OBERLIN CONSERVATORY OF MUSIC Schedule of Ensemble Rehearsals, Studio Classes and Conservatory Classes Fall Semester 2017
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1 OBERLIN CONSERVATORY OF MUSIC Schedule of Ensemble Rehearsals, Studio Classes and Conservatory Classes Fall Semester 2017 CBIB Conservatory Bibbins ASIA Fairchild Chapel KING King Building CCEN Central Section of the Conservatory FINN Finney Chapel HALE Hales Gymnasium KOHL Kohl Building CAT Cat in the Cream WARN Warner Center Main EMS Electronic Music Studios (Conservatory basement) WCH Warner Concert Hall KRH Kulas Recital Hall SRH David H. Stull Recital Hall CHRS Clonick Hall Recording Studio Ensemble Rehearsals Day Time Ensemble Conductor Building Room MWF pm Baroque Orchestra Staff Con CBIB SRH TR pm Brass Ensemble Scott Metcalfe CCEN 25 M pm Chamber Orchestra Jimenez Raphael CCEN 25 TR pm Chamber Orchestra Jimenez Raphael CCEN 25 MW pm Collegium Musicum Plank Steven ASIA FAIR MWF pm Contemporary Music Ensemble Weiss Timothy CCEN 25 T pm Double Bass Ensemble Rowell Tracy CBIB SRH TBA Ensemble for Percussionists Rosen Michael CCEN W pm Ensemble for Guitarists Aron Stephen CBIB 224 M pm Guitar Ensemble Aron Stephen CBIB 224 M pm Harp Ensemble Yolanda Kondonassis CCEN 32 M pm Javanese Gamelan Fraser Jennifer ASIA M pm Musical Union Ristow Gregory FINN TR pm Oberlin A&S Orchestra Joanne Erwin CCEN 25 MWF pm Oberlin College Choir Ristow Gregory CCEN 25 MWF pm Oberlin Jazz Ensemble Dennis Reynolds CHRS MWF pm Oberlin Jazz Lab Dennis Reynolds CHRS MWF pm Oberlin Orchestra Jimenez Raphael FINN TBD TBD Oberlin Percussion Group Rosen Michael CCEN TBD TBD Performance and Improvisation (PI) Haddad Jamey CCEN 34 M pm Sinfonietta Weiss Timothy CCEN WCH TR pm Sinfonietta Weiss Timothy CCEN WCH M pm Trombone Choir Allen Lee CCEN WCH W pm Trombone Choir Allen Lee CBIB SRH M pm Trumpet Ensemble Poper Roy CCEN WCH TBD TBD Viola da Gamba Consort Meints Caldwell Ca TBD Jazz Studies Small Ensembles Students may be able to observe faculty-coached small ensembles during their visit. Julie Baker (jbaker@oberlin.edu) to check availability. 1.
2 Studio Classes Major Instructor Day/Time Location Instructions Flute Still M 3:30pm SRH Open Oboe Walters T 6:00pm CBIB 223 Student Clarinet Hawkins T 6:30pm KRH Not Offering Bassoon Pattison W 4:30pm KRH Open Horn Pandolfi R 7:00pm CBIB 238 Open Trumpet Poper R 4:40pm C25 Student Trombone Allen W 7:00pm C25 Student Tuba Nulty TBD TBD Student Piano Cheng W 2:30pm WCH Student Piano Chow F 12:30pm WCH Student Piano Ioudenitch F 2:30pm WCH Not Offering Piano Raekallio R 5:30pm WCH Student Piano Song R 4:30pm WCH Student Piano Takacs W 3:30pm WCH Open Organ Christie/Moyer T 5:30pm WCH Student Organ Masterclass/Studio M 12:30pm WCH Student Violin Bowlin M 4:30pm KRH Student Violin Bernhardsson R 12:30pm WCH Open Violin Cho T 8:30pm SRH/KRH Student Violin McDonald T 12:30pm KRH Open Violin Vitek R 5:30pm KRH Student Viola Slowik R 4:30pm KRH Open Viola Docter M 4:30pm SRH Student Cello Adkins T 12:30pm CBIB 334 Student Cello Eldan T 4:30pm KRH Student Cello Meints T 5:30pm KRH Open Bass Dixon/Zadin/Rowell/Dom T 4:40pm WCH Student Bass Bass Techniques R 1:10pm SRH Student C Guitar Aron T 2:30pm KRH Open HARP Kondonassis M 5:00pm CCEN 36 Student TIMARA Lopez/Swendsen W 3:00pm EMS Student Composition Hartke/Ogonek/Jones R 4:30pm CBIB 224 Student Voice Champagne R 3:30pm KRH Student Voice Colton W 3:30pm KRH Open Voice Mahy M 12:15pm KRH Open Voice Rosen W 12:15pm KRH Open Voice Manz T 3:30pm KRH Open Voice LeFebvre M 3:30pm KRH Student Historic Performance Meints F 12:00pm KRH Student 2.
3 The following is not a complete list of courses, but those we may feel would be most interesting to visiting prospective students. Applied Studies / Performance Improvisation MW am Advanced Choral Conducting Ristow Gregory CCEN 21 TR am Conducting II: Instrmntl Analy Staff Con CCEN 21 MWF am Conducting I: Techniques Staff Con CCEN 25 TR am Instrumental: Conducting III Jimenez Raphael CCEN 25 MWF am Conducting I: Techniques Staff Con CCEN 25 MWF am Intro to Music Criticism Telin Michael CBIB 213 M pm Internalizing Rhythms Haddad Jamey CCEN 34 W pm Internalizing Rhythms Haddad Jamey CCEN 34 M pm Double Bass Orchestra Repertoire Derek Zadinsky CBIB 238 MWF pm Chamber Music for Singers Colton Kendra CBIB 223 R pm Prima Vista Group Reading (Freshman Woodwinds) Andrew Pattison CBIB 237 M pm Internalizing Rhythms II Haddad Jamey CCEN 34 Music Program - College of Arts and Sciences TR am General Music Theory Heetderks David CBIB 232 TR pm Composition for Non-Majors I Jones Jesse CBIB 232 TR pm General Music Theory Leydon Rebecca CBIB 233 TR pm Voice Class Stidham Lisa CBIB 216 Composition MW pm Orchestration Hartke Stephen CBIB 232 TR pm Counterpoint II Ogonek Elizabeth CBIB 213 TR pm Composition Class I Ogonek Elizabeth CBIB 233 TR pm Composition III Jones Jesse CBIB 232 MW pm Composition Seminar Hartke Stephen CBIB
4 Historical Performance TR pm Intro Historical Performance Breitman David CBIB 232 TR pm Intro Historical Performance Breitman David CBIB 232 T pm HPRF in Context Mus of Italy Breitman David CBIB 325 Jazz Studies W pm Jazz Improvisation I Ashby Jay KOHL CHRS M pm Jazz Improvisation III Wall Daniel KOHL CHRS MWF pm Jazz Theory Ferrazza Robert CBIB 213 MW pm Basic Arrang/Comp Techn Ashby Jay CBIB 233 W pm Jazz Improvisation I Ashby Jay KOHL CHRS T pm Intro African-American Music I Hadley Fredara CBIB 223 M pm Jazz Improvisation III Wall Daniel KOHL CHRS Music History and Ethnomusicology MTWR am Intro: History & Lit of Music McGuire Charles CCEN KRH MWF am Music in the Classic Era Macdonald Claudia CBIB 223 TR am Fin-de-Siecle Music O'Leary James CBIB 233 MTWR am Intro: History & Lit of Music McGuire Charles CCEN KRH MWF am Music in the Baroque Era Plank Steven CBIB 224 MWF am Music in the Classic Era Macdonald Claudia CBIB 223 MWF am Intro to Musics of the World Fraser Jennifer CBIB 224 MTWR am Intro: History & Lit of Music McGuire Charles CCEN KRH MWF am American Music O'Leary James CBIB 223 TR pm Intro: Music Research & Writing Plank Steven CBIB 234 TR pm The Melodie Highfill III Phili CBIB 237 TR pm Intro Historical Performance Breitman David CBIB 232 TR pm Ethnomusicology as Activism Fraser Jennifer CBIB 223 TR pm Robert Schumann Macdonald Claudia CBIB 325 TR pm Black Music in Hour of Chaos Hadley Fredara CBIB 223 TR pm Organ Lit, History & Design Moyer Jonathan CBIB 237 M pm Piano Literature Schulze Sean CBIB
5 M pm Making American Music-Selch O'Leary James CBIB 234 T pm Intro African-American Music I Hadley Fredara CBIB 223 Music Theory MW am Aural Skills I Hartt Jared CBIB 213 TR am Aural Skills I Leaman Kara CBIB 223 MWF am Music Theory I Cox Arnie CBIB 237 TR am Aural Skills III Miyake Jan CBIB 238 MW am Aural Skills III Heetderks David CBIB 233 MWF am Music Theory III Lubben Robert CBIB 325 TR am Form and Analysis Lubben Robert CBIB 234 TR am Aural Skills I Parkhurst Bryan CBIB 216 MW am Aural Skills I Pau Andrew CBIB 238 TR am Aural Skills I Leaman Kara CBIB 223 MWF am Music Theory I Parkhurst Bryan CBIB 234 MWF am Music Theory I Cox Arnie CBIB 237 TR am Aural Skills III Miyake Jan CBIB 238 MW am Aural Skills III Heetderks David CBIB 233 MWF am Music Theory III Lubben Robert CBIB 325 MWF am Music Theory III Salamone Jennifer CBIB 216 TR am Aural Skills I Parkhurst Bryan CBIB 216 MW am Aural Skills I Pau Andrew CBIB 238 MWF am Music Theory I Parkhurst Bryan CBIB 234 MWF am Music Theory I Cox Arnie CBIB 237 TR am Aural Skills III Miyake Jan CBIB 238 MW am Aural Skills III Heetderks David CBIB 233 MWF am Music Theory III Mason William KING 127 MWF am Music Theory III Salamone Jennifer CBIB 216 MWF am Intro to Schenkerian Analysis Miyake Jan CBIB 325 TR pm Music & Emotion Cox Arnie CBIB 223 TR pm French Music from B. Epoque Pau Andrew CBIB 233 TR pm Analysis & Performance Alegant Brian CBIB 325 TR pm Aural Skills I Hartt Jared CBIB 213 MW pm Aural Skills I Pau Andrew CBIB
6 MWF pm Music Theory I Leaman Kara CBIB 237 MW pm Aural Skills III Heetderks David CBIB 233 TR pm Aural Skills III Miyake Jan CBIB 238 TR pm Aural Skills III Alegant Brian CBIB 216 MWF pm Music Theory III Leydon Rebecca CBIB 224 MWF pm Music Theory III Mason William CBIB 213 TR pm Aural Skills I Hartt Jared CBIB 213 MW pm Aural Skills I Pau Andrew CBIB 238 MWF pm Music Theory I Leaman Kara CBIB 237 TR pm Aural Skills III Alegant Brian CBIB 216 MWF pm Music Theory III Leydon Rebecca CBIB 224 Opera Theater TR am English Diction Mahy Daune CBIB 224 MW am German Diction Bandy Thomas CBIB 232 TR am French Diction Rosen Marlene CBIB 224 TR pm Intro Opera: Performing Techni Staff Con CCEN 21 WF pm Intro Opera: Performing Techni Staff Con CCEN 21 F pm Seminar in Directing Field Jonathon CCEN 21 TR pm Opera Workshop Staff Con CCEN 21 MW pm Seminar in Opera Field Jonathon CCEN 21 MW pm Italian Diction Bandy Thomas CBIB 325 MTWR F pm Performance Project Field Jonathon CCEN 21 Pedogogy, Advocacy, and Community Engagement / Entrepreneurship M pm Elementary Piano Pedagogy McAlister Andrea CBIB 326 TR pm String Pedagogy Zeitlin Louise CBIB 237 MW pm Psychology of Musical Behavior Kerchner Jody CBIB 232 TR pm Arts Behind Bars Kerchner Jody HOTEL BIPS TR pm Community Engagement Zeitlin Louise CBIB 223 Musicians M pm Intro to Entrepreneurship Oney Barbara HOTEL BIPS 6.
7 Technology in Music and Related Arts TR pm Intro to Electroacoustic Music Aurie Hsu CBIB 224 TR pm Intro to Electroacoustic Music Aurie Hsu CBIB 224 TR pm Electro-acoustic Studio Tech Lopez Thomas CBIB EMS Handm TR pm Adv Electroacoustic Music Swendsen Peter CBIB EMS T pm Studio Recording Tripp Andrew CBIB EMS Visiting the Oberlin Conservatory Classroom The faculty, students, and administrative staff of the Oberlin Conservatory welcome and encourage you to sit in on classes and rehearsals. Prospective students have found that classroom visits are valuable because they provide a real feeling for the intellectual and musical life of the school. It is important to realize that while classroom visits can be stimulating and valuable experiences, no single class is representative of the campus academic atmosphere. We suggest, therefore, if time allows, that you visit several classes in order to discover the range of teaching styles and class formats that exist here. When visiting a classroom we ask that you keep in mind the following: A) Please plan to arrive before the class is scheduled to begin. This will allow you time to meet and discuss the class briefly with students in the class. In fairness to the professor and students, please do not enter the classroom once the class has begun. (In most cases, students are welcome to enter and exit a rehearsal in progress.) B) Please stay for the duration of the class. Classes generally last for 50 minutes, although some are longer (60-75 minutes). Please check with the Admissions Office if you have questions. C) Please feel free to introduce yourself to the professor before or after class, and to pose any questions you have regarding the course, the department, etc. 7.
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OBERLIN CONSERVATORY OF MUSIC Admitted student schedule of Tours, Ensemble Rehearsals, Studio Classes and Conservatory Classes *Building and location key at end of document. Conservatory and Campus Tours
OBERLIN CONSERVATORY OF MUSIC Schedule of Ensemble Rehearsals, Studio Classes and Conservatory Classes Spring Semester 2018
OBERLIN CONSERVATORY OF MUSIC Schedule of Ensemble Rehearsals, Studio Classes and Conservatory Classes Spring Semester 2018 CBIB Conservatory Bibbins ASIA Fairchild Chapel KING King Building CCEN Central
OBERLIN CONSERVATORY OF MUSIC Schedule of Ensemble Rehearsals, Studio Classes and Conservatory Classes Fall Semester Ensemble Rehearsals
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