Contexts of Music Analysis

Size: px
Start display at page:

Download "Contexts of Music Analysis"

Transcription

1 Contexts of Music Analysis M9530A Fall 2016 Dr. Catherine Nolan TC ext Mondays 9:30 p.m. 12:30 a.m., TC 340 Office Hours: by appointment Course Description Music analysis resides in many contexts. Scholars and performers of music engage in close readings of musical works with concerns that range from details of the music itself to broader critical, analytical, philosophical, cultural, and historical contexts. Engagement with close readings of musical works offers a significant point of contact between the various specializations in the advanced study of music. The course is organized into six contexts of music analysis that animate the constructive tension between the abstract and concrete, between the general and particular, and between musical organization and musical expression. Interspersed among the six analysis contexts are three analysis excursions that shift attention from the philosophical and phenomenological to the application of the various contexts of music analysis to diverse musical works and repertoires. This course is directed to graduate students in all music programs. Course Objectives / Learning Outcomes Develop a critical understanding of the dialectics of musical organization and expression. Engage in current philosophical debates on the topic of music analysis and meaning in various musical genres and repertoires. Articulate and expand the role of music analysis in students academic and creative work. Course Requirements Weekly reading (and listening) assignments Participation in class discussions Page 1 of 7

2 Report on one supplementary reading Three reflection postings to online forum (c words each; details to be provided) Final project presentation Final project paper Evaluation Attendance and participation in discussions of 20% assigned readings Supplementary reading report 5% Reflection postings 30% Final project presentation 10% Final project paper 35% Due Dates Reflection posting on Context 1 11:59 pm Thursday, Sept. 22 Reflection posting on Context 2 11:59 pm Thursday, Sept. 29 Reflection posting on Context 3 11:59 pm Thursday, Oct. 20 Reflection posting on Context 4 11:59 pm Thursday, Oct. 27 Reflection posting on Context 5 11:59 pm Thursday, Nov. 10 Reflection posting on Context 6 11:59 pm Thursday, Nov. 17 Final project paper: Dec. 15 Mandatory statements Academic Offences: Scholastic offences are taken seriously and students are directed to read the appropriate policy, specifically, the definition of what constitutes a Scholastic offence, as found at Health and Wellness: As part of a successful graduate student experience at Western, we encourage students to make their health and wellness a priority. Western provides several oncampus health-related services to help students achieve optimum health and engage in healthy living while pursuing a graduate degree. Students seeking help regarding mental health concerns are advised to speak to someone in whom they feel comfortable confiding, such as a faculty supervisor, a program advisor, or the Associate Dean (Graduate Studies). Campus mental health resources may be found at Page 2 of 7

3 Contexts of Music Analysis M9530B Fall 2016 Schedule of Topics Summary (Details below) Date Sept. 12 Sept. 19 Sept. 26 Oct. 3 Oct. 17 Oct. 24 Topic Introduction: Setting the Context(s) Context 1:The Musical Work Ontology and Autonomy Context 2: Aesthetic Categories of Formalism and Referentialism Analysis Excursion: Structure and Drama in Mozart Context 3: Musical Form and Experience Context 4: Musical Unity and Disunity Oct. 31 Analysis Excursion: Structure and Narrative in Franz Schubert, Piano Sonata D. 960, 1 st movement Nov. 7 Nov. 14 Nov. 21 Nov. 28 Dec. 5 Context 5: Dialectics of Structure and Subjectivity Context 6: Music Analysis and Meaning Analysis Excursion: Close Reading, Numerology, and Symbolism in George Crumb, Black Angels Epilogue: Music Analysis and Imagination Student Presentations Student Presentations Page 3 of 7

4 Contexts of Music Analysis M9530A Fall 2016 Syllabus Below is the preliminary schedule the readings assigned for class discussion each week. A separate list of supplementary readings will be provided at the beginning of the course and added to this schedule. It is expected that each student will give a 15- to 20-minute presentation on one supplementary reading. The due dates for the six reflection postings are indicated and highlighted below. Date Topic and Readings 12 September Introduction: Setting the Context(s) Cook, Nicholas. What Does Musical Analysis Tell Us? In A Guide to Musical Analysis, New York: George Braziller, September Context 1: The Musical Work Ontology and Autonomy Ingarden, Roman. Ontology of the Work of Art. Translated by Raymond Meyer with John T. Goldthwait. Athens, Ohio: Ohio University Press, Chapters 1, 2, and 3 (pp. 7 26), The Musical Work and Its Performances, The Musical Work and Mental Experiences, and The Musical Work and the Score. Samson, Jim. The Musical Work and Nineteenth-Century History. In The Cambridge History of Nineteenth-Century Music, edited by Jim Samson, Cambridge: Cambridge University Press, Strohm, Reinhard. Looking Back at Ourselves: The Problem with the Musical Work-Concept. In The Musical Work: Reality or Invention?, edited by Michael Talbot, Liverpool: Liverpool University Press, Treitler, Leo. History and Ontology of the Musical Work. Journal of Aesthetics and Art Criticism 51.3 (1993): Thursday 22 September: Reflection post on Context 1 due in OWL forum (by 11:59 pm) 26 September Context 2: Aesthetic Categories of Formalism and Referentialism Ferrara, Nicholas. Philosophy and the Analysis of Music: Bridges to Musical Sound, Form, and Reference. New York: Greenwood Press, Ch. 1 (pp. 3 30), Referential Meaning in Music. Page 4 of 7

