»AzÀÄ ÁÛ ÀAVÃvÀ. ÀoÀåªÀ ÀÄÛ (±Á ÀÛç «sáuà) UÁAiÀÄ À-¹vÁgÀ-vÀ Á ÁªÀiÁ Àå. ªÉÃzÀPÁ zà è À ÀAVÃvÀzÀ ɼÀªÀtÂUÉ
|
|
|
- Arleen Greer
- 5 years ago
- Views:
Transcription
1 ªÉÃzÀPÁ zà è À ÀAVÃvÀzÀ ɼÀªÀtÂUÉ»AzÀÄ ÁÛ ÀAVÃvÀ ÀoÀåªÀ ÀÄÛ (±Á ÀÛç «sáuà) UÁAiÀÄ À-¹vÁgÀ-vÀ Á ÁªÀiÁ Àå ±ÀÈwAiÀÄ ÁÜ À, UÁæªÀÄ ªÀÄvÀÄÛ ªÀÄÆbÀð ÉUÀ¼ÀÄ «ªÀgÀªÁV xál ÀzÀÞwAiÀÄ «PÁ À ÀAVÃvÀzÀ aqvéì ªÀÄvÀÄÛ zsàé AiÀÄ ÀA ÁÌgÀ Áj sá PÀ ±À ÝUÀ¼À «ªÀgÀuÉ : zsàé xál, gáuà, ªÁ, ÀAªÁ, C ÀĪÁ, «ªÁ, ÀƪÁðAUÀ, GvÁÛgÁAUÀ, oéãpá, PÁAiÀÄzÁ, ÉñÁÌgÀwºÁ Ä, ªÀÄÄPÀÄqÁ, vàäpàäqá, À má, UÀvïÛ, eéæãqà, véæãqá, gàhiá Á»AzÀÆ ÁÛ ÀAVÃvÀzÀ ÀæªÀÄÄR WÀgÁuÉUÀ¼À CzsÀåAiÀÄ À. DUÁæ, UÁé AiÀÄgï, eéê ÀÆgÀ, QgÁuÁ (UÁAiÀÄ À «sáuà) è, CdgÁqÁ, ÀÆgÀ, ÀAeÁ (và Á «sáuà) Éà AiÀiÁ, EmÁªÁ ªÉÄʺÀgÀ, eéê ÀÄgÀ (¹vÁgÀ «sáuà) ÀAVÃvÀzÀ è UÉÃAiÀÄ ÀæPÁgÀUÀ¼ÀÄ 120UÀAmÉUÀ¼ÀÄ zsàªàiágà, oàä«äæ, l Áà, vàgá Á, UÀgÀhÄ ï, PÀªÁé, ÀÄUÀªÀÄ ÀAVÃvÀ, avàæ Àl ÀAVÃvÀ, eá À ÀzÀ ÀAVÃvÀ. F PɼÀV À ÀAVÃvÀ PÀ Á«zÀgÀ fãªà À ZÀjvÉæ :- ÀA. ªÀÄ èpádäð À ªÀÄ ÀÆìgÀ, ÀA. UÁ ÀAiÉÆÃV ÀAZÁPÀëj UÀªÁ ÄUÀ¼ÀÄ, ÀA. PÀĪÀiÁgÀ UÀAzsÀªÀð, G ÁÛzÀ «ÁAiÀÄvÀSÁ À, ÀA. T Áå Àfð, ÀA. r.dgï. ÀªÀðwPÀgï, G ÁÛzÀ CºÀäzÀSÁ À wgàrªá, ÀA. ÀªÀÄvÁ Àæ ÁzÀ, ÀA. ±ÉõÀVj ºÁ ÀUÀ ï. ÀAVÃvÀ PÉëÃvÀæPÉÌ ÀAVÃvÀdÕgÀ PÉÆqÀÄUÉUÀ¼ÀÄ :- daiàäzéãªà, ÀzÁgÀAUÀ, CzÁgÀAUÀ, ÀA.«µÀÄÚ ÁgÁAiÀÄt, sávàraqé, «µàäú UÀA gà À Ä ÀÌgÀ. ÀAVÃvÀ AzsÀUÀ¼ÀÄ :- ÀAVÃvÀ ªÀÄvÀÄÛ ªÀÄ ÉÆëeÁÕ À (4 UÀAmÉUÀ¼ÀÄ) ÀªÀiÁdzÀ è ÀAVÃvÀzÀ ÁÜ À.vÁ gàzà Á ¹zÁÞAvÀ :-
2 ÁæAiÉÆÃVPÀ «sáuà UÁAiÀÄ À C APÁgÀ ÀégÀUÀ¼À ÀÄß wævá¼à, zázàgá, PɺÀgÀªÁ, vá UÀ¼À è ªÀÄÆ AiÀÄ ºÁUÀÆ zàäuàä À, ZËUÀÄ À, AiÀÄzÀ è ºÁqÀĪÀ ÁªÀÄxÀåð (10 UÀAmÉUÀ¼ÀÄ) gáuàuà¼àä : AiÀĪÀÄ À, fãªà À ÀÄj, ªÀiÁ PËA À, üãªàä À Á À, ªÀÄzsÀĪÀiÁvÀ ÁgÀAUÀ, RªÀiÁd (60 UÀAmÉUÀ¼ÀÄ) C) F ªÉÄà À gáuàuà¼à è béæãmá RAiÀiÁ zéæa UÉ Á ÄÌ D Á À ºÁUÀÆ Á ÄÌ vá ï ºÁqÀ Ä w½ gà ÉÃPÀÄ. ) F ªÉÄà À gáuàuà¼à è AiÀiÁªÀÅzÁzÀgÉÆAzÀÄ gáuàªà ÀÄß wã ïvá ºÉÆgÀvÀÄ Àr¹ ÉÃgÉ vá zà è ºÁqÀ Ä w½ gà ÉÃPÀÄ. ÀÄUÀªÀÄ ÀAVÃvÀ : sàqûvãvé JgÀqÀÄ, sáªàvãvé JgÀqÀÄ, zéã±à sàqû VÃvÉ JgÀqÀÄ, eá À ÀzÀVÃvÉ JgÀqÀÄ, ºÁqÀ Ä w½ gà ÉÃPÀÄ (10 UÀAmÉUÀ¼ÀÄ). PɼÀV À vá¼àuà¼à ÀA ÀÆtð ªÀiÁ»w (10 UÀAmÉUÀ¼ÀÄ) KPÀvÁ, ZËvÁ, gàæ ÀPÀ ªÀÄvÀÄÛ Ã ÀZÀA. ÀÆZÀ É :- ªÉÄà À vá¼àuà¼à ÀA ÀÆtð ÀjZÀAiÀÄzÉÆA UÉ PÉÊAiÀÄ è ÉlÄÖ ºÁPÀÄvÁÛ ÀqsÀAvÀ ºÉüÀ Ä gà ÉPÀÄ. ¹vÁgÀ 1. PɼÀV À vá¼àuà¼à è ÀégÁ APÁgÀUÀ¼À ÀÄß ªÀÄÆ AiÀÄ, zàäuàä ï ªÀÄvÀÄÛ ZËUÀÄ ïuà¼à è ÀÄr ÀĪÀÅzÀÄ. wævá, zázàgá ªÀÄvÀÄÛ PɺÀgÀªÁ (10 UÀAmÉUÀ¼ÀÄ) 2. gáuàuà¼àä : AiÀĪÀÄ ï, eë À ÀÄj, ªÀiÁ PËA À, üãªàä À Á À,ªÀÄzsÀĪÀiÁzï ÁgÀAUÀ, RªÀiÁd (60 UÀAmÉUÀ¼ÀÄ) C) ªÉÄà À gáuàuà¼à è gàeásá UÀvï ÀÄß PÀ µà Á ÄÌ D Á À ªÀÄvÀÄÛ vá À- À má, gàhiáå Á ÀªÉÄÃvÀ ÀÄr ÀĪÀÅzÀÄ. ) ªÉÄà À AiÀiÁªÀÅzÉà MAzÀÄ gáuàªà ÀÄß wã ÀvÁ ºÉÆgÀvÁzÀ ÉÃgÉ vá zà è ÀÄr ÀĪÀÅzÀÄ. 3. AiÀiÁªÀÅzÉà gáuàzà è JgÀqÀÄ zsàä ï, JgÀqÀÄ sàd ï ªÀÄvÀÄÛ JgÀqÀÄ ºÁqÀÄUÀ¼À ÀÄß ÀÄr ÀĪÀÅzÀÄ (10 UÀAmÉUÀ¼ÀÄ) 4. PɼÀV À vá¼àuà¼à ÀA ÀÆtð ªÀiÁ»w (10 UÀAmÉUÀ¼ÀÄ) KPÀvÁ, ZËvÁ, gàæ ÀPÀ ªÀÄvÀÄÛ Ã ÀZÀA. ÀÆZÀ É :- ªÉÄà À vá¼àuà¼à ÀA ÀÆtð ÀjZÀAiÀÄzÉÆA UÉ PÉÊAiÀÄ è ÉlÄÖ ºÁPÀÄvÁÛ ÀqsÀAvÀ ºÉüÀ Ä gà ÉPÀÄ.
3 và Á «sáuà F PɼÀV À vá UÀ¼À ÀA ÀÆtð ªÀiÁ»wAiÉÆA UÉ ÀÄr ÀĪÀ eáõ À. gàæ ÀPÀ, ZËvÁ, à ÀZÀA, gàhä ÁÛ, wævá, PɺÀgÀªÁ, zázàgá, KPÀvÁ F ªÉÄà ÌAqÀ vá UÀ¼À ÀÄß ªÀÄÆ AiÀÄzÉÆA UÉ zàäuàä ï, ZËUÀÄ À, AiÀÄzÀ è ÀÄr ÀĪÀ eáõ À (ªÀiËTPÀ ºÁUÀÆ ÁæAiÉÆÃVPÀªÁV) (24 UÀAmÉUÀ¼ÀÄ) (24 UÀAmÉUÀ¼ÀÄ) F PɼÀV À vá UÀ¼À è và Á- Á ÌgÀAvÉ zà oéãpá ÀÄr ÀĪÀ eáõ À (16 UÀAmÉUÀ¼ÀÄ) zázàgá, PɺÀgÀªÁ, wævá, gàhä ÁÛ vá - wævá ªÀÄvÀÄÛ gàhä ÁÛ zà è và Á JgÀqÀgÀAvÉ PÁAiÀÄzÁ ÀÄr ÀĪÀ eáõ À (LzÀÄ ÀæPÁgÀUÀ¼ÉÆA UÉ wºá Ä ÀÄr ÀĪÀ eáõ À) zázàgá,péºàgàªá,wævá, gàhä ÁÛ, F Á ÄÌ vá UÀ¼À è ÁxÀ ÀAVÃvÀ ªÀiÁqÀ Ä w½ gà ÉÃPÀÄ. (20 UÀAmÉUÀ¼ÀÄ) (6 UÀAmÉUÀ¼ÀÄ)
4 Chapters: Hindustani Music : PUC-II Theory Syllabus Development of Indian Music through Vedic period and Ramayana, Mahabharata periods Details on Shruti, Grama and Murchana (2 Hours.) 120Hours (3 hours) Study of Thata system (2 hours) Music therapy & voice culture (3 hours) Technical Terms : Dhwani, Thata, Raga, Vadi Samvadi, Anuvadi, Vivadi, Purvanga- Uttaranga, Theka, Kayda, Peshkar, Tihayi, Mukhada, Tukada, Palta, Gat, Jod, Toda, Jhala Study of Gharanas of Hindustani Music. Agra, Gwalior, Jaipur, Kirana (Vocal). Delhi, Ajarada, Purab, Punjab (Tabla) Senia, Itawa, Maihar, Jaipur Gharana (Sitar) Various systems of Hindustani Music. (3 hours (3 hours) Dhamar, Thumri, Tappa, Tarana, Gajal, Kawali, Light Music, Filmy Music, Folk Music. Autobiography s of musicians: Pt. Mallikarjun Mansur, Pt. Panchaxari Gavayi, Pt.Kumar Gandharva, Ustad Vilayat Khan, Pt. Nikhil Bannerjee, Pt. D.R. Parwatikar, Ustad Ahmadjan Thirokwa, Pt. Samata Prasad, Pt. Sheshgiri Hangal Contribution of musicologists to the field of Hindustani Music Jaydev, sadarang-adarang, Pt.V.N.Bhatkhande, Pt.V.D. Paluskar (3hrs). (4 hours) Essays: Music and Psychology, Music and society (2 hours) Tala Rachana (Siddhanta). (2 hours). Vocal Practical syllabus Learn to sing Alankars in following talas with Mulalaya, Dugun, Chougun, Teental, Dadra, Kehrwa Ragas Yaman, Jounpuri, Malkouns, Bhimplas, Madhumad Sarang, Khamaj. Learn to sing chotakhyal with four Alap & four Tans in above Ragas. (10 hours) Learn to sing one composition in other than teental in above Ragas (60hours) Learn to sing two Bhaktigeet, two Bhavageet, two patriatic songs and two fold songs Detailed description of following Talas. (10 hours)
5 Ektal, choutal, Rupak, Deepchandi, Note :- Students shall describe the talas along with oral-practical. Sitar 1. Learn to play Alankars in following Talas in Mulalaya, Dugun and chougun. Teental, Dadra, Keharwa. (10Hours) 2. Ragas Yaman, Journpuri, Malkouns, Bhimplas, Madhumad Sarang, Khamaj. (60 hours) a. Learn to play Rajakhani Gat with four Alap and Tan-Palts. b. Learn to play one composition other than Teental in any one of above Ragas. 3. Learn to play two Dhuns, two songs and two Bhajans. (10 hours) 4. Detail description of following Talas. (10 hours) Ektal, Rupak, Deepchandi, Note :- Students shall describe the Talas along with oral-practical or padhant. Tabla Knowledge about below mentioned Talas, Roopak Tal, Choutal, Deepachandi, Jhaptal, Teental, Kehrawa, Dadra, Ektal with demonstration. (24 hours) Practice of Dugun and chougun of above mentioned Talas with Demonstration. (24 hours) 4 each Badal Tekas of Dadra, Kehrwa, Teental and Jhaptal (16 hours) Two Kaydas with 5 paltas and a Tihai in Teental and Jhaptal (20 hours) Accompaniment in Dadra, Kehrwa, Teental and Jhaptal. (06 hours)
Karnataka state women s university. Bijapur. Hindustani Music Syllabus. UG semester. I to VI. Hindustani Music syllabus.
Karnataka state women s university Bijapur Hindustani Music Syllabus UG semester I to VI Hindustani Music syllabus With effect from 2015-16 Onwards Karnataka State Women University Vijayapura Hindustani
HINDUSTANI MUSIC VOCAL (Code 034) Examination Structure for Assessment Class IX
Theory Time: 01 hours HINDUSTANI MUSIC VOCAL (Code 034) Examination Structure for Assessment Class IX TOTAL: 100 Marks 30 Marks 1. Five questions to be set with internal choice covering the entire syllabus.
Section B. Section C. (a)
B.A. (General) (Vocal) Semester III Historical study and detailed description of the ragas prescribed in the syllabus. Ability to write the notations of vilambit and drut khyals in the following ragas:
LESSON PLAN. S No Period Topics To Be Covered Academic Activity To Be Organized
Name of the Teacher: Dr. Paramjeet Kaur Class: BA I (1st Sem) LESSON PLAN S No Period Topics To Be Covered Academic Activity To Be Organized 1. 17-31 July 1. Introduction of Instrument (Sitar) and its
1) Eligibility Criteria
1) Eligibility Criteria Two-Year Diploma Course in Harmonium A candidate seeking admission in the first year of the Harmonium Diploma Course in Hindustani Music, besides having passed the 10+2 Examination
B.A. General Music V & VI Semesters w.e.f
B.A. General Music V & VI Semesters w.e.f. 2012-13. Semester-V 1. Theory 40+10(Int. 3 Hours Assessment) 2. Practical 50 20-30 Minutes Semester-VI 1. Theory 40+10(Int. 3 Hours Assessment) 2. Practical 50
Revised Syllabus For
Revised Syllabus For M.P.A. I & II (Vocal / Instrumental Music) From 2017 Music And Dramatics Department, Shivaji University, Kolhapur 1 SHIVAJI UNIVERSITY KOLHAPUR DEPARTMENT OF MUSIC & DRAMATICS Master
M.A./M.MUS (Previous) Music
M.A./M.MUS (Previous) Music There shall be three papers of theory of 100 Marks each and two papers of practical (Stage Demonstration and Viva voce) of 150 marks each. Candidates can offer either Vocal
HINDUSTANI VOCAL SYLLABUSES 2014
SYLLABUSES 2014 CONTENTS: Initial Grade Level 1 Grades 1, 2 and 3 Level 2 Grades 4 and 5 Level 3 Grades 6, 7 and 8 Level 4 Grade 9 APPEARING FOR THE EXAMINATIONS Candidates are required to complete all
FACULTY OF PERFORMING & VISUAL ARTS DEPARTMENT OF MUSIC MAHARSHI DAYANAND UNIVERSITY ROHTAK
FACULTY OF PERFORMING & VISUAL ARTS DEPARTMENT OF MUSIC MAHARSHI DAYANAND UNIVERSITY ROHTAK Scheme of Examination of M.A. Hindustani (Vocal and Instrumental) for semester system w.e.f. academic year 2010-11
PRSSV Institute of Performing Arts and Heritage
PRSSV Institute of Performing Arts and Heritage World Music and Dance Examinations Syllabuses Hindustani Subjects PRSSV Institute of Performing Arts and Heritage www.sangeet-examinations.co.uk examinations@prssv.com
SYLLABUS INDIAN MUSIC SEMESTERS III, IV, V, VI UNDER GRADUATE LEVEL
SYLLABUS INDIAN MUSIC SEMESTERS III, IV, V, VI UNDER GRADUATE LEVEL Dated:- Convenor Board of Studies Indian Music Govt. M.A.M. (PG) College Jammu INDIAN MUSIC SEMESTER III (THEORY) Examination to be held
Bharati Vidyapeeth (Deemed to be University) School of Performing Arts, Pune. Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System)
Bharati Vidyapeeth (Deemed to be University) School of Performing Arts, Pune Semester Wise Detailed Chart of Syllabus of B.A. (Music) (Credit System) B.A. 1 st Year (Music) (Vocal / Instrumental / Percussion)
RABINDRA BHARATI UNIVERSITY
Department of Vocal Music (2017) For Admission Test of M.A in Vocal Music Practical : a) Dhrupad or Dhamar (based on Dhamar Tala itself) (Marks-50) Any one Bandesh based on any Raga according to either
IndianRaga Certification
IndianRaga Certification Hindustani Instrumental Syllabus: Levels 1 to 4 Level 1 Overview: The aim of this level is for the student to develop a basic sense of Swara (Note) and Taal (Rhythm) so that he/she
DEPARTMENT OF MUSIC & DANCE KURUKSHETRA UNIVERSITY KURUKSHETRA
DEPRTMENT OF MUSIC & DNCE KURUKSHETR UNIVERSITY KURUKSHETR N 1. M(P) II II Music in Puran 2. M(P) III 3. M(F) III 4. M.Phil III III II Rag hir-hirve Rag Miyan ki Todi (Vilambit) Rag Gujari Todi (Vilambit)
Level Semester Wise credits Total Credits Bachelor s program
Implementation of Choice Based Credit System Department of Music (Vocal & Instrumental) The M. S. University of Baroda (Appendix A) A general framework for Bachelor s Program shall as follows. Level Semester
SCHEME OF EXAMINATION BACHELOR OF ARTS (PERFORMING ARTS)-B.A. (PA) THREE YEAR PROGRAMME (ANNUAL) 2011
SCHEME OF EXAMINATION BACHELOR OF ARTS (PERFORMING ARTS)-B.A. (PA) THREE YEAR PROGRAMME (ANNUAL) 2011 27 1. There will be multiple choice questions (MCQ s) in the question paper consisting of one mark
Unit 5. Lesson 2 By Sudha Sahgal
Unit V Lesson 2 By Sudha Sahgal A very worm welcome. To this web based course on vocal music for graduate student. This course has been developed by the faculty members of the department of music faculty
An honourable title conferred on an eminent musician. dlineation, elaboration, unfolding of the Raga.
Glossary: Aftab-e-Mousiqui Alap or Aalaap Alapchari Alankar Ang Antara Aroha Asthayi or Sthayi Ati Avaroha Baant Banaav Bandish Bani Barhat or Badhat Been Beenkar Bhajan Bol Bol baant Chalan Chaiti An
CARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for Class - IX
CARNATIC MUSIC (VOCAL) THEORY (Code No. 031) Syllabus for Class - IX Periods : 135 Marks : 25 I. Brief history of Carnatic Music with special reference to Saint Purandara dasa, Annamacharya, Bhadrachala
Bharati Vidyapeeth Deemed University School of Performing Arts, Pune
Bharati Vidyapeeth Deemed University School of Performing Arts, Pune Post Graduation Course (Credit System) M.A. 1 st Year (Music) (Percussion) Course Structure and Syllabus M.A. 1 st Year (Music) Credits
Subject:- Indian Classical Music (Vocal & Instrumental)
- 1 - DR. BABASAHEB AMBEDKAR MARATHWADA UNERSTY, AURANGABAD, (M.S.) Revised Syllabus of B.A. Second year Semester- & Subject:- ndian Classical Music (Vocal & nstrumental) W.E.F. June - - 2 - Syllabus for
Bharati Vidyapeeth School of Performing Arts, Pune (India)
Total Marks 50 Minimum Marks: 18 Total No. of Periods 50 Foundation Duration of Examination 15 Min Theory - Total Marks 15 There will not be any written examination for this Foundation Course Examination.
