FROM CEO TO MAESTRO. A Creative Approach to Leadership: Learning from the Maestros. February 19 th - 23 rd, 2018 Madrid, Spain.
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1 FROM CEO TO MAESTRO February 19 th - 23 rd, 2018 Madrid, Spain A Creative Approach to Leadership: Learning from the Maestros
2 An orchestra conductor faces the ultimate leadership challenge: to create perfect harmony without saying a word. Itay Talgam Overview Conductors are the only members of the orchestra not producing any sound, and yet, they must create order out of chaos, while attaining high degrees of artistic quality from a diverse group of musicians. This means working with a group of highly skilled professionals, who need to coordinate and adapt themselves to each other to perform as a unit. Conductors are also called Maestros, which means teacher. They need to be visionary and inspirational leaders, as well as teachers and coaches who develop their teams to achieve perfection. Business leaders face similar challenges. They need to create a high degree of harmony in their 2 businesses, allowing a diversity of talents to act in synchrony to achieve their vision. Elements such as motivation, technical knowledge, passion, strategic planning, curiosity, introspection, and understanding of individuals are needed to succeed as the leader of a business or an orchestra. This leadership development program is designed to improve the leadership skills of senior managers through the teachings and experiences of renowned orchestra conductors. FROM CEO TO MAESTRO A Creative Approach to Leadership: Learning from the Maestros Location: IE Business School Campus in Madrid, Spain Teatro Real, Madrid Duration: 4 days plus welcome dinner Program Fee: Date: February 19 th - 23 rd, 2018 Academic Co-Directors: Juan Carlos Pastor and Álvaro Cañil
3 FROM CEO TO MAESTRO A Creative Approach to Leadership: Learning from the Maestros A unique experience designed to improve your leadership skills, following the inspiring example of the world s top orchestra conductors. From CEO to Maestro differs completely from any other training that I have done in the past... It made me truly realize that both the team and the leader, one without the other, has no real value. Teams and leaders have to be much more connected to manage all processes successfully. ÁLVARO CORREA, CEO PREBEL Colombia 3 I recommend this program to business leaders who are looking for unconventional ways to better understand their leadership and their impact on the teams and organization. OBINNA ANYABELECHI, Marketing Director Guinness PLC - Nigeria I got to reinforce my relationship skills while learning more about musical conductors and orchestras. Great combination! EDGAR ROBLEDO, COO Banorte - Mexico Participant Profile The program is particularly targeted at, but not limited to: CEOs Divisional Managing Directors General Managers Functional Managers
4 CONTENT The program features stimulating modules, which analyze leadership from diverse points of view. It also includes a visit to the Teatro Real (Royal Opera House), in which we will attend a private rehearsal of Aida, followed by a private conversation with its conductor, Nicola Luisotti. In an exciting and thought-provoking way, we will examine those critical leadership aspects of orchestra conductors that can be applied to business leaders: Direction and Clear Vision, Inspirational Motivation, Teambuilding, Coaching & Development and Systems Thinking. WHAT YOU WILL LEARN: Orchestra Conductors as Leaders A brief history of the art and philosophy of conducting Why are conductors necessary? Conductors leadership styles Discussion of Brief Practical Cases Visionary leadership: Arturo Toscanini Participative leadership: James Conlon Coaching and development: James Levine Inspirational leadership: Riccardo Muti Shared leadership: Orpheus Chamber Orchestra Developing a Strategic Vision Organizational architecture Systems Thinking Analytical versus strategic skills Effective Communication Barriers to communication: defensiveness Feedback and feed-forward Active listening Coaching Power and Influence Bases of power Power dynamics Power in symphonic music and opera productions The conductor vs. the soloist in symphonic music Shifts in power throughout history of the opera Personal Leadership Self-awareness and self-disclosure Leadership and personal change Transformational Leadership Test Authentic Leadership WHAT YOU WILL EXPERIENCE: Conducting a Pianist and a Singer Music Theory 101: How to read music in 30 mins How to analyze a piano-vocal score: excerpts from AIDA (G. Verdi) Practical exercise: conducting a pianist and an opera Singer Conducting a Professional Orchestra How to analyze an orchestral score Experience first-hand the unique opportunity to conduct a symphonic orchestra* Attending a Private Rehearsal at the Teatro Real Attending a private working rehearsal of Verdi s opera AIDA, conducted by Nicola Luisotti and starring Gregory Kunde and Liudmyla Monastyrska A Conversation with the Conductor A conversation with Nicola Luisotti, Music Director of San Francisco Opera A Conversation with the Administrator A conversation with Teatro Real s General Director, Ignacio García-Belenguer *no previous music knowledge is required
