Handel. And the glory of the lord

Transcription

1 Handel And the glory of the lord

2 Schoenberg Peripetie

3 Reich Electric Counterpoint

4 Bernstein Something s Coming

5 Moby Why Does My heart Feel So Bad?

6 Davis All Blues

7 Buckley Grace

8 Capercaillie Skye Waulking Song

9 Rag Desh Indian Classical

10 Koko Yiri

11 Chopin Prelude - Raindrop

12 Mozart Symphony in G Minor

13 Background Baroque Period Decorative music Contrapuntal Terraced dynamics Basso Continuo Diatonic with Simple harmonies

14 Background Classical Period Homophonic Balanced phrases Clear cadences Subtle dynamics Piano

15 Background Romantic Period Expressive and emotional Rich and chromatic harmonies Modulations Larger orchestra Descriptive/programme music

16 Background 20 th Century Music 1909 Experimental Atonal Expressionism

17 Background Musicals (20 th century) 1957 New York Romeo and Juliet Sharks and Jets Jazz features Popular style

18 Background Minimalism 1960s Repetition of simple ideas Small changes (metamorphosis) Note addition Layered textures Diatonic harmony/ slow harmonic rhythm

19 Background 1959 Jazz Southern states of America Improvisation Modal jazz Syncophation Complex chord progressions

20 Background Folk Rock 1994 Folk revival combined with rock Popular music

21 Background Club Dance Music /4 Steady tempo Electronic sound Strong beat Short phrases and repetitive, looped sections.

22 Background Folk Music -Traditional music Celtic Fusion Scottish Celtic folk music that is combined with elements of pop music.

23 Background Indian Classical Music Improvised form of music Well defined structure and texture Highly skilled musicians Melodic line Raag Rhythm Taal Drone

24 Background West African Music Typical features: Repetition Improvisation Call and Response Layered textures

25 Instruments Soprano, Alto, tenor, bass Strings Continuo (Cello, Harpsichord or Organ) Orchestra doubles the vocal lines

26 Instruments Chamber Orchestra Strings, woodwind and horns

27 Instruments Piano Middle and lower ranges Not virtuoso Sustain pedal Wide dynamic range Crescendo and diminuendo

28 Instruments Large orchestra Rapid changes of instruments creating many contrasts in timbre Extreme use of range Unusual effects Piccolo, Cor anglais, Bass clarinet, contrabassoon and tam-tam

29 Instruments Solo tenor voice Woodwind, brass, percussion and strings Soft timbres trumpets muted and pizzicato strings Use of tremolo

30 Instruments Amplified live guitar Backing tape: 7 pre recorded guitars 2 pre recorded bass guitars

31 Instruments Front line: Trumpet Alto sax Tenor sax Rhythm section: Piano Bass Drums

32 Instruments Voice Accompaniment:Guitar, bass guitar, synthesiser, strings and drumkit

33 Instruments Electronic instruments: drum machine, synthesisers, sequencer. Samples gospel choir Male singer - verse Female singer-chorus Looped samples

34 Instruments Drum kit Bass guitar Synthesiser and accordion Voice Violin, Wurlitzer piano, uilleann pipes and bouzouki

35 Instruments Sitar Tabla Sarod Sarangi Cymbals Bansuri

36 Instruments Balafon xylophone Djembe Talking drum voice

37 Structure Large work (Oratorio) Orchestral introduction (Ritornello) No set form to the movement. Based on different combinations of the four motifs.

38 Structure Sonata form Exposition 1 st and 2 nd subject Development Recapitulation Coda (Subject 1 in G minor)

39 Structure Ternary form ABA Coda

40 Structure Free Rondo Form Five sections ABACA

41 Structure Three main themes Alternated a number of times Repetitions are not exact and Bernstein varies the themes by changing such things as the words or metre.

