Commissioned by the Patrick Marsh Middle School Seventh Grade Band Sun Prairie, WI Chris Gleason, director PARTICLES INSTRUMENTATION

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1 LL SCRE Grade 1 michael SWEENEY Commissioned by the atrick Marsh Middle School Seventh Grade Band Sun rairie, WI Chris Gleason, director ARTICLES INSTRMENTATIN 1 ull Score 8 lute boe Bassoon Bb Clarinet 1 Bb Clarinet Bb Clarinet 3 Bb Bass Clarinet Eb Alto Saxohone 1 Eb Alto Saxohone Bb Tenor Saxohone 1 Eb Baritone Saxohone Bb Trumet 1 Bb Trumet Trombone Baritone BC Baritone TC 1 String Bass ercussion 1 Snare Drum, Bass Drum, Mark Tree ercussion Brake Drum, Toms (), Sus Cym, Triangle, Rain Stick, Gong, Cr Cym 3 Mallet ercussion Chimes, Vibrahone, Bells, Susended Wine Bottles 1 Timani Wind Chimes ull Recording Available halleonardcom Search title or or ollo this ath: halleonardcom <Band, azz and rchestra <Concert Band <Brose by Series (MusicWorks) Score and arts ( ) Score nly ( ) S $750 Additional arts S $50 rices subect to change ithout notice

2 rogram notes articles as commissioned by the atrick Marsh Middle School Seventh Grade Band, Sun rairie, WI, and their director Chris Gleason Ideas or the comosition came rom the students themselves, and it as decided the iece ould sho in musical terms the transormation o the states o matter rom SLID to LIQID and ultimately to GAS A rimary musical theme (irst stated in measures 630 by lo brass and oodinds) occurs throughout the ork, but is transormed ith each statement in keeing ith the state o matter that is being ortrayed The oening segment is very rigid and densesounding, conveying the sense o matter as a solid The ace quickens a bit at measure 31 and the music is more luid and lyrical, describing a liquid state The main melody is assed rom horns and saxes to the trumets next, and inally a harmonized version ith the ull ensemble at measure 58 The transormation to the gas state o matter begins at measure 70, as the ace o the music gradually seeds u urther and the individual notes become shorter in duration until an excited gaseous state is reached at measure 76! rom there, musical motis are bounced around rom section to section until reaching the inal maestic segment, comleting the cycle and relecting on the entire rogression o matter through its various stages erormance notes It s imortant that the layers understand the overall ormal shae o the iece as it deicts the various states o matter This ill require smooth transitions and raid shits in style beteen a legato, sustained style and a lighter and more detached style o laying The segment beteen measures 70 and 76 should rogress very gradually rom longer sustained notes to lighter and more raid atterns Each o these indeterminate blocks o time should be cued by the conductor and can last 10 or more seconds Exeriment! layers should try to not match their neighbors, but rather lay indeendently so that the overall eect is one o overlaing and gradually evolving texture changes It s also imortant to start this section very sotly and to crescendo gradually as the intensity builds to measure 76 Starting in measure 80 layers are given three notes to chose beteen, but should ollo the rhythms and dynamics exactly The three notes may be layed in any random order, and layers should kee moving rom itch to itch rather than the laying the rhythms all on a single note This section (measures 8087) should eel light and airy The use o susended ine bottles at measure 76 is otional, and may be substituted ith any tye o metallic or glass sound Exeriment ith various beaters (rubber mallets, ood sticks, triangle beaters, etc) to ind the most eective sound The eect should be light and tinkly as the gas state is being ortrayed I using glass bottles o some sort, exeriment ith varying amounts o ater in each bottle to achieve dierent sounds and itches ABT THE CMSER Michael Seeney is currently Director o Band ublications or Hal Leonard Cororation in Milaukee, WI one o the largest ublishers o rinted music in the orld Michael is directly resonsible or the develoment, roduction, recording and marketing o ne ublications or school bands In addition, he contributes as a comoser and arranger in all instrumental areas, and is articularly knon or his riting at the younger levels or concert band and azz Since oining the comany in 198, Hal Leonard has ublished over 500 o his comositions and arrangements Mr Seeney is a 1977 graduate o Indiana niversity (Bloomington) here he earned a degree in Music Education, and also studied comosition ith Bernard Heiden, ohn Eaton and Donald Erb rior to orking or Hal Leonard he as a band director in hio and Indiana, orking ith successul concert, azz and marching rograms at all levels rom elementary to high school A inner o multile ASCA aards, his Ancient Voices (199) and Imerium (199) are eatured in the acclaimed Teaching Music Through erormance series by GIA ublications ther comositions such as Black orest verture (1996), The orge o Vulcan (1997) and Distant Thunder o the Sacred orest (003) have become stales in the reertoire or middle school bands He has received commissions ranging rom middle school and high school bands to the Eastman Wind Ensemble and Canadian Brass His orks aear on numerous state contest lists and his music is regularly erormed throughout the orld Michael is also in demand as a clinician and conductor or honor bands and estivals Michael resides north o Milaukee here he enoys ishing and laying the bodhrán

