Blue Gold Black Green Red

Size: px
Start display at page:

Download "Blue Gold Black Green Red"

Transcription

1 Aren t the Olympics exciting?! I love how they bring people together across nations to recognize and celebrate hard work, excellence, and achievement. These are things I want to celebrate in my students! So, inspired by this year s Winter Olympics and drawing on the symbol pictured above, I created a piano festival based on five key aspects of musicianship: Blue Sight-Reading Gold Memorization + Performance Black Aural Skills (clap-backs, sing-backs, play-backs) Green Creativity (improvisation, composition) Red Technique This festival is based on a series of weekly events students will have the opportunity to choose which events they would like to train for and participate in. My goal is to focus on one ring at a time, for teaching efficiency and to keep students from getting overwhelmed. Together, we will choose events (2-3 per category); I will give students practice materials to take home so they can prepare for the events. Most events are designed to take place in the lessons. Once students successfully complete the required number of events for a given category, they will earn that Olympic ring. After all rings have been earned, the student will receive a certificate of achievement and perhaps a small prize for participating. This packet includes event listings for each category and helpful resources for facilitating them for Preparatory A, Preparatory B, and Level 1 students (based on the levels of the Royal Conservatory of Music s Music Development Program). Let the Games begin! ashley

2 BLUE: SIGHT-READING Olympic training (sight-play something new 7 days in a row) Sight-Reading Events: Choose 2 Halfpipe (sight-play two contrasting short pieces) 500m Freestyle (sight-read two contrasting rhythm exercises, counting out loud) Remix (sight-play a short exercise with RH, then LH) Short Track Relay (sing, speak rhythm, and play new piece on your own) GOLD: MEMORIZATION + PERFORMANCE Olympic training (practice 7 days in a row) Memorizing + Performance Events: Choose 2 Speed Skating (polish and memorize 1-2 pieces from earlier in the year) Giant Slalom (learn a continuous technique sequence from memory) Semifinal (perform two pieces from memory for friends or family) BLACK: AURAL SKILLS Olympic training (copy tonal and rhythm patterns from recording sing-back or clap-back) Aural Skills Events: Choose 2 Curling (perform two contrasting rhythm exercises, counting out loud) Free Skating (create your own rhythmic series for practice minimum: four bars) Qualifying (sing and play a new song by ear choose something you know) GREEN: CREATIVITY Olympic training (transpose three short pieces to a new key this week) Creativity Events: Choose 2 Freestyle Skiing (compose a new piece) Bobsled (perform a structured improvisation with teacher or family member) Figure Skating (compose or improvise a duet with a friend) RED: TECHNIQUE Olympic training (practice a different technique exercise every day for 7 days) Technique Events: Choose 3 Ski Jumping (play five continuous 5-finger or one-octave scales in steady tempo) Cross-Country Skiing (play three major/minor triads [Prep B/Level 1: with inversions], HS) Biathlon (play one 5-finger or one-octave scale one hand legato, one hand staccato, HS) Snowboarding (play two 5-finger or one-octave scales, descending first, then ascending, HS) Ice Dancing (play two 5-finger or one-octave scales in contrary motion, HT)

3 Sight-Reading Events Prep A: Sight-play two melodies (one treble, one bass) 4/4 wholes, halves, quarters C 4 notes Clap or tap given rhythm 2/4 halves, quarters, eighths 2 measures Prep B: Sight-play a short pentascale melody divided between the hands 4/4 wholes, halves, quarters C or G 4 measures Clap or tap given rhythm 2/4, 3/4 dotted halves, halves, quarters, eighths 2 measures Level 1: Sight-play a passage divided between the hands 4/4 halves, quarters C, G, F 4 measures Clap or tap given rhythm 4/4 2 measures

4 Sight-Playing Examples Prep A: use 4-beat quarter and half note patterns with stepwise motion. Treble clef and bass clef. Prep B: use 4-measure quarter, half, and dotted half note patterns with leaps of a 5th or stepwise motion based on landmark notes. Grand staff. Level 1: Use 4- to 8-measure examples in triple and duple meter with mostly stepwise motion, dynamics, and phrase markings. May include starting pitches a 2nd above or below landmark notes. Grand staff.

5 Aural Skills Events Prep A: Clap, tap, or sing the rhythm of a short melody 3/4, 4/4 wholes, dotted halves, halves, quarters, eighths 2 measures Play back a melody based on the first three notes of a pentascale C, G, F repeated notes, stepwise motion 4 notes Prep B: Same as Prep A Play back a melody based on the first three notes of a major scale C, G, F repeated notes, skips 4 notes Level 1: Clap, tap, or sing the rhythm of a short melody 2/4, 3/4 3-4 measures Play back a melody based on the first three notes of a major scale C, G, F repeated notes, steps, skips 4 notes

6 Songs to Learn by Ear Sources: Christopher Azzara, Jeanine Jacobson, and Joy Morin Pentatonic/black keys: 5-finger positions: 5-finger+ positions: Within the octave: Hot Cross Buns (start on Bb) Old MacDonald Had a Farm (Gb) Mary Had a Little Lamb (Bb) The Farmer in the Dell (Db) Amazing Grace (Db) When the Saints Go Marching In Ode to Joy Jingle Bells (chorus) Lightly Row Go Tell Aunt Rhody Twinkle, Twinkle Little Star Frère Jacques For He s a Jolly Good Fellow Skip to My Lou Long, Long Ago Away in a Manger Joy to the World Deck the Halls We Wish You a Merry Christmas Take Me Out to the Ball Game Happy Birthday Simple Gifts

