Sibelius Projects for Students

Size: px
Start display at page:

Download "Sibelius Projects for Students"

Transcription

1 Online Course Notes Sibelius Projects for Students Session 3 Katie Wardrobe Midnight Music

2 Getting Started With Film Scoring 3 Project #1: Box Clever 3 Aim 3 Skills 3 Steps 3 Empty bars and Panorama View 4 Add Video 4 The Transport Panel (Playback) 5 Playback 5 Add Hit Points 5 Rename Hit Points 6 Add Hit Point Staff 6 Create percussion parts 6 Add some extras 7 Project #2 Haunted House 7 Aim 7 Skills 7 Steps 7 Empty Bars and Panorama View 8 Add Video 8 Hit Points 8 All About Suspense Music 8 Creating Suspenseful Music With Students: Some Ideas 9 Project #3 Big Buck Bunny 10 Open Source Short Film 10 Cue sheets 10 Steps 10 Matching music tempo with hit points 10 Homework 11

3 Getting Started With Film Scoring Project #1: Box Clever Aim Start simply: use untuned percussion to add musical sound effects to the short movie Box Clever (one of the videos provided with Sibelius). Skills Students will learn how to: Synch visuals to sound Set up a new score with specific instruments Add video to the score Use the video window Play, rewind, fast forward, stop and scrub through their score Add hit points Create a hit point staff Input notes Copy and paste Add dynamics Steps Start new blank score with the following instruments from the Orchestral unpitched percussion family: Snare drum Triangle Bass drum Cymbals Large Gong 3

4 And from the Other unpitched percussion family: Finger cymbals Tambourine Wind chimes Other score attributes: Time signature of 4/4 Metronome mark of crotchet = 160 C major Add a title and your name as the composer Click Finish Empty bars and Panorama View Change to Panorama view by pressing Shift+P. Then create some empty bars 24 in total by using Ctrl +B or B to add bars at the end of your score. Add Video Add the Box Clever video by going to Play > Video > Video > Add Video (Sibelius 6: Play > Video and Time > Add video). Locate the video: it should be in your Example scores folder. If you can t see the Example scores folder, you may not have it installed. You ll need to find your installer disc and copy the Example Scores folder on to your hard drive. Click Open and the video will appear in its own window in your score: There is a series of buttons across the bottom of the video window: The Add hit point button 4

5 4 buttons to control the video screen size (half size, full size, double size and full screen) Volume slider (controls the volume of the video only not the score) The Transport Panel (Playback) If#your#transport#panel#(playback)#is#not#already#open,#you#can#open#it#as#follows: Sibelius 6: go to Window > Playback Sibelius 7: go to View > Panels > Transport You can use the buttons on the transport panel (the playback window) to start, stop, rewind and fast forward your score, however, it s really useful to learn some of the playback shortcuts: Playback It s really useful to learn some of the playback shortcuts when doing film scoring: Playback(Shortcuts Start/Stop#playback Move#playback#line#back#0.2#seconds#(hold#to#rewind)# [# Move#playback#line#forwards#0.2#seconds#(hold#to#fast#forward) ] Move#playback#line#backward#one#frame Move#playback#line#forwards#one#frame Play#from#selecGon Move#playback#line#to#the#note#currently#selected Move#playback#line#to#start Spacebar ShiD+[ ShiD+] P Y Ctrl+[#or# [ Add Hit Points Hit points (also known as time markers) are used to mark specific places in your score where action and events occur in the video. Hit points are locked to the video not to the score so if your score tempo changes, the hit point position will change too. We re going to add untuned percussion sounds into our score to create sound effects to match the action. First of all we ll start by marking each action point with a hit point. In the Box Clever video, action points include the bouncing of the red box, the big hammer splat and the tipping over of the red box after it s been hit. It s useful to scrub through the video frame by frame so you can pinpoint the exact moment an event occurs. Use Shift+[ to do this and when you reach an action point, click on the Add Hit Point button on the video window. 5

6 A hit point will appear in your score and looks like the one to the right. It shows you the timecode at that position in the score, the position in bars, beats and hundredths and the name of the hit point. By default, Sibelius gives each hit point a generic name (ie. Hit Point 01). Next, we ll learn how to change the name for easy identification in the score. Rename Hit Points Open the hit points window by going to Play > Video, click on the lower half of the Hit Point button and then choose Edit Hit Points (Sibelius 6: Play > Video and Time > Hit Points). You can rename each hit point by clicking on the name and typing a new title. You can also delete hit points in this window, or create new ones. Add Hit Point Staff Next, we want to add some percussive sounds at each hit point to audibly illustrate what s happening in the video. In order to do that we need to work out the exact rhythmic position of each hit point so we can replicate it in a percussion part. Although this sounds difficult, Sibelius makes it easy with one of its plug-ins. Go to Note Input > Plug-ins > Add Hit Point Staff (Sibelius 6: Plug-ins > Composing Tools > Add Hit Point Staff). This plug-in adds a staff at the top of the score which shows the rhythmic position of each hit point. The staff is silent - it won t make a sound during playback. Create percussion parts Now all that s left to do is to create percussive sounds that match the rhythmic position of each hit point. First you ll need to decide which percussion instrument will represent each hit point. As an example, I used a tambourine sound for the red box bounces at the beginning of the video, but you may like to try something completely different. 6