PERFORMING ARTS (91 95)
PERFORMING ARTS (91 95) Aims: 1. To develop a perceptive, sensitive and critical response to music, dance and drama in its historical and cultural contexts. 2. To stimulate and develop an appreciation
Department of. Music and
Shivaji University Kolhapur Department of Music and Dramatics Master of Performing Arts (Instrumental Tabla/Pakhavaj) Applicable from June 2017 2018 A) Title-Coursee of the study for Master of Performing
Syllabus for written examination for PRT (Music)
Syllabus for written examination for PRT (Music) Science of Music and Studies of Shruties Vibration and frequency; pitch and its relation with Vibrator, Vocal and Instrumental ranges of sound; Amplitude,
Lecture Title VARNA AND ALANKAR
Course - Bachelor of Performing Arts (Music) Year - I Paper Name Theory Paper - I Paper No.- I Lecture No.- 25 Lecture Title VARNA AND ALANKAR Hello viewers, today in my this lecture, I will tell you about
CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI
Syllabus of B.A. (Hons.) Hindustani Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC
PERFORMING ARTS (91 95)
PERFORMING ARTS (91 95) Aims: 1. To develop a perceptive, sensitive and critical response to music, dance and drama in its historical and cultural contexts. 2. To stimulate and develop an appreciation
MUS 342/ANT 324L/ANS361/MUS 380 THE MUSICS OF INDIA SPRING OFFICE PHONE:
MUS 342/ANT 324L/ANS361/MUS 380 THE MUSICS OF INDIA SPRING 2016 UNIQUE NO.: 21640/30390/30830/21875 COURSE TIME AND PLACE: T TH 11:00 12:30 in MRH 2.634 INSTRUCTOR: STEPHEN SLAWEK OFFICE: MBE 3.202 OFFICE
SEMESTER III (THEORY ) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL (SITAR)
SEMESTER III (THEORY ) INDIAN MUSIC (HINDUSTANI MUSIC) VOCAL AND INSTRUMENTAL (SITAR) Syllabus and Courses of Study in Indian Music for B.A. Under CBCS for the Examination to be held in Dec. 2017, 2018
CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC FACULTY OF MUSIC & FINE ARTS UNIVERSITY OF DELHI DELHI
Syllabus of B.A. (Prog.) Hindustani Music (Vocal/ Instrumental) Submitted to University Grants Commission New Delhi Under Choice Based Credit System CHOICE BASED CREDIT SYSTEM 2015 DEPARTMENT OF MUSIC
M.A. (MUS) Vocal IV th Semester
M.A. (MUS) Vocal IV th Semester 1. Two Theory papers (40+40) = Total 80 Marks (10+10) = Total 20 Marks Total 100 Marks 2. Two Practical paprs each of Total 100 Marks Project paper 1 st Theory Paper Applied
Programme Specific Outcome (PSO) B.A. (Hons.) Hindustani Music (Vocal & Instrumental)
Programme Specific Outcome (PSO) B.A. (Hons.) Hindustani Music (Vocal & Instrumental) PSO-1 PSO-2 PSO-3 PSO-4 PSO-5 PSO-6 PSO-7 PSO-8 PSO-9 PSO-10 The student is able to give a practical demonstration
Syllabus of B.Mus.(Hons.) Bengali Song (CHOICE BASED CREDIT SYSTEM) University of Calcutta
Syllabus of B.Mus.(Hons.) Bengali Song (CHOICE BASED CREDIT SYSTEM) University of Calcutta Semester-I CC-1 Credits:6 Max Marks: 100 MUS-A-CC-1-1-TH Theory Marks: 30 General Theory (i) Dhwani, Nada, Swara,
Nehru Gram Bharati (Deemed to be University) Kotwa-Jamunipur-Dubawal, Allahabad (U.P.) SYLLABUS
Nehru Gram Bharati (Deemed to be University) Kotwa-Jamunipur-Dubawal, Allahabad (U.P.) SYLLABUS Bachelor of Music Faculty of Arts Nehru Gram Bharati Vishwavidyalaya Kotwa-Jamunipur-Dubawal, Allahabad (U.P.)
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA
AN INTRODUCTION TO THE CLASSICAL MUSIC OF INDIA Rangaraj M. Rangayyan raj_rangayyan@shaw.ca website: rangayyan.ca I. INTRODUCTION Indian classical music is one of the oldest forms of music in the world.
Three year B.A. (Hons.) Hindustani Music Vocal/Instrumental
Three year B.A. (Hons.) Hindustani Music Vocal/Instrumental CO-1: Understand the basic terminologies of Indian Music. CO-2: Stage Performance & Viva-voce of prescribed Ragas and Talas. CO-3: Compositional
(A) INDIAN MUSIC (HINDUSTANI)
MUSIC Aims: 1. To encourage creative expression in music. 2. To develop the powers of musical appreciation. One of the three following syllabuses may be offered: (A) Indian Music (Hindustani) (872). (B)
SCHME OF EXMINATION FOR M.A. MUSIC (VOCAL & INSTRUMENTAL)
SCHME OF EXMINATION FOR M.A. MUSIC (VOCAL & INSTRUMENTAL) SEMESTER I Max. Internal Total Time Marks Assessment Marks Written : Vocal and Instrumental Music Paper I General & Applied Music Theory 80 20
Program Specific Outcomes Programme Specific Outcome
SCHEME OF EXAMINATION M.A. MUSIC (Vocal/Instrumental) (As per Choice based Credit System w.e.f. the academic year 2016 2018 Program Specific Outcomes Programme Specific Outcome PSO1 PSO2 PSO3 PSO4 Students
SEMESTER-II. Basics of Indian Music Hours (Inter-Disciplinary) (W.E.F ) SEMESTER-III
SCHEME OF EXAMINATION According to CBCS M.A. MUSIC (VOCAL) (W.E.F. -2016-17) SEMESTER-I Paper s Max. Internal Total Time Specification Marks Assessment Marks Core-I General & Applied Music Theory 80 20
HINDUSTANI MUSIC 2016 (A) ( NEW SYLLABUS ) SCHEME OF VALUATION
HINDUTANI MUIC 2016 (A) ( NEW YLLABU ) CHEME OF VALUATION ubject Code : 26 (N/) 1 Raga Bhimpalas That Kafi Varjswara Rishab, Dhaivat in Aroha Jati Avadhava mpoorna Vadi Ma ( Madham) mvadi ( dja) Ganasamaya
Hindustani Music: Appreciating its grandeur. Dr. Lakshmi Sreeram
Hindustani Music: Appreciating its grandeur Dr. Lakshmi Sreeram Music in India comprises a wide variety: from the colourful and vibrant folk music of various regions, to the ubiquitous film music; from
Class- IX. April hi ho. Folk song. September Revision
Subject- Classical vocal New Session begins on 2 nd, 2018 Alankar in different rhythm Prayer : Sari srishti ke malik tum hi ho Definition-Saptak and Swar ke prakar Raag darbaari Summer Vacations 21st 1st