3 Duration 5:30 lute boe Bassoon B Clarinet 1 B Clarinet, 3 B Bass Clarinet E Alto Sax 1, B Tenor Sax E Bari Sax B Trumet 1, Trombone Baritone (String Bass) ercussion 1 ercussion Mallet erc Timani articles 3 b Rigid ( = 80) 1 Rigid ( = 80) SD BD Brake Drum (or Anvil) Concert Toms Chimes and Vibes Tune: A, C Commissioned by the atrick Marsh Middle School Seventh Grade Band Sun rairie, WI Chris Gleason, director ARTICLES n Rim n Rim 3 Coyright 01 MSICWRKS 7777 West Bluemound Road, Milaukee, WI 5313 International Coyright Secured All Rights Reserved 5 MICHAEL SWEENEY (ASCA) 6

4 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 b n Rim n Rim 9 9 n Rim erc Mllt erc Tim articles Sus Cym (Mallets) æ Brake Dr 13

5 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar b b n b b b erc 1 erc Mllt erc æ Sus Cym Tim 3 Change A to G articles

6 l 6 b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc Mllt erc Tim articles 6 b 1 3 Brake Dr n Rim 5 n Rim 6 6 7

7 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 b Rall Rall b b b b b b b b n b n b b b b luid ( = 11) A luid ( = 11) erc Mllt erc b Triangle æ æ æ æ Tim articles æ 31 b

8 l b Bsn b b b 36 Cl 1 Cl, 3 b b a Bs Cl b A Sx 1, T Sx b a B Sx Tt 1, b 36 Tbn Bar b b b erc 1 erc æ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Rain Stick Mllt erc Tim b b Vibes articles

9 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx b b b b b b b div a a Tt 1, Tbn Bar erc 1 erc Mllt erc Tim articles 9 b b b b b b Sus Cym æ +Bells 1 a 3 æ 5 Tri 6 æ

10 l b Bsn Cl 1 Cl, 3 Bs Cl b b b b b b 50 a n n A Sx 1, T Sx B Sx b n n Tt 1, b 50 Tbn b T Sx n n Bar b B Sx n n b erc 1 erc æ æ æ Mllt erc b Tim b articles

11 l b Bsn Cl 1 Cl, 3 Bs Cl b b b b b b n b Rall A Sx 1, T Sx B Sx Tt 1, Tbn Bar b b b b b n n n b n b lay b lay Rall erc 1 erc Mllt erc Tim b b Sus Cym æ æ Bells and Vibes æ æ articles

12 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx b b b b b b b 58 Slightly Sloer ( = 100) a luid ( = 11) A Sx 1 A Sx Tt 1, Tbn Bar erc 1 erc Mllt erc Tim articles 1 58 Slightly Sloer ( = 100) b b b b æ b b æ 60 æ æ æ a 61 6 luid ( = 11) 63

13 l b 66 Rall 70 n reely, on cue b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, b b b b b lay lay a n n n n n T Sx B Sx Tt 1, Tbn Bar b b b b b 66 Rall 70 n n n b n n n reely, on cue erc 1 erc Mllt erc Tim articles 13 b b Tri Vibes Change C to n n æ