7 Technique Events Prep A: Pentascale: C, G, D, A minor (optional: F, D minor) HS in quarter notes + blocked triad (MM=100) Prep B: Pentascale: C, G, D, A, E, F, A minor, E minor, D minor HS in quarter notes + blocked triad (MM=100) HS in eighth notes + blocked triad (MM=60) One-octave scale: C, G, A minor (natural) HS in eighth notes (MM=60) One-octave contrary motion scale: C HT in quarter notes (MM=60) Broken triads and first inversion: C, G, A minor HS in triplets (MM=50) Level 1: Two-octave scale: C, G, F, A minor, E minor, D minor (natural + harmonic) HS in eighth notes (MM=69) One-octave staccato scale: C, G, F HS in eighth notes (MM=69) Two-octave contrary motion scale: C HT in eighth notes (MM=69) Chromatic pentascale: C HS in eighth notes (MM=69) Broken triads and inversions: C, G, F, A minor, E minor, D minor HS in triplets (MM=50) Blocked triads and inversions: C, G, F, A minor, E minor, D minor HS in quarter notes (with quarter rest in between) (MM=100)

8 Helpful Resources: Gig Harbor Music Teachers Association Susan Griesdale Chanson Voice Studio Joy Morin/Color in My Piano Keyboard Musicianship for the Adult Beginner (Clark) Music Tree Activities, Part I (Clark/Goss) Royal Conservatory of Music, Music Development Program Developing Musicianship Through Improvisation (Azzara/Grunow)

Instructor: James Burton Music Appreciation 5th Average Score: 77% Reporting Range: January , 12:00 AM to March , 12:00 AM

Instructor: James Burton Music Appreciation 5th Average Score: 77% Reporting Range: January , 12:00 AM to March , 12:00 AM emedia Piano and Keyboard Method Progress Report Student: Seth Sharp Instructor: James Burton Course: Music Appreciation 5th Average Score: 77% Reporting Range: January 31 2012, 12:00 AM to March 31 2012,

More information

Keyboard Theory and Piano Technique

Keyboard Theory and Piano Technique Keyboard Theory and Piano Technique Copyright Longbow Publishing Ltd. 2008 PRINTED IN CANADA First printing, September 2008 ALL RIGHTS RESERVED. No part of this work may be reproduced or used in any form

More information

Foundation of Music Edcuation - Gold Level

Foundation of Music Edcuation - Gold Level Foundation of Music Edcuation - Gold Level Levels of Assessment Grade Four Grade Three Grade Two These levels are currently being developed Grade One Preliminary Grade Gold Level Silver Level Bronze Level

More information

The Practice Room. Learn to Sight Sing. Level 3. Rhythmic Reading Sight Singing Two Part Reading. 60 Examples

The Practice Room. Learn to Sight Sing. Level 3. Rhythmic Reading Sight Singing Two Part Reading. 60 Examples 1 The Practice Room Learn to Sight Sing. Level 3 Rhythmic Reading Sight Singing Two Part Reading 60 Examples Copyright 2009-2012 The Practice Room http://thepracticeroom.net 2 Rhythmic Reading Three 20

More information

COWLEY COLLEGE & Area Vocational Technical School

COWLEY COLLEGE & Area Vocational Technical School COWLEY COLLEGE & Area Vocational Technical School COURSE PROCEDURE FOR Student Level: This course is open to students on the college level in either the freshman or sophomore year. Catalog Description:

More information

MUSIC PROGRESSIONS. Curriculum Guide

MUSIC PROGRESSIONS. Curriculum Guide MUSIC PROGRESSIONS A Comprehensive Musicianship Program Curriculum Guide Fifth edition 2006 2009 Corrections Kansas Music Teachers Association Kansas Music Teachers Association s MUSIC PROGRESSIONS A Comprehensive

More information

Let s Play Music 3-Year Overview Scope and Sequence

Let s Play Music 3-Year Overview Scope and Sequence Let s Play Music 3-Year Overview Scope and Sequence Red Balloons- Blue Bugs Semester one / Year one Semester two / Year one Melody Sing & sign MRD & SSD Add SLTD Add SFMRD Green Turtle Shells Semester

More information

emedia Piano and Keyboard Method Detailed Curriculum

emedia Piano and Keyboard Method Detailed Curriculum emedia Piano and Keyboard Method Detailed Curriculum Introduction i ii Introduction Contents Chapter 1 Playing on Black Keys Rhythm 1 The Piano 2 Sitting Position 3 Numbering Fingers 4 Hand Position 5

More information

MR. DICKSON'S METHOD FOR BAND

MR. DICKSON'S METHOD FOR BAND MR. DICKSON'S METHOD FOR BAND Book One Flute Bells (percussion) www.justindickson.com/band revised June 23, 2018 --- While You Are Playing --- Tap your foot with the beat, during all notes and rests. Count

More information

TEACHER S GUIDE to Lesson Book 2 REVISED EDITION

TEACHER S GUIDE to Lesson Book 2 REVISED EDITION Alfred s Basic Piano Library TEACHER S GUIDE to Lesson Book 2 REVISED EDITION PURPOSE To suggest an order of lesson activities that will result in a systematic and logical presentation of the material

More information

Choir Scope and Sequence Grade 6-12

Choir Scope and Sequence Grade 6-12 The Scope and Sequence document represents an articulation of what students should know and be able to do. The document supports teachers in knowing how to help students achieve the goals of the standards

More information

Piano Safari Sight Reading & Rhythm Cards for Book 2

Piano Safari Sight Reading & Rhythm Cards for Book 2 Piano Safari Sight Reading & Rhythm Cards for Book 2 Teacher Guide Table of Contents Sight Reading Cards Corresponding Repertoire Bk. 2 Unit Concepts Teacher Guide Page Number Introduction 1 Level F Unit

More information

Piano Guide Book. Book One MUSIC S COOL. Piano Method For Adult Beginners. By Peter Hostage. teach-me-piano.com P U B L I S H I N G.

Piano Guide Book. Book One MUSIC S COOL. Piano Method For Adult Beginners. By Peter Hostage. teach-me-piano.com P U B L I S H I N G. The Piano Guide Book Piano Method For Adult Beginners Book One By Peter Hostage Copyright c 2009 MUSIC S COOL P U B L I S H I N G teach-me-piano.com Table of Contents MP3 audio file numbers are given in

More information

Music Theory Courses - Piano Program

Music Theory Courses - Piano Program Music Theory Courses - Piano Program I was first introduced to the concept of flipped classroom learning when my son was in 5th grade. His math teacher, instead of assigning typical math worksheets as

More information

PIANO EVALUATION (LEVEL IV) PREPARATION WORKBOOK

PIANO EVALUATION (LEVEL IV) PREPARATION WORKBOOK The Kikuchi Music Institute Library PIANO EVALUATION PREPARATION WORKBOOK (LEVEL IV) A series of fifteen progressive lessons and three practice examinations that prepare the student systematically for

More information

LESSON PLAN GUIDELINE Customization Statement

LESSON PLAN GUIDELINE Customization Statement Hegarty Piano Studio 2011-2012 School Year LESSON PLAN GUIDELINE Customization Statement Every student is different. And every student s commitment to piano lessons is different. Therefore, the attached

More information

How to Read Just Enough Music Notation. to Get by in Pop Music

How to Read Just Enough Music Notation. to Get by in Pop Music Special Report How to Read Just Enough Music Notation page 1 to Get by in Pop Music THE NEW SCHOOL OF AMERICAN MUSIC $5.00 Mastering music notation takes years of tedious study and practice. But that s

More information

Schaum Making Music Piano Library. Adult Method. Beginner Level. By Wesley Schaum. Teacher Consultants: Alfred Cahn, Joan Cupp, Sue Pennington

Schaum Making Music Piano Library. Adult Method. Beginner Level. By Wesley Schaum. Teacher Consultants: Alfred Cahn, Joan Cupp, Sue Pennington Schaum Making Music Piano Library Adult Method Beginner Level By Wesley Schaum Teacher Consultants: Alfred Cahn, Joan Cupp, Sue Pennington Schaum s Pathway to Musicianship The Schaum Making Music Piano

More information

Primo Theory. Level 5 Revised Edition. by Robert Centeno

Primo Theory. Level 5 Revised Edition. by Robert Centeno Primo Theory Level 5 Revised Edition by Robert Centeno Primo Publishing Copyright 2016 by Robert Centeno All rights reserved. Printed in the U.S.A. www.primopublishing.com version: 2.0 How to Use This

More information

Piano Safari Repertoire Book 2

Piano Safari Repertoire Book 2 Piano Safari Repertoire Book 2 Teacher Guide: Unit 1 Title Composer Type Teacher Guide Page Number Level F Introduction to Sight Reading & Rhythm Cards Reading 13 Safari Friends Knerr & Fisher Rote 14

More information

Piano Teacher Program

Piano Teacher Program Piano Teacher Program Associate Teacher Diploma - B.C.M.A. The Associate Teacher Diploma is open to candidates who have attained the age of 17 by the date of their final part of their B.C.M.A. examination.

More information

AP Music Theory Summer Assignment

AP Music Theory Summer Assignment 2017-18 AP Music Theory Summer Assignment Welcome to AP Music Theory! This course is designed to develop your understanding of the fundamentals of music, its structures, forms and the countless other moving

More information

Table of Contents. Lesson Page Material Major Scales (Up to 4 flats/sharps) Key Signatures

Table of Contents. Lesson Page Material Major Scales (Up to 4 flats/sharps) Key Signatures Table of Contents Lesson Page Material 1 Review of Level 3 4.1 4 Major Scales (Up to 4 flats/sharps) Key Signatures 4.2 13 Order of Sharps and Flats Naming Key Signatures 4.3 18 Compound Time (9/8; 12/8)

More information

Ear Training & Rhythmic Dictation

Ear Training & Rhythmic Dictation Ear Training & Rhythmic Dictation A Self Guided Learning Packet SONGS TO HELP YOU IDENTIFY INTERVALS M2 Silent Night (Christmas Do-Re-Mi/Do, a deer (Sound of Music) Are you Sleeping M3 Oh, when the Saints

More information

ORCHESTRA Grade 5 Course Overview:

ORCHESTRA Grade 5 Course Overview: ORCHESTRA Grade 5 Course Overview: The 5 th grade Orchestra class is design to introduce students to the fundamentals of playing a stringed instrument, thus providing a solid foundation for future musical

More information

Soft Way to Mozart MUSIC CURRICULUM. First year young beginners

Soft Way to Mozart MUSIC CURRICULUM. First year young beginners Soft Way to Mozart MUSIC CURRICULUM First year young beginners Objectives: This teaching course is based on the "hands on" experience of students studying music as an independent language. Music making

More information

AP MUSIC THEORY SUMMER ASSIGNMENT AP Music Theory Students and Parents,

AP MUSIC THEORY SUMMER ASSIGNMENT AP Music Theory Students and Parents, AP MUSIC THEORY SUMMER ASSIGNMENT AP Music Theory Students and Parents, You are receiving this letter because you or your son/daughter is enrolled in AP Music Theory for this next school year. Please take

More information

2. ARTICULATION The pupil must be able to able to articulate evenly and clearly at a variety of slow to medium tempos and demonstrate a good posture

2. ARTICULATION The pupil must be able to able to articulate evenly and clearly at a variety of slow to medium tempos and demonstrate a good posture Brass Foundation Level 1 The pupil must be able to hold a level tone and be able to pitch low C and G on the 2nd line treble clef (Bb and F bass clef). The pupil should be able to play simple melodies

More information

œ œ œ œ œ œ œ œ œ œ Playing on the 3 Black Keys Dr. Kathy Rabago Right Hand Left Hand A quarter note ( q ) = 1 beat

œ œ œ œ œ œ œ œ œ œ Playing on the 3 Black Keys Dr. Kathy Rabago Right Hand Left Hand A quarter note ( q ) = 1 beat Lesson Playing on the Black Keys Dr. Kathy Rabago Right Hand Left Hand Left Hand (Stems Don) Right Hand (Stems up) A quarter note ( q ) = beat A half note ( h ) = beats A hole note ( ) = beats Dr. Kathy

More information

Power Standards and Benchmarks Orchestra 4-12

Power Standards and Benchmarks Orchestra 4-12 Power Benchmark 1: Singing, alone and with others, a varied repertoire of music. Begins ear training Continues ear training Continues ear training Rhythm syllables Outline triads Interval Interval names:

More information

Music Theory Courses - Piano Program

Music Theory Courses - Piano Program Music Theory Courses - Piano Program I was first introduced to the concept of flipped classroom learning when my son was in 5th grade. His math teacher, instead of assigning typical math worksheets as

More information

Alleghany County Schools Curriculum Guide

Alleghany County Schools Curriculum Guide Alleghany County Schools Curriculum Guide Grade/Course: Beginning Guitar, 9-12 Grading Period: 1 st six Weeks Time Frame Unit/SOLs The student will echo, read, and notate music, including identifying,

More information

Flute Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!!

Flute Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! Flute Warm-Up Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! In band, nothing is more important than playing with a beautiful sound. Head Joint Target Practice (1-2

More information

Student Performance Q&A:

Student Performance Q&A: Student Performance Q&A: 2008 AP Music Theory Free-Response Questions The following comments on the 2008 free-response questions for AP Music Theory were written by the Chief Reader, Ken Stephenson of

More information

Music Ace Deluxe Contents

Music Ace Deluxe Contents 1. Introduction to Staff define STAFF, LINES and SPACES. Define LEDGER LINE. show higher and lower pitches on an unspecified staff select higher/lower pitch on an unspecified staff define TREBLE and BASS

More information

Northeast High School AP Music Theory Summer Work Answer Sheet

Northeast High School AP Music Theory Summer Work Answer Sheet Chapter 1 - Musical Symbols Name: Northeast High School AP Music Theory Summer Work Answer Sheet http://john.steffa.net/intrototheory/introduction/chapterindex.html Page 11 1. From the list below, select

More information

Piano Safari Repertoire Book 2

Piano Safari Repertoire Book 2 Piano Safari Repertoire Book 2 Teacher Guide: Unit 2 Title Composer Type Teacher Guide Page Number Level G Introduction to Sight Reading & Rhythm Cards Reading 30 Notes on the Staff Musicianship 31 The

More information

Intermediate Concert Band

Intermediate Concert Band Grade Level: 10-12 Course #: 4168 Length: Full Year Credits: Two Diploma: Core 40, Academic Honors Prerequisite: Beginning Concert Band COURSE DESCRIPTION: Intermediate Concert Band This is an intermediate

More information

Preface. Ken Davies March 20, 2002 Gautier, Mississippi iii

Preface. Ken Davies March 20, 2002 Gautier, Mississippi   iii Preface This book is for all who wanted to learn to read music but thought they couldn t and for all who still want to learn to read music but don t yet know they CAN! This book is a common sense approach

More information

Course Overview. Assessments What are the essential elements and. aptitude and aural acuity? meaning and expression in music?