Andrew Salimbeni World Music Professor Levine 10/20/06 Paper Three: Musical Analysis. Rāgā Bhimpalāsrī
Andrew Salimbeni World Music Professor Levine 10/20/06 Paper Three: Musical Analysis Rāgā Bhimpalāsrī Rāgā is a concept that is difficult to compare with the musical traditions of cultures outside of the
BPA. DANCE (Kathak / Bharata Natyam) THEORY. Paper I - History of Dance
BPA DANCE (Kathak / Bharata Natyam) FY Paper I - History of Dance (1) Mythological origin. Relevance of temple to Dance and Devadasi system OR 14 Relevance of court and influence of Mugal period. (2) Reference
ART & CRAFT Month July
ART & CRAFT Month July 2018-19 es Sketch book- Drawing of Rainy Day. Tree with texture. Learning Outcomes The students will be able to understand the different seasons, colours & texture. Book Artoons
UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE
UNIVERSITY OF MAURITIUS and MAHATMA GANDHI INSTITUTE Regulations and Programme of Studies B.A (Hons) Performing Arts (Sitar) [Review] - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART I General
APPENDIX I LIST OF COMMONALITIES
APPENDIX I LIST OF COMMONALITIES 1. Singing of Vilambit Khayal in any one Raga prescribed in the syllabus with simple Alaps and Taans. 2. Singing of one Drut K hayal in each of Ragas prescribed in the
University of Mauritius. Mahatma Gandhi Institute
University of Mauritius Mahatma Gandhi Institute Regulations And Programme of Studies B. A (Hons) Performing Arts (Vocal Hindustani) (Review) - 1 - UNIVERSITY OF MAURITIUS MAHATMA GANDHI INSTITUTE PART
MPA- IV W.E.F Scheme of Examination for MPA Music IV year. (VOCAL)
Written paper: - MPA- IV W.E.F. 2012-2013 Scheme of Examination for MPA Music IV year. (VOCAL) Paper: I General History and Musicology. Time: 3 hours (90 Theory + 10 I.A.) Paper: II Practical:- Paper-III
DOWNLOAD OR READ : ESSAYS ON INDIAN MUSIC HISTORY AND CULTURE SERIES PDF EBOOK EPUB MOBI
DOWNLOAD OR READ : ESSAYS ON INDIAN MUSIC HISTORY AND CULTURE SERIES PDF EBOOK EPUB MOBI Page 1 Page 2 essays on indian music history and culture series essays on indian music pdf essays on indian music
SYLLABUS OF M.PHIL. HINDUSTANI MUSIC. Course-I Research Methodology* Max Marks Hours
SYLLABUS OF M.PHIL. HINDUSTANI MUSIC Course-I Research Methodology* Max Marks 100 3 Hours 1. Research- Definition, its aims and objectives, Varieties, methodology and process. 2. Synopsis- Definition,
INTRODUCTION. This thesis is towards discovering the factors responsible for a good voice. Good music is
INTRODUCTION This thesis is towards discovering the factors responsible for a good voice. Good music is created when Voice produces the sound at the correct pitch, accurate frequency and with good quality.
Part 1. Part 2. Part 3. Part 4
Part 1 Part 2 Part 3 Part 4 I SEMESTER SYLLABUS Subjects Language 1 Sanskrit/Kannada Language 2 English Theory Kathak Practical Kathak Theory Music Practical Music Theory FC/SDC CC&EC Subjects Paper Marks
UNIVERSITY OF DELHI DEPARTMENT OF MUSIC. UNDERGRADUATE PROGRAMME (Courses effective from Academic Year )
Choice Based Credit System (CBCS) UNIVERSITY OF DELHI DEPARTMENT OF MUSIC UNDERGRADUATE PROGRAMME (Courses effective from Academic Year 2015-16) SYLLABUS OF COURSES TO BE OFFERED Core Courses, Elective
Saturday, May 13, :00 p.m. Hindustani Music. Concert. DePaul Concert Hall 800 West Belden Avenue Chicago
Saturday, May 13, 2017 8:00 p.m. Hindustani Music Concert DePaul 800 West Belden Avenue Chicago Saturday, May 13, 2017 8:00 p.m. DePaul Hindustani Music Concert Kushal Das, sitar Ramdas Palsule, tabla
UNIVERSITY OF CALCUTTA
UNIVERSITY OF CALCUTTA Notification No. CSR/ 105 /18 It is notified for information of all concerned that the Syndicate in its meeting held on 13.07.2018 (vide Item No.11) approved the Syllabus of Two-Year
NEHRU GRAM BHARATI UNIVERSITY
NEHRU GRAM BHARATI UNIVERSITY Kotwa Jamunipur Dubawal ALLAHABAD PG SYLLABUS M.P.A. Music DEPARTMENT OF MUSIC MARKING SCHEME M. P. A. (I st Year) (I st Semester) No. Subject MAX MIN INTERNAL EVALUATION
Musicological perspective. Martin Clayton
Musicological perspective Martin Clayton Agenda Introductory presentations (Xavier, Martin, Baris) [30 min.] Musicological perspective (Martin) [30 min.] Corpus-based research (Xavier, Baris) [30 min.]
On the Common Goods. Dr. Gregory Froelich
[T Aa R V. W. 0: 1 5 Ma 2010, 2:19..] O C G D. G F S. Ta a a a a aa a a. I a a a a Ta a a a, a,, a a a a. T, Ta a a P a, a a aa; a, a a.¹ B a a Ta a a Taa. Ra, S. Ta a a aa a a a a aa a a a a a. Ca a,
Arousing Interest and Making Hindustani Classical Music (North Indian) More Popular Among the Masses: With Special Reference to Khayal Singing Style
Arousing Interest and Making Hindustani Classical Music (North Indian) More Popular Among the Masses: With Special Reference to Khayal Singing Style Synopsis of the Thesis Proposed to be submitted for
Yours In Music: Graphic Autobiography Of Ravi Shankar By Ravi Shankar READ ONLINE
Yours In Music: Graphic Autobiography Of Ravi Shankar By Ravi Shankar READ ONLINE If searching for the book Yours in Music: Graphic Autobiography of Ravi Shankar by Ravi Shankar in pdf format, then you've
SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) MASTER OF ARTS DEPARTMENT OF MUSIC SYLLABUS
SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) MASTER OF ARTS 2018 DEPARTMENT OF MUSIC SYLLABUS (VOCAL) / STRING INSTRUMENTS OF (SITAR) & PERCUSSION INSTRUMENTS OF (TABLA/PAKHAWAJ)
\+,- rt. turk. Dr*E) ( {ate r-q %1. C4Lr) {4&'< ;A A?= - 13, L, >-al4. Q +* ' >=al I. b-bf- a- t r>) e- {;t. .prr>6) ,-t -. [\ T?
