Jagoda Szmytka LOST LOST a transmedia composition LOST PLAY LOST ID LOST in TRANSIT LOST EXTRA LOST in BLUE LOST Magazine GAME of LOST
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1 Jagoda Szmytka LOST Transmedia composition for multiplied Singer and Soloist, real and simulated and listeners, users or players with possible active participation. (Warsaw Autumn commission in cooperation with Institue for Music and Acoustics ZKM Karlsruhe) *** a piece with nonlinear time of performance, participation and use. LOST a transmedia composition developed across multiple platforms and formats including: LOST PLAY simultaneous crossgenre performance; LOST ID play park; LOST in TRANSIT a music webseries; LOST EXTRA live events; a Facebook page LOST in BLUE; LOST Magazine ; and a novel called GAME of LOST. All these extensions are mutually complementary and form contextual constellation. In its contextual essence, LOST blurs the distinction between illusion and reality, life and art, what is ON and OFF the stage, what is private and public. The characters that populate the multidimensional realities of LOST are unable to define when they play roles and when they live their own private lives. The difference between Yago and Jagoda, Fraulein and Frauke, Sebbi and Sebastian is fluid, hard to define unequivocally and hard to sense for both the audience and the characters themselves. When does one begin to play and when, conversely, one simply and only is? Is entry into the play triggered by putting on the whole costume, or just of its part? Does the play begin when we enter the stage, or when we decide that given space will from now on be the stage? The definition of an audience is also fluid in LOST, as depending on the different types of access to composition and the selected activity the audience may assume the role into listeners, users, players, commentators, or consumers. And what about the composition itself: LOST? It takes place somewhere between clicking on enter, a concert hall applause, and a kiosk where LOST Magazine can be bought.
2 Jagoda Szmytka LOST PLAY Simulteneous cross-genre performance for Singer, Soloist, amplified ensemble, fixed media and live transmission (the performance is an element of the transmedia composition LOST) ** world premiere Excess is part of my nature. Dulness is a disease. I really need danger and excitement. I m never myself. Freddie Mercury I didn t get dressed like this to get unnoticed. Liberace I am so excited to extend myself behind the scenes and live halfway between various realities. Lady GaGa Every human being is an artist, a freedom being, called to participate in transforming and reshaping the conditions, thinking and structures that shape and inform our lives. Joseph Beuys LOST is a transmedia composition developed through different formats and platforms, which include: LOST PLAY a simulteneous cross-genre performance, a kind of mashup which blends song contest with live-commentary, a documentary recording of a video game, late night show and advertising art; LOST in TRANSIT a music webseries; the official, regularly updated project website LOST.com; LOST EXTRA live events; LOST in BLUE a Facebook page; LOST Magazine ; and a novel entitled GAME of LOST. The unique transmedia nature of LOST allows the audience to go through a rewarding experience: everyone can follow the composition in their own way, discover and collect individual fragments and thus build their own vision of LOST. Each vision will be true, as there are no false interpretations. LOST is an ideal illusion: a real fake. The composition culminates in LOST PLAY: a simulteneous cross-genre performance that represents a peculiar blend of the genres listed. LOST PLAY integrates the mutually complementary elements derived from other LOST platforms and formats (video clips from the webseries, video documentation of live events). Eventually all those extensions platforms and formats enrich the narration of LOST by adding different realities inhabited by characters that participate in the composition: BB Blue, Fraulein Millenia, Yago, Sebbi, and several other friends. The audience can listen, watch, and follow the way in which the characters on stage create and perform music together, play video games, take part in singing contest, or compete in the race of life. LOST, conceived as a transmedia story and cross-genre communication, evokes powerful emotions and experiences in the listeners, viewers and users. It offers the
3 possibility of intimate insight into the life of the characters and the development of their stories. It creates a genuine illusion of the audience s closer contact with events onstage. Art, music, media and internet offer a journey into different types of space. On the one hand, media and music make possible an escape from reality by transporting us to the fictional universe of sitcoms, soap operas and music theatre. On the other hand, TV talent shows direct our attention back towards ourselves, as in there shows we present ourselves as actors, singers, instrumentalists, and players or simply share our everyday lives in real time. In this way artistic-musical programmes belinging to the reality TV genre can become blockbusters, as real people watch and listen to real people: real art, real music, real life. In the last decade, the internet has become a place where we spend a significant part of our lives, but also a stage. Social media have opened up hitherto unknown possibilities for megalomania and star production, allowing everyone to make their lives public and become a star in a 24/7 show of their own. Thus, everyone can now become a singer, musician or actor, and at the same time, a consumer of an artistic product. This digital exhibitionism, the desire to show and express, lay at the foundation of all the most popular applications and websites. We want to get unique and ideally customised products and we want them immediately. We want to express ourselves: My Space, My Sound, My Tube, My Face, My Book. Everyone wants, and everyone can, become a star, a celebrity, and an actor. Lost City resounds with Lost Sounds. The thin dividing line between being on- and off-stage, between life and art, the real and the fake, has been lost. Five female candidates for stars take part in the LOST PLAY talent show: Fraulein Millenia Transit, Edit Selfie Smart, BB Blue Touch, Taylor von Ready-to-Wear, and Yago Smith Jump. Each of them performs a number of songs. The performances are commented upon live by the Commentator and jury member Freddie No-Comment, who makes remarks concerning the candidates performance skills, voice qualities and stage presence, and fills in rankings and tables that will reveal the winner who will qualify for the finals. Apart from performing songs, each participant is interviewed by Sebbi Joseph Screensaver for the Late Night Show. A member of an external jury the candidates idol, famous singer Lady Blah-Blah is also invited to participate in both the contest and the show. Fraulein Millenia Transit is the first to perform. A typical representative of the Millennial generation, linguistically talented and born to travel as the child of the Transit family, she loves travelling and moving fast between continents and time zones, always trending. Her life s motto is throw forward and throw back. She currently works as an air hostess for LOST Airlines. Fraulein Millenia Transit will sing three songs in the contest: Song I Lost Extension, Song II Timeshift Zone; Song III Global Warning. The second participant, Edit Selfie Smart, grew up in grandiosity and self-admiration. From the beginning of her professional career she has worked as promoter of herself in a famous music agency.