5 Hooper, Giles. An Incomplete Project: Modernism, Formalism, and the Music Itself. Music Analysis 23.ii-iii (2004): Kivy, Peter. Introduction to a Philosophy of Music. Oxford University Press, Ch. 5 (pp ), Formalism. Thursday 29 September: Reflection post on Context 2 due in OWL forum (by 11:59 pm) 3 October Analysis Excursion: Structure and Drama in Mozart Abbate, Carolyn and Roger Parker. Dismembering Mozart. Cambridge Opera Journal 2.2 (1990): Platoff, John. Myths and Realities About Tonal Planning in Mozart s Operas. Cambridge Opera Journal 8.1 (1996): Suurpää, Lauri. Form, Structure, and Musical Drama in Two Mozart Expositions. Journal of Music Theory 50.2 (2006): Please study and listen closely to the following works by Mozart: The Marriage of Figaro, Overture and opening Figaro/Susanna duet The Marriage of Figaro, Act II Symphony K. 550, 2 nd movement String Quintet K. 516, 1 st movement 10 October No meeting Thanksgiving 17 October Context 3: Musical Form and Experience Cook, Nicholas. Musical Form and the Listener. Journal of Aesthetics and Art Criticism 46.1 (1987): Higgins, Kathleen Marie. The Music of Our Lives. Lanham, Maryland: Lexington Books, Ch. 2 (pp ), The Many Faces of Form. Lidov, David. Is Language a Music?: Writings on Musical Form and Signification. Bloomington, IN: Indiana University Press, Chapter 8 (pp ), Mind and Body in Music. Thursday 20 October: Reflection post on Context 3 due in OWL forum (by 11:59 pm) 24 October Context 4: Musical Unity and Disunity Korsyn, Kevin. The Death of Musical Analysis? The Concept of Unity Revisited. Music Analysis 23.2/3 (2004): Leydon, Rebecca. Debussy s Late Style and the Devices of the Early Silent Cinema. Music Theory Spectrum 23.2 (2001): Morgan, Robert. The Concept of Unity and Musical Analysis. Music Analysis 22.1/2 (2003): Page 5 of 7

6 Thursday 27 October: Reflection post on Context 4 due in OWL forum (by 11:59 pm) 31 October Analysis Excursion: Franz Schubert, Piano Sonata D. 960, 1 st movement Cohn, Richard. As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert. 19 th -Century Music 22.3 (1999): Fisk, Charles. What Schubert s Last Sonata Might Hold. In Music and Meaning, edited by Jenefer Robinson, Ithaca: Cornell University Press, Marsten, Nicholas. Schubert s Homecoming. Journal of the Royal Musical Association (2000): Become very familiar with Schubert s posthumous sonata, D. 960, 1 st movement, before and as you complete the readings. 7 November Context 5: Dialectics of Structure and Subjectivity Cumming, Naomi. The Horrors of Identification: Reich s Different Trains. Perspectives of New Music 35.1 (1997): Kramer, Lawrence. The Mysteries of Animation: History, Analysis and Musical Subjectivity. Music Analysis 20.2 (2001): Williams, Alistair. Torn Halves: Structure and Subjectivity in Analysis. Music Analysis 17.3 (1998): Become familiar with Steve Reich s Different Trains. (It is not necessary to work with the score.) Thursday 10 November: Reflection post on Context 5 due in OWL forum (by 11:59 pm) 14 November Context 6: Music Analysis and Meaning Cook, Nicholas. Theorizing Musical Meaning. Music Theory Spectrum 23.2 (2001): Hatten, Robert. The Troping of Temporality in Music. In Approaches to Meaning in Music, edited by Byron Almén and Edward Pearsall, Bloomington: Indiana University Press, Newcomb, Anthony. Schumann and Late Eighteenth-Century Narrative Strategies. 19 th -Century Music 11.2 (1987): Thursday 17 November: Reflection post on Context 6 due in OWL forum (by 11:59 pm) 21 November Analysis excursion: Close Reading, Numerology, and Symbolism in George Crumb, Black Angels Adamenko, Victoria. George Crumb s Channels of Mythification. American Music 23.3 (2005): Page 6 of 7

7 Johnston, Blair. Between Romanticism and Modernism and Postmodernism: George Crumb s Black Angels. Music Theory Online 18.2 (June 2012). Leydon, Rebecca. Clean as a Whistle: Timbral Trajectories and the Modern Musical Sublime. Music Theory Online 18.2 (June 2012). Become familiar with Black Angels as you complete the readings, and bring a score to class. 28 November Epilogue: Music Analysis and Imagination (and possibly final project presentations) Almén, Byron and Robert S. Hatten. Narrative Engagement With Twentieth-Century Music: Possibilities and Limits. In Music And Narrative Since 1900, edited by Michael L. Klein and Nicholas Reyland, Bloomington: Indiana University Press, Walton, Kendall. Listening with Imagination: Is Music Representational? Journal of Aesthetics and Art Criticism 52.1 (1994): December Final Project Presentations Page 7 of 7

Figure 1 Definitions of Musical Forces from Larson (2012) Figure 2 Categories of Intentionality

Figure 1 Definitions of Musical Forces from Larson (2012) Figure 2 Categories of Intentionality 1 Intentional Actions: Identifying Musical Agents in Schubert s Piano Sonata in A, D. 959 John Peterson peter2jr@jmu.edu James Madison University SMT 2014 (Milwaukee, WI) Figure 1 Definitions of Musical

More information

Course Description Learning outcomes

Course Description Learning outcomes Don Wright Faculty of Music Western University Symphony Orchestra 2018-2019 Music 1901, 2901, 3901, 4901 /9528 Time: Tuesday and Thursday, 3:30-5:30pm, MB 27 Conductors: Simone Luti and Tyrone Paterson

More information

Studies in Transformational Theory

Studies in Transformational Theory Studies in Transformational Theory M9520B Dr. Catherine Nolan cnolan@uwo.ca Tuesdays, 1:30 4:30 p.m. TC 340 Overview Transformational theory refers to a branch of music theory whose origins lie in the

More information

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS

MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS ECU MUSC 2208 299 (2002/03 F) Meets Tu Th at 14:00 in 200 Fletcher 201 Fletcher / (252) 328-1250 / mollk@mail.ecu.edu MUSIC APPRECIATION Survey of Western Art Music COURSE SYLLABUS ONLINE VERSION: http://core.ecu.edu/music/mollk/

More information

American University of Beirut, Fall Term 2015/2016 ENGL 217 The Novel Dr. Sonja Mejcher-Atassi critically engage analyze

American University of Beirut, Fall Term 2015/2016 ENGL 217 The Novel Dr. Sonja Mejcher-Atassi critically engage analyze DRAFT American University of Beirut, Fall Term 2015/2016 ENGL 217 The Novel Dr. Sonja Mejcher-Atassi Class Times: TR 9:30-10:45 Room: Fisk 339 Office: Fisk 345 Office Hours: TR 11-12:30 or by appointment