;A A?= - 13, L, >-al4 LT-6 l{ t >-i / Q +* - 13. 6' >=al I a- t r>) e- {;t a-o f\ T_a2 24 t ryl rfl 4>tIA /\ {ate r-q %1 t.,-t -. [\ T?,-'a rl: I C4Lr) 4 /\ {4&'< 2, turk b-bf- \+,- rt Dr*E) (.prr>6) 13,6
AoS2 set works Schoenberg: Peripetie AoS4 set works Koko: Yiri Capercaille: Skye Waulking Song Rag Desh
The KING S Medium Term Plan - Music Y11 LC3 Programme Legacy GCSE Module Area of Study 2 and 4 Analysing three additional set works. Learners will be required to focus their skills on new styles of notated
M. A. Tabla Part I Semester I Paper I ( , ) Theoretical Survey: Critical Study of the Talas. Section A
Part I Semester I Paper I Theoretical Survey: Critical Study of the Talas Time: 3 Hours Maximum Marks: 75 Internal Assessment: 25 Marks INSTRUCTIONS FOR PAPER SETTER The paper shall set four questions
ALL INDIA_RADIO MUSIC COMPETITION 2018 ANNOUNCEMENT AND PRESS RELEASE. i. Preliminary Competition will be held at every regional Station of AIR; and
-1- ALL INDIA_RADIO MUSIC COMPETITION 2018 ANNOUNCEMENT AND PRESS RELEASE As done every year, this year also All India Radio is organizing a Music Competition for discovering and encouraging new talent
Syllabus for written examination for Misc (Librarian)
Syllabus for written examination for Misc (Librarian) Part 1: Foundation of Library & Information Science. Unit.1. Library as a Social Institution - Social & Historical foundations of Library. - Different
M.A MUSIC First Semester Paper-CC 01 (Theory) History of Music (Ancient Period)
UNIT 3. First Semester Paper-CC 01 (Theory) History of Music (Ancient Period) 1. Classification of History of Indian Music. 2. Music in Pre-Ancient Period. 3. Music in Ancient Period. 1. Music in Vedic
The authors objective has been to provide every material support to the teacher, to leave you free to teach your subject.
Introduction This series will help both specialist and non-specialist teachers deliver the Key Stage 3 curriculum for Music effectively. The books follow the Scheme of Work objectives, providing: on left-hand
The Context Quarterly e journal of language, literary and cultural studies
The Context Quarterly e journal of language, literary and cultural studies Publication details and instructions for authors: http://www.magnuspublishing.com This is an Open Access Journal distributed under
SYLLABUS FOR THE POST OF PRINCIPAL
Subject/Topics SYLLABUS FOR THE POST OF PRINCIPAL Name of post : PRINCIPAL Paper : OBJECTIVE TYPE Duration : 3 HOURS Total No. of Questions : 180 Total Marks : 180 Annexure-1 A. EXAMINATION: PART I : (LANGUAGE
M.A. GURMAT SANGEET PART - I
Page 1 of 18 M.A. GURMAT SANGEET PART - I ACADEMIC POLICY/ORDINANCES (2016-17, 2017-18 Sessoions) Objectives of the Course : An Online Initiative by Gurmat Gyan Online Study Centre, Punjabi University,
FACULTY OF PERFORMING AND VISUAL ARTS DEPARTMENT OF MUSIC. (w.e.f. Academic session January- December 2017)
FACULTY OF PERFORMING AND VISUAL ARTS DEPARTMENT OF MUSIC (w.e.f. Academic session January- December 2017) Scheme of Examinations January-December 2017 (M.Phil Music) (Vocal & Instrumental) SEMESTER-1
Oriental Music Syllabi
Oriental Music Syllabi Grade 12 Department of Aesthetic Education National Institute of Education Maharagama Introduction From the year 1996 to date, music, dance and art were studied and evaluated on
CCE PF CCE PR. O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl
CCE PF CCE PR O %lo ÆË v ÃO y Æ fio» flms ÿ,» fl Ê«fiÀ M, ÊMV fl 560 003 KARNATAKA SECONDARY EDUCATION EXAMINATION BOARD, MALLESWARAM, BANGALORE 560 003 G È.G È.G È.. Æ fioê,» ^È% / HØ È, 2018 S. S. L.
e THEMA KOLKATA 2007 Music and Modernity North Indian Classical Music in an Age of Mechanical Reproduction Other titles in Music THEMA Edited by
Music and Modernity North Indian Classical Music in an Age of Mechanical Reproduction Other titles in Music THEMA Edited by AMLAN DAS GUPTA Khansahab Alladiya Khan My Life: as told to his grandson Azizuddin
TAGORE INTERNATIONAL SCHOOL VASANT VIHAR CO- SCHOLASTIC SYLLABUS - CLASS VIII SESSION
TAGORE INTERNATIONAL SCHOOL VASANT VIHAR CO- SCHOLASTIC SYLLABUS - CLASS VIII SESSION 2018-19 Apr-May Shading using arrange of values s, patterns Elements of Art Creating patterns, s, values Self through
Nad: Understanding Raga Music By Sandeep Bagchee
Nad: Understanding Raga Music By Sandeep Bagchee If you are searching for a ebook by Sandeep Bagchee Nad: Understanding Raga Music in pdf form, then you have come on to the right website. We presented
Raag Durga Alankars. Learn Raaga Basics Raag Baageshree
Raag Durga Alankars [EBOOK] Download Book Raag Durga Alankars PDF [BOOK]. This Book have some digital formats such us : paperbook, epub, ebook, kindle, and another formats. Here is The Perfect ebook Library.