Course Overview. Assessments What are the essential elements and. aptitude and aural acuity? meaning and expression in music? BEGINNING PIANO / KEYBOARD CLASS This class is open to all students in grades 9-12 who wish to acquire basic piano skills. It is appropriate for students in band, orchestra, and chorus as well as the non-performing

More information

Trombone Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!!

Trombone Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! Trombone Warm-Up Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! In band, nothing is more important than playing with a beautiful sound. 1. Buzz! (2-3 minutes): start

More information

AP Music Theory Assignment

AP Music Theory Assignment AP Music Theory Assignment First Week Quiz: On the first week of school in September, there will be a quiz on the topics listed on the following pages. Doing well on the quiz will require some summer review,

More information

Beginning Band Primer Part 1

Beginning Band Primer Part 1 Trumpet, Cornet, Baritone Beginning Band Primer Part 1 by Mike Davies Trumpet, Cornet, Baritone: The Basics Putting Instrument Together: Step 1:! Open case right side up. Step 2:! Hold instrument in your

More information

Alleghany County Schools Curriculum Guide

Alleghany County Schools Curriculum Guide Alleghany County Schools Curriculum Guide Grade/Course: Piano Class, 9-12 Grading Period: 1 st six Weeks Time Fra me 1 st six weeks Unit/SOLs of the elements of the grand staff by identifying the elements

More information

Robert Schuman "Novellette in F Major", Opus. 21 no. 1 (Part 1)

Robert Schuman Novellette in F Major, Opus. 21 no. 1 (Part 1) Cleveland State University From the SelectedWorks of Dan Rager 2016 Robert Schuman "Novellette in F Major", Opus. 21 no. 1 (Part 1) Dan Rager Available at: https://works.bepress.com/daniel_rager/35/ Composition

More information

Choosing a Ukulele to Use with This Book Pickup Measures Book 1 Review Largo Dotted Half Notes & Time Dynamics Tempo Signs Ties Key Signatures

Choosing a Ukulele to Use with This Book Pickup Measures Book 1 Review Largo Dotted Half Notes & Time Dynamics Tempo Signs Ties Key Signatures Choosing a Ukulele to Use with This Book... 5 Book 1 Review.......................... 7 All the Notes I Know So Far...............11 This Is an Octave.......................11 Largo................................

More information

Lesson 9: Scales. 1. How will reading and notating music aid in the learning of a piece? 2. Why is it important to learn how to read music?

Lesson 9: Scales. 1. How will reading and notating music aid in the learning of a piece? 2. Why is it important to learn how to read music? Plans for Terrance Green for the week of 8/23/2010 (Page 1) 3: Melody Standard M8GM.3, M8GM.4, M8GM.5, M8GM.6 a. Apply standard notation symbols for pitch, rhythm, dynamics, tempo, articulation, and expression.

More information

Saxophone Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!!

Saxophone Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! Saxophone Warm-Up Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! In band, nothing is more important than playing with a beautiful sound. Low/High/Low Game (Long

More information

Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures

Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures Levels of Assessment Grade Four Grade Three Grade Two These levels are currently being developed Grade One Preliminary Grade

More information

AP Music Theory at the Career Center Chris Garmon, Instructor

AP Music Theory at the Career Center Chris Garmon, Instructor Some people say music theory is like dissecting a frog: you learn a lot, but you kill the frog. I like to think of it more like exploratory surgery Text: Tonal Harmony, 6 th Ed. Kostka and Payne (provided)

More information

Keyboard Foundation Level 1

Keyboard Foundation Level 1 Keyboard Foundation Level 1 Set a voice, style and tempo from instructions given. Read a range of notes over a fifth (C to G) without accidentals using semibreves, dotted minims, minims and crotchets.

More information

Study Guide. Solutions to Selected Exercises. Foundations of Music and Musicianship with CD-ROM. 2nd Edition. David Damschroder

Study Guide. Solutions to Selected Exercises. Foundations of Music and Musicianship with CD-ROM. 2nd Edition. David Damschroder Study Guide Solutions to Selected Exercises Foundations of Music and Musicianship with CD-ROM 2nd Edition by David Damschroder Solutions to Selected Exercises 1 CHAPTER 1 P1-4 Do exercises a-c. Remember

More information

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS WSMTA Music Literacy Program Curriculum Guide modified for STRINGS Level One - Clap or tap a rhythm pattern, counting aloud, with a metronome tempo of 72 for the quarter beat - The student may use any

More information

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

Grade Level 5-12 Subject Area: Vocal and Instrumental Music 1 Grade Level 5-12 Subject Area: Vocal and Instrumental Music Standard 1 - Sings alone and with others, a varied repertoire of music The student will be able to. 1. Sings ostinatos (repetition of a short

More information

Essentials Skills for Music 1 st Quarter

Essentials Skills for Music 1 st Quarter 1 st Quarter Kindergarten I can match 2 pitch melodies. I can maintain a steady beat. I can interpret rhythm patterns using iconic notation. I can recognize quarter notes and quarter rests by sound. I

More information

Music Approved: June 2008 Fillmore Central Revision: Updated:

Music Approved: June 2008 Fillmore Central Revision: Updated: A Curriculum Guide for Fillmore Central Public Schools Grades K-12 Music Approved: June 2008 Fillmore Central Revision: 2007 2008 Updated: Curriculum Committee: Kate Zrust Todd Cook Amy Fraser Ben Kaye-Skinner

More information

All rights reserved. Ensemble suggestion: All parts may be performed by soprano recorder if desired.