7 Then you can simply copy the hit point staff notes into any (all!) of the other staves in your score. It can be a good idea to change the noteheads on the hit point staff to normal noteheads before doing anything else: select the entire staff (double-click on it) and then use the shortcut Alt+Shift+0 (Opt+Shift +0). Next, you can copy the notes on the hit point staff on to any of the other staves in your score. Select the bar/s on the hit point staff and then Alt-click on to one of the other staves to copy the notes across. Playback your score frequently to hear the result. Add some extras Dynamics: select a note, type Ctrl+E or E (E stands for Expression text) and then type the dynamic in whilst holding down Ctrl or (this makes the dynamic appear in the correct font style) Trills (rolls), ritardandos or ralls can be found in the Lines menu (press L to access Lines) Articulation such as staccatos, tenutos and accents can be found on the Keypad Project #2 Haunted House Aim Create a suspense score to accompany to the short movie Haunted House. We will also add some musical sound effects to highlight the lighting/thunder and synch visuals to sound. Skills By the end of this project, students will know how to: Set up a new score with specific instruments Add video to the score Use the video window Play, rewind, fast forward, stop and scrub through their score Add hit points Create a hit point staff Input notes Copy and paste Add dynamics Locate suitable musical snippets (loops) in the Ideas Hub (if applicable) Steps Create new score with the following: Instruments: Cymbals, Tuba, Violin I, Violincello, Double Bass, Tenor Drum and Bass Drum 7

8 Time signature of 4/4 Metronome mark of crotchet = 100 C major A title and your name as the composer Empty Bars and Panorama View Change to Panorama view by pressing Shift+P Create some empty bars 13 in total (Ctrl+B or B) Add Video Add the Box Clever video by going to Play > Video > Video > Add Video (Sibelius 6: Play > Video and Time > Add video). Locate the video and click Open. Hit Points Add hit points when you see the lightning flash. Hint: the first one isn t until around 21 seconds into the video and there are around 3 in total. Go to Note Input > Plug-ins > Add Hit Point Staff (Sibelius 6: Plug-ins > Composing Tools > Add Hit Point Staff). Copy the rhythmic position of the hit points into the cymbal stave (or other instrument of your choosing). All About Suspense Music Discuss with students some of the compositional techniques commonly used to create suspense or tension: Rhythms that get faster (the way your heartbeat speeds up when you re scared or under stress) Repetition (of almost anything) Non-chord tones Jagged articulations Dissonant harmony Dramatic devices Ascending lines 8

9 Increased volume Extreme register of instruments Emphasis on passing tones (non-chord/scale tones) Wide intervals (especially ascending) Alternating directions Use of space rests/silence to create sense of anticipation Creating Suspenseful Music With Students: Some Ideas Depending on the age of your students and their musical experience, you can choose to approach this task in a number of ways. 1. Students add pre-made music to their score Using the Sibelius s Ideas Hub (or even the Worksheet Creator), students can search for musical snippets that will suit the style of film they re composing for. They could try a few different Ideas and discuss why some work and some don t. How do different types of music change the film? More advanced students within the group may like to alter the pre-made Ideas by changing the instrumentation, key, extending the Idea or editing the Idea 2. Students compose with provided building blocks Show students how to compose a suspense soundtrack by first providing them with compositional building blocks. Create a drone in the low strings and tuba staves that goes up slowly in pitch. End on a very low note Create a heartbeat rhythm in the bass drum Create a tension-building rhythm in the tenor drum that gets faster Add a high-pitched, eerie violin part Add dynamics so that the music starts quietly and gets louder. End on a loud accented low note 3. Students compose their own music from scratch completely, or use a combination of the above techniques. 9

10 Project #3 Big Buck Bunny Open Source Short Film As an extension to Project #2, students can compose music to a short excerpt from the open source video Big Buck Bunny. Big Buck Bunny is a 10-minute animated movie that was released in Created by the Blender Institute (Amsterdam) it stars a very big bunny named Buck who decides to seek revenge on three little forest critters who spoil his day. Big Buck Bunny was released under a Creative Commons license meaning that it is free for everyone to watch it, download it, reuse it and learn from it, provided the creators of the movie are attributed. Cue sheets Really, the process for this project is the same as for the previous two projects, but this time you might like to have students map out their composition first by using a cue sheet. A cue sheet - used by professional composers - is a list of the musical cues that will take place in a scene. It can be useful for students to watch their chosen excerpt a few times and write down the hit points in a list, with the timings. They can also make note of any musical ideas they may have - parts of the scene that might fit well with happy music or sad music or dramatic music. Steps watch the movie (a few times!) and fill out your cue sheet set up a new score with a combination of percussive and melodic instruments (your choice) add in the hit points create the hit point staff compose original music to enhance the scene - light, happy string parts, low ominous drones, sudden chords and percussive sound effects Matching music tempo with hit points One extra feature that s useful to know about is the Fit Selection To Time plug-in. If you have composed a passage of music and you want to fit it exactly between a couple of hit points, Sibelius can automatically stretch (or contract) the music by adjusting the tempo marking to make it fit the video exactly. To do this: Select the bar/s of music between two hit points Go to Note Input > Plugins > Fit selection to time (Sibelius 6: Plugins > Composing Tools > Fit selection to time) Choose to Set the end of the section to the Time of selected hit point at the bottom of the window. Select your end hit point from the drop-down menu and click OK 10

11 Sibelius will add two tempo markings into your score: one at the beginning of the section (which will make the section fit exactly to the length of the video) and then another at the end to return the score back to the original tempo. You can delete the second tempo marking if you want to retain the current speed. Homework Recreate each of the above projects yourself. Pick another short movie and make up your own soundtrack from scratch (you might like to explore the use of the Ideas window in film scoring projects as well) Explore some of the links and resources mentioned during the session (in the accompany document) 11

Sibelius In The Classroom: Projects Session 1

Sibelius In The Classroom: Projects Session 1 Online 2012 Sibelius In The Classroom: Projects Session 1 Katie Wardrobe Midnight Music Tips for starting out with Sibelius...3 Why use templates?... 3 Teaching Sibelius Skills... 3 Transcription basics

More information

Sibelius: Tips for Working Effectively

Sibelius: Tips for Working Effectively 2012 Sibelius: Tips for Working Effectively Katie Wardrobe Midnight Music About Katie...4 Professional development & training...4 In- person training... 4 Online courses... 4 Free tips, tutorials, articles

More information

Sibelius Advanced Session 2

Sibelius Advanced Session 2 Online 2012 Sibelius Advanced Session 2 Katie Wardrobe Midnight Music Playback of your score: the importance of text 4 Tempo markings 4 Creating tempo markings 4 Metronome markings 4 Creating metronome

More information

ipads in Music Education Session 2

ipads in Music Education Session 2 Online 2012 ipads in Music Education Session 2 Katie Wardrobe Midnight Music MadPad HD how-to 3 What is MadPad HD? 3 Opening and playing a sound set 3 Accessing menu options 4 Creating your own sound set

More information

ipads in Music Education Session 2

ipads in Music Education Session 2 Online 2012 ipads in Music Education Session 2 Katie Wardrobe Midnight Music MadPad HD how-to 4 What is MadPad HD? 4 Opening and playing a sound set 4 Accessing menu options 5 Creating your own sound set

More information

2) Is it a Sharp or a Flat key? a. Flat key Go one Flat Further (use Blanket Explodes) b. Sharp key Go Down a Semitone (use Father Christmas)

2) Is it a Sharp or a Flat key? a. Flat key Go one Flat Further (use Blanket Explodes) b. Sharp key Go Down a Semitone (use Father Christmas) SCALES Key Signatures 1) Is it Major or Minor? a. Minor find the relative major 2) Is it a Sharp or a Flat key? a. Flat key Go one Flat Further (use Blanket Explodes) b. Sharp key Go Down a Semitone (use

More information

Creating a Lead Sheet Using Logic Pro X and Sibelius

Creating a Lead Sheet Using Logic Pro X and Sibelius Creating a Lead Sheet Using Logic Pro X and Sibelius As part of your composition portfolio, you are required to create a lead sheet for your song. This guide explains how to complete the process 1. Create

More information

Term 3 Grade 6 Music Literacy

Term 3 Grade 6 Music Literacy 1 Term 3 Grade 6 Music Literacy Contents The Stave... 3 The Treble clef... 3 Note values... 3 Tempo... 3 Pitch... 4 Dynamics... 4 Canon... 4 String instruments... 4 Musical elements... 5 Rhythm... 5 Musical

More information

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Percussion. Snare Drum, Bass Drum, Kit, Bells

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Percussion. Snare Drum, Bass Drum, Kit, Bells Name: GPS (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1 Percussion Snare Drum, Bass Drum, Kit, Bells Ontario Music Educators Association www.omea.on.ca GPS Task Student

More information

The. finale. Projects. The New Approach to Learning. finale. Tom Carruth

The. finale. Projects. The New Approach to Learning. finale. Tom Carruth The finale Projects The New Approach to Learning finale Tom Carruth Addendum for Finale 2010 The Finale Projects Addendum for Finale 2010 There are seven basic differences between Finale 2010 and Finale

More information

Music Tech Lesson Plan

Music Tech Lesson Plan Music Tech Lesson Plan 01 Rap My Name: I Like That Perform an original rap with a rhythmic backing Grade level 2-8 Objective Students will write a 4-measure name rap within the specified structure and

More information

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Conductor

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Conductor Name: GPS (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1 Conductor Ontario Music Educators Association www.omea.on.ca GPS Task Student Evaluation Chart Band Performance

More information

Music Curriculum Glossary

Music Curriculum Glossary Acappella AB form ABA form Accent Accompaniment Analyze Arrangement Articulation Band Bass clef Beat Body percussion Bordun (drone) Brass family Canon Chant Chart Chord Chord progression Coda Color parts

More information

MUSIC PERFORMANCE: GROUP

MUSIC PERFORMANCE: GROUP Victorian Certificate of Education 2002 SUPERVISOR TO ATTACH PROCESSING LABEL HERE Figures Words STUDENT NUMBER Letter MUSIC PERFORMANCE: GROUP Aural and written examination Friday 22 November 2002 Reading

More information

THE MUSIC ACADEMY AT CCTS.

THE MUSIC ACADEMY AT CCTS. THE MUSIC ACADEMY AT CCTS Audition requirements for Instrumentalists applying for acceptance into The Music Academy at Camden County Technical Schools www.ccts.org YOUR MUSIC ACADEMY AUDITION DATE Gloucester

More information

La Salle University. I. Listening Answer the following questions about the various works we have listened to in the course so far.

La Salle University. I. Listening Answer the following questions about the various works we have listened to in the course so far. La Salle University MUS 150-A Art of Listening Midterm Exam Name I. Listening Answer the following questions about the various works we have listened to in the course so far. 1. Regarding the element of

More information

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276)

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276) NCEA Level 2 Music (91276) 2016 page 1 of 7 Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276) Assessment Criteria with Demonstrating knowledge of conventions

More information

MUSICAL DATA SHEET. Copyright 2008 Blastwave FX, LLC All Rights Reserved. Blastwave FX, LLC.

MUSICAL DATA SHEET. Copyright 2008 Blastwave FX, LLC All Rights Reserved. Blastwave FX, LLC. Title Description Time Folder Library MP3 Filename AccentAscend_S08MU.1.wav MUSICAL, ACCENT, ASCEND, STRINGS, TWINKLE 00:04.9 MUSICAL SONOPEDIA AccentAscend_S08MU.1.mp3 AccentDarkEerie_S08MU.2.wav MUSICAL,

More information

Teach Your Students to Compose Themselves!

Teach Your Students to Compose Themselves! Teach Your Students to Compose Themselves! Robert Sheldon Composer/Conductor/Clinician/Concert Band Editor Alfred Music www.robertsheldonmusic.com rsheldon@alfred.com 1) Where to begin? What does the composer

More information

IronClad. Sean O Loughlin Grade 1.5 (Hutton) 2011 Carl Fischer, LLC

IronClad. Sean O Loughlin Grade 1.5 (Hutton) 2011 Carl Fischer, LLC IronClad Sean O Loughlin Grade 1.5 (Hutton) 2011 Carl Fischer, LLC History Sean O Loughlin (b. 1972) grew up in Syracuse New York. His career began to take shape with the help of the Vice President of

More information

Paper Reference. Paper Reference(s) 1426/03 Edexcel GCSE Music Paper 3 Listening and Appraising. Friday 18 May 2007 Afternoon Time: 1 hour 30 minutes

Paper Reference. Paper Reference(s) 1426/03 Edexcel GCSE Music Paper 3 Listening and Appraising. Friday 18 May 2007 Afternoon Time: 1 hour 30 minutes Centre No. Candidate No. Paper Reference 1 4 2 6 0 3 Paper Reference(s) 1426/03 Edexcel GCSE Music Paper 3 Listening and Appraising Friday 18 May 2007 Afternoon Time: 1 hour 30 minutes Surname Signature

More information

Page 2 Lesson Plan Exercises 1 7 Score Pages 24 38

Page 2 Lesson Plan Exercises 1 7 Score Pages 24 38 Page 2 Lesson Plan Exercises 1 7 Score Pages 24 38 Goal Students will progress in developing comprehensive musicianship through a standards-based curriculum, including singing, performing, composing and

More information

Diamond Piano Student Guide

Diamond Piano Student Guide 1 Diamond Piano Student Guide Welcome! The first thing you need to know as a Diamond Piano student is that you can succeed in becoming a lifelong musician. You can learn to play the music that you love

More information

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Tenor Saxophone

GPS. (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1. Tenor Saxophone Name: GPS (Grade Performance Steps) The Road to Musical Success! Band Performance Tasks YEAR 1 Tenor Saxophone Ontario Music Educators Association www.omea.on.ca GPS Task Student Evaluation Chart Band

More information

Music Department Music Literacy Workbook Name

Music Department Music Literacy Workbook Name Music Department N4 Music Literacy Workbook Name National 4 Music Literacy Workbook : DMG 2013 Page 1 Contents Assignment 1 Assignment 2 Assignment 3 Assignment 4 Assignment 5 Note Names Notation Rhythm

More information

Greenwich Music Objectives Grade 3 General Music

Greenwich Music Objectives Grade 3 General Music All students are required to take general music one hour per week. All students may elect to take orchestra. The annotations (e.g. *6c, *1d) in the curriculum are based on the National/Connecticut Standards.

More information

COURSE SYLLABUS. Course #: X Course Title: Workshop in Music Notation. Reg. # V4475 Units: 4. Quarter/Yr: Winter Quarter 2010

COURSE SYLLABUS. Course #: X Course Title: Workshop in Music Notation. Reg. # V4475 Units: 4. Quarter/Yr: Winter Quarter 2010 COURSE SYLLABUS Course #: X 482.83 Course Title: Workshop in Music Notation Reg. # V4475 Units: 4 Quarter/Yr: Winter Quarter 200 Day/Time: Thursdays / Dates: January 07 March 25 (2 Meetings.) No meeting

More information

Information Sheets for Proficiency Levels One through Five NAME: Information Sheets for Written Proficiency Levels One through Five

Information Sheets for Proficiency Levels One through Five NAME: Information Sheets for Written Proficiency Levels One through Five NAME: Information Sheets for Written Proficiency You will find the answers to any questions asked in the Proficiency Levels I- V included somewhere in these pages. Should you need further help, see your

More information

Year 7 revision booklet 2017

Year 7 revision booklet 2017 Year 7 revision booklet 2017 Woodkirk Academy Music Department Name Form Dynamics How loud or quiet the music is Key Word Symbol Definition Pianissimo PP Very Quiet Piano P Quiet Forte F Loud Fortissimo

More information

In Search of a Comedy Education Kit

In Search of a Comedy Education Kit In Search of a Comedy Education Kit In Search of a Comedy Education kit Contents 1. Introduction 2. About Paul Grabowsky 3. Paul on Sibelius 5 4. Using the Ideas Hub in the composition tasks 5. Music concepts

More information

GENERAL EDUCATION AND TRAINING CREATIVE ARTS MUSIC ASSESSMENT TASK NOVEMBER 2015 GRADE 8

GENERAL EDUCATION AND TRAINING CREATIVE ARTS MUSIC ASSESSMENT TASK NOVEMBER 2015 GRADE 8 GENERAL EDUCATION AND TRAINING CREATIVE ARTS MUSIC ASSESSMENT TASK NOVEMBER 2015 GRADE 8 MARKS: 50 TIME: 1 HOUR PAGES: 5 NAME OF SCHOOL:... NAME OF LEARNER:... INSTRUCTIONS 1. All questions are compulsory.

More information

Music Tech: Shoestring Resources

Music Tech: Shoestring Resources ASME 2011 Music Tech: Shoestring Resources Katie Wardrobe Midnight Music Ear- training and literacy... 3 The Music Interactive...3 Theta Music Trainer...3 Smartboardmusic...4 Musictheory.net...4 Notation...

More information

timing Correction Chapter 2 IntroductIon to timing correction

timing Correction Chapter 2 IntroductIon to timing correction 41 Chapter 2 timing Correction IntroductIon to timing correction Correcting the timing of a piece of music, whether it be the drums, percussion, or merely tightening up doubled vocal parts, is one of the

More information

The Complete Guide to Music Technology using Cubase Sample Chapter

The Complete Guide to Music Technology using Cubase Sample Chapter The Complete Guide to Music Technology using Cubase Sample Chapter This is a sample of part of a chapter from 'The Complete Guide to Music Technology', ISBN 978-0-244-05314-7, available from lulu.com.

