sensitivity to musical emotion: Effects of gender and familiarity., in: University for Music and Drama HanoverUniversity of Veterinary Medicine Hanover (Hrsg): Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man.. Eigenverlag Marin, Manuela Maria; Parncutt, Richard; Kaernbach, Christian: Emotion and unfamiliar music: Electrophysiological and psychological responses to Persian and Western music by Persian and Western listeners., in: Concordia University (Hrsg): SMPC2007: Program. Eigenverlag Parncutt, Richard: Music as an evolutionary byproduct of prenatal audition and proprioception., in: Schubert E., et al. (Hrsg): Abstract Book and Program. Eigenverlag Parncutt, Richard: Tonal implications of harmonic and melodic Tn-sets., in: T. Ertelt, T. Klouche et al. (Hrsg): Abstract Book and Program.. Eigenverlag Parncutt, Richard: From the academic director, in: Kaire Maimets-Volt, Richard Parncutt, Manuela Marin, Jaan Ross (Hrsg): CIM07: Third Conference on Interdisciplinary Musicology: Abstracts. 2007, Parncutt, Richard: Prenatal behavioural and biochemical emotional communication and the origin of music., in: Elke Zimmermann, Sabine Schmidt, Eckart Altenmueller (Hrsg): Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man.. Eigenverlag Parncutt, Richard; Dorfer, Angelika: The role of music in cultural integration., in: C. Bullerjahn und Richard von Georgi (Hrsg): Abstract Book and Program. Eigenverlag Prem, Daniela; Parncutt, Richard: The timbre vocabulary of professional female jazz vocalists., in: Aaron Williamon (Hrsg): Proceedings of the International Symposium on Performance Science (Porto, Portugal, November 2007).. Eigenverlag Taschler, Anita; Parncutt, Richard: Ekstase und Trance in der Musik: Ein interkultureller Vergleich., in: C. Bullerjahn und Richard von Georgi. (Hrsg): Abstract Book and Program. Eigenverlag Gasenzer, E.R.; Parncutt, Richard: How do musicians deal with their medical problems?, in: M. Baroni, A.R. Addessi, R. Caterina, & M. Costa (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition von 5

3 Painsi, Margit; Parncutt, Richard: Gender effects in young musicians' mastery-oriented achievement behvior and their interactions with teacher., in: M. Baroni et al. (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition - Bologna, Italy, August ' Parncutt, Richard: Aural analysis for performing musicians. The relationship between accents and expression., in: XXX (Hrsg): Abstract Book and Program Parncutt, Richard; Marin, Manuela Maria: Emotions and associations evoked by unfamiliar music., in: Proceedings of the International Association of Empirical Aesthetics (Avignon, France, 29 August - 1 September) Parncutt, Richard; McPherson, G.; Painsi, Margit; Zimmer, Fränk: Early acquisition of musical aural skills., in: Mario Baroni et al. (Hrsg): 9th International Conference on Music Perception and Cognition, Abstracts and Program Parncutt, Richard; Painsi, Margit: Structuring the argument of a theoretical paper: A guideline and its reception by advanced undergraduate musicologists., in: M. Baroni et al. (Hrsg): Proceedings of the 9th International Conference on Music Perception and Cognition Schubert, Emery; Parncutt, Richard: A psychoacoustic approach to tuning., in: XXX (Hrsg): Program and Abstract Book. Eigenverlag Jost, Karin; Parncutt, Richard: Wie lernen Kinder am besten Notenlesen? Eine qualitative Studie der Strategien und Begrenzungen moderner Musiklehrer., in: xxx (Hrsg): Abstract Book and Program.. Eigenverlag Kessler, A.; Parncutt, Richard: Die Rolle der interpretativen Methoden bei der Erforschung musikalischer Bedeutung., in: xxx (Hrsg): Abstract Book and Program Painsi, Margit; Parncutt, Richard: Motivation and anti-stress training for children and teachers in music schools., in: xxx (Hrsg): Performance Matters. Abstract Book and Program.. Eigenverlag Parncutt, Richard: Towards a statistical-perceptual history of western tonal-harmonic syntax., in: xxx (Hrsg): Abstract Book and Program. Eigenverlag Parncutt, Richard; Painsi, Margit: Children's spontaneous aural recognition of tonal structures., in: xxx (Hrsg): Abstract Book and Program.. Eigenverlag Parncutt, Richard; Williamon, A.: Incorporating performance research into post-secondary music curricula: Political and pedagogical strategies., in: xxx (Hrsg): Performance Matters. Abstract Book and Program.. Eigenverlag von 5

