Preview Only. Legal Use Requires Purchase. My Little Suede Shoes JAZZ. CHARLIE PARKER Arranged by RICH SIGLER INSTRUMENTATION
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1 a division o Alred JAZZ CHARLIE ARER Arranged y RICH SIGLER INSTRUMENTATION Conductor 1st E Alto Saxophone nd E Alto Saxophone 1st B Tenor Saxophone nd B Tenor Saxophone E Baritone Saxophone (Optional) 1st B Trumpet nd B Trumpet 3rd B Trumpet 4th B Trumpet (Optional) 1st Tromone nd Tromone 3rd Tromone (Optional) 4th Tromone (Optional) Guitar Chords Guitar (Optional) iano Optional Alternate arts C lute Tua Horn in (Doules 1st Tromone) 1st Baritone TC/B Tenor Saxophone (Doules 1st Tromone) nd Baritone TC/B Tenor Saxophone (Doules nd Tromone) revie Only
2 NOTES TO THE CONDUCTOR This chart has a Latin-eel, so the eighth notes are even or straight, not sung Rootop or marcato accents () are detached and accented ut not short like a staccato think daht Quarter notes ith no articulations are generally long or ull value or the rhythm section, this is a Latin eel throughout, although, to simpliy or the inexperienced drummer, I ve notated kind o a rock pattern starting at the eginning The Latin eel ill come rom the cross-stick pattern (third space up on the sta) I strongly suggest the ensemle have the opportunity to listen to the demo recording provided y Alred at alredcom This ill greatly assist the teaching process listening is essential to jazz education I the drummer is amiliar ith Latin patterns, encourage him or her to play their on emellishments or interpretation o the ritten part The groove should e a ossa nova eel, then going to a montuno pattern here notated as in measure 41, or example Again, or the inexperienced drummer, he or she can simply change the cross-stick pattern as notated, and perhaps sitch to a dierent ride cymal i possile At measure 57, the drummer should sitch to the closed hi-hat, and again the cross-stick pattern changes to all 4 doneats The ass player should play electric ass, i possile iano and guitar should play ith conidence on the sustained notes in the introduction The harmonic oundation ill e estalished y the chord instruments until measure 1, as the horn parts are all unison Meanhile, the drums and ass, ith the repetitive ritten pattern, ill provide the rhythmic interest Oserve the descending chords that occur in measure 18, or example take a closer look They just go don chromatically y hal steps Rhythm players ill need to atch or this reak in the comping pattern in measures 18, 38 and 54 Don t get too comortale repeating the pattern, or you ll miss it! iano and guitar ill need to practice the montuno pattern at measure 41 It is repetitive, so once mastered, it ill e easy It recurs later in the chart as ell or the inds, oserve that the horns reak into harmony in measure 8, so the inner parts ill need to play out a it or alance Make sure the counter line ith the tenors and tromones eginning in 30 is This line should e ehind the harmonized melody in the rest o the horns Even though it happens eteen the statements o the melody, it should not e as loud Spend some rehearsal time ith the horns coming in ith conidence in measure 8 on the and o the eat the tendency is to e late, so practice anticipating that entrance, or jumping on it Horns should all play conidently at measure 55 hen the rhythm section drops out or to measures Also, in the sustained section at measure 57, the moving inner parts should play out to emphasize the passing tones and harmony Horns can keep the dynamic level don at measure 101 or the unison soli no need to play loud in unisons Then uild into measure 109, the shout section The unison lines rom measure 117 out should come out, especially the ari and 4th tromone, i possile The instruments playing the sustain in those measures should play dynamically soter so that the lo unison line can e heard lease enjoy! Rich Sigler Rich Sigler revie Only Rich Sigler is jazz trumpeter and assistant music director or the USA Airmen o Note In addition, Rich is the creator o the Jazz ont used in inale music notation sotare An acclaimed composer, arranger, educator and producer, his music and perormances have een eatured ith many artists to include Jerry Bergonzi, Rosanna Vitro, James Williams, hil Woods, Nicholas ayton, Slide Hampton, Dizzy Gillespie, Michael and Randy Brecker, eter Erskine, Bo Mintzer, and Clark Terry