More information

Harvard University Extension School

Harvard University Extension School Harvard University Extension School MUSIC E-l04 First Nights: Five Performance Premieres Monday and Wednesday (and one Friday), 10:00 a.m. Sanders Theater Professor Thomas Forrest Kelly Music Building

More information

MUSIC APPRECIATION FALL 2003 Music 1003

MUSIC APPRECIATION FALL 2003 Music 1003 MUSIC APPRECIATION FALL 2003 Music 1003 INSTRUCTOR: Dr. Steve Cooper Office BH 2310 NWACC scooper@nwacc.edu 1 College Drive fax: 479/619-4290 Bentonville, AR 72712 479/619-4261 OFFICE HOURS: Mon/Wed 11-1:45,

More information

APPLIED PIANO SYLLABUS

APPLIED PIANO SYLLABUS APPLIED PIANO SYLLABUS General Requirements for all Applied Piano Students: Students will schedule lessons with their individual instructor. Students will need to acquire their own copies of the music

More information

MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna

MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna MS 402 MUSIC FROM THE CLASSICAL PERIOD TO THE 20TH CENTURY IES Abroad Vienna DESCRIPTION: An overview of musical style and its intersections with the culture of Late Modern Europe and the Americas (ca.

More information

MUS 502: PROSEMINAR IN TONAL ANALYSIS FALL 2017

MUS 502: PROSEMINAR IN TONAL ANALYSIS FALL 2017 MUS 502: PROSEMINAR IN TONAL ANALYSIS FALL 2017 Thursdays 1:00 4:00, Staller Center 2318 Instructor: August Sheehy Email: august.sheehy@stonybrook.edu Office Hours: Monday 4:00 5:00 in Staller Center 3328

More information

St. Cecilia Singers Gloria Gassi,Conductor

St. Cecilia Singers Gloria Gassi,Conductor WESTERN UNIVERSITY Don Wright Faculty of Music COURSE OUTLINE Welcome to St. Cecilia Singers St. Cecilia Singers is a vibrant choral ensemble of women s voices joining together to make beautiful music!

More information

MHST 336 PHIL 231. Philosophy of Music

MHST 336 PHIL 231. Philosophy of Music MHST 336 PHIL 231 Philosophy of Music Instructors: James O Leary, Kohl 322, jolearly@oberlin.edu Katherine Thomson Jones, King 120D, kthomson@oberlin.edu Office Hours: Thomson Jones, King 120D: Monday,

More information

History 2611E- Survey of Korean History M 1:30-3:30 PM

History 2611E- Survey of Korean History M 1:30-3:30 PM The University of Western Ontario Department of History History 2611E- Survey of Korean History M 1:30-3:30 PM Instructor: Carl Young Office: LH 2225 Office Hours: M 10:30-11:30, T 10:00-11:00 Telephone:

More information

English 495: Romanticism: Criticism and Theory

English 495: Romanticism: Criticism and Theory English 495: Romanticism: Criticism and Theory Tuesdays and Thursdays 2-3.40pm, Morrison 210 Keene State College, Fall 2008 Dr. William Stroup Office: Parker 102, office phone: 358-2692, email wstroup@keene.edu

More information

History 2611E- Survey of Korean History Wednesday 1:30-3:30 PM

History 2611E- Survey of Korean History Wednesday 1:30-3:30 PM The University of Western Ontario Department of History History 2611E- Survey of Korean History Wednesday 1:30-3:30 PM Instructor: Carl Young Office: LwH 2225 Office Hours: W 3:30-5:30 PM Telephone: 661-2111,

More information

Music and Emotions. 482 Abstracts

Music and Emotions. 482 Abstracts 482 Abstracts JENEFER ROBINSON Music and Emotions Ever since Plato people have thought that there is an especially intimate relationship between music and the emotions, but in fact there are several such

More information

Functional Piano MUSI 1181 Mondays & Wednesdays FALL 2018

Functional Piano MUSI 1181 Mondays & Wednesdays FALL 2018 Functional Piano MUSI 1181 Mondays & Wednesdays FALL 2018 Name: Carolyn Savko Office Number: Music 367F Office Telephone Number: 817-272-5132 Email Address: savko@uta.edu Office Hours: See Instructor for

More information

Music in Film. Module Outline Leeds International Summer School

Music in Film. Module Outline Leeds International Summer School Music in Film Module Outline Leeds International Summer School Module Overview This module offers an introduction to the history of film scoring from the silent era through to the present. The function

More information

Anthony Donaldson, Jr Office Hours- Keene-Flint Hall 213- W 12:00-1:50 P.M. and by appointment History Department

Anthony Donaldson, Jr Office Hours- Keene-Flint Hall 213- W 12:00-1:50 P.M. and by appointment History Department AMH 2020- Section 107A- Fall 2017 Monday, Wednesday, and Friday American History Survey 1865- Present Anthony Donaldson, Jr Office Hours- Keene-Flint Hall 213- W 12:00-1:50 P.M. and by appointment History

More information

Art of Listening (MUAR ) p. 1

Art of Listening (MUAR ) p. 1 Art of Listening MUAR 211, Section 001 McGill University Fall 2014 Class Meetings Monday & Wednesday: 4:35-5:55 p.m., Adams Auditorium Professor Dr. Jerry Cain New Music Building, room A622 Office Hours:

More information

ENG 6077 LITERARY THEORY: FORMS

ENG 6077 LITERARY THEORY: FORMS ENG 6077 LITERARY THEORY: FORMS The Owl s Specters: The (Re)turn to Hegel in Contemporary Theory r- Professor Phillip Wegner Monday 6-8 (12:50-3:50 p.m.) Turlington 4112 Office: Turlington 4115 Office

More information

Welcome to MUCT 2210 Exploring Classical Music

Welcome to MUCT 2210 Exploring Classical Music Bowling Green State University Exploring Classical Music, MUCT 2210 Monday and Wednesday, 3:30-4:45 Room 1002, Moore Musical Arts Instructor: Dr. Mary Natvig, mnatvig@bgsu.edu Office Hours TBA (please

