HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring

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1 HUMA 115 ENJOYMENT OF CLASSICAL MUSIC 2011 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT INFORMATION: Music Room A (University Center, ground floor) OFFICE HOURS: Mon 10:30-12:00 Music Room A (G/F, University Center) Wed 10:30-12:00 Music Room A (G/F, University Center) LECTURE MEETING TIMES/LOCATION: Lecture 1 : Tue 12:30-13:20 LTG Thurs 12:30-13:20 LTG Lecture 2 : Tue 16:30-17:20 LTG Thurs 16:30-17:20 LTG TUTORIAL MEETING TIMES/PLACES (PLEASE REFER TO COURSE SCHEDULE FOR SPECIFIC MEETING DATES): Tutorial 1 : Thurs 10:30-11: Tutorial 2: Wed 13:30-14:20 LTG Tutorial 3: Tue 10:30-11:20 LTG Tutorial 4: Wed 9:30-10: Tutorial 5: Mon 9:30-10: Tutorial 6: Mon 13:30-14:20 LTG COURSE OBJECTIVES: From the power and beauty of the orchestra to masterpieces of the church and concert hall, students will gain an in-depth appreciation for the history and fundamentals of Western classical music. The listening and analytical skills demonstrated will bring about a deeper understanding of music as an art form. Previous musical training, albeit helpful, is NOT required. INTENDED LEARNING OUTCOMES: Upon completion of this course, students will be able to: 1. Through a historical survey, develop a deeper appreciation of classical music 2. Through an analysis of artistic trends, describe the cultural and historical development of classical music 3. Through analysis of specific works, understand music theory fundamentals 4. Through the IC report requirement, critique live music performances 5. Apply analytical skills from this course to other disciplines HUMA 115 (Tommasini) 2011 Spring 1

2 REQUIRED READING AND LISTENING MATERIALS: Hoffer, Charles. Music Listening Today. Schirmer, 3rd Edition, with 2 Accompanying CDs MATERIALS ON RESERVE: Hoffer, Charles. Music Listening Today. Schirmer, 3rd Edition, 2007 MT6.H565 M (includes 2 Accompanying CDs and 4 Supplemental CDs) READING AND LISTENING: A reading and listening assignment will be posted on LMES before each lecture. Some listening assignments will come from the 4 supplemental CDs available at the back of the reserve copies of the textbook in the library. CD and track numbers for listening assignments are written in the textbook. EXAMS: There will be one Mid-Term Exam and one Final Exam. The Mid-Term will take place during regularly scheduled lecture time. The Final Exam time and place will be announced later in the semester. No make-up exams will be offered. ONLINE PARTICIPATION (SELF-TESTS): Two Self-Tests will be available on LMES over the course of the semester to allow students the opportunity to evaluate their progress in the course. Studentsʼ Self-Test scores will NOT count towards their overall grade. Rather, students will receive online participation credit for taking each Self-Test. Self-Tests will be available during a 24- hour period. No make-ups will be offered. THE INTIMACY OF CREATIVITY SPECIAL EVENT/IC REPORT: SHSS is proud to present The Intimacy of Creativity The Bright Sheng Partnership: Composers Meet Performers in Hong Kong from 25 April to 8 May, This workshop will give students a unique opportunity to listen to new works being developed and performed by renowned performers and composers. Students will be asked to attend sessions and performances and submit a word report. Using musical terminology discussed in class, students need to describe ONE-TWO WORKS heard in sessions and performances. Complete information about The Intimacy of Creativity is available at All events are free of charge and will take place on campus at the Tsang Shiu Tim Art Hall (near the Campus Bookstore) and the HK Academy for Performing Arts (downtown). Sessions will take place weekdays from 10:30-13:30 and 15:00-18:00. Students will be asked to attend sessions in lieu of selected lectures and tutorials (see schedule below). Students whose tutorial meeting times do not coincide with IC session times, MUST attend another session. The regular attendance policy will be in effect during these sessions (see Attendance below). For all IC sessions, students must provide a photocopy of their HKUST card for proof of attendance at these events. Concerts will be held on 30 April and 7 May at 8pm campus at the Tsang Shiu Tim Art Hall and 1 May and 8 May at 3pm at the HKAPA Concert Hall. Students MUST attend one concert each weekend. If students cannot attend the required number of HUMA 115 (Tommasini) 2011 Spring 2

3 concerts due to schedule conflicts, they must notify the Instructor or TA Staff with an explanation the week PRIOR to the concert(s). There may be opportunities to interact with composers and performers and students will be encouraged to do so. Students attending the Art Hall concerts must bring a photocopy of their HKUST card to the concert as proof of attendance. Those students who do not provide the photocopy will not be admitted to the event and will not receive attendance credit. Students attending the HKAPA performances will have the opportunity to receive free student tickets. The IC reports will be due at the last lecture meeting of the semester (Tues 17/5). More details about the events and report requirements will be outlined during lecture. BANG ON A CAN SPECIAL EVENT: Tutorial sessions will be CANCELLED during week 5 so that students may attend Bang On A Can: Crossing the Genres Lecture/Demonstration hosted by composer David Lang and double bassist Robert Black on Wed 9/3 from 1-2:30pm. Attendance at this event is MANDATORY. The event is free and students must provide a photocopy of their HKUST card to be admitted to the event. Those students who do not provide the photocopy will not be admitted to the event and will not receive attendance credit. Students who have scheduling conflicts with this date must notify the Instructor or TA Staff with an explanation at least 24 hours PRIOR to the event. ATTENDANCE: Lecture and tutorial attendance is MANDATORY for this class. Attendance will be taken 10 minutes after the beginning of each session. For each absence, students will have 1% deducted from their attendance grade (10% maximum deduction). For each late arrival to a session, students will have 0.5% deducted from their attendance grade (again, 10% maximum deduction). In the case of special circumstances, students must inform the Instructor or TA Staff at least 24 hours PRIOR to the class meeting. GRADING: Final Exam 40% Mid-Term Exam 25% IC Report 15% Online Participation 10% Attendance (lectures, tutorials, special events) 10% A relative grading system will be used to calculate your final letter grade based on University Guidelines: A (10-20% of the class) B (25-40% of the class) C (35-45% of the class) D (5-10% of the class) F (0-5%) HUMA 115 (Tommasini) 2011 Spring 3

4 COURSE SCHEDULE: INTRODUCTION/MEDIEVAL MUSIC A discussion of Medieval culture, sacred music (including the Medieval mass and motet), and secular forms will cover the work of composers Hildegard of Bingen, Leonin, Perotin, and Machaut. Music theory concepts related to these works will include fundamentals of rhythm, meter, and melody. Week 1 Mon 7/2 Tutorial 5, 6 CANCELLED Tues 8/2 Tutorial 3 CANCELLED Introduction, Medieval Music I Wed 9/2 Tutorial 2,4 CANCELLED Thurs 10/2 Tutorial 1 CANCELLED Medieval Music II RENAISSANCE MUSIC A discussion of Renaissance culture, vocal music (including the Renaissance mass and motet, and madrigal), and instrumental music will include works by composers Josquin Des Prez and Giovanni Pierluigi da Palestrina. Music theory concepts will continue with a discussion of counterpoint. Week 2 Mon 14/2 Tutorial 5, 6 CANCELLED Tues 15/2 Tutorial 3 CANCELLED Renaissance Music I Wed 16/2 Tutorial 2,4 CANCELLED Thurs 17/2 Tutorial 1 CANCELLED Renaissance Music II BAROQUE MUSIC An in-depth analysis of the musical genres from the Baroque period will cover the work of composers Bach, Handel, Purcell, Pachelbel, Corelli, and others. The section will begin with a discussion of the art, culture, and general philosophy of music during this time period followed by a discussion of vocal genres (oratorio, cantata, and opera) and instrumental genres (the suite, and sonata). Related music theory concepts will include key signatures, major and minor scales, and the circle of fifths. This will also include a short discussion of the elements of the fugue, and compositional devices like the sequence. HUMA 115 (Tommasini) 2011 Spring 4