3 CONDUCTOR 36035S C lute (Optional) 1st EÑ Alto Saxophone nd EÑ Alto Saxophone 1st BÑ Tenor Saxophone nd BÑ Tenor Saxophone EÑ Baritone Saxophone (Optional) 1st BÑ Trumpet nd BÑ Trumpet 3rd BÑ Trumpet 4th BÑ Trumpet (Optional) 1st Tromone nd Tromone 3rd Tromone (Optional) 4th Tromone (Optional) Guitar (Optional) iano Electric c c c c c c c c c c c c c c c Tempo å = Bossa Nova B Z c c c Cross Stick c 1 MY LITTLE SUEDE SHOES E 9/B 3 revie Only 4 B Z 5 6 E H/B 1956 (Reneed) ATLANTIC MUSIC COR This Arrangement 011 ATLANTIC MUSIC COR All Rights Reserved including ulic erormance Used y ermission By CHARLIE ARER Arranged y RICH SIGLER 7 ill 8
4 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no Elec ~9} B Z B Z ê Time 9 10 E 9/B E 9/B revie Only B Z B Z E H/B E H/B 15 16
5 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z 17 # n # n n n n n D Z CZ BZ n n # n n ê ê ê 18 N A B Z B 7 E H A 19 A ill ê {1} B Z unis unis unis unis B Z Cross Stick ê 1 revie Only E 9/B E 9/B 3 4
6 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z 5 6 E 9/B E 9/B 7 ill {9} B Z B Z Cross Stick ê 9 revie Only E 9/B E 9/B 31 3
7 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no B Z B Z E H/B E H/B # # # E 9/B B ß E 9/B B ß n n # 37 n # n # n n n # n # n # # n n n n n n n # n n D Z CZ ê ê ê 38 BZ unis # unis # unis # N unis # unis # N unis # unis # unis # N unis # N unis # B Z n revie Only ê 39 Soli /Bones N Soli /Bones Soli unis N Soli unis Soli unis N Soli unis E ill 40 Cross Stick
8 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {41}ˆ Montuno A B Z È B 7 E 7 È B Z C7 È B 7 Cross Stick ê 41 n 4 n n n n A 43 Soli # (sax soli) (sax soli) # Soli # A A A A n k A B Z È B 7 E 7 n - n n 44 Soli N 45 N N È B Z # # 46 C k È B 7 - revie Only 47 - N N unis unis unis unis E E ill 48 unis
9 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {49} È B Z È B Z Cross Stick ê 49 n 50 È B Z E 7 A 51 È B Z E # # n È È ~~~~~~~~ B 7 B 7 53 B ß B ß n # n n # # n n n n n n # n n D Z CZ BZ ê ê ê 54 To Coda ı N N N N A A revie Only B Z A N A A 55 ill 56
10 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {57} E Ê/B Cross Stick n n n n E /B n 57 B W 58 E Ê/B n n n n E /B n 59 B W E Ê/B n n n n E /B n 61 B W 6 revie Only N N B 6 B 6 N 63 ill 64 Solo
11 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {65} Bossa Nova DÈ 65 G7 È B 7 È B 7 È B 7 Cross Stick ê EÈ AÈ n 66 DÈ A 67 G7 È B 7 E 7 È B 7 E 7 È B 7 C 7 AÍ E 7 CÍ 68 CÍ CÍ DÈ 69 G7 È B 7 È B 7 È B 7 EÈ # # n AZ CZ 70 C7 CZ DÈ NA n # N 71 G7 È B 7 È B 7 revie Only n È B 7 E H C H E H E H 7 ill
12 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {73} DÈ 73 G7 È B 7 EÈ A7 <! # 9 5 # È B 7 C7<! # 9 5 È B 7 C7 <! # 9 5 n C7 <! # DÈ # 75 G7 È B 7 E 7 C 7 A7 # # n n n n E 7 C7/E n È B 7 È B 7 E 7 C7/E n n C7/E n DÈ - # - k N k A A k - 77 G7 È B 7 GÌ È È B 7 EÌ N N # GÌ GÌ 78 A7 C7 C7 n C7 n n n n n DÈ N # N N A n Gö È B ö E H È B ö E H revie Only È B ö E H A 79 CH N ill 80
13 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {81} Solo Montuno B # CZ A B Z 81 A B Z A Cross Stick B Z ê DÈ # AÈ 8 N 83 C7 È B 7 E 7 È B 7 E 7 È B 7 7 DÈ E 7 n k n - n # # Cö # # # È B ö GÍ 85 È B ö GÍ È B ö n n n n n n AÍ D # # # # C C GÍ C 86 A N N N A A A A A ~~~~~~~ È B 7 k - È B 7 revie Only 87 C7 È B 7 - E E E ill 88 Cross Stick
14 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {89} Bossa Nova C; È B ; È B ; È B ; 89 # AÈ n DÈ 90 GÎ C; - # Î B ; E 7 Î B ; E 7 Î B ; A DÍ N - E 7 9 CÍ CÍ CÍ # - È n È È Cö B ö B ö B ö 93 N E Z - D Z A D Z n - n n 94 /Tpt 1 N N A 95 CZ C; ~~~~~~~ B Z B ; E revie Only ê 96
15 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no {97} Drum Solo Solo Soli {101Ç Unis Ensemle n # n # n n n # n n n n n n n n n n 101 n # # # # # # # n n A N N N N N N N A # N # N n A A n A n A revie Only