More information

History of Percussion in Music and Theater

History of Percussion in Music and Theater History of Percussion in Music and Theater Courtesy of https://seatup.com/blog/history-percussion Percussion instruments are constructed with sonorous materials, and these materials vibrate to make music

More information

MUSIC PERFORMANCE: GROUP

MUSIC PERFORMANCE: GROUP Victorian Certificate of Education 2003 SUPERVISOR TO ATTACH PROCESSING LABEL HERE STUDENT NUMBER Letter Figures Words MUSIC PERFORMANCE: GROUP Aural and written examination Friday 21 November 2003 Reading

More information

Mixcraft Projects Session 2

Mixcraft Projects Session 2 Notes 2013 Mixcraft Projects Session 2 Katie Wardrobe Midnight Music Introduction 4 What is remixing? 4 Who makes a remix and why? 4 How remixes are made 4 Remixing examples 5 Software 5 DAW options (paid)

More information

Curriculum Standard One: The student will listen to and analyze music critically, using vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using vocabulary and language of music. Curriculum Standard One: The student will listen to and analyze music critically, using vocabulary and language of music. 1. The student will analyze the uses of elements of music. A. Can the student analyze

More information

2016 HSC Music 1 Aural Skills Marking Guidelines Written Examination

2016 HSC Music 1 Aural Skills Marking Guidelines Written Examination 2016 HSC Music 1 Aural Skills Marking Guidelines Written Examination Question 1 Describes the structure of the excerpt with reference to the use of sound sources 6 Demonstrates a developed aural understanding

More information

Greeley-Evans School District 6 Year One Beginning Orchestra Curriculum Guide Unit: Instrument Care/Assembly

Greeley-Evans School District 6 Year One Beginning Orchestra Curriculum Guide Unit: Instrument Care/Assembly Unit: Instrument Care/Assembly Enduring Concept: Expression of Music Timeline: Trimester One Student will demonstrate proper care of instrument Why is it important to take care of your instrument? What

More information

The String Family. Bowed Strings. Plucked Strings. Musical Instruments More About Music

The String Family. Bowed Strings. Plucked Strings. Musical Instruments More About Music Musical Instruments More About Music The String Family The string family of instruments includes stringed instruments that can make sounds using one of two methods. Method 1: The sound is produced by moving

More information

about Orchestra Linus Metzler L i m e n e t L i n u s M e t z l e r W a t t s t r a s s e F r e i d o r f

about Orchestra Linus Metzler L i m e n e t L i n u s M e t z l e r W a t t s t r a s s e F r e i d o r f about Orchestra Linus Metzler L i m e n e t L i n u s M e t z l e r W a t t s t r a s s e 3 9 3 0 6 F r e i d o r f 0 7 1 4 5 5 1 9 1 5 0 7 9 5 2 8 1 7 4 2 2 9. 0 3. 2 0 1 0 2 Orchestra subject: author:

More information

Foundation - MINIMUM EXPECTED STANDARDS By the end of the Foundation Year most pupils should be able to:

Foundation - MINIMUM EXPECTED STANDARDS By the end of the Foundation Year most pupils should be able to: Foundation - MINIMUM EXPECTED STANDARDS By the end of the Foundation Year most pupils should be able to: PERFORM (Singing / Playing) Active learning Speak and chant short phases together Find their singing

More information

2010 HSC Music 2 Musicology and Aural Skills Sample Answers

2010 HSC Music 2 Musicology and Aural Skills Sample Answers 2010 HSC Music 2 Musicology and Aural Skills Sample Answers This document contains sample answers, or, in the case of some questions, answers could include. These are developed by the examination committee

More information

Lesson One. Terms and Signs. Key Signature and Scale Review. Each major scale uses the same sharps or flats as its key signature.

Lesson One. Terms and Signs. Key Signature and Scale Review. Each major scale uses the same sharps or flats as its key signature. Lesson One Terms and Signs adagio slowly allegro afasttempo U (fermata) holdthenoteorrestforadditionaltime Key Signature and Scale Review Each major scale uses the same sharps or flats as its key signature.

More information

USER GUIDE V 1.6 ROLLERCHIMP DrumStudio User Guide page 1

USER GUIDE V 1.6 ROLLERCHIMP DrumStudio User Guide page 1 USER GUIDE V 1.6 ROLLERCHIMP 2014 DrumStudio User Guide page 1 Table of Contents TRANSPORT... 3 SONG NAVIGATOR / SECTION EDITING...4 EDITOR...5 TIMING OPTIONS...6 PLAYBACK OPTIONS... 7 RECORDING OPTIONS...8

More information

IES Vicente Aleixandre. Departamento de Música. Apuntes y actividades de Música. 1º E.S.O. Apéndice bilingüe INDEX

IES Vicente Aleixandre. Departamento de Música. Apuntes y actividades de Música. 1º E.S.O. Apéndice bilingüe INDEX IES Vicente Aleixandre. Departamento de Música Curso 2014-15 Apuntes y actividades de Música. 1º E.S.O. Apéndice bilingüe Alumno: Curso y grupo: INDEX Unit 1. Qualities of sound Unit 2. Writing music:

More information

Need to Know Notation with Kathy Maskell and Shana Kirk. National Conference on Keyboard Pedagogy August 1, 2007

Need to Know Notation with Kathy Maskell and Shana Kirk. National Conference on Keyboard Pedagogy August 1, 2007 Need to Know Notation with Kathy Maskell and Shana Kirk National Conference on Keyboard Pedagogy August 1, 2007 Kathy Maskell Kathy Maskell is owner, artistic director and piano instructor at MusicWorks,