All rights reserved. Ensemble suggestion: All parts may be performed by soprano recorder if desired. 10 Ensemble suggestion: All parts may be performed by soprano recorder if desired. Performance note: the small note in the Tenor Recorder part that is played just before the beat or, if desired, on the

More information

Standard 1: Singing, alone and with others, a varied repertoire of music

Standard 1: Singing, alone and with others, a varied repertoire of music Standard 1: Singing, alone and with others, a varied repertoire of music Benchmark 1: sings independently, on pitch, and in rhythm, with appropriate timbre, diction, and posture, and maintains a steady

More information

Instrumental Performance Band 7. Fine Arts Curriculum Framework

Instrumental Performance Band 7. Fine Arts Curriculum Framework Instrumental Performance Band 7 Fine Arts Curriculum Framework Content Standard 1: Skills and Techniques Students shall demonstrate and apply the essential skills and techniques to produce music. M.1.7.1

More information

Major Scale Crash Course

Major Scale Crash Course Major Scale Crash Course Lesson 3: D Major Introduction In this lesson we are going to learn the notes of the D Major scale, its key signature, how it appears on both the treble and the bass clefs, and

More information

INSTRUMENTAL MUSIC SKILLS

INSTRUMENTAL MUSIC SKILLS Course #: MU 82 Grade Level: 10 12 Course Name: Band/Percussion Level of Difficulty: Average High Prerequisites: Placement by teacher recommendation/audition # of Credits: 1 2 Sem. ½ 1 Credit MU 82 is

More information

Middle School Intermediate/Advanced Band Pacing Guide

Middle School Intermediate/Advanced Band Pacing Guide Middle School Intermediate/Advanced Band Pacing Guide 2018-2019 1 st Nine Weeks 2 nd Nine Weeks 3 rd Nine Weeks 4 th Nine Weeks Rhythm: sixteenth, triplet Major scales: All 1 octave Rhythm: dotted eighth

More information

MUSIC THEORY CURRICULUM STANDARDS GRADES Students will sing, alone and with others, a varied repertoire of music.

MUSIC THEORY CURRICULUM STANDARDS GRADES Students will sing, alone and with others, a varied repertoire of music. MUSIC THEORY CURRICULUM STANDARDS GRADES 9-12 Content Standard 1.0 Singing Students will sing, alone and with others, a varied repertoire of music. The student will 1.1 Sing simple tonal melodies representing

More information

Music theory B-examination 1

Music theory B-examination 1 Music theory B-examination 1 1. Metre, rhythm 1.1. Accents in the bar 1.2. Syncopation 1.3. Triplet 1.4. Swing 2. Pitch (scales) 2.1. Building/recognizing a major scale on a different tonic (starting note)

More information

Beginning Band Primer Part 1

Beginning Band Primer Part 1 Flute Beginning Band Primer Part 1 1 by Mike Davies Flute: The Basics Putting Instrument Together: Step 1: q Open case right side up. Step 2: q Put head joint into middle joint with a gentle twisting motion.

More information

Marion BANDS STUDENT RESOURCE BOOK

Marion BANDS STUDENT RESOURCE BOOK Marion BANDS STUDENT RESOURCE BOOK TABLE OF CONTENTS Staff and Clef Pg. 1 Note Placement on the Staff Pg. 2 Note Relationships Pg. 3 Time Signatures Pg. 3 Ties and Slurs Pg. 4 Dotted Notes Pg. 5 Counting

More information

Classroom. Chapter 1: Lesson 6

Classroom. Chapter 1: Lesson 6 Classroom Chapter 1: Lesson 6 Adventus Incorporated, 2001 Chapter 1: Introductory Theory, The Treble Clef, Bar Lines, Note Values, Rests, & The Bass Clef Lesson 6 This lesson plan was written for use with

More information

Primo Theory. Level 7 Revised Edition. by Robert Centeno

Primo Theory. Level 7 Revised Edition. by Robert Centeno Primo Theory Level 7 Revised Edition by Robert Centeno Primo Publishing Copyright 2016 by Robert Centeno All rights reserved. Printed in the U.S.A. www.primopublishing.com version: 2.0 How to Use This

More information

AP Music Theory Syllabus

AP Music Theory Syllabus AP Music Theory Syllabus Instructor: T h a o P h a m Class period: 8 E-Mail: tpham1@houstonisd.org Instructor s Office Hours: M/W 1:50-3:20; T/Th 12:15-1:45 Tutorial: M/W 3:30-4:30 COURSE DESCRIPTION:

More information

MMS 8th Grade General Music Curriculum

MMS 8th Grade General Music Curriculum CONCEPT BENCHMARK ASSESSMENT SOUTH DAKOTA STANDARDS NATIONAL STANDARDS Music Review I will be able to identify music terminology and skills learned in previous grades. Music Review Quiz 3.1.A ~ read whole,