4 Edit promotes not just her own sounds but everything that is connected with herself. She has mastered the art of selfcorrection and self-promotion to absolute perfection: she is a tip-top Photoshop-manipulator. In her free time she builds her blog about the art of makeup, on which she offers advice on how to easily and effectively edit imperfect sections of the face. She has developed several applications for filtering faces and voice. Her mottos are: I love to compete and filter your face. In the con- test, she will perform two pieces: Song IV Freedom of Edit and Song V Self-Love Song. She is followed on the stage by BB Blue Touch, whose motto runs: Be and be Blue! Already as a child, BB Blue was fascinated with the TV and the blue screen. She has spent most of her life in front of the computer, always online, staring at the blue screen velvet. She collects blue boxes, green boxes, galactic screensavers, and display devices. She loves to play the game of afterimages. Her life motto is: fly to the empty sky, close your eyes and watch the flickering blue afterimages. She will only sing one song: Blue Screen Velvet (Song VI). The next participant, Taylor von Ready-to-Wear, is a well- known fashion blogger and personal shopper. In her free time, she works as a DJ, VJ, and sound trendsetter. She also creates popular memes and sends wonderful GIFs to her friends. She makes so many loops, repetitions, and copies of every not-her- own creative activity that each of them becomes unforgettable. Her life motto is Follow me on my journey I m ready to wear. Taylor will sing two pieces: Song VII Ready-Made-Ear and Song VIII Default Optics. The last participant is Yago Smith, a fragile flower with smooth and mild skin. Though never afraid to take risks and jump, Yago is very sensitive and emotional. She never hides her thoughts and feelings and everyone can read them easily in her face. When this happens, Yago suddenly withdraws and turns shy against the blue and starry sky. She is always ready to follow her desires and touch the stars. She flies higher and higher, not afraid to fall, leaving behind the poor voyeurs pining away for their unfulfilled desires. She always concentrates on living it rather than reading about it or passive observation of the world. Her life motto is Do not sleep. You only live twice, so let s follow and experience as much as you can. Yago will sing Song IX, Explosure. Freddie No-Comment is the Song Contest presenter, working in the TV studio. He has witnessed and commented upon many splendid song and sport contests etched forever in the memories of fans all over the world. Before he gained fame as a commentator, he worked as an arena-game organist. As he says, it doesn t happen anymore to play so frequently live. It s all recorded. The only time I get to play a full song is when someone gets injured in a game. Freddie is bright, splendid, visible, and he attracts attention: a real show star. The host of the Late Night Show is Sebbi Joseph Screensaver, a mysterious invisible man. His interviews with guests in the studio are so in-depth that they reveal all the facts and subconscious thoughts. He studied medicine, majoring in psychoanalysis and psychoacoustics.
5 The remaining characters featuring in the show are: the singer Lady Blah-Blah and Paul Maria Superstar. Lady Blah-Blah, a famous singer, idol of all the talent show contestants (and especially BB Blue), is a jury member. She was supposed to be in another location for the Song Contest online streaming, but there were problems with that original stream, so she joined the nearest studio at the last moment and, with some small delay, joined Sebbi Joseph Screensaver and Freddie No-Comment s show. Lady Blah- Blah is surprised to see that BB Blue looks like her double: same hair, same costume, same voice, same song... Who is original? Who is an illusion? The talent show participants and live commentators are simulated and real at the same time. Their similarity to themselves is fully premeditated. Switch on the Find My ID application, use the LOST mode, and find your identity. Jagoda Szmytka LOST PLAY - PARTS 1. INTRO Composer Statement & Introduction of the Characters 2. SONG CONTEST I Fraulein Millenia Transit and Freddie No-Comment Song I Lost Extension Song II Timeshift Zone Song III Global Warning 3. COMMERCIAL I 4. LATE NIGHT SHOW I Fraulein Millenia Transit and Sebbi Joseph Screensaver 5. WEB EPISODE I 6. SONG CONTEST II Edit Selfie Smart and Freddie No-Comment Song IV Freedom of Edit Song V Self-love Song 7. COMMERCIAL II 8. LATE NIGHT SHOW II Edit Selfie Smart and Sebbi Joseph Screensaver 9. WEB EPISODE II 10. Doppelgaengers meeting 1 Composer goes OFFLINE 11. Doppelgaengers meeting 2 DREAM
6 12. SONG CONTEST III BB Blue Touch, Freddie No-Comment Song VI Blue Screen Velvet 13. COMMERCIAL III 14. LATE NIGHT SHOW III BB Blue Touch and Lady Blah-Blah 15. WEB EPISODE III 16. SONG CONTEST IV Taylor von Ready-to-Wear, Freddie No-Comment Song VII Ready-Made-Ear Song VIII Default Optics 17. COMMERCIAL IV 18. LATE NIGHT SHOW IV BB Blue Touch, Sebbi Joseph Screensaver 19. EPISODE IV 20. SONG CONTEST V Yago Smith and Freddie No-Comment Song IX: Explosure 21. SONG CONTEST FINAL SCORING Freddie No-Comment and Lady Blah-Blah 22. OUTRO Composer Statement
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