4 Ferguson, S.; Parncutt, Richard: Composing In the Flesh : Perceptually-informed harmonic syntax., in: Proceedings of Sound and Music Computing - SMA04, Paris/France, Oktober Kessler, Annekatrin: (& K. Puhl) Subjectivity, emotion and meaning in music perception. In: Prceedings of the Conference on Interdisciplinary Musicology (Graz April 2004), hg. v. ders., R. Parncutt, F. Zimmer, Graz/A: Khil, 2004., in: A. Kessler,R. Parncutt, F. Zimmer (Hrsg): Prceedings of the Conference on Interdisciplinary Musicology (Graz April 2004). Graz: Khil Kessler, Annekatrin: (& K. Puhl) Subjectivity, emotion and meaning in music perception. In: Proceedings of the 8th International Conference on Music Perception and Cognition (Evanston/Illinois, 3-7 August 2004), hg. von S. D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster. Adelaide: Causal Productions, 2004., in: S. D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster (Hrsg): Proceedings of the 8th International Conference on Music Perception and Cognition (Evanston/Illinois, 3-7 August 2004). Adelaide: Causal Productions Kessler, Annekatrin: Der Subjektbegriff in der Musikpsychologie und dessen methodologischen Implikationen, in: Kongressbericht des 18. studentischen Symposiums form follows function (Hamburg, Oktober 2003), Hamburg 2004., in: Kongressbericht des 18. studentischen Symposiums form follows function (Hamburg, Oktober 2003). Hamburg Lassnig-Walder, J.; Parncutt, Richard: Theorie und Praxis der Kreativität einer Didaktik der Improvisation im Instrumentalunterricht., in: xxx (Hrsg): Abstract book and program. Eigenverlag Painsi, Margit; Parncutt, Richard: Children s, teachers and parents attributions of children s musical success and failure., in: D. Lipscomb, R. Ashley, R. O. Gjerdingen & P. Webster (Hrsg): Proceedings of the 8th International Conference on Music Perception and Cognition. Evanston, Illinois, 3-7 August '04. Adelaide: Causal Productions 2004, Parncutt, Richard: Prenatal biological correlates of emotion and the origins of music., in: xxx (Hrsg): Abstract Book and Program Parncutt, Richard; Ferguson, S.: Computer-assisted composition with algorithmic implementation of pitch-perceptual theory., in: Richard Parncutt et al. (Hrsg): CIM04: First Conference on Interdisciplinary Musicology, Abstracts Parncutt, Richard; Traube, C.: Music-psychological interdisciplinarity at the conference on interdisciplinary musicology., in: xxx (Hrsg): Abstract Book and Program von 5

5 Goebl, Werner; Parncutt, Richard: Asynchrony versus intensity as cues for melody perception in chords and real music., in: R. Kopiez, A. C. Lehmann, I. Wolther, & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September 2003). Hannover: Eigenverlag 2003, Kessler, Annekatrin; Parncutt, Richard: Musical structure, listener orientation, and time perception., in: R. Kopiez, A. C. Lehmann, I. Wolther & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September '03). Hannover: Institute for Research in Music Education 2003, Parncutt, Richard: Immanent durational accent in musical rhythm., in: R. Kopiez, A. C. Lehmann, I. Wolther & C. Wolf (Hrsg): Proceedings of the 5th Triennial Conference of the European Society for the Cognitive Sciences of Music (Hannover, Germany, 8-13 September '03). Hannover: Institute for Research in Music Education 2003, Protokoll Datum der Erstellung: von 5

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