5 FROM CEO TO MAESTRO A Creative Approach to Leadership: Learning from the Maestros Academic Team Álvaro Cañil Co-Director, From CEO to Maestro Managing director at High C Music. Adviser to The Metropolitan Opera in New York, U.S.A. Concert producer. Lecturer on opera. M.B.A. New York Universit y, U.S.A. B.A. in Economy, Universidad Autónoma de Madrid, Spain. Juan Carlos Pastor Co-Director, From CEO to Maestro Professor of Leadership, IE Business School Academic Director of the Center for Global Leadership at IE Business School PhD in Organizational Behavior, Universit y of New York at Buffalo, USA. M.A. in Social Psychology, Clark Universit y, USA. B.A. in Psychology, Universidad Autónoma de Madrid, Spain. Fulbright Scholar, Harvard Universit y, USA. Honorary Research Fellow, Lancaster Management School, U.K. 5 Harvey Sachs Renowned Writer and Music Historian. He was an active conductor for over a decade until he decided to give up conducting to devote himself entirely to writing. Professor of the Curtis Institute of Music in Philadelphia. Author of several books including The Ninth: Beethoven and the World in 1824 and the biography of conductor Arturo Toscanini. Co-author of the memoirs of singer/conductor Plácido Domingo and conductor Sir Georg Solti. Author of over 700 articles for The New Yorker, New York Times, Wall Street Journal, Times Literary Supplement (London), La Stampa, and dozens of other newspapers, magazines, literary journals, and record companies. GUEST SPEAKERS Nicola Luisotti. Music Director of San Francisco Opera since 2009 Ignacio García Belenguer. Teatro Real s General Director
6 GUEST SPEAKERS The program features stimulating modules, which analyze leadership from diverse points of view. It also includes a visit to the Teatro Real (Royal Opera House), in which we will attend a private rehearsal of Aida, followed by a private conversation with its conductor, Nicola Luisotti. In an exciting and thought-provoking way, we will examine those critical leadership aspects of orchestra conductors that can be applied to business leaders: Direction and Clear Vision, Inspirational Motivation, Teambuilding, Coaching & Development and Systems Thinking. Nicola Luisotti 6 Music Director of San Francisco Opera since 2009 Has conducted over 40 operas and concerts since his Company debut in Holds the Caroline H. Hume Endowed Chair International credits and critical acclaim include performances with the opera companies of New York s - - Metropolitan Opera, Vienna Staatsoper, Genoa s Teatro Carlo Felice, La Fenice in Venice, Bologna s Teatro Comunale, Bayerische Staatsoper in Munich, Frankfurt, Stuttgart, Dresden, Hamburg, Valencia, Los Angeles Opera, Seattle Opera, and Tokyo s Suntory Hall. Awarded the 39th Premio Puccini Award in conjunction with the historic 100th anniversary of La Fanciulla del West at the Metropolitan Opera, which he conducted in Former music director of the Teatro San Carlo in Naples where he conducted Aida, I Masnadieri, and the Verdi Requiem. In the 2017/18 season, Maestro Luisotti will conduct the San Francisco Opera productions of Turandot and La Traviata. Ignacio García Berlenguer CEO of Teatro Real since 2012 and member of the institution s governing body Vice President of Asociación de Teatros de Ópera de España Member of the Superior Body of Civil State Administrators since 1995 In 2003 he was awarded the Commission of Civil Merit by His Royal Majesty the King Professor, Universidad Carlos III, Universidad Compluntense & Universidad Autonoma de Madrid Master in Public Leadership, IESE Business School Master in Public Policy, Universidad Carlos III de Madrid Graduated in Law, Universidad de Zaragoza
7 FROM CEO TO MAESTRO A Creative Approach to Leadership: Learning from the Maestros AIDA In Aida, the grandiose and the intimate converge as in few other operas: the bloody confrontation between Ethiopians and Egyptians is juxtaposed by the love of Ramadés, Captain of the Egyptian Guard, for Aida, a slave of the Ethiopians. Their love is more powerful than the hatred between the two peoples, their social differences and incompatible perspectives. This love was as solid as the wall which blocked its consummation. Verdi chose this story after rejecting several alternatives with comical or thematic plots to which he could have composed a grand opera. He became hugely involved with the writing of the libretto by Antonio Ghislanzoni, he had collaborated in the revision of La forza del destino. The success of the premiere in the opera house of Cairo, having opened two years previously, was sensational. As part of the Bicentennial celebrations, the Teatro Real pays tribute to its past by recouping part of the scenery of the 1998 production from its repository. Acclaimed at that time, the technical and material complexities have made it impossible to revive until now. Aida returns to the Teatro Real. 7 TEATRO REAL Located in the historic center of Madrid, Teatro Real is regarded as one of the most important cultural institutions in Spain, the theater reopened on 11 October 1997 and has become an internationally acclaimed opera house which showcases leading voices and state-of-the art productions. The Teatro Real is Spain s leading opera house. It is considered to be one of the three most important cultural institutions of the country together with the Museo Nacional del Prado and the Museo Nacional Centro de Arte Reina Sofía. The Teatro Real Foundation is chaired by the King and Queen of Spain. It relies on two public administrations that took part in its creation: the Ministry of Education, Culture and Sport, and the Comunidad de Madrid (Regional Government of Madrid). The Foundation is governed by a Board of 31 trustees. The Board of Trustees elects the President of the Board and the Executive Commission as proposed by the Ministry of Education, Culture and Sport. The Foundation is a public entity and there is an important role played by civil society in its governance and sponsorship. The objective of the Teatro Real is to create a venue for the most talented singers, conductors and stage directors from around the world. Its artistic mission is expressed in programming which seeks excellence by combining classical and contemporary lyrical repertory to appeal to audiences of all ages and interests. Introducing young people and children to opera is of particular concern. All this, along with the Principal Chorus and Orchestra of the Teatro Real, the most up to date technological expertise and the large number of in house productions on stages around the world has firmly positioned the Teatro Real in Spain and abroad.