More information

Letter STUDENT NUMBER MUSIC PERFORMANCE. Aural and written examination. Thursday 16 November 2017

Letter STUDENT NUMBER MUSIC PERFORMANCE. Aural and written examination. Thursday 16 November 2017 Victorian Certificate of Education 2017 SUPERVISOR TO ATTACH PROCESSING LABEL HERE Letter STUDENT NUMBER MUSIC PERFORMANCE Aural and written examination Thursday 16 November 2017 Reading time: 9.00 am

More information

LBSO Listening Activities. Fanfare for the Common Man Suggested time minutes

LBSO Listening Activities. Fanfare for the Common Man Suggested time minutes LBSO Listening Activities Fanfare for the Common Man Suggested time 15-20 minutes Materials: Internet access to YouTube video (Link below) o This activity works best if students can view the video, but

More information

Igaluk To Scare the Moon with its own Shadow Technical requirements

Igaluk To Scare the Moon with its own Shadow Technical requirements 1 Igaluk To Scare the Moon with its own Shadow Technical requirements Piece for solo performer playing live electronics. Composed in a polyphonic way, the piece gives the performer control over multiple

More information

Grade Five. MyMusicTheory.com PREVIEW. Music Theory Extra Resources. Cadences Transposition Composition Score-reading.

Grade Five. MyMusicTheory.com PREVIEW. Music Theory Extra Resources. Cadences Transposition Composition Score-reading. MyMusicTheory.com Grade Five Music Theory Extra Resources Cadences Transposition Composition Score-reading (ABRSM Syllabus) PREVIEW BY VICTORIA WILLIAMS BA MUSIC www.mymusictheory.com Published: 6th March

More information

Neuratron AudioScore. Quick Start Guide

Neuratron AudioScore. Quick Start Guide Neuratron AudioScore Quick Start Guide What AudioScore Can Do AudioScore is able to recognize notes in polyphonic music with up to 16 notes playing at a time (Lite/First version up to 2 notes playing at

More information

Introduction to capella 8

Introduction to capella 8 Introduction to capella 8 p Dear user, in eleven steps the following course makes you familiar with the basic functions of capella 8. This introduction addresses users who now start to work with capella

More information

Intermediate Midpoint Level 3

Intermediate Midpoint Level 3 Intermediate Midpoint Level 3 Questions 1-3: You will hear the rhythm 3 times. Identify which rhythm is clapped. 1. 2. 3. a. b. c. a. b. c. a. b. c. Questions 4-5: Your teacher will play a melody 3 times.

More information

Classroom. Chapter 1: Lesson 6

Classroom. Chapter 1: Lesson 6 Classroom Chapter 1: Lesson 6 Adventus Incorporated, 2001 Chapter 1: Introductory Theory, The Treble Clef, Bar Lines, Note Values, Rests, & The Bass Clef Lesson 6 This lesson plan was written for use with

More information

2014 Music. Intermediate 2. Finalised Marking Instructions

2014 Music. Intermediate 2. Finalised Marking Instructions 2014 Music Intermediate 2 Finalised Marking Instructions Scottish Qualifications Authority 2014 The information in this publication may be reproduced to support SQA qualifications only on a noncommercial

More information

VCE MUSIC PERFORMANCE Reading time: *.** to *.** (15 minutes) Writing time: *.** to *.** (1 hour 30 minutes) QUESTION AND ANSWER BOOK

VCE MUSIC PERFORMANCE Reading time: *.** to *.** (15 minutes) Writing time: *.** to *.** (1 hour 30 minutes) QUESTION AND ANSWER BOOK VERY IMPORTANT - PLEASE READ! These "possible answers" for the VCAA Sample Paper (https://www.vcaa.vic.edu.au/documents/ exams/music/musicperf-samp-w.pdf) have been provided by Deborah Smith Music to assist

More information

8/5/17. Good Morning/Afternoon! AUGUST 21, 2017

8/5/17. Good Morning/Afternoon! AUGUST 21, 2017 WELCOME BACK!!!! AUGUST 18, 2017 On a sheet of paper, tell me three things: What did you do this summer? How was music a part of your life? Did you sing in public this summer? AUGUST 21, 2017 1. Where

More information

Isabella Warmack. Professor Pecherek. 24 October 2016 MUS

Isabella Warmack. Professor Pecherek. 24 October 2016 MUS Isabella Warmack Professor Pecherek 24 October 2016 MUS 1000-03 The DuPage Symphony Orchestra, directed by Barbara Schubert, plays an Out-of-This- World themed concert on October 23 rd in spirit of Halloween.

More information

Monday 23 May 2016 Morning

Monday 23 May 2016 Morning Oxford Cambridge and RSA Monday 23 May 2016 Morning AS GCE MUSIC G353/01 Introduction to Historical Study in Music *5968536820* Candidates answer on the Question Paper and on the Insert. OCR supplied materials:

More information

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks OVERALL STUDENT OBJECTIVES FOR THE UNIT: Students taking Instrumental Music

More information

44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding)

44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding) 44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding) Background information and performance circumstances Biography Jerry Goldsmith was born in 1929. Goldsmith

More information

Teach Me Piano Deluxe

Teach Me Piano Deluxe Teach Me Piano Deluxe Interactive piano-teaching system You will need the Product ID number from the sticker on your CD sleeve when you install the software. Please keep this number in a safe place and

More information

Year 4 MusicMedium Term Plan

Year 4 MusicMedium Term Plan Time Week 1 6 National Curriculum Learning Objective Reading Music/ Identifying musical symbols Treble clef sign Staff Bar and Bar lines Double bar line Time signature Repeat sign Breath mark Time notes

More information

Sun Music I (excerpt)