More information

Lewis-Clark State College MUS Music in Early Childhood - ONLINE 3.0 Credits

Lewis-Clark State College MUS Music in Early Childhood - ONLINE 3.0 Credits Lewis-Clark State College MUS 392-60 Music in Early Childhood - ONLINE 3.0 Credits Instructor: Dr. Sarah J. Graham Office: Music Building, Room 3 (corner of 7 th Street & 11 th Ave) Phone: 208.792.2334

More information

History of Western Music III

History of Western Music III History of Western Music III Course Material: Course Code MSC 273 Fall 2011 2012 Tuesday 13:40-15:30, Friday 8:40-10:30 Onur Türkmen Room 325 Phone: 0 530 403 88 06 e-mail: oturkmen@bilkent.edu.tr J. Peter

More information

MUSIC 105, MUSIC APPRECIATON - Section Syllabus and Orientation Letter

MUSIC 105, MUSIC APPRECIATON - Section Syllabus and Orientation Letter MUSIC 105, MUSIC APPRECIATON - Section 12211 Syllabus and Orientation Letter Instructor: Bernardo Feldman. Born in Mexico City Dr. Feldman attended there the Conservatorio Nacional de Musica before traveling

More information

NEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to:

NEW HAMPSHIRE TECHNICAL INSTITUTE. After successfully completing the course, the student will be able to: NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to

More information

Graduate Conducting Classical Spring 2013 Syllabus MUS

Graduate Conducting Classical Spring 2013 Syllabus MUS Graduate Conducting Classical Spring 2013 Syllabus MUS 552-100 Instructor Randall Hooper Office: Music Building 196 Phone: 903-886-5284 Email: randall.hooper@tamuc.edu Course Purpose Intended for graduate

More information

DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2015 MU2550 A2 MUSIC THEORY III MW 10:00-11:20AM, L228

DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2015 MU2550 A2 MUSIC THEORY III MW 10:00-11:20AM, L228 DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2015 MU2550 A2 MUSIC THEORY III MW 10:00-11:20AM, L228 INSTRUCTOR: Mathew Walton OFFICE: L117 PHONE: 780-539-2837 (email preferred) E-MAIL: mwalton@gprc.ab.ca

More information

LIBERAL ARTS COLLEGE FALL 2017 LBCL 392. History of Music in Western Civilization: Classical to Modern

LIBERAL ARTS COLLEGE FALL 2017 LBCL 392. History of Music in Western Civilization: Classical to Modern LIBERAL ARTS COLLEGE FALL 2017 LBCL 392 History of Music in Western Civilization: Classical to Modern Section A: Tuesday 6:00-8:15 p.m. Professor: Geoffrey Fidler The Music seminars cover the European/Western

More information

Expected Competencies:

Expected Competencies: Ohio University, Course Schedule And Syllabus - Music 1010: Music Theory I - Fall 2014 Class Number: 6635 Section: 101 Time & location: 9:40 10:35 A.M. Room 550 Instructor: C. Scott Smith E-mail: ssmith4@ohio.edu

More information

HIST377: History of Russia, From the Beginnings Until the End of the 18 th Century

HIST377: History of Russia, From the Beginnings Until the End of the 18 th Century The College of William and Mary Department of History Fall 2009 HIST377: History of Russia, From the Beginnings Until the End of the 18 th Century Dr. Frederick Corney email: fccorn@wm.edu Office: James

More information

Isabel Hernández Gomariz University of Córdoba

Isabel Hernández Gomariz University of Córdoba Isabel Hernández Gomariz University of Córdoba Introduction 1. Theoretical Background and Hypotheses 1.1. Theoretical background 1.2. Hypotheses and research questions 2. The metaphorical basis of musical

More information

Violin/Viola Studio Lessons Music 233/234t

Violin/Viola Studio Lessons Music 233/234t Violin/Viola Studio Lessons Music 233/234t Karen Davy 826-5439 Karen.Davy@humboldt.edu Office Hours: as posted on office door or by appointment Course Description: Individual instruction on the violin/viola.

More information

APPLIED MUSIC INSTRUCTION IN OBOE Revised August 13, 2016

APPLIED MUSIC INSTRUCTION IN OBOE Revised August 13, 2016 WESTERN UNIVERSITY DON WRIGHT FACULTY OF MUSIC APPLIED MUSIC INSTRUCTION IN OBOE Revised August 13, 2016 Applied Principal Instrument course information for x920, x925, 2921, 3921, 3922, 3924y, 3929, 4921,

More information

None DEREE COLLEGE SYLLABUS FOR: PH 4028 KANT AND GERMAN IDEALISM UK LEVEL 6 UK CREDITS: 15 US CREDITS: 3/0/3. (Updated SPRING 2016) PREREQUISITES:

None DEREE COLLEGE SYLLABUS FOR: PH 4028 KANT AND GERMAN IDEALISM UK LEVEL 6 UK CREDITS: 15 US CREDITS: 3/0/3. (Updated SPRING 2016) PREREQUISITES: DEREE COLLEGE SYLLABUS FOR: PH 4028 KANT AND GERMAN IDEALISM (Updated SPRING 2016) UK LEVEL 6 UK CREDITS: 15 US CREDITS: 3/0/3 PREREQUISITES: CATALOG DESCRIPTION: RATIONALE: LEARNING OUTCOMES: None The

More information

COURSE SYLLABUS. He psuche ta onta pos esti panta. Aristotle, De Anima 431 b21

COURSE SYLLABUS. He psuche ta onta pos esti panta. Aristotle, De Anima 431 b21 1 COURSE SYLLABUS COURSE TITLE: Aristotle s De Anima: A Phenomenological Reading COURSE/SECTION: PHL 415/101 CAMPUS/TERM: LPC, Fall 2017 LOCATION/TIME: McGowan South 204, TH 3:00-6:15pm INSTRUCTOR: Will

More information

HISTORY 330/430 British Imperialism Fall 2017

HISTORY 330/430 British Imperialism Fall 2017 HISTORY 330/430 British Imperialism Fall 2017 This upper-level research seminar explores the history of the British Empire from its founding in the 16 th and 17 th centuries to its dissolution after the

