Product Presentation Digital Cinema Systems

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1 Product Presentation Digital Cinema Systems Projectors and related products explanations and comparisons

2 Overview Digital Projector Family DCP 30 SX II with pedestal DCP 30 MX II with pedestal DCP 30 LX II with pedestal for smaller screens for medium screens for larger screens

3 DCP 30 SX II DCP 30 MX II DCP 30 LX II 1.2 2K DLP Cinema Series II technology from Texas Instruments Triple flash 3D at full 2K resolution Supports all common D Cinema 3D systems Sealed DLP Cinema DMDs and optical system with vibration-free retainer Premium light efficiency due to optimized illumination system For standard or high performance Xenon bulbs up to 3000 W with DCP 30 SX II up to 4500 W with DCP 30 MX II up to 7000 W with DCP 30 LX II Integrated rectifier

4 DCP 30 SX II DCP 30 MX II DCP 30 LX II 1.2 2K DLP Cinema Series II technology from Texas Instruments Highly efficient integrated power supply and advanced DMD cooling system Prepared for standard 2K/4K Integrated Media Block (IMB) Upgradeable to 4K projection (option, