Twenty Studies. by Peter Billam. Forpiano. Peter J Billam,

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1 Twenty Studies by Peter Billam Foriano Peter J Billam, This score is oered under the Creative Commons Attribution.0 International licence; see creativecommons.org This edition December 201.

2 2 1. Finger exercise Twenty Studies (c) 201 Peter J Billam

3 1. Finger exercise (c) 201 Peter J Billam

4 2. Scales at Three Semitones Twenty Studies mf 10 1 (c) 201 Peter J Billam

5 2. Scales at Three Semitones voilé, geschliert, veiled 20 cresc... m oco a oco rit... temo f mf 2 oco a oco rit... f 0 (c) 201 Peter J Billam

6 6. Scales at Four Semitones Twenty Studies cantabile... dim (c) 201 Peter J Billam

7 . Scales at Four Semitones 7 1 : : 20 (c) 201 Peter J Billam

8 . The 2++ Chord Twenty Studies (c) 201 Peter J Billam mf 10 mf 1 20 dim... 2

9 9. The 2++ Chord (c) 201 Peter J Billam 0 mf 0 mf 0 dim... cresc... dim...

10 10. Scales at Two Semitones Twenty Studies (c) 201 Peter J Billam

11 . Scales at Two Semitones (c) 201 Peter J Billam

12 12. Scales at Two Semitones 0 60 (c) 201 Peter J Billam

13 Twenty Studies 6. Contrary Motion 1 m 2 m 2 m m 1 m 2 m 20 2 oco a oco cresc... 2 (c) 201 Peter J Billam

14 1 6, Contrary Motion 0... forte... oco a oco dim 2 m m 2 m m 6 6 (c) 201 Peter J Billam

15 Twenty Studies 7. Three against One 1 10 (c) 201 Peter J Billam

16 7. Three against One (c) 201 Peter J Billam

17 17. Shimmer Twenty Studies (c) 201 Peter J Billam

18 1 (c) 201 Peter J Billam. Shimmer 0 0

19 . Shimmer tr tr tr diminuendo al fine... tr tr tr tr tr tr tr e rallentando il trillo...,, niente (c) 201 Peter J Billam

20 20 9. Chords including a al Twenty Studies (c) 201 Peter J Billam

21 9. Chords including a al dim e rit (c) 201 Peter J Billam

22 Passing Notes, simile Twenty Studies f, m 10 f 1 (c) 201 Peter J Billam

23 10. Passing Notes 2 20 f 2 m 0 (c) 201 Peter J Billam

24 2 10. Passing Notes 0 oco rit... (c) 201 Peter J Billam

25 Twenty Studies 11. Crossrhythms (c) 201 Peter J Billam

26 Crossrhythms (c) 201 Peter J Billam

27 11. Crossrhythms (c) 201 Peter J Billam

28 =2x6=x=x=6x2 Twenty Studies arox. cro=60 f f f f mf semre... f f f f m f 10 f f f m m (c) 210 Peter J Billam

29 Twenty Studies 1. The 1+n 1 Line 29 f 6 6 mf f 6 6 mf 10 f 6 6 mf 1 6 cresc oco a oco... 6 (c) 201 Peter J Billam

30 0 1. The 1+n 1 Line (c) 201 Peter J Billam

31 1. The 1+n 1 Line 1 0 f 6 6 (c) 201 Peter J Billam

32 2 1: The Rabbit Sequence Twenty Studies Una Corda 1 ( semre con... ) Tre Corde (c) 201 Peter J Billam

33 1. The Rabbit Sequence m 1 mf 1 f mf cresc dim... (c) 201 Peter J Billam

34 1: Three Hands Twenty Studies cantabile dim... (c) 201 Peter J Billam

35 1. Three Hands 2 0 tr tr tr tr 0 tr tr (c) 201 Peter J Billam

36 6 1. Three Hands 0 tr tr tr tr tr dim dim... 6 (c) 201 Peter J Billam

37 1. Three Hands 70 dim... f 7 dim... dim... mf dim... cresc... 7 m dim... cresc... cresc... 0 m m (c) 201 Peter J Billam

38 1. Three Hands dim... dim dim... dim... dim... 9 (c) 201 Peter J Billam

39 Twenty Studies cantabile, iano : Voice Leading 9 areggiando ma non troo Sos ad lib., ad lib (c) 201 Peter J Billam

40 0 20 : Voice Leading 2 0 (c) 201 Peter J Billam

41 Twenty Studies 17: Toccata f grave 1 agitato (c) 201 Peter J Billam

42 2 17: Toccata subito 20 f 2 0 semre iano... Una Corda (c) 201 Peter J Billam

43 17: Toccata 0 leggerio subito (c) 201 Peter J Billam Tre Corde

44 0 17: Toccata 60 (c) 201 Peter J Billam

45 Twenty Studies 1. Lines cresc.. mf dim.. simile.. agitato f 10 1 (c) 201 Peter J Billam

46 6 1. Lines mf 2 (c) 201 Peter J Billam

47 1. Lines 7 f 0 (c) 201 Peter J Billam

48 1. Lines 7 7 mf f (c) 201 Peter J Billam

49 1. Lines 9 0 f dim... cresc... mf dim... (c) 201 Peter J Billam

50 0 19. Variations Twenty Studies (c) 201 Peter J Billam

51 19. Variations 1 2 tr (c) 201 Peter J Billam

52 2 19. Variations 0 f (c) 201 Peter J Billam

53 19. Variations (c) 201 Peter J Billam

54 19. Variations (c) 201 Peter J Billam

55 19. Variations (c) 201 Peter J Billam

56 6 19. Variations molto legato 10 (c) 201 Peter J Billam

57 19. Variations 7 1 semre ianissimo... dim... (c) 201 Peter J Billam

58 Eight or nine ths er second 20: Two Pianos Twenty Studies 10 1 f f (c) 201 Peter J Billam

59 20. Two Pianos 20 9 m m 2 f 0 m f m (c) 201 Peter J Billam

60 Two Pianos f m 0 f m f f m f m f 0 m (c) 201 Peter J Billam

61 20. Two Pianos (c) 201 Peter J Billam

62 Two Pianos nicht eilen (c) 201 Peter J Billam

63 20. Two Pianos a temo (c) 201 Peter J Billam

64 Two Pianos (c) 201 Peter J Billam

65 20. Two Pianos (c) 201 Peter J Billam

66 Two Pianos f m f (c) 201 Peter J Billam

67 20. Two Pianos (c) 201 Peter J Billam

68 Two Pianos 10 1 a temo (c) 201 Peter J Billam

69 20. Two Pianos (c) 201 Peter J Billam

70 Two Pianos (c) 201 Peter J Billam

71 20. Two Pianos (c) 201 Peter J Billam

72 Two Pianos (c) 201 Peter J Billam

73 20. Two Pianos (c) 201 Peter J Billam

74 7 220 dotted th = quarter 20. Two Pianos dim e rall... dotted th = quarter (c) 201 Peter J Billam