More information

CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011

CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS FALL 2011 CARNEGIE MELLON UNIVERSITY SCHOOL OF MUSIC FORM AND ANALYSIS 57408 FALL 2011 Class times: Tuesday, Thursday 9:30-10:20, MM #127 Tuesday, Thursday 10:30-11:20, MM #127 INSTRUCTOR Dr. Marilyn Taft Thomas

More information

PH th Century Philosophy Ryerson University Department of Philosophy Mondays, 3-6pm Fall 2010

PH th Century Philosophy Ryerson University Department of Philosophy Mondays, 3-6pm Fall 2010 PH 8117 19 th Century Philosophy Ryerson University Department of Philosophy Mondays, 3-6pm Fall 2010 Professor: David Ciavatta Office: JOR-420 Office Hours: Wednesdays, 1-3pm Email: david.ciavatta@ryerson.ca

More information

PH 8122: Topics in Philosophy: Phenomenology and the Problem of Passivity Fall 2013 Thursdays, 6-9 p.m, 440 JORG

PH 8122: Topics in Philosophy: Phenomenology and the Problem of Passivity Fall 2013 Thursdays, 6-9 p.m, 440 JORG PH 8122: Topics in Philosophy: Phenomenology and the Problem of Passivity Fall 2013 Thursdays, 6-9 p.m, 440 JORG Dr. Kym Maclaren Department of Philosophy 418 Jorgenson Hall 416.979.5000 ext. 2700 647.270.4959

More information

Music 554 Music Literature: Orchestral Orchestral Literature San Diego State University Fall Semester 2013 MW 1:00-1:50, Music Room 261

Music 554 Music Literature: Orchestral Orchestral Literature San Diego State University Fall Semester 2013 MW 1:00-1:50, Music Room 261 Music 554 Music Literature: Orchestral Orchestral Literature Fall Semester 2013 MW 1:00-1:50, Music Room 261 Course Syllabus Instructor: Prof. Michael Gerdes Office: Music 222 Phone: (619) 594-4681 Office

More information

Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL Course Number, Section Number, and Course Title: MUSI 1180 Functional Piano

Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL Course Number, Section Number, and Course Title: MUSI 1180 Functional Piano Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL 2018 Name: Carolyn Savko Office Number: Music 367F Office Telephone Number: 817-272-5132 Email Address: savko@uta.edu Office Hours: See Instructor

More information

The University of Georgia CLAS 4300/6300. Ancient Daily Life. Tu/Th 5:00-6:15, SLC 207

The University of Georgia CLAS 4300/6300. Ancient Daily Life. Tu/Th 5:00-6:15, SLC 207 The University of Georgia CLAS 4300/6300 Ancient Daily Life Tu/Th 5:00-6:15, SLC 207 Instructor: Dr. Erika T. Hermanowicz Term: Fall, 2008 Telephone: 542-7466 Office: Park Hall 237 E-mail: erikat@uga.edu

More information

SCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC* GENRE & STYLE IN WESTERN ART MUSIC

SCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC* GENRE & STYLE IN WESTERN ART MUSIC SCHOOL OF FINE ARTS AND MUSIC Fall Semester 2015 MUSC*2330-01 GENRE & STYLE IN WESTERN ART MUSIC INSTRUCTOR: Dr. Colleen Renihan TIME: Tuesday & Thursday; 2:30-3:50pm LOCATION: MacKinnon Building, Rm.

More information

Level 4 Level 5 X Level 6 Level 7 Level 8 Mark the box to the right of the appropriate level with an X

Level 4 Level 5 X Level 6 Level 7 Level 8 Mark the box to the right of the appropriate level with an X MODULE SPECIFICATION TEMPLATE MODULE DETAILS Module title British Television Drama Module code HD524 Credit value 20 Level Level 4 Level 5 X Level 6 Level 7 Level 8 Mark the box to the right of the appropriate

More information

Music Department Conrad Grebel University College University of Waterloo Music 362: Piano Literature

Music Department Conrad Grebel University College University of Waterloo Music 362: Piano Literature Instructor: Catherine Robertson Music Department Conrad Grebel University College University of Waterloo Music 362: Piano Literature Winter, 2018 Contact: 885-0220 x24228, crobertson@uwaterloo.ca Lectures:

More information

Dr. Tracy Stephenson Shaffer Office: 128 Coates Hall Office Hours: Wednesday 10:30-11:30 or by appointment

Dr. Tracy Stephenson Shaffer   Office: 128 Coates Hall Office Hours: Wednesday 10:30-11:30 or by appointment CMST 3013: Topics in Film Focus: The Horror Genre Department of Communication Studies Fall 2018 MWF 12:30-1:20 (Coates 220) Lab Wednesday 6-8:50 pm (Coates 214) Dr. Tracy Stephenson Shaffer E-mail: tsteph3@lsu.edu

More information

"The mind is a fire to be kindled, not a vessel to be filled." Plutarch

The mind is a fire to be kindled, not a vessel to be filled. Plutarch "The mind is a fire to be kindled, not a vessel to be filled." Plutarch -21 Special Topics: Music Perception Winter, 2004 TTh 11:30 to 12:50 a.m., MAB 125 Dr. Scott D. Lipscomb, Associate Professor Office

More information

LISS1015 Music in Film

LISS1015 Music in Film Leeds International Summer School STUDY ABROAD OFFICE LISS1015 Music in Film Module leader: Dr Ian Sapiro Email: i.p.sapiro@leeds.ac.uk Module summary Since the Lumière brothers screened the first moving

More information

Theory and Criticism 9500A

Theory and Criticism 9500A Theory and Criticism 9500A Instructor: John Vanderheide Office: A203 (Huron University College) Office Hours: Thursdays 11:30-12:30 or by appt. Classes: Fridays 10:00 a.m.-1:00 p.m. Course Description:

More information

A Topical Exploration of the Jazz Messengers 1963 Recording One by One

A Topical Exploration of the Jazz Messengers 1963 Recording One by One A Topical Exploration of the Jazz Messengers 1963 Recording One by One Daniel J. Thompson Florida State University Society for Music Theory Joint Annual Meeting with the American Musicological Society

More information

LT218 Radical Theory

LT218 Radical Theory LT218 Radical Theory Seminar Leader: James Harker Course Times: Mondays and Wednesdays, 14:00-15:30 pm Email: j.harker@berlin.bard.edu Office Hours: Mondays and Wednesdays, 11:00 am-12:30 pm Course Description

