THE MATTHEW HOLMES CONSORTS (The Cambridge Consort Books c ?1597)
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1 THE MATTHEW HOLMES CONSORTS (The Cambridge Consort Books c.188 -?197) Matthew Holmes was responsible for compiling the largest body of surviving English lute, bandora and cittern music, together with music for 'consort-of-six'. His interest in consort music seems to have begun around 188 when he became precentor and a singing man at Christ Church, Oxford, and associated with another singing man, Richard Reade, whose interest in the form led him to compose numerous pieces. (Lyle Nordstrom, Journal of the Lute Society of America, 1972 ) The expression consort-of-six as used here refers to that special grouping of instruments (treble viol or violin, flute or recorder, bass viol, lute, cittern and bandora) which was a favourite of Queen Elizabeth I and is represented by four major sources: printed publications by Thomas Morley (The First Booke of Consort Lessons, 199 & 1611) and Philip Rosseter (Lessons for Consort, 1609) and manuscript collections: The Walsingham Consorts c.188 and The Matthew Holmes Consorts c.188?197 (often known as 'The Cambridge Consort Books'). The term Consort originally denoted any music whereby different families of instruments come together in a group, but in the th century a non-historical distinction was made between whole consorts of like instruments and broken consorts of different families. Holmes consort music was written out in the following manuscripts which are in the possession of Cambridge University Library: Dd.3.18 Mainly lute duet trebles and consort lute parts. Dd Cittern solos and consort parts. Dd.. Bass consort parts and an inserted section of lyra viol tablature and music for division viol, including a number of divisions on consort lesson bass parts, including James s Galliard and Dowland s Lachrimae ) Dd..21 Mainly recorder consort parts but with two pages of parts for treble violan. (the smallest size of violin used at the time), mistakenly copied by Holmes into his recorder book. The main treble violan book and the bandora book, which we can assume would have originally existed, are not extant. The Matthew Holmes consort books are, nevertheless, one of the richest sources of Elizabethan consort music, particularly by virtue of having the largest number of fine lute parts to accompany consorts in this and other collections, such as Thomas Morley s The First Booke of Consort Lessons (199 & 1611) for which the lute book is missing. The set is also interesting in that treble violan (treble violin) and recorder are specified rather than the more usual treble viol and flute. For a fuller introduction and list of sources for the individual pieces, see the introduction in the Score. CONTENTS 1 The French kings maske Anon 2 Alfonsoes paven?augustine Bassano or Alfonso Ferrabosco II 3 La Bergera galliarde Anon 4 Nightingale Anon Complainte or Fortune (Fortune my foe) Trad. Hanging ballad tune 6 Primiero Anon 7 Duncombs galliarde Anon 8 Tarletons jigg Anon 9 Long paven John Johnson Dowlands round Battell galliarde John Dowland 11 Katherine Darcies galliarde John Dowland 12 The Jewes Daunce Richard Nicholson 13 De la Tromba paven?richard Allison 14 James Galliarde?James Harding 1 The Sprytes songe Anon 16 Reades first paven Richard Reade 17 Reades second paven Richard Reade 18 Reades galliarde Richard Reade 19 Dowlands first galliarde John Dowland Nutmigs and ginger Anon
2 2 1. The French kings maske 1
3 2. Alfonsoes paven? Augustine Bassano or Alfonso Ferrabosco II La Bergera galliarde Nightingale
4 4. Complainte or Fortune (Fortune my foe) 6. Primiero 1 2 w = w q = q
5 Duncombs galliarde # 1 #
6 6 8. Tarletons jigg Long paven John Johnson 1 2. Dowlands round Battell galliarde John Dowland
7 Katherine Darcies galliarde John Dowland 1 h = h. 2 30
8 8 12. The Jewes Daunce Richard Nicholson
9 13. De la Tromba paven (Richard Allison)
10 14. James Galliarde (James Harding) 1 2 versions 1. The Sprytes songe 1
11 1 2 versions 16. Reades first paven Richard Reade 11 2 h = h
12 Reades second paven Richard Reade versions 18. Reades galliarde Richard Reade 1
13 Dowlands first galliarde John Dowland Nutmigs and ginger
14 Variations from the source The Recorder part The list below shows notes as appear in the source and which were considered to require alteration. The source is unbarred. Black notation, occasionally used in the source, is not commented on below. Original clefs are G2 unless indicated below. 1 The French kings maske (source has 2 two bar sections with repeats) bar and bar 1, 1 st crotchet f a fifth higher. (parallel ths with bass) 2 Alfonsoes paven no change 3 La Bergera galliarde bar 7. 4 th crotchet e a tone higher. bar 3 rd minim a a third higher. 4 Nightingale C3 clef bar 3 and 4 c quaver not sharpened. bar second minim beat: crotchets c sharp to d Complainte or Fortune (source has 2 two-bar sections with repeats) bar 7. 2 c minims at start of bar and the rest of the bar and the next are pushed onward, there being only one f sharp minim at the end of bar 8. 6 Primiero G1 clef F sharp key signature is assumed throughout, though not notated. bar 3 1 st and 2 nd minim beats missing bar 44 last crotchet d a tone lower. 7 Duncombs galliarde no change 8 Tarletons jigg no change 9 Long paven no change Dowlands round Battell galliarde no change 11 Katherine Darcies galliarde Titled Dowl. Reads.H. galliarde in source source is all a fourth higher last note, dotted semibreve (reverence) is not in source 12 The Jewes Daunce no change 13 De la Tromba paven bar 40 instead of the last semibreve, the source has minim, two crotchets then two minims, all c. 14 James Galliarde No flat in key signature and no notes flattened. 1 The Sprytes songe 1 st version G1 clef 2 nd version: bars and 7. c minim not sharpened 16 Reades first paven 2 nd version C2 clef no change 17 Reades second paven no change 18 Reades galliarde 2 nd version: bar 21 c minim not sharpened 19 Dowlands first galliarde bars 3 and 12: f crotchets not naturalised. bars 34 and 3: b crotchets not naturalised. Second half of bar 37 and first half of bar 38 missing. Nutmigs and ginger no change
THE MATTHEW HOLMES CONSORTS (The Cambridge Consort Books c ?1597) CONTENTS. Introduction 2. List of sources 3. 1 The French kings maske Anon 5
THE MATTHEW HOLMES CONSORTS (The Cambridge Consort Books c.1588 -?1597) CONTENTS PAGE Introduction 2 List of sources 3 1 The French kings maske Anon 5 2 Alfonsoes paven?augustine Bassano or Alfonso Ferrabosco
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