75 Peter Billam was born in London in 19, studied iano, and lived in Switzerland from 197 to 19, where he studied comosition, classical guitar, flute and voice, worked as Musical Director of the Théâtre Poulaire Romand, and as recording engineer, record roducer and comuter rogrammer. Hemoved totasmania in 19, and lectured in comosition at the Conservatorium. He founded, becoming the first comoser to sell scores on-line, taking scores from Comoser to Performer in one immediate ste. oers a new aroach to music ublishing. These ieces are written to be read, made to be layed! Comositions at include: Five Short Pieces, guitar, 1979; Divisions on an Italian Ground, flute and guitar, 190; De Profundis and Nacht, on oems by Lama Anagarika Govinda, voice and iano, 190; Fünf Bagatellen, iano, 190; Five Rounds, choir, 196; Go Forth and Multily, choir, 196; Three Violin Duets, 197; Fable, for iano, 197; To Erich Jantsch, SAATTB recorders, 19; A Suite of Curves, trombone (or horn) and iano, 1990; Two Recorder Duets, alto recorders, or other melody instruments, 1991; Trombone Quintet, trombone, flute, iano, bass, and ercussion, 199; Three Songs, on oems by Jack Kerouac, Vikram Seth and Dylan Thomas, voice and iano (only the first and third of these are available), 199; Piano Study, iano, 199; Four Dances, various ensembles including recorder quartet, string quartet, 199; The Poet in the Clouds, on a oem by S. T. Coleridge, SATB choir, 199; Tres Casidas del Diván del Tamarit, on oems by Federico García Lorca, voice and iano, 1997; Three Suites, for the solo line, iano, and iano and a solo line, 2000; Die Zeiten, on oems by Kästner, Bachman and Jünger, choir (only the second and third of these are available), 2000; Three Duets for flutes, 2001; ForFour Hands for iano four hands, 2002; Three Preludes for iano, 200; Second Solo Suite for flute, violin, viola or cello, 200; Guitar Duet for two guitars, 2006; We Who Mourn for choir, 2007; Trio With Guitar for guitar and two clarinets or two recorders or two violas, 200; Canons for two- and four-hand iano, 2009; Flute Trio, 2012; Twenty Studies for iano, 201-1; Music for Strings and Two Encores for Strings for 2vln, 2vla, 2vlc, 201; Album for Choir, 201. Arrangements include: By J. S. Bach: Trio BWV 6, iano and flute; Vordeinen Thron BWV 66, iano; Fugue in F minor BWV 69, SATBrecorders; Four Duets BWV 02-, keyboard; Six Preludes and Fugues from Book I, keyboard; Flute Sonata BWV 101 transosed into G major for alto recorder and keyboard; Flute Sonata BWV 102 comleted by Peter Billam for flute and keyboard, also in C major for alto recorder, and in G major for descant; Ricercare a,from the Musikalisches Ofer for keyboard; Ricercare a 6, for ssatbg recorders, or strings, or two keyboards; and Fuga Canonica in Eidiaente; from the Art of Fugue: Contrauncti 1, and 9 for keyboard, and Contraunctus 1 as comleted by D. F. To v e y, for keyboard, or for SATB recorders, or for strings; Passacaglia and Fugue in c for iano four hands; Chorales with Descant for melody instrument and iano; Cello Suites I, II and III for flute or alto recorder, Forty Chorales for iano, Der Geist hilft for SATB-SATB recorders. By Brahms: Fugue in Ab minor for organ, for SATB recorders and gamba, in A minor; Choralvorsiele for organ lus settings by Isaac, Bach, Praetorius, recorders. John Carr, Divisions on an Italian Ground, flute or recorder and guitar. Franz Liszt, Late iano ieces, G.F. Händel: Concerto Grosso in A minor o 6 no, harsichord and recorders; Recorder Sonata in Bb no, in G for tenor recorder and keyboard. Claudio Monteverdi, Ecco Mormorar l Onde, SSATB recorders. Arnold Schoenberg: Verklärte Nacht for iano. Franz Schubert: Four Songs, voice and guitar; Dances, recorders and guitar, Dances, iano hands. Scriabin, Two Preludes o.67; Five Preludes o.7, iano. Telemann, Twelve Flute Fantasias, recorder. Wilbye, Draw on sweet Night, SSATTB recorders, and for flute choir. Twelve Italian Songs, voice and guitar; Seven English Songs, voice and guitar; Fourteen Folk Dance Tunes, recorder and guitar; Bushband Dances, violin, accordeon and banjo; Easy Classical Pieces, Bbtrumet and iano; Famous Beginnings, for iano. These ieces are under the Creative Commons Attribution.0 licence. Very briefly: You may coy and redistribute the material in any medium or format. You may transform and build uon the material for any urose. cc You must give aroriate credit, and indicate if changes were made. BY Feel free to visit...

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