Sun Music I (excerpt) Sun Music I (excerpt) (1965) Peter Sculthorpe CD Track 15 Duration 4:10 Orchestration Brass Percussion Strings 4 Horns 3 Trumpets 3 Trombones Tuba Timpani Bass Drum Crotales Tam-tam Chime Triangle Cymbal

More information

Audiation: Ability to hear and understand music without the sound being physically

Audiation: Ability to hear and understand music without the sound being physically Musical Lives of Young Children: Glossary 1 Glossary A cappella: Singing with no accompaniment. Accelerando: Gradually getting faster beat. Accent: Louder beat with emphasis. Audiation: Ability to hear

More information

The tempo MUSICAL APPRECIATIONS MUSICAL APPRECIATION SHEET 1. slow. Can you hear which is which? Write a tick ( ) in the PIECES OF MUSIC

The tempo MUSICAL APPRECIATIONS MUSICAL APPRECIATION SHEET 1. slow. Can you hear which is which? Write a tick ( ) in the PIECES OF MUSIC NAME: SCHOOL NAME: YEAR: DATE: MUSICAL APPRECIATION SHEET 1. The tempo & ARE YOU LISTENING? You ll hear some pieces of music that are fast and some are slow. Can you hear which is which? Write a tick ()

More information

Norman Public Schools MUSIC ASSESSMENT GUIDE FOR GRADE 8

Norman Public Schools MUSIC ASSESSMENT GUIDE FOR GRADE 8 Norman Public Schools MUSIC ASSESSMENT GUIDE FOR GRADE 8 2013-2014 NPS ARTS ASSESSMENT GUIDE Grade 8 MUSIC This guide is to help teachers incorporate the Arts into their core curriculum. Students in grades

More information

BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory

BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory ORGANIZING THEME/TOPIC FOCUS STANDARDS FOCUS SKILLS UNIT 1: MUSICIANSHIP Time Frame: 2-3 Weeks STANDARDS Share music through

More information

2014 Music Performance GA 3: Aural and written examination

2014 Music Performance GA 3: Aural and written examination 2014 Music Performance GA 3: Aural and written examination GENERAL COMMENTS The format of the 2014 Music Performance examination was consistent with examination specifications and sample material on the

More information

Year 11 Composition 12 Bar Blues Workbook

Year 11 Composition 12 Bar Blues Workbook Year 11 Composition 12 Bar Blues Workbook Name: Class: This booklet will guide you through the process of creating your first composition. It is very important that you follow the instructions in each

More information

Assessment Schedule 2017 Music: Demonstrate aural understanding through written representation (91275)

Assessment Schedule 2017 Music: Demonstrate aural understanding through written representation (91275) NC Level 2 Music (91275) 2017 page 1 of 7 ssessment Schedule 2017 Music: emonstrate aural understanding through written representation (91275) ssessment Criteria with with emonstrating aural understanding

More information

ACTION! SAMPLER. Virtual Instrument and Sample Collection

ACTION! SAMPLER. Virtual Instrument and Sample Collection ACTION! SAMPLER Virtual Instrument and Sample Collection User's Manual Forward Thank You for choosing the Action! Sampler Virtual Instrument, Loop, Hit, and Music Collection from CDSoundMaster. We are

More information

Reference Manual. Manual Development Group 2017 Yamaha Corporation Published 11/2017 PO-B0 v1.10

Reference Manual. Manual Development Group 2017 Yamaha Corporation Published 11/2017 PO-B0 v1.10 Reference Manual This Reference Manual explains advanced features of Genos that are not explained in the Owner s Manual. Please read the Owner s Manual first, before reading this Reference Manual. Manual

More information

NAME: Zandrea Hafenrichter LESSON 1 SIXTH GRADE PERCUSSION

NAME: Zandrea Hafenrichter LESSON 1 SIXTH GRADE PERCUSSION LESSON 1 26A Students who meet the standard understand processes, traditional tools, and modern technologies used in Recognize musical markings that need to be explained Gather knowledge about the piece

More information

2015 VCE VET Music performance examination report

2015 VCE VET Music performance examination report 2015 VCE VET Music performance examination report General comments In the VCE VET Music performance examination, students are assessed in relation to the following units of competency: CUSMPF301A Develop

More information

GCSE Music CPD Resource Booklet

GCSE Music CPD Resource Booklet GCSE Music CPD Resource Booklet Suggested teaching points:- Suggested brief:- Compose a piece of music in binary form to be performed as the opening item at a school concert. Several composers have borrowed

More information

Elements of Music. How can we tell music from other sounds?

Elements of Music. How can we tell music from other sounds? Elements of Music How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium usually air. As a result of the vibrations,

More information

Finale Tips and Tricks For Music Teachers

Finale Tips and Tricks For Music Teachers Finale Tips and Tricks For Music Teachers LAUNCH WINDOW The Launch Window is basically the main menu for the program. document setup tools, tutorials, and exercise tools can be accessed from here. This

More information

MUSC 1331 Lab 1 (Sunday Class) Basic Operations and Editing in Performer. Quantization in Performer

MUSC 1331 Lab 1 (Sunday Class) Basic Operations and Editing in Performer. Quantization in Performer MUSC 1331 Lab 1 (Sunday Class) Basic Operations and Editing in Performer Objectives: Quantization in Performer; Cut, Copy, and Paste editing in Performer; Transposing parts in Performer; Repeating tracks

More information

Music Study Guide. Moore Public Schools. Definitions of Musical Terms

Music Study Guide. Moore Public Schools. Definitions of Musical Terms Music Study Guide Moore Public Schools Definitions of Musical Terms 1. Elements of Music: the basic building blocks of music 2. Rhythm: comprised of the interplay of beat, duration, and tempo 3. Beat:

More information

Lets go through the chart together step by step looking at each bit and understanding what the Chart is asking us to do.