42 Structure Three layers Syncopated quaver motif on the live guitar, top 4 guitar parts one part at a time Syncopated quaver motif introduced on the bass guitar Sustained motif, three chords in the live guitar Fade out

43 Structure 12 bar blues progression Introduction Head 1 Solos Head 2 Coda

44 Structure Verse Chorus Intro Verse Chorus Intro, verse 2 Chorus 2 Bridge Intro, verse 3 Coda

45 Structure Verse Chorus Intro Verse Chorus Verse Break Chorus verse

46 Structure Four different phrases Phrase 1 Refrain Phrase 2 Refrain Call and response pattern

47 Structure Alap no regular pulse Gat table entres Jhalla fast rhythmic

48 Structure Intro Main section Coda

49 Tonality and Harmony A Major Dominant (E major) Supertonic (B major) Plagal cadence Diatonic

50 Tonality and Harmony Diatonic and functional Chromatic chords Circle of 5ths progression Pedal notes

51 Tonality and Harmony Db Major Diatonic harmony with occasional chromaticisms Tonic major Enharmonic tonic minor (C# minor) Imperfect and perfect cadences Dominant pedal

52 Tonality and Harmony Atonal Dissonant harmony Hexachords

53 Tonality and Harmony D major Contrasting sections in C major Sharpened fourth flattened seventh Tritone Unresolved harmony Incomplete no cadence Added note chords

54 Tonality and Harmony G major Diatonic Hexatonic First motif is hexatonic No conventional harmonic progressions No complete chord at the end No cadences

55 Tonality and Harmony 12 bar blues chord sequence This chord sequence is known by jazz musicians as the changes G major with a flattened 7 th (blues note) Mixolydian mode Modal jazz

56 Tonality and Harmony E minor although ambiguous Chromatic Parallel motion Dissonant harmony

57 Tonality and Harmony Diatonic Simple chord progressions Amazing Emily Goes Dancing

58 Tonality and Harmony G major Diatonic Three main chords G Em C Dominant chord is avoided Has a modal feel

59 Tonality and Harmony Raag Desh

60 Tonality and Harmony Gb major Hexatonic (6 note scale)

61 Rhythm, Metre and Tempo 3/4 Fast Allegro General pause Adagio Hemiolas

62 Rhythm, Metre and Tempo 4/4 Molto Allegro very fast Short repeated rhythmic ideas Anacrusis Dotted rhythms syncopation

63 Rhythm, Metre and Tempo 4/4 Septuplet Dectuplet Legato Unhurried manner Rubato Dotted rhythms

64 Rhythm, Metre and Tempo 3/4, 2/4 and 4/4 Very quick Sehr rasch Complex rhythms Varied

65 Rhythm, Metre and Tempo 3/4 and 2/4 Changes of metre Fast Syncopation Excitement and anticipation On-beat bass part Off beat chords

66 Rhythm, Metre and Tempo 3/2 12 quavers per bar Very fast speed Little rhythmic variety Syncopation Metrical displacement polymetre

67 Rhythm, Metre and Tempo 6/4 Jazz waltz Swing quavers syncopation

68 Rhythm, Metre and Tempo 12/8 Compound Bass drum 1 and 3 Snare drum 2 and 4 Syncopation Cross rhythms

69 Rhythm, Metre and Tempo 4/4 Steady tempo Drum loop Breakbeat (drum solo) Syncopation Static chords

70 Rhythm, Metre and Tempo 12/8 Syncopation Hi-hat pattern cross rhythm

71 Rhythm, Metre and Tempo Rhythm cycle Tala Tintal

72 Rhythm, Metre and Tempo 4/4 Free tempo, steady pulse Syncopation Cross rhythms Triplets Rhythmic ostinato fills

73 Texture Homophonic and contrapuntal Short sections of monophony Use of imitation

74 Texture Mostly homophonic There are examples of: Counterpoint, imitation, octave doublings, dialogue between woodwind and strings.

75 Texture 2 bars before the end the texture is homophonic Melody and accompaniment (broken chords left hand) Melody is sometimes played in the left hand Short monophonic passage in the coda.

76 Texture Contrapuntal Complex textures Imitation Inversion Canon

77 Texture Homophonic Repeated riff Short syncopated chords Fast um cha accompaniment

78 Texture Ostinato Canon Contrapuntal texture

79 Texture Chords Riffs Melody solos

80 Texture Varied texture Generally melody (voice) and accompaniment (guitar, bass, synth, strings and drumkit) Thickens towards the end of the song

81 Texture Built up Piano only, voice joins, drums enter, plus string-synth countermelody, bass enters, syncopated piano chords introduced.

82 Texture Layered texture Rhythm (drum kit Bass line (bass guitar) Chords (synth accordion) Main melody (voice) Countermelodies (Wurlitzer Piano, etc.)

83 Texture Raag melody Taal rhythm Drone

84 Texture Layered texture Monophonic Heterophonic

85 Texture Homophonic and contrapuntal Short sections of monophony Use of imitation