16 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no # # # # # # # # # # # # # # # 107 # N # N N n n ê ill 108 n Bossa Nova {109Ç N N N N N N N Î B ; N Î B ; È B 7 ê k k - k k N k A n 110 È B ; E 7 È B ; È B n - k k E 7 E 7 A k k k k CÍ CÍ CÍ Í B ; Í B ; Í B ; 113 n # # n n # n n n n GÍ n GÍ n n # n revie Only GÍ Cï 114 Cï Cï N N A È A A 115 B 9 È B 9 È B 9 E E ill DS ˆ al Coda 116
17 lute Alto Tenor Bari Tpt 1 Tpt Tpt 3 Tpt 4 Tn 1 Tn Tn 3 Tn 4 Gtr no ı Coda # # # # # # # # # # /B ills 117 # # # # # # # # # n # B ß n n 118 A B Z A N - N N k k k k ê # # # # # 10 # # # # # # # # # # # revie Only 11 1
18 revie Only
19 revie Only
20 revie Only alredcom
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Conuctor 1st E% Alto Saxophone 2n E% Alto Saxophone 1st B% Tenor Saxophone 2n B% Tenor Saxophone E% Baritone Saxophone 1st B% Trumpet 2n B% Trumpet r B% Trumpet 4th B% Trumpet Wors by HENRY CREAMER Music
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YOUNG BAND In memory o Sir Vivian Dunn, a true knight o the Royal Realm and crusader or music orldide KNIGHTS O THE ROYAL REALM Concert March Conductor 8 C lute Ooe Bassoon st B% Clarinet nd B% Clarinet
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EGNNNG STRNG ORCHESTRA Grade Level: 2 Üsküdar (Turkish olk Song) Traditional Arranged by robert. smith (ascap) NSTRUMENTATON 1 Conductor 8 1st Violin 8 2nd Violin 5 3rd Violin (Viola T.C.) 5 Viola 5 5
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Duration: 3:30 GRADE 1.5 CB1119 $50.00 Mars - God o War David Marlatt Instrumentation: Flute - 8 vanced Flute - PREVIEW Ooe - 2 ONLY arinet 1 - arinet 2 - vanced arinet - B Bass Clarinet - 1 E Alto Saxohone
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VERY BEGINNING BAND A Classic Touch eaturing LARGO rom Symhony No 9 in E Minor y Antonín Dvořák and LARGO rom Xerxes y G Handel 1 Conductor 10 lute 2 Ooe 10 B Clarinet 2 B Bass Clarinet 6 E Alto Saxohone
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YOUNG BAND Selections rom Grade eaturing Voldemort s End, Lily s Theme, Statues, Severus and Lily, Neville the Hero and A Ne Beginning Conductor lute Ooe Bassoon st B Clarinet nd B Clarinet B Bass Clarinet
More informationFJH Starter Series. Timothy Loest. Instrumentation. Preview Only. Extra Conductor Score: $5.00 Extra Parts: $2.50. Reproduction Prohibited
Hear and download this piece at wwwjhmusiccom JH Starter Series klezmer clarinets Timothy Loest Grade Z\x Instrumentation 1 - Conductor s ull Score 8 - lute - Ooe - Bassoon 10 - B Clarinet - B Bass Clarinet
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esus Messiah To contact us: Email eedback@ praisechartscom or call (800) 6956293 Words music by Chris Tomlin, Daniel Carson, Ed Cash, and esse Reeves Arranged by Dan Galbraith ased on the popular recording
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od Of This City To contact us: Email feedback@ raisechartscom or call (800) 695-6293 Words music by ndre McCann, aron Boyd, Ian ordan, eter Comfort, eter Kernaghan, and Richard Bleakley rranged by oel
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ONERT BAND Grade Salute to the inema eaturing Hooray or Hollyood, Singin In the Rain, Over the Raino, As Time Goes By and A Day in the Lie o a ool (Manha De arnaval) onductor st lute/iccolo nd lute Ooe
More informationNimrod From Enigma Variations. Preview Only. EDWARD ELGAR Arranged by ALFRED REED ( ) INSTRUMENTATION
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VERY BEGINNING BAND Grade ½ 1 Conductor 10 lute 2 Oboe 10 B Clarinet 2 B Bass Clarinet 6 E Alto Saxohone B Tenor Saxohone 2 E Baritone Saxohone 8 B Trumet Horn 6 Trombone/Baritone/Bassoon Danza Aricana
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2 Come, Sing a Ne Song! is an original anthem composed in the spirit o a traditional gospel tune. Its text is adapted rom salms 96 and 98. Additional corresponding lectionary readings include s. 33, s.
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