More information

University of Western Ontario Department of History Fall THE HISTORY OF AVIATION IN CANADA History 2215F

University of Western Ontario Department of History Fall THE HISTORY OF AVIATION IN CANADA History 2215F University of Western Ontario Department of History Fall 2012 THE HISTORY OF AVIATION IN CANADA History 2215F Instructor: Dr. Jeffery Vacante Lectures: Weds. 1:30-3:30 Email: jvacant2@uwo.ca in P&AB-106

More information

DEPARTMENT OF FINE ARTS

DEPARTMENT OF FINE ARTS DEPARTMENT OF FINE ARTS COURSE OUTLINE MU2250 APPLIED MUSIC II VOICE FALL 2015, WINTER, 2016 INSTRUCTOR: John Murray BMus, PHONE: (780) 539-2812 (Hon), MMus OFFICE: L114, L213 E-MAIL: jmurray@gprc.ab.ca

More information

NEW HAMPSHIRE TECHNICAL INSTITUTE

NEW HAMPSHIRE TECHNICAL INSTITUTE NEW HAMPSHIRE TECHNICAL INSTITUTE Title: FA105 Introduction to Music Credit Hours: Total Contact Hours: 3 Instructor: Susan K. Kinne skinne@ccsnh.edu Course Syllabus Course Description Introduction to

More information

UNIVERSITY OF WESTERN ONTARIO DEPARTMENT OF HISTORY. Russia and Ukraine: Past and Present HIS 2423G

UNIVERSITY OF WESTERN ONTARIO DEPARTMENT OF HISTORY. Russia and Ukraine: Past and Present HIS 2423G UNIVERSITY OF WESTERN ONTARIO DEPARTMENT OF HISTORY Russia and Ukraine: Past and Present HIS 2423G BRIEF SYLLABUS Winter 2016 Time: Wednesday 4:00 6:00 Instructor: Prof. Marta Dyczok Classroom: TBA Office:

More information

Musical Meaning and String Quartets

Musical Meaning and String Quartets Dawson Musical Meaning and String Quartets 1 Musical Meaning and String Quartets Prof. Michael Dawson, Department of Psychology, University of Alberta Mendelssohn Op. 44 No. 1 Felix Mendelssohn s mature

More information

DEPARTMENT OF FINE & PERFORMING ARTS Madrigals Curriculum Map

DEPARTMENT OF FINE & PERFORMING ARTS Madrigals Curriculum Map Course of Study - Unit Summary Unit Content Duration Time Frame Unit 1 Vocal Music Ensemble Procedures 1 week September Unit 2 Vocal Music Ensemble Techniques 4 Weeks September-October Unit 3 Ensemble

More information

A&M Commerce Graduate Conducting Romantic and Contemporary Spring 2019 Syllabus MUS

A&M Commerce Graduate Conducting Romantic and Contemporary Spring 2019 Syllabus MUS A&M Commerce Graduate Conducting Romantic and Contemporary Spring 2019 Syllabus MUS 552-100 Instructor Randall Hooper Office: Music Building 196 Phone: 903-886-5284 Email: randall.hooper@tamuc.edu Course

More information

HISTORY OF THE PEOPLE S REPUBLIC OF CHINA, 1949 TO THE PRESENT 1

HISTORY OF THE PEOPLE S REPUBLIC OF CHINA, 1949 TO THE PRESENT 1 History 342 Fall 2011 University of Wisconsin-Madison MWF 2:25-3:15pm Grainger 1280 Professor: Dr. Shelly Chan pchan4@wisc.edu; 608-263-1837; box 4015 Office Hours: W 11-12, F 12:30-1:30, and by appointment;

More information

Harvard University Literature and Arts B-51 FIRST NIGHTS. Fall Monday and Wednesday (and one Friday), 10:00 a.m.

Harvard University Literature and Arts B-51 FIRST NIGHTS. Fall Monday and Wednesday (and one Friday), 10:00 a.m. Harvard University Literature and Arts B-51 FIRST NIGHTS Fall 2006 Monday and Wednesday (and one Friday), 10:00 a.m. Sanders Theater Professor Thomas Forrest Kelly Music Building 203S tkelly@fas 495-2791

More information

MUSIC 337: CONDUCTING COURSE SYLLABUS Fall, Appropriate conducting technique with and without a baton.

MUSIC 337: CONDUCTING COURSE SYLLABUS Fall, Appropriate conducting technique with and without a baton. Dr. Stephen Bolster Jessica French, TA MUSIC 337: CONDUCTING COURSE SYLLABUS Fall, 2009 DESCRIPTION This is a course in basic conducting technique appropriate for conducting instrumental and/or vocal ensembles.

More information

Course Website: You will need your Passport York to sign in, then you will be directed to POLS course website.

Course Website:   You will need your Passport York to sign in, then you will be directed to POLS course website. POLS 3040.6 Modern Political Thought 2010/11 Course Website: http://moodle10.yorku.ca You will need your Passport York to sign in, then you will be directed to POLS 3040.6 course website. Class Time: Wednesday

More information

Syllabus CWiC, Fall 2015

Syllabus CWiC, Fall 2015 ENGL 002.401/COML 002.401 Literature & Science: Darwin and Other Anxieties Fall 2015 Kaushik Ramu, kaushikr@sas.upenn.edu M30 Rodin House TR 10:20 to 12:00 Some claim Darwin s theory of evolution is outrageous;

More information

English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring

English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring 2015-16 From the fourteenth to the seventeenth centuries, the development of English literature

More information

History 2605E: Survey of Japanese History Wednesday 11:30 AM-1:30 PM

History 2605E: Survey of Japanese History Wednesday 11:30 AM-1:30 PM The University of Western Ontario Department of History History 2605E: Survey of Japanese History Wednesday 11:30 AM-1:30 PM Instructor: Carl Young Office: LwH 2225 Office Hours: Wednesdays 1:30-3:30 Telephone:

More information

GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY

GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS MUSIC THEORY All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required

More information

UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC

UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC UNDERGRADUATE MUSIC THEORY COURSES INDIANA UNIVERSITY JACOBS SCHOOL OF MUSIC CONTENTS I. Goals (p. 1) II. Core Curriculum, Advanced Music Theory courses, Music History and Literature courses (pp. 2-3).

