An Overview of ATIAM International Master Program Sorbonne Université Ircam Télécom ParisTech. Journée d Informatique Musicale May 2018
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1 An Overview of ATIAM International Master Program Sorbonne Université Ircam Télécom ParisTech Journée d Informatique Musicale May 2018
2 S STATUS PARCOURS MASTER 2 Parcours multi-mentions du master Sciences et technologies Université Pierre et Marie Curie en collaboration avec l Ircam et Télécom ParisTech Computer Science Informatics mention Resp. : Béatrice Bérard & Julien Sopena (McGill University) Corresp. : Emmanuel Saint-James Coordination Ircam Moreno Andreatta & Cyrielle Fiolet Engineering Science Acoustics mention / Resp. : Régis Marchiano Corresp. : Benoît Fabre (Laboratory of Mechanics and Acoustics / Marseille)
3 S STATUS PARCOURS MASTER 2 Parcours multi-mentions du master Sciences et technologies Sorbonne Université en collaboration avec l Ircam et Télécom ParisTech Computer Science Informatics mention Resp. : Béatrice Bérard & Julien Sopena (McGill University) Corresp. : Emmanuel Saint-James Coordination Ircam Thomas Hélie & Cyrielle Fiolet Engineering Science Acoustics mention / Resp. : Régis Marchiano Corresp. : Benoît Fabre (Laboratory of Mechanics and Acoustics / Marseille)
4 : 5 LETTERS FOR 3+1 DISCIPLINES Acoustique Acoustics Traitement du signal Signal Processing Informatique Computer Science Appliquées à la Musique Music
5 : 3 FIELDS WITHIN 1 DISCIPLINE Acoustique Acoustics Traitement du signal Signal Processing Informatique Appliquées à la Musique Computer Science Musical Instruments Music Theory Music Analysis Music Perception Music Sound synthesis Composition Performance Musical sound Instrument making
6 S STRUCTURE: S3 S3 (September - End of January) S4 (February - July) Basics (60 h) Main courses (240 h) Internship Week 1-Week 2: Basics - Resp. Moreno Andreatta Acoustics (15h) Signal Processing (15h) 2 over 3 Informatics (15h) Computational Musicology (30h) 60h Week 3-End of January: Acoustics - Resp. Benoît Fabre (UPMC) Signal Processing - Resp. Bertrand David (Télécom ParisTech) Informatics - Resp. Carlos Agon (UPMC/Ircam) Interdisciplinary Projects and musical applications Resp. Benoît Fabre (UPMC) 60h 60h 60h 60h
7 S STRUCTURE: S4 S3 (September - End of January) S4 (February - July) Basics (60 h) Main courses (240 h) Internship February-July: 6 months Internship ( stage in a research institute, university lab, company, ) Associated Research Labs UPMC-CNRS / UPMC-CNRS / UPMC-CNRS / Aix-Marseille Université (AMU)/ Telecom-ParisTech / McGill Univ Paris EHESS-CNRS / CAMS
8 S STRUCTURE: S4 S3 (September - End of January) S4 (February - July) Basics (60 h) Main courses (240 h) Internship February-July: 6 months Internship ( stage in a research institute, university lab, company, ) Associated Research Labs UPMC-CNRS / UPMC-CNRS / UPMC-CNRS / Aix-Marseille Université (AMU)/ Telecom-ParisTech / McGill Univ Paris EHESS-CNRS / CRIStAL (Algomus Team)
9 : PROSPECTS AND STATISTICS Students continue their studies in PhD programs (since 1993, about 400 Master thesis and 70 PhD thesis have been defended) They poursue a carreer in public research facilities (University, CNRS,...) They go on to work in private companies (as engeneer in musical industry, multimedia, online digital systems,...) They create their own starts-up (ex. Dualo,...) They are involved in artistic projects (ex. RIM = réalisateur en informatique musicale) Gilbert NOUNO Réalisateur en informatique musicale, composer Geoffroy PEETERS Researcher, Analysis/Synthesis Team Ircam Stefania SERAFIN Resp. SMC Master Program Aalborg University Bruno VERBRUGGHE General Director of the Dualo company Louis BIGO Associate Professor in Computer Science Université de Lille
10 USIC & MUSICOLOGY 1. Foundamentals for acoustics, signal processing and informatics applied to music 54 h + 6h practical work Resp. M. Andreatta, CNRS/Ircam This teaching unit aims to provide the basics enabling the different teaching units to fully develop, as well from a scientific point of view as from the general knowledge of Twentieth-Century music and musicology. The first part of this unit provides a harmonization of different levels with respect to acoustics, signal processing and informatics. The second part provides an introduction to XX th Century music and musicology, by focusing in particular to Computational Music Analysis. Several participants: Claudy Malherbe (composer) Pierre Couprie (musicologist, IREMUS) Mikhail Malt (musicologist and composer, IRCAM) Angelo Orcalli (mathematician and musicologist, Italy) François-Xavier Féron (empirical musicology, LABRI, Bordeaux / Ircam) Moreno Andreatta (CNRS/Ircam & USIAS/IRMA/GREAM)
11 - Focus on Computational Musicology Algebraic models Signal-based Music Information Retrieval Computational models Cognitive models Semiotic models Topological models Mathematical models Structural Music Information Research è
12 è è è DEADLINE : 30 june 2018
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