Syllabus for M.A. (Previous) Hindustani Music Vocal/Instrumental (Sitar, Sarod, Guitar, Violin, Santoor) SEMESTER-I
Syllabus for M.A. (Previous) Hindustani Music Vocal/Instrumental (Sitar, Sarod, Guitar, Violin, Santoor) SEMESTER-I Core Course 1 Theory Credit - 4 Historical and Theoretical Study of Ragas 70 Marks A.
ATTENDING A MUSIC CONFERENCE IN KOLKATA (CALCUTTA)
ATTENDING A MUSIC CONFERENCE IN KOLKATA (CALCUTTA) As the sun disappeared from the late afternoon sky of a January day, the air hovering above the streets and buildings of Kolkata (Calcutta) thickened
MPA MUSIC SYLLABUS (UNREVISED) 3 (3 + 0) 6 (0 + 6) Practical 4 (0 + 4) 6 (0 + 6) 4 (0 + 4)
MPA MUSIC SYLLABUS (UNREVISED) Semester: Paper: Title: Credits: 7 34 History and Contemporary Issues in Ethnomusicology. 3 (3 + 0) 7 35 Aesthetics in Music 3 (3 + 0) 7 36 Hindustani Music Vocal Hindustani
A NONLINEAR STUDY ON TIME EVOLUTION IN GHARANA TRADITION OF INDIAN CLASSICAL MUSIC
A NONLINEAR STUDY ON TIME EVOLUTION IN GHARANA TRADITION OF INDIAN CLASSICAL MUSIC Archi Banerjee,2 *, Shankha Sanyal,2 *, Ranjan Sengupta 2 and Dipak Ghosh 2 Department of Physics, Jadavpur University
Mu 110: Introduction to Music
Reading/attendance quiz! Mu 110: Introduction to Music Instructor: Dr. Alice Jones Queensborough Community College Fall 2016 Sections C5A (Fridays 9:10-12) and F5A (Fridays 12:10-3) Recap Minimalism stripping
GURU NANAK DEV UNIVERSITY AMRITSAR
FACULTY OF VISUAL & PERFORMING ARTS SYLLABUS FOR M.A. MUSIC (HONS.) (INSTRUMENTAL) (SEMESTER: I-IV) EXAMINATIONS: 2013-14 GURU NANAK DEV UNIVERSITY AMRITSAR (i) Copy rights are reserved. Nobody is allowed
DISTINGUISHING MUSICAL INSTRUMENT PLAYING STYLES WITH ACOUSTIC SIGNAL ANALYSES
DISTINGUISHING MUSICAL INSTRUMENT PLAYING STYLES WITH ACOUSTIC SIGNAL ANALYSES Prateek Verma and Preeti Rao Department of Electrical Engineering, IIT Bombay, Mumbai - 400076 E-mail: prateekv@ee.iitb.ac.in
My Forays into the World of the Tablā
SIT Graduate Institute/SIT Study Abroad SIT Digital Collections Independent Study Project (ISP) Collection SIT Study Abroad Spring 2014 My Forays into the World of the Tablā Madeline Longacre SIT Study
Chapter V Agra gharana & areas of Impact
Chapter V Agra gharana & areas of Impact This chapter takes critical stock of the impacts of Agra Gharana on the major areas other than its main impact on Indian classical music scenes described in earlier
Bio-data outline Professor Sanjoy Bandopadhyay
Bio-data outline Professor Sanjoy Bandopadhyay Sanjoy Bandopadhyay, one of the foremost sitar players of the current generation, is the Chair Professor [Ustad Allauddin Khan Chair] of the Department of
The best selling band in history they have sold over 600 million records! All in only 10 years!
Paul McCartney bass guitar, keys and vocals George Harrison guitar, keys and vocals John Lennon guitar and vocals Ringo Starr - drums The best selling band in history they have sold over 600 million records!
TIMBRE SPACE MODEL OF CLASSICAL INDIAN MUSIC
TIMBRE SPACE MODEL OF CLASSICAL INDIAN MUSIC Radha Manisha K and Navjyoti Singh Center for Exact Humanities International Institute of Information Technology, Hyderabad-32, India radha.manisha@research.iiit.ac.in
TAGORE INTERNATIONAL SCHOOL EAST OF KAILASH, NEW DELHI
MONTHS / THEME APRIL & MAY CO-SCHOLASTIC SYLLABUS FOR CLASS : VI (2013-2014) COMPUTERS P.E. ART PURSUITS Drawing with Msword 1.Edit 2.Format 3.Autoshape 4.Order group object 5.Diagram Tool Designing a
An interesting comparison between a morning raga with an evening one using graphical statistics
Saggi An interesting comparison between a morning raga with an evening one using graphical statistics by Soubhik Chakraborty,* Rayalla Ranganayakulu,** Shivee Chauhan,** Sandeep Singh Solanki,** Kartik
SYLLABUS FOR CLASS-XI-Med & Non Med (SESSION ),Class Test
SYLLABUS FOR CLASS-XI-Med & Non Med (SESSION 2015-16),Class Test-7-8-2015 PHYSICS: Unit:-1- Dimensional analysis, Errors in measurement, Unit:-2- Uniform motion & Accelerated motion. CHEMISTRY: Periodic
COMPOSITIONAL VARIETY OF SELECTED VAGGEYAKARS OF GWALIOR GHARANA
Keywords COMPOSITIONAL VARIETY OF SELECTED VAGGEYAKARS OF GWALIOR GHARANA By Swarlpi Daas Gamaka It is a style of uttering swara in which a swara slips from its sruti temporarily. If any other swara is
STRUCTURAL SEGMENTATION AND VISUALIZATION OF SITAR AND SAROD CONCERT AUDIO
STRUCTURAL SEGMENTATION AND VISUALIZATION OF SITAR AND SAROD CONCERT AUDIO Vinutha T.P. Suryanarayana Sankagiri Kaustuv Kanti Ganguli Preeti Rao Department of Electrical Engineering, IIT Bombay, India