More information

Emotions from the Perspective of Analytic Aesthetics

Emotions from the Perspective of Analytic Aesthetics 472 Abstracts SUSAN L. FEAGIN Emotions from the Perspective of Analytic Aesthetics Analytic philosophy is not what it used to be and thank goodness. Its practice in the late Twentieth and early Twenty-first

More information

Music Department Conrad Grebel College University of Waterloo. MUSIC 362: Piano Literature Winter 2015

Music Department Conrad Grebel College University of Waterloo. MUSIC 362: Piano Literature Winter 2015 Music Department Conrad Grebel College University of Waterloo MUSIC 362: Piano Literature Winter 2015 INSTRUCTOR: Catherine Robertson Conrad Grebel College 885-0220 x24228 cathmar@sympatico.ca LECTURES:

More information

LIBERAL ARTS COLLEGE LBCL 393: Modes of Expression and Interpretation II. ATTENDANCE IS REQUIRED Section A: MW 14:45-16:00 I.

LIBERAL ARTS COLLEGE LBCL 393: Modes of Expression and Interpretation II. ATTENDANCE IS REQUIRED Section A: MW 14:45-16:00 I. LIBERAL ARTS COLLEGE 2017-2018 LBCL 393: Modes of Expression and Interpretation II ATTENDANCE IS REQUIRED Section A: MW 14:45-16:00 I. Djordjevic Section B: MW 16:15-17:30 K. Streip A pattern of non-attendance

More information

School of Professional Studies

School of Professional Studies School of Professional Studies Course No. & Title: MUSC 121 IDDL1, Music Appreciation-Western Semester and Term: FALL 2017 Day and Dates: August 28 October 21, 2017 Time: online Campus Location: Distant

More information

General Examination in Theory. August 2007

General Examination in Theory. August 2007 General Examination in Theory August 2007 (Monday, 8/20, 9 a.m.-noon) 1. Theoretical Systems (Monday, 8/20, 2-5 p.m.) 2. History of Music Theory (Wednesday, 8/22, 9 a.m.-noon) 3. Topic 1: Cognitive approaches

More information

Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45

Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45 Contact Information Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45 Phone: 972-883-2365 E-mail: nring@utdallas.edu Office: JO 5.424 Hours:

More information

ARTH 1112 Introduction to Film Fall 2015 SYLLABUS

ARTH 1112 Introduction to Film Fall 2015 SYLLABUS ARTH 1112 Introduction to Film Fall 2015 SYLLABUS Professor Sra Cheng Office Hours: Mon 10:00-11:00 am, Office: Namm 602B Tu/Th 9:00 am-10:00 am Email: scheng@citytech.cuny.edu (best way to contact me)

More information

KUTZTOWN UNIVERSITY KUTZTOWN, PENNSYLVANIA DEPARTMENT OF MUSIC COLLEGE OF VISUAL AND PERFORMING ARTS. MUS 318 Symphonic Literature

KUTZTOWN UNIVERSITY KUTZTOWN, PENNSYLVANIA DEPARTMENT OF MUSIC COLLEGE OF VISUAL AND PERFORMING ARTS. MUS 318 Symphonic Literature I. Course Description KUTZTOWN UNIVERSITY KUTZTOWN, PENNSYLVANIA DEPARTMENT OF MUSIC COLLEGE OF VISUAL AND PERFORMING ARTS MUS 318 Symphonic Literature Approved by Department: Sep. 8, 2009 This course

More information

What is Imperial History?

What is Imperial History? 1 What is Imperial History? History 97e Spring 2017 Thursday 1-4 pm Bonaparte Before the Sphinx by Jean-Léon Gérôme based on the expedition of the emperor-to-be Napoleon Bonaparte in Egypt in 1798-1799

More information

HIST 336 History of France Fall Term 2012

HIST 336 History of France Fall Term 2012 HIST 336 History of France Fall Term 2012 CRN 16722, Tuesday, Thursday 10:00 11:20 am 176 Lokey Education Bldg Professor George Sheridan gjs@uoregon.edu 541 346-4832 359 McKenzie Hall Office Hours: Tuesday

More information

Choral Season

Choral Season Choral Studies 2017-2018 Choral Season Ticket sales are managed through the Shorter University Box Office. General admission tickets are $15 each; tickets for seniors and students are $10 each. For tickets

More information

University of Western Ontario Department of History Fall THE HISTORY OF AVIATION IN CANADA History 2215F

University of Western Ontario Department of History Fall THE HISTORY OF AVIATION IN CANADA History 2215F University of Western Ontario Department of History Fall 2011 THE HISTORY OF AVIATION IN CANADA History 2215F Instructor: Dr. Jeffery Vacante Lectures: Weds. 1:30-3:30 Email: jvacant2@uwo.ca in SH 2355

More information

Grades will be based one mid-term exam, a final exam, and an essay or research paper. The final examination will be during the final exam period.

Grades will be based one mid-term exam, a final exam, and an essay or research paper. The final examination will be during the final exam period. First Semester 2012-2013, University of Mississippi Economics 504 - Economic Issues in American History Dr. Jon Moen Office: 371 Holman Hall Office Hours: 3:00 4:30 Wednesday. Class Meets: 11:00 12:15

More information

REQUIRED READINGS ADDITIONAL READINGS WILL BE ADDED AS THE COURSE PROGRESSES

REQUIRED READINGS ADDITIONAL READINGS WILL BE ADDED AS THE COURSE PROGRESSES Please note that this syllabus should be regarded as only a general guide to the course. The instructor may have changed specific course content and requirements subsequent to posting this syllabus. Last

More information

Recommended: Dermot Moran, Introduction to Phenomenology (New York and London: Routledge, 2000).

