SAMPLE GARY FAGAN. Magic City Fanfare. Correlated with TRADITION OF EXCELLENCE Book 3, Page 12 KJOS CONCERT BAND GRADE 3 WB450F $7.

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1 TRADITION O EXCELLENCE EXCELLENCE IN PERORMANCE KOS CONCERT BAND GRADE WB50 $700 GARY AGAN Magic City anare Correlated ith TRADITION O EXCELLENCE Book, Page NEIL A KOS MUSIC COMPANY PUBLISHER

2 Aout the Composer Gary agan as orn and raised in rederick, Maryland here he remained until graduation rom high school He completed his undergraduate ork at Bridgeater College ith a degree in Music Education in 97 and egan teaching middle and high school choral music in Louisa County, Virginia He attended ames Madison University in Harrisonurg, Virginia rom 97 through 977, receiving a Master s degree in music education In 975 he ecame a and instructor in Alermarle County, Virginia here he taught until his retirement in 009 In 989 Mr agan as elected Central Virginia Outstanding Middle School Teacher y the University o Virginia chapter o Phi Delta Kappa In 999 he received an Outstanding Educator Aard rom the Virginia Governor s School or the Visual and Perorming Arts In Octoer o 00 he received the outstanding educator aard rom the Piedmont Council o the Arts He has also een tice listed in Who s Who Among America s Teachers He is active in the Music Educators National Conerence and the Virginia Band and Orchestra Directors Association He is also a memer o ASCAP, the Percussive Arts Society, Phi Beta Mu Bandmasters raternity, and the National Band Association He is a percussionist ith the Charlottesville Municipal Band and is Assistant Director o that organization He is active as a and clinician and aduticator in addition to composing and arranging or and He is currently serving on the ames Madison University Music Education Advisory Council and is supervising several student teachers rom ames Madison University ( MU) He recently oined the aculty at MU as an adunct instructor Aout the Composition Magic City anare as ritten or an All-District Middle School Honor Band in the composer s home state o Virginia It as premiered at that event Bold lines and anare-style rass motis ring a nole lavor to this piece A marcato style is to e used throughout moist o the piece although some phrase markings in the oodinds at measure 8 require a smoother legato style here indicated It is desirale to play all dotted eight/sixteenth patterns ith a slight reak eteen the dotted eighth and the sixteenth notes Correlation ith TRADITION O EXCELLENCE Magic City anare correlates ith TRADITION O EXCELLENCE Book, page Ne Concepts and terms to introduce: marcato, marc Play each note ith a strong attack Introduce trill to the lute, ooe, and st clarinet A deinition or trill is given on page 8 o Book Revie the Concert Etiquette on the top o page in Book WB50

3 Instrumentation List st lute nd lute Ooe st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet Bassoon st E Alto Saxophone nd E Alto Saxophone B Tenor Saxophone E Baritone Saxophone st B Trumpet nd B Trumpet rd B Trumpet st Horn nd Horn st Tromone nd Tromone Euphonium Euphonium TC Tua Xylophone, Bells Crash Cymals, Suspended Cymal Tom-toms () Snare Drum, Bass Drum Timpani Rehearsal Piano ull Conductor Score Additional scores and parts are availale Approximate Perormance Time :00 To hear a recording o this or any other Kos pulication, please visit koscom Percussion Assignment Chart It is essential that students receive training on all percussion instruments To ensure a comprehensive experience or each student and to aid in equitale instrument assignment, use a percussion assignment chart, such as the one appearing elo Provide a copy or each percussionist Group: PERCUSSION ASSIGNMENT CHART Student Name Xylophone Composition Bells Crash Cymals Sus Cymal Snare Drum Tom-toms Date: Bass Drum Timpani rom Teaching Band ith Excellence (W7) 0 Kos Music Press Used ith permission This chart is authorized or reproduction to distriute to percussionists in the perorming ensemle Dates to Rememer: WB50

4 ull Conductor Score Approx perormance time :00 lutes Ooe E Alto Clarinet B Bass Clarinet B Clarinets Bassoon E Alto Saxophones B Tenor Saxophone E Baritone Saxophone B Trumpets Horns Tromones Euphonium Tua Xylophone Bells Crash Cymals Suspended Cymal Tom-toms () Snare Drum Bass Drum Timpani Rehearsal Piano, C, E Allegro moderato a Allegro moderato(q = ) a n n Oi (q = ) Allegro moderato(q = ) Xylophone - ith med ruer mlts Crash Cymals Magic City anare a ƒ ƒ ith hard mallets ƒ Allegro moderato(q = ) a a n n n n O n n n n ƒ n a n n a Oi Gary agan ( 95) American Composer (ASCAP) a 5 a a WB50 05 Kos Music Press, 8 utland Drive, San Diego, Caliornia, 97 International copyright secured All rights reserved Printed in the U S A Warning The contents o this pulication are protected y copyright la To copy or reproduce them y any method is an inringement o the copyright la Anyone ho reproduces copyrighted matter is suect to sustantial penalties and assessments or each inringement

5 5 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno 6 n n n n O n n n n n n n a 7 n a n a Oi 8 a a 9 n n n n n n Oi 0 n n n n WB50

6 6 ls [] O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl [] a [] a n n n n n n n n a C Cyms SD BD Timp Pno [] n WB50