More information

LESSON 1 PITCH NOTATION AND INTERVALS

LESSON 1 PITCH NOTATION AND INTERVALS FUNDAMENTALS I 1 Fundamentals I UNIT-I LESSON 1 PITCH NOTATION AND INTERVALS Sounds that we perceive as being musical have four basic elements; pitch, loudness, timbre, and duration. Pitch is the relative

More information

MUSC 133 Practice Materials Version 1.2

MUSC 133 Practice Materials Version 1.2 MUSC 133 Practice Materials Version 1.2 2010 Terry B. Ewell; www.terryewell.com Creative Commons Attribution License: http://creativecommons.org/licenses/by/3.0/ Identify the notes in these examples: Practice

More information

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music through essays

More information

Student Performance Q&A:

Student Performance Q&A: Student Performance Q&A: 2002 AP Music Theory Free-Response Questions The following comments are provided by the Chief Reader about the 2002 free-response questions for AP Music Theory. They are intended

More information

Oskaloosa Community School District. Music. Grade Level Benchmarks

Oskaloosa Community School District. Music. Grade Level Benchmarks Oskaloosa Community School District Music Grade Level Benchmarks Drafted 2011-2012 Music Mission Statement The mission of the Oskaloosa Music department is to give all students the opportunity to develop

More information

Lesson Week: August 17-19, 2016 Grade Level: 11 th & 12 th Subject: Advanced Placement Music Theory Prepared by: Aaron Williams Overview & Purpose:

Lesson Week: August 17-19, 2016 Grade Level: 11 th & 12 th Subject: Advanced Placement Music Theory Prepared by: Aaron Williams Overview & Purpose: Pre-Week 1 Lesson Week: August 17-19, 2016 Overview of AP Music Theory Course AP Music Theory Pre-Assessment (Aural & Non-Aural) Overview of AP Music Theory Course, overview of scope and sequence of AP

More information

Basal Series Project - Tim Basom

Basal Series Project - Tim Basom Basal Series Project - Tim Basom Grade Series Element Page Musical Example Summary Supplemental Ideas 0 MacMillan Form Unit 6, Lesson 2, pg. T220 "March of the Toys" Focus: form; Review "March of the Toys."

More information

Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures

Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures Foundation of Music Edcuation - Teacher Information Book & Assessment Procedures Levels of Assessment Grade Four Grade Three Grade Two These levels are currently being developed Grade One Preliminary Grade

More information

Piano Safari Repertoire Book 1

Piano Safari Repertoire Book 1 Piano Safari Repertoire Book 1 Teacher s Guide Unit 1 By Dr. Julie Knerr Title Type Teacher s Guide Page Number Level A Introduction to Sight Reading & Rhythm Cards Reading 24 Black Keys Musicianship 25

More information

Power Standards and Benchmarks 3 rd Grade

Power Standards and Benchmarks 3 rd Grade National Standard/Power Benchmark 1: Singing alone and with others, a varied repertoire of music a. Sings a variety of simple Crescendo Demonstrates meters of 2 and 3 Textbook songs in various keys, Decrescendo

More information

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks

DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks DEPARTMENT/GRADE LEVEL: Band (7 th and 8 th Grade) COURSE/SUBJECT TITLE: Instrumental Music #0440 TIME FRAME (WEEKS): 36 weeks OVERALL STUDENT OBJECTIVES FOR THE UNIT: Students taking Instrumental Music

More information

Euphonium Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!!

Euphonium Warm-Up. Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! Euphonium Warm-Up Remember - When you practice at home START WITH A GOOD WARM-UP TO WORK ON YOUR TONE!!! In band, nothing is more important than playing with a beautiful sound. 1. Buzz! (2-3 minutes) start

More information

Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL Course Number, Section Number, and Course Title: MUSI 1180 Functional Piano

Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL Course Number, Section Number, and Course Title: MUSI 1180 Functional Piano Functional Piano MUSI 1180 Monday, Wednesday Sessions FALL 2018 Name: Carolyn Savko Office Number: Music 367F Office Telephone Number: 817-272-5132 Email Address: savko@uta.edu Office Hours: See Instructor

More information

BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016

BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016 BAND REPORTING SCALES AND CURRICULUM GUIDE 2/9/2016 Performing Arts Curriculum, Instruction, and Assessment 2100 Fleur Drive Des Moines, Iowa 50321 P: 515-242-7609 performingarts.dmschools.org TABLE OF

More information

Beginning Band Primer Part 1

Beginning Band Primer Part 1 Alto Sax Beginning Band Primer Part 1 by Mike Davies Alto Saxophone: The Basics Putting Instrument Together: Step 1:! Open case right side up.! put thin end of reed into your mouth to moisten the reed.!