Lets go through the chart together step by step looking at each bit and understanding what the Chart is asking us to do. Lesson Twenty Lesson 20 IDS PAS2 Performing a Song- The Buzz Lesson Objectives Developing our ability to play a piece of music. Strengthen our understanding chart reading. Apply many of the skills learned

More information

The Elements of Music. A. Gabriele

The Elements of Music. A. Gabriele The Elements of Music A. Gabriele Rhythm Melody Harmony Texture Timbre Dynamics Form The 7 Elements Rhythm Rhythm represents the element of time in music. When you tap your foot, you are moving to the

More information

Sound Magic Hybrid Harpsichord NEO Hybrid Modeling Vintage Harpsichord. Hybrid Harpsichord. NEO Hybrid Modeling Vintage Harpsichord.

Sound Magic Hybrid Harpsichord NEO Hybrid Modeling Vintage Harpsichord. Hybrid Harpsichord. NEO Hybrid Modeling Vintage Harpsichord. Hybrid Harpsichord NEO Hybrid Modeling Vintage Harpsichord Developed by Operational Manual The information in this document is subject to change without notice and does not present a commitment by Sound

More information

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound Report selections Syllabus List Syllabus: AP* Music Theory SYLLABUS AP* Music Theory AP is a registered trademark of the College Board, which was not involved in the production of, and does not endorse,

More information

drumlearn ebooks Fast Groove Builder by Karl Price

drumlearn ebooks Fast Groove Builder by Karl Price drumlearn ebooks by Karl Price Contents 2 Introduction 3 Musical Symbols Builder 4 Reader Builder 1 - Quarter, Eighth, and 2 Beat Notes 5 Reader Builder 2 - Quarter and Eighth Note Mix 6 Rudiments Builder

More information

0410 MUSIC. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers.

0410 MUSIC. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers. CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education MARK SCHEME for the May/June 2014 series 0410 MUSIC 0410/13 Paper 1 (Listening), maximum raw mark 70 This mark

More information

Toccata and Fugue in D minor by Johann Sebastian Bach

Toccata and Fugue in D minor by Johann Sebastian Bach Toccata and Fugue in D minor by Johann Sebastian Bach SECONDARY CLASSROOM LESSON PLAN REMIXING WITH A DIGITAL AUDIO WORKSTATION For: Key Stage 3 in England, Wales and Northern Ireland Third and Fourth

More information

INSTRUCTIONS TO CANDIDATES

INSTRUCTIONS TO CANDIDATES Oxford Cambridge and RSA Friday 5 June 2015 Morning GCSE MUSIC B354/01 Listening *4843816264* Candidates answer on the Question Paper. OCR supplied materials: CD Other materials required: None Duration:

More information

A Recipe for Emotion in Music (Music & Meaning Part II)

A Recipe for Emotion in Music (Music & Meaning Part II) A Recipe for Emotion in Music (Music & Meaning Part II) Curriculum Guide This curriculum guide is designed to help you use the MPR Class Notes video A Recipe for Emotion in Music as a teaching tool in

More information

Creating a Successful Audition CD

Creating a Successful Audition CD Creating a Successful Audition CD The purpose of the following information is to help you record a quality audition CD for National Youth Band of Canada. The information has been divided into different

More information

YEAR 3 AUTUMN 1. Working with standard notation. Introduction Explain how the notation system works:

YEAR 3 AUTUMN 1. Working with standard notation. Introduction Explain how the notation system works: Curriculum objective To understand and explore how music is created through appropriate musical notations. To understand and explore the interrelated dimensions (duration). Lesson objectives To create

More information

Marion BANDS STUDENT RESOURCE BOOK

Marion BANDS STUDENT RESOURCE BOOK Marion BANDS STUDENT RESOURCE BOOK TABLE OF CONTENTS Staff and Clef Pg. 1 Note Placement on the Staff Pg. 2 Note Relationships Pg. 3 Time Signatures Pg. 3 Ties and Slurs Pg. 4 Dotted Notes Pg. 5 Counting

More information

Rhythmic Dissonance: Introduction

Rhythmic Dissonance: Introduction The Concept Rhythmic Dissonance: Introduction One of the more difficult things for a singer to do is to maintain dissonance when singing. Because the ear is searching for consonance, singing a B natural

More information

A series of music lessons for implementation in the classroom F-10.

A series of music lessons for implementation in the classroom F-10. A series of music lessons for implementation in the classroom F-10. Conditions of Use These materials are freely available for download and educational use. These resources were developed by Sydney Symphony

More information

ORB COMPOSER Documentation 1.0.0

ORB COMPOSER Documentation 1.0.0 ORB COMPOSER Documentation 1.0.0 Last Update : 04/02/2018, Richard Portelli Special Thanks to George Napier for the review Main Composition Settings Main Composition Settings 4 magic buttons for the entire

More information

Flint School of Performing Arts Ensemble Audition Requirements

Flint School of Performing Arts Ensemble Audition Requirements Flint School of Performing Arts Ensemble Audition Requirements FLINT YOUTH SYMPHONY STRINGS 1. 2-minute excerpt of solo of your choice which demonstrates your playing level (no piano accompaniment necessary)

More information

7th Grade Beginning Band Music

7th Grade Beginning Band Music Scope And Sequence Timeframe Unit Instructional Topics Course Description Seventh Grade Beginning Band is the first full year in a six-year program designed to develop a student's ability in instrumental

More information

2007 Music. Intermediate 2. Finalised Marking Instructions

2007 Music. Intermediate 2. Finalised Marking Instructions 2007 Music Intermediate 2 Finalised Marking Instructions Scottish Qualifications Authority 2007 The information in this publication may be reproduced to support SQA qualifications only on a non-commercial

More information