7 7 ls O B Cls E A Cl B B Cl n n n n Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno a n n n n n n a n n n ƒ ƒ ƒ ƒ WB50

8 8 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno [0] Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a a Ÿ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ Ÿ [0] rd Tpt cue Cue rd Trumpet in Alto Sax and/or ndrd Clarinet [0] [0] n a n n n n n n Ÿ~~~~~~ Ÿ~~~~~~ n Ÿ~~~~~~ n n n WB50

9 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 a Ÿ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ n Ÿ n n n 6 n n n n n n n 7 a n n n n n a n end cue 9 Pno n n WB50

10 0 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl [8] legato legato n legato legato n n n [8] [8] a legato legato legato legato legato legato legato legato legato legato n n 9 n n 0 n n n n a n n n n n a legato a legato C Cyms SD BD Timp Pno [8] legato WB50

11 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno n n n n n O n n n n n n 5 n n n n O n [6] marc marc marc n marc marc marc n marc [6] marc a marc a marc [6] marc Oi marc [6] marc marc a marc 7 marc a marc marc WB50

12 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno 8 n n n Oi a 9 a a 0 a n n n n n n WB50

13 ls [] O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno O n [] a a n [] on rim (dampen) [] n n n n n n n a a n n n WB50

14 ls O Bells B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua 8 a a Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 a Ÿ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ n n 50 n n n n n n n n n 5 n n n n n C Cyms SD BD Timp Pno on head n n n WB50

15 5 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Bells S Cym [5] legato legato legato n legato n legato n legato legato legato n legato [5] legato [5] legato Bells a 56 a legato legato legato legato legato 57 SD BD Timp P Pno [5] legato n WB50

16 6 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Bells S Cym SD BD Timp Pno 58 a [60] P a [60] 59 O P P P P Suspended Cymal - ith yarn mallets [60] Oi [60] 6 a 6 WB50

17 7 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Bells n n n S Cym SD BD Timp O Pno WB50

18 8 ls [68] O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Bells S Cym [68] [68] Oi O P P SD BD Timp Pno P Í WB50

19 9 ls O [7] marc marc a 7 a 7 a n 75 B Cls E A Cl marc marc B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl [7] marc [7] marc marc n n n S Cym SD BD Timp Pno [7] marc WB50

20 0 ls O B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua Xyl C Cyms SD BD Timp Pno 76 a Xylophone C Cyms Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 77 a Ÿ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ marc marc marc marc marc marc marc marc marc marc n n n 78 n n n n n n n n n 79 n n a n a a n a n WB50

21 ls O Xyl C Cyms B Cls E A Cl B B Cl Bsn E A Saxes B T Sax E B Sax B Tpts Hns Trs Euph Tua SD BD Timp Pno 80 n n n n n 8 n n n n n n n n n 8 O 8 a a a a 8 n n n WB50

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24 Kos Music s Guide to Copyright Composers rely on the income that their compositions generate, and it is the o o the copyright holder to protect the ork rom inringement Copyright las can e pretty tricky to navigate, so here are a e helpul tips to guide you through the process Adudicator Copies During contest and estival season, the maority o the inquiries e receive udges at a estival I you re perorming a concert selection out o one o our method ooks (Tradition o Excellence, String Basics: Steps to Success, irst Place or azz, among others), permission may already e given to make the necessary photocopies or udges at these estivals Please reer to the notices printed in the teacher I a student is perorming a solo rom one o the method ooks listed aove, permission is already given In addition, a photocopy may e given to the accompanist Extra scores or our and and string repertoire (Beginning BandWorks, BandWorks, Conservatory Editions, StringTracks, and Steps to Successul Literature, among others) are availale or purchase rom your avorite music dealer I you re perorming a ork rom a series that s not listed aove, please contact us or permission Making an Audio or Video Recording A license is required any time you make an audio or video recording o a copyrighted ork Audio recordings are compulsory, meaning, e can t deny your request; you ust need to apply or the Mechanical License and pay the royalty The royalty rate is set y the Lirary o Congress or current rates, please visit copyrightgov The license to make a video o a perormance, knon as a Synchronization License, is not compulsory Permission must e otained rom the copyright holder eore distriuting any copies, regardless i they are eing sold or given aay or ree Arranging or Marching Band or Another Ensemle We re pleased to grant licenses to make a marching and (or other) arrangement o one o our concert orks Hoever, permission is required eore ork can egin, and there are a e orks hose composers have indicated that they do not ant their compositions to e altered Please contact us to make sure the piece you re interested in is availale or licensing I you re planning to play the original piece ithout any alterations or additions, then a license isn t needed Hoever, or example, i you re reriting the rass parts or marching instruments (mellophones, ugles), or adding marching percussion, or making cuts, adding repeats, or creating a medley ith another composition, a license is required What I I Want To I you d like to use a composition in any other ay, please contact us and e ould e glad to advise you contact us at least three eeks eore your concert date so that e may help you in time Please visit koscom and click on the Licensing ta to We re so pleased that you ve chosen to perorm one o our pieces We appreciate your support and e ant to make the licensing process as easy as possile or you Neil A Kos Music Company, Pulisher San Diego, CA koscom WB50 - Magic City anare