More information

Theory and Sightreading for Singers LEVEL 2. The EM Music Voice Method Series. Written by. Elizabeth Irene Hames and Michelle Anne Blumsack

Theory and Sightreading for Singers LEVEL 2. The EM Music Voice Method Series. Written by. Elizabeth Irene Hames and Michelle Anne Blumsack Theory and Sightreading for Singers LEVEL 2 The EM Music Voice Method Series Written by Elizabeth Irene Hames and Michelle Anne Blumsack Distributed by: EM Music Publishing 2920 Yoakum St. Fort Worth,

More information

ASD JHS CHOIR ADVANCED TERMS & SYMBOLS ADVANCED STUDY GUIDE Level 1 Be Able To Hear And Sing:

ASD JHS CHOIR ADVANCED TERMS & SYMBOLS ADVANCED STUDY GUIDE Level 1 Be Able To Hear And Sing: ! ASD JHS CHOIR ADVANCED TERMS & SYMBOLS ADVANCED STUDY GUIDE Level 1 Be Able To Hear And Sing: Ascending DO-RE DO-MI DO-SOL MI-SOL DO-FA DO-LA RE - FA DO-TI DO-DO LA, - DO SOL. - DO Descending RE-DO MI-DO

More information

Lesson Sixteen Mystery Mouse The Sleeping Princess Turkey in the Straw Camel Ride Turkey in the Straw The Sleeping Princess Camel Ride

Lesson Sixteen Mystery Mouse The Sleeping Princess Turkey in the Straw Camel Ride Turkey in the Straw The Sleeping Princess Camel Ride Listen & sing Rhythm Concert Lesson Sixteen Sing Mystery Mouse p51 CD20; The Sleeping Princess p46 Cd19; Turkey in the Straw p40 cd16; Camel Ride p54-55 CD21; HS: Turkey in the Straw p40 CD16 (LH); The

More information

Hal Leonard Student Piano Library Correlation to Music Ace Maestro

Hal Leonard Student Piano Library Correlation to Music Ace Maestro The following pages provide a correlation between the Hal Leonard Student Piano Library Piano Lessons method books and the Music Ace Maestro software product from Harmonic Vision. Music Ace Maestro consists

More information

LEVEL TWO. Please consult our website for the schedule of fees.

LEVEL TWO. Please consult our website for the schedule of fees. LEVEL TWO Length of the examination: Examination Fee: Co-requisite: 20 minutes Please consult our website for the schedule of fees. www.conservatorycanada.ca None. There is no written examination co-requisite

More information

Ultimate Music Theory Certification Course INTERMEDIATE RUDIMENTS

Ultimate Music Theory Certification Course INTERMEDIATE RUDIMENTS Ultimate Music Theory Certification Course Glory St. Germain ARCT RMT MYCC UMTC Edited by Shelagh McKibbon-U Ren RMT UMTC INTERMEDIATE RUDIMENTS UltimateMusicTheory.com UltimateMusicTheory.com Copyright

More information

Course Outcome Summary

Course Outcome Summary Course Information: Music 5 Description: Instruction Level: Grade 5 Course Students in this course perform varied repertoire using proper singing, recorder and accompanying technique, and understanding

More information

Ultimate Music Theory Basic Rudiments

Ultimate Music Theory Basic Rudiments Ultimate Music Theory Basic Rudiments Basic Workbook and Basic Answer Book GPK-BWA $47 Basic Student Pack SPK-SPBR $69.99 SHOP NOW and Use the One Time Coupon Code: LessonPlans SAVE 25% OFF your Entire

More information

Beat - The underlying, evenly spaced pulse providing a framework for rhythm.

Beat - The underlying, evenly spaced pulse providing a framework for rhythm. Chapter Six: Rhythm Rhythm - The combinations of long and short, even and uneven sounds that convey a sense of movement. The movement of sound through time. Concepts contributing to an understanding of

More information

Recorder Curriculum Map: Grade 4 Classroom 2014~ 2015 PAGE : written by RL Quist

Recorder Curriculum Map: Grade 4 Classroom 2014~ 2015 PAGE : written by RL Quist Questions Aug/Sept: 4 classes What do I need to know to begin to play recorder? Rhythm 2.1 Demonstrate & respond to beat 5.5 Respond thru purposeful movement 1. What is beat? 2. Keeping beat 3. Subdivision

More information

Greenwich Music Objectives Grade 2 General Music

Greenwich Music Objectives Grade 2 General Music All students are required to take general music one hour per week. The annotations (e.g. *6c,*1d) in the curriculum are based on the National/Connecticut Standards. For example, *6c indicates content standard

More information

Music Curriculum Kindergarten

Music Curriculum Kindergarten Music Curriculum Kindergarten Wisconsin Model Standards for Music A: Singing Echo short melodic patterns appropriate to grade level Sing kindergarten repertoire with appropriate posture and breathing Maintain

More information

Greenwich Music Objectives Grade 3 General Music

Greenwich Music Objectives Grade 3 General Music All students are required to take general music one hour per week. All students may elect to take orchestra. The annotations (e.g. *6c, *1d) in the curriculum are based on the National/Connecticut Standards.

More information

Michigan Music Teachers Association STUDENT ACHIEVEMENT TESTING PIANO HANDBOOK Edition

Michigan Music Teachers Association STUDENT ACHIEVEMENT TESTING PIANO HANDBOOK Edition Michigan Music Teachers Association STUDENT ACHIEVEMENT TESTING PIANO HANDBOOK 2017 Edition Copyright 2017 by Michigan Music Teachers Association 30 April 2017 1 2 FOREWORD The Student Achievement Testing

More information

Music Guidelines Diocese of Sacramento

Music Guidelines Diocese of Sacramento Music Guidelines Diocese of Sacramento Kindergarten Artistic Perception 1. Students listen to and analyze music critically, using the vocabulary and language of music. Students identify simple forms and

More information