8 DETAILS REGISTRATION FEES You may register online by going to our website: proceeding to the program s webpage, and clicking on the Register now button on the right-hand side. Once your registration is received, you will be contacted by IE staff to confirm your enrollment. The 5,900 fee covers tuition, course materials, coffee breaks, and lunches throughout the four-day program. Also included are the welcome reception, a special dinner at the Teatro Real, as well as transportation to and from the Teatro Real and the Auditorio Nacional. financial aid IE Business School may be able to help you to finance the program through our financial aid department. To explore opportunities available to you please contact financialaidexed@ie.edu More information on financial aid at IE is available financial-aid. Partial scholarships are also available for exceptional candidates. SPECIAL CONCESSIONS Concessions are available for IE alumni, groups of executives attending from the same organization, participants registering for more than one program, early-bird inscriptions, and other cases. CONTACT JEANETTE HOLYOAK. Associate Director of Admissions jeanette.holyoak@ie.edu Tel.:
9 FROM CEO TO MAESTRO A Creative Approach to Leadership: Learning from the Maestros Why IE BUSINESS SCHOOL Ranked No. 1 in Europe, IE Business School is dedicated to educating business leaders through programs based on its core values of: Eentrepreneurial spirit: Founded in 1973 by entrepreneurs for entrepreneurs, IE places the entrepreneurial and innovative mindset at the heart of its programs, and is home to many startup initiatives such as the Venture Lab, the Spain Startup & Investor Summit, and Wayra. Diversity and global focus: With about 100 nationalities making up its student body, IE provides business education with a global perspective. It supports talent from all over the world from admission to graduation and beyond, and through its Diversity and Equality Commission and its Center for Diversity. Humanities and social responsibility: As Secretariat of the United Nations Global Compact in Spain, IE places positive social impact at the forefront with its Corporate Social Responsibility programs and expert faculty in areas of social entrepreneurship and microfinance, among others. It is also the proud birthplace of organizations such as Net Impact and Emzingo Group. IE Business School is certified by the three most important academic accrediting bodies in the world, guaranteeing high quality and academic rigor in all of its programs. IE Executive Education programs equip managers, entrepreneurs, and leaders with the latest tools, best practices, and skills through interactive and practical sessions. Our programs are designed to enable executives to excel amidst the many and varied challenges they face both today and in the future. IE Business School is recognized by international press as one of the world s top Business Schools. Online MBA Programs 1 st worldwide, March 2017 European Business School 4 th worldwide, December 2016 Master in Finance 8th worldwide, June 2017 Executive MBA Programs 1 st worldwide, October 2015 MBA s 17 th worldwide, July 2015 Non American Business School 4 th worldwide, October 2015 Global MBA Programs 3 rd worldwide, May 2015 MBA Non American Business School 5 th worldwide, October
10 INTERNATIONAL EXECUTIVE PROGRAMS Program Portfolio (List is subject to change) Technology, Analytics & Innovation programs Accelerate: Building Business from Science & Technology From Big Data to New Opportunities Industry programs Effective Management for Security Professionals Digital Innovation in the Travel Industry Marketing, Sales & Communication programs Public Speaking Bootcamp Service Design Workshop FINANCE programs Venture Capital Private Equity Strategic Corporate Finance Unconventional Edges in Finance Strategy & Leadership programs From CEO to Maestro High Impact Leadership Executive Summer School Contacts Visit our website where you can also download the program brochures: Or contact our International Executive Program Manager: Jeanette Holyoak, Associate Director of Admissions Follow us on IE Business School Executive IE Business School Executive Education IE Executive Education IE Business School Executive Education Pinar Madrid. Spain. EU Tel.: Fax:
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