14 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar Conductor Note: Cue the start o each measure (7175) Arox 10 seconds er measure 1 b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume 1 ~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume 3 lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume 5 ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~ lay all ~~~~~~~~~~~~~~~~~~~~~~~ notes short ~~~~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lay random atterns using these itches all legato Start sloly and sotly, then gradually increase seed and volume 3 St Mute a (ade out) lay random atterns using these itches all notes short Start sloly and sotly, then gradually increase seed and volume All ls lay random atterns using these itches all notes short Start sloly and sotly, then gradually increase seed and volume lay random atterns using these itches all notes short Start sloly and sotly, then gradually increase seed and volume lay random atterns using these itches all notes short Start sloly and sotly, then gradually increase seed and volume lay all notes short (ade out) ~~~~~~~~~~~~~~~~~~~~~~ ~~ (ade out) (ade out) (ade out) 5 Hal section Cl only erc 1 erc Mllt erc Gong æ æ Tim æ æ Change to D articles

15 l b Bsn Cl 1 Cl, 3 76 Excitedly ( = 138) 80 Reeat indicated notes in ANY order, but in strict rhythm and staccato! Reeat indicated notes in ANY order, but in strict rhythm and staccato! Reeat indicated notes in ANY order, but in strict rhythm and staccato! Bs Cl A Sx 1, T Sx B Sx Tt 1, 76 Excitedly ( = 138) 80 b Tbn Bar erc 1 erc Mllt erc Tim articles 15 Mark Tree ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Stick on Cym Dome Tri Strike susended Wine Bottles ith Mallets Wind Chimes ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

16 l b Bsn cresc oco a oco cresc oco a oco b Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc Cl 1 cresc oco a oco Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc b Reeat indicated notes in ANY order, but in strict rhythm and staccato! (Mute) a Reeat indicated notes in ANY order, but in strict rhythm and staccato! Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! b b ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ «b b cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! n cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc Reeat indicated notes in ANY order, but in strict rhythm and staccato! cresc Mllt erc «Tim ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ articles

17 l 90 b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc Mllt erc Tim b Bells and Vibes Tim 88 Sus Cym Gong 89 æ æ en 91 Tune: A, E 9,,,, a,,,, Cr Cym articles 17

18 l b Bsn div b b 98 Cl 1 Cl, 3 b b Bs Cl A Sx 1, T Sx B Sx Cl, 3 Cl 3 n n b lay lay Tt 1, Tbn Bar erc 1 erc Mllt erc b Tri Sus Cym æ 98 Tim articles 18

19 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc b,,,, a,,,, n n b b Mllt erc Tim Chimes Vibes b 103 b b b 10 b b articles 19

20 l b Bsn Cl 1 Cl, ^ Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar 105 b t div b b b b ^ ^ ^ ^ ^ v b ^ ^ erc 1 erc Mllt erc Tim articles Toms 106 Vibes æ v ^

21 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc Mllt erc Tim articles 1 b æ æ 110 b Sus Cym a Gradual Sloing Gradual Sloing æ +Bells æ a

22 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, b b 118 Maestically ( = 116) div 118 Maestically ( = 116) b a b n Tbn Bar erc 1 erc Mllt erc b æ æ æ b t div b b b Tim articles

23 l b Bsn Cl 1 Cl, 3 b Rall div Bs Cl A Sx 1, T Sx B Sx b b n b n n b Tt 1, Tbn Bar erc 1 erc Mllt erc Tim articles 3 b 10 æ æ a Bells and Vibes 11 b b b b bæ 1 b Rall b b æ 13 1 æ æ

24 l b Bsn Cl 1 Cl, 3 Bs Cl A Sx 1, T Sx B Sx Tt 1, Tbn Bar erc 1 erc Mllt erc b eaceully ( = 8) n eaceully ( = 8) n Rit Rit n n (let die out) ~~~~~~~~~~~~~~~~~~~~~~~~~~ u lightly Mark Tree t div Tim articles

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