Recommended: Dermot Moran, Introduction to Phenomenology (New York and London: Routledge, 2000). Phenomenology Phil 510 Department of Philosophy Purdue University Prof. Daniel W. Smith Fall 2005 Course Time and Location TTh 1:30-2:45pm LAEB B230 Description of Course This seminar is a critical and

More information

Music 111: Music Appreciation 1

Music 111: Music Appreciation 1 Music 111: Music Appreciation 1 Course Information: Los Angeles Pierce College January 2 to February 4, 2018 Section 14921 3 units Canvas online Instructor: Jon Titmus E-mail: titmusjg@piercecollege.edu

More information

Master International Relations: Global Governance and Social Theory Module M C1: Modern Social Theory

Master International Relations: Global Governance and Social Theory Module M C1: Modern Social Theory Seminar: Modern Social Theory Fall 2017 Tuesday 10-13, Unicom 7.2210 VAK 08-351-1-MC1-1 Prof. Dr. Martin Nonhoff Universität Bremen Master International Relations: Global Governance and Social Theory Module

More information

Practices of Looking is concerned specifically with visual culture, that. 4 Introduction

Practices of Looking is concerned specifically with visual culture, that. 4 Introduction The world we inhabit is filled with visual images. They are central to how we represent, make meaning, and communicate in the world around us. In many ways, our culture is an increasingly visual one. Over

More information

Kennan, Counterpoint (fourth edition): REQUIRED Kostka and Payne, Tonal Harmony (sixth edition): RECOMMENDED

Kennan, Counterpoint (fourth edition): REQUIRED Kostka and Payne, Tonal Harmony (sixth edition): RECOMMENDED Melody and Rhythm (Music 21) Fall 2010 @ 10 (Mondays, Wednesdays, and Fridays, 10:00-11:05 a.m.; lab at x-hour, Thursdays, 12:00-12:50 p.m.) Prof. Steve Swayne, instructor (office: 646-1204; home: 802-296-5939;

More information

PHR-107 Introduction to the Philosophy of Art

PHR-107 Introduction to the Philosophy of Art Bergen Community College Division of Arts & Humanities Department of Philosophy & Religion Course Syllabus PHR-107 Introduction to the Philosophy of Art Basic Information about Course and Instructor Semester

More information

Florida State University Libraries

Florida State University Libraries Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Narratives of Innocence and Experience: Plot Archetypes in Robert Schumann's Piano Quintet and

More information

PIANO DEPARTMENT HANDBOOK

PIANO DEPARTMENT HANDBOOK PIANO DEPARTMENT HANDBOOK 2017 18 INTRODUCTION Dear Student: Welcome to the Manhattan School of Music! These are very important years in your development as an artist and as a person. We wish you every

More information

EVALUATION METHODS AND GRADING CRITERIA:

EVALUATION METHODS AND GRADING CRITERIA: MUSIC 411 Instructor: Professor Janise White Office: Fine Arts Complex Room 300 Office Hours: M/W 11-12 noon; Classroom: FA 103 Textbooks: The First Book of Broadway Solos by Joan Frey Boytim Estelle Liebling

More information

HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring

HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT INFORMATION: mtommasini@ust.hk

More information

The Senior Learning Community in Music, : Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar):

The Senior Learning Community in Music, : Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar): Music 491 (fall 2011), p. 1 The Senior Learning Community in Music, 2011 12: Music 400 (Senior Reflective Tutorial) and Music 491 (Senior Seminar): Class meetings: Mondays and Wednesdays, 2:40 4:10 Instructor:

More information

The Outcome of Classical German Philosophy (Draft) Mon. 4:15-6:15 Room: 3207

The Outcome of Classical German Philosophy (Draft) Mon. 4:15-6:15 Room: 3207 The Outcome of Classical German Philosophy (Draft) History 71600/CL 85000 Fall 2014 Mon. 4:15-6:15 Room: 3207 Prof. Wolin rwolin@gc.cuny.edu x8446 In 1886, Friedrich Engels wrote a perfectly mediocre book,

More information

GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION

GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION McGILL UNIVERSITY SCHULICH SCHOOL OF MUSIC GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION All students beginning graduate studies in Composition, Music Education, Music Technology and Theory are required

More information

Stephen F. Austin State University School of Music

Stephen F. Austin State University School of Music Stephen F. Austin State University School of Music Course: MHL 245: INTRO TO MUSIC LITERATURE Time: TR 8:00 9:15 or 11:00-12:15 Semester: Fall, 2009 Credits: 3 Location: M160 Instructor: Dr. David Howard

More information

HISTORY OF MUSIC: CLASSIC STYLE IN 18TH CENT

HISTORY OF MUSIC: CLASSIC STYLE IN 18TH CENT Syllabus HISTORY OF MUSIC: CLASSIC STYLE IN 18TH CENT. - 23352 Last update 07-10-2015 HU Credits: 3 Degree/Cycle: 1st degree (Bachelor) Responsible Department: musicology Academic year: 0 Semester: 1st

More information

Piero Gleijeses, Conflicting Missions: Havana, Washington, and Africa, (Chapel Hill: University of North Carolina Press, 2002).

Piero Gleijeses, Conflicting Missions: Havana, Washington, and Africa, (Chapel Hill: University of North Carolina Press, 2002). HIST 498/670: Approaches to Transnational Cold War Semester: Fall 2015 Instructor: Elena Razlogova Classroom: LB- 1014 Time: Weds. 12:00-2:30 pm Office Hours: Mon. 3-5 and by appointment Email: elena.razlogova@gmail.com

More information

SOCI653: SEMINAR IN CLASSICAL SOCIOLOGICAL THEORY Fall 2017 Instructor: Matt Patterson Wednesdays 11:30 AM to 2:15 PM

SOCI653: SEMINAR IN CLASSICAL SOCIOLOGICAL THEORY Fall 2017 Instructor: Matt Patterson Wednesdays 11:30 AM to 2:15 PM SOCI653: SEMINAR IN CLASSICAL SOCIOLOGICAL THEORY Fall 2017 Instructor: Matt Patterson Wednesdays 11:30 AM to 2:15 PM Course Description Sociologists agree on almost nothing, including what exactly we

More information

Samantha M. Inman. Curriculum Vitae

Samantha M. Inman. Curriculum Vitae inmans@sfasu.edu Curriculum Vitae University Positions 2017-present Stephen F. Austin State University, Assistant Professor of Music Theory 2014-2017 University of North Texas, Lecturer of Music Theory

More information