5 Week 3 Mon 21/2 Tutorial 5, 6 CANCELLED Tues 22/2 Tutorial 3 CANCELLED Baroque Music I Wed 23/2 Tutorial 2,4 CANCELLED Thurs 24/2 Tutorial 1 CANCELLED Baroque Music II Week 4 Mon 28/2 Tutorial 5, 6 CANCELLED Tues 1/3 Tutorial 3 Review for Self-Test 1 Baroque Music III Wed 2/3 Tutorial 2,4 Review for Self-Test 1 Thurs 3/3 Tutorial 1 Review for Self-Test 1 Baroque Music IV CLASSICAL PERIOD MUSIC This section will cover the works of Haydn, Mozart, and Beethoven, focusing on the development of vocal genres (including opera) and instrumental genres (including the sonata). In addition, new genres of the concerto and symphony will be covered. This section will also include the topic of functional harmony (tonic, dominant, subdominant) as it relates to the forms associated with genres of this period. Week 5 Mon 7/3 Tutorial 5, 6 Review for Self-Test 1 Tues 8/3 Tutorial 3 CANCELLED Classical Period Music I SELF-TEST 1 Available on LMES 10:30am Tues 8/3 to 10:30am Wed 9/3 Wed 9/3 Tutorial 2,4 CANCELLED SPECIAL EVENT: Bang On A Can: Crossing the Genres 1-2:30pm Tsang Shiu Tim Art Hall (ATTENDANCE IS MANDATORY) Thurs 10/3 Tutorial 1 CANCELLED Classical Period Music II Week 6 Mon 14/3 Tutorial 5, 6 CANCELLED Tues 15/3 Tutorial 3 CANCELLED Classical Period Music III Wed 16/3 Tutorial 2,4 CANCELLED Thurs 17/3 Tutorial 1 CANCELLED Classical Period Music IV Week 7 Mon 21/3 Tutorial 5, 6 CANCELLED Tues 22/3 Tutorial 3 Review for Mid-Term Classical Period Music V Wed 23/3 Tutorial 2,4 Review for Mid-Term Thurs 24/3 Tutorial 1 Review for Mid-Term Classical Period Music VI HUMA 115 (Tommasini) 2011 Spring 5

6 ROMANTIC MUSIC The most extensive section of the semester will begin with a discussion of the chamber music of early eighteenth century composers Schubert, Mendelssohn, Chopin, Liszt, and Robert and Clara Schumann. The section will continue with an overview of the continuing development of opera, including the work of Verdi, Puccini, and Wagner and cover new genres of ballet and program music with the works of composers Berlioz, Strauss, and Tchaikovsky. Music from the second half of the eighteenth century will include works by late Romantic composers Brahms and Tchaikovsky, and nationalist works by Tchaikovsky, Mussorgsky, Smetana, and others. The development of harmony and form during this period will be covered as it relates to the works discussed. Week 8 Mon 28/3 Tutorial 5, 6 Review for Mid-Term Tues 29/3 Tutorial 3 CANCELLED MID-TERM EXAM (during regularly scheduled lecture, location TBA) Wed 30/3 Tutorial 2,4 CANCELLED Thurs 31/3 Tutorial 1 CANCELLED Romantic Music I Week 9 Mon 4/4 Tutorial 5, 6 CANCELLED Tues 5/4 Tutorial 3 HOLIDAY - Ching Ming Festival Wed 6/4 Tutorial 2,4 CANCELLED Thurs 7/4 Tutorial 1 CANCELLED Romantic Music II Week 10 Mon 11/4 Tutorial 5, 6 CANCELLED Tues 12/4 Tutorial 3 CANCELLED Romantic Music III Wed 13/4 Tutorial 2,4 CANCELLED Thurs 14/4 Tutorial 1 CANCELLED Romantic Music IV Week 11 Mon 18/4 Tutorial 5, 6 Review for Selt-Test 2 Tues 19/4 Tutorial 3 Review for Selt-Test 2 Romantic Music V Wed 20/4 Tutorial 2,4 Review for Selt-Test 2 Thurs 21/4 Tutorial 1 Review for Selt-Test 2 Romantic Music VI HUMA 115 (Tommasini) 2011 Spring 6

7 TWENTIETH CENTURY ART MUSIC During this period, students will be privileged to see and hear twentieth century art music being developed and performed by renowned performers as part of The Intimacy of Creativity The Bright Sheng Partnership: Composers Meet Performers in Hong Kong. Lectures will cover the many styles of art music during the twentieth century, beginning with works by early twentieth century composers Debussy, Ravel, Rachmaninoff, Stravinsky, Bartok, Schoenberg, and others. Impressionism, neo-romanticism, expressionism, and primitivism will be examined along with neoclassicism and 12-tone music. The section will continue with works by composers of second half of the twentieth century, including Varèse, Crumb, Cage, Copland, and others. A discussion of the radical development of theoretical concepts will focus on rhythm (including ostinato complex, polyrhythm), harmony (including polytonality), and serialism as they relate to the works during this period. Week 12 Mon 25/4 Tutorial 5, 6 HOLIDAY Easter Monday Students MUST attend a session of The Intimacy of Creativity during the week Tues 26/4 Tutorial 3 The Intimacy of Creativity Session Held during regularly scheduled tutorial time Twentieth Century Art Music I, preparation for IC SELF-TEST 2 Available on LMES 10:30am Tues 26/4 to 10:30am Wed 27/4 Wed 27/4 Tutorial 2,4 CANCELLED Students MUST attend a session of The Intimacy of Creativity during the week Thurs 28/4 Tutorial 1 The Intimacy of Creativity Session Held during regularly scheduled tutorial time Sat 30/4 Sun 1/5 The Intimacy of Creativity Session Held during regularly scheduled lecture time The Intimacy of Creativity Concert 1A 8pm The Intimacy of Creativity Concert 1B 3pm Concert Hall of APA (downtown) HUMA 115 (Tommasini) 2011 Spring 7

8 Week 13 Mon 2/5 Tutorial 5, 6 HOLIDAY Day Following Labor Day Students MUST attend a session of The Intimacy of Creativity during the week Tues 3/5 Tutorial 3 The Intimacy of Creativity Session Held during regularly scheduled tutorial time Twentieth Century Art Music II Wed 4/5 Tutorial 2,4 CANCELLED Students MUST attend a session of The Intimacy of Creativity during the week Thurs 5/5 Tutorial 1 The Intimacy of Creativity Session Held during regularly scheduled tutorial time The Intimacy of Creativity Session Held during regularly scheduled lecture time Sat 7/5 The Intimacy of Creativity Concert 2A 8pm Sun 8/5 The Intimacy of Creativity Concert 2B 3pm Concert Hall of APA (downtown) Week 14 Mon 9/5 Tutorial 5, 6 CANCELLED Tues 10/5 Tutorial 3 HOLIDAY The Birthday of the Buddha Wed 11/5 Tutorial 2,4 CANCELLED Thurs 12/5 Tutorial 1 Review for Final Exam Twentieth Century Art Music III Mon 16/5 Tutorial 5, 6 Review for Final Exam Tues 17/5 Tutorial 3 Review for Final Exam Twentieth Century Art Music IV, final thoughts Wed 18/5 Tutorial 2, 4 Review for Final Exam FINAL EXAM Location/Time/Date TBA HUMA 115 (Tommasini) 2011 Spring 8

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring

HUMA1102 ENJOYMENT OF CLASSICAL MUSIC 2017 Spring INSTRUCTOR: Prof. Matthew Tommasini DMA, MA Music Composition (University of Michigan) BA Music Composition (UCLA) CONTACT AND OFFICE INFORMATION: mtommasini@ust.hk