2010 Kendall Hunt Publishing. Contents

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1 Foreword Preface Acknowledgments Acknowledgments for the Second Edition A Note about the CD Recordings and Listening Guides xi xii xiv xv xvi Chapter 1-The Basic Elements of Classical Music 1 A Few of the Basic Building Blocks Used to Create Classical Music 2 Instruments Used in Classical Music 5 A Few Common Musical Ensembles 9 General Dates for Classical Music 11 A Few Thoughts on the Art of Active Listening 11 Odds and Ends 12 The Pleasures of Music by Aaron Copland 14 Study Guide 19 Chapter 2-The Middle Ages 21 From De institutione musica by Boethius 22 Music in the Church 25 Focus on Form: The Mass 26 Gregorian Chant: Anonymous (ca A.D.) 27 Hildegard von Bingen ( ) 28 The Notre Dame School: Léonin (ca ) and Pérotin (ca ) 29 Philippe de Vitry ( ) 32 Guillaume de Machaut (ca ) 33 Secular Music in the Middle Ages 34 Machaut s Letter Regarding Secular Vocal Music 35 Study Guide 39 Chapter 3-The Renaissance 41 Music in the Church 43 Guillaume Dufay (ca ) 43 Johannas Ockeghem (ca ) 44 Josquin des Prez (ca ) 45 Giovanni Pierluigi da Palestrina (ca ) 46 Brief on the Reform of the Chant to Palestrina and Zoilo 47 iii

2 iv William Byrd ( ) 50 Giovanni Gabrieli (ca ) 51 Martin Luther ( ) 53 Wittenberg Gesangbuch by Martin Luther 53 Secular Music in the Renaissance 54 Heinrich Isaac (ca ) 55 Focus on Form: The Madrigal 57 Carlo Gesualdo da Venosa (ca ) 57 Thomas Morley ( ), Thomas Weelkes ( ), and Thomas Tomkins ( ) 58 Study Guide 61 Chapter 4-The Baroque Era 63 Giulio Caccini (ca ) 64 The Birth of New Music by Caccini 65 Focus on Form: Opera 68 Claudio Monteverdi ( ) 69 Henry Purcell ( ) 71 Focus on Form: Instrumental Music 73 Arcangelo Corelli ( ), Allessandro Scarlatti ( ), and Domenico Scarlatti ( ) 74 Jean-Baptiste Lully ( ), François Couperin ( ), and Elisabeth Jacquet de la Guerre (ca ) 75 Heinrich Schütz ( ) and Georg Phillipp Telemann ( ) 76 Johann Sebastian Bach ( ) 78 Bach s Duties at Leipzig 79 Focus on Form: The Fugue 81 George Frideric Handel ( ) 90 Focus on Form: Cantata and Oratorio 91 Antonio Vivaldi ( ) 96 Study Guide 99 Chapter 5-The Classical Era 101 Focus on Form: The Sonata Cycle 106 Carl Philipp Emanuel Bach ( ) 110 Johann Christian Bach ( ) 110 Johann Stamitz ( ) 110 František Benda ( ) 111

3 v Christoph Willibald Gluck ( ) 113 Franz Joseph Haydn ( ) 114 Wolfgang Amadeus Mozart ( ) 120 Report on Mozart by Daines Barrington 121 Focus on Form: The Solo Concerto 131 Ludwig van Beethoven ( ) 141 Ludwig van Beethoven s Heiligenstadt Testament 142 Study Guide 153 Chapter 6-The Romantic Era 155 Franz Schubert ( ) 157 Felix Mendelssohn ( ) and Fanny Mendelssohn Hensel ( ) 160 Niccolò Paganini ( ) 161 Robert Schumann ( ) and Clara Wieck Schumann ( ) 163 Focus on Form: Character Pieces 165 Frédéric François Chopin ( ) 166 Franz Liszt ( ) 169 Franz Liszt by Victor Borge 170 Hector Berlioz ( ) 179 Mendelssohn s Letter to His Mother, Rome, March 15, Symphonie fantastique by Hector Berlioz 181 Johannes Brahms ( ) 184 New Paths (1853) by Robert Schumann 184 Focus on Form: Tone Poems, Concert Overtures, and other Symphonic Program Music 187 Peter Ilyich Tchaikovsky ( ) 188 Bedřich Smetana ( ) 189 Charles Gounod ( ) 191 Antonín Dvořák ( ) 192 Music in America by Antonín Dvořák 193 Focus on Form: Romantic Opera 201 Giuseppe Verdi ( ) 203 Verdi s Letter to Clarina Maffei, April 20, Richard Wagner ( ) 208 Interlude: Richard Wagner by Michael Walsh 209 Study Guide 219

4 vi Chapter 7-Impressionism and Post-Romanticism 221 Claude Debussy ( ) 223 Maurice Ravel ( ) 225 Focus on Form: Verismo Opera 226 Giacomo Puccini ( ) 227 Gustav Mahler ( ) 229 Anton Bruckner ( ) 231 Jean Sibelius ( ) 231 Richard Strauss ( ) 232 Sergei Rachmaninov ( ) 234 Edward Elgar ( ) and Gustav Holst ( ) 235 Study Guide 237 Chapter 8-Modern Music, Igor Stravinsky ( ) 241 Le Sacre du Printemps (The Rite of Spring) 243 Béla Bartók ( ) 246 Serge Prokofiev ( ) 249 Dmitri Shostakovich ( ) 250 Paul Hindemith ( ) 253 Charles Ives ( ) 256 Memos by Charles Ives 257 Aaron Copland ( ) 261 George Gershwin ( ) 264 Focus on Form: Expressionism, Atonality, and Serialism 265 The Path to Twelve-Note Composition by Anton Webern 267 Arnold Schoenberg ( ) 270 Anton Webern ( ) 273 Alban Berg ( ) 276 Other Composers and Works of Interest 278 Study Guide 281 Chapter 9-Modern Music, 1950-Present 283 John Cage ( ) 285 A Conversation with John Cage by Tim Page 287 George Crumb (b. 1929) 291

5 vii Edgard Varèse ( ) 295 Olivier Messiaen ( ) 296 Pierre Boulez (b. 1925) 297 Karlheinz Stockhausen ( ) 298 Milton Babbitt (b. 1916) 297 György Ligeti ( ) 299 Philip Glass (b. 1937) 300 Steve Reich (b. 1936) 301 John Adams (b. 1947) 303 Ellen Taaffe Zwilich (b. 1939) 305 Ellen Taaffe Zwilich by Tim Page 306 Frank Zappa ( ) 313 Bingo! There Goes Your Tenure! by Frank Zappa 313 Other Composers and Works of Note 317 Study Guide 321 Interlude: Some Thoughts about the Future of Classical Music 323 Modern Composers by Michael Walsh 323 Chapter 10-Jazz: America s Classical Music 331 Jazz: America s Classical Music by Dr. Billy Taylor 335 Precursors of Jazz 338 Traditional Jazz 342 Traditional Jazz Band Techniques 344 The Swing Era 349 Goodman Is Heard In Swing Concert by Olin Downes 356 Benny Goodman Live at Carnegie Hall by Irving Kolodin 357 Bebop 363 Cool School 369 Hard Bop 373 Charles Mingus 376 Free Jazz and the Avant-Garde 376 Double View of a Double Quartet 379 Fusion: The 70s and 80s 382 Recent Trends 386 Study Guide 395

6 viii Chapter 11-Around the World in 58 Pages or Less 397 Oceana (Aboriginal Music of Australia) 404 Indonesia 407 India 412 Focus on Form: Raga, Tala, and Sruti 415 Focus on Form: Carnatic Sangeet 418 Africa (Sub-Saharan) 420 Focus on Form: Common Stylistic Elements 421 The Middle East 426 The Silk Road 429 Japan 433 North America (native culture) 438 Focus on Form: Musical Tendencies for Native American Culture Regions 440 African Diaspora 441 Focus on Form: The Commercial World of World Music 446 Home 447 Study Guide 453 Appendix A Websites for Classical Music, Jazz, and World Music 455 Appendix B 10 Music Festivals You Should Attend Before You Die 459 Appendix C Some Thoughts on Shopping for Classical, Jazz, and World Music CDs 463 Glossary 469 Selected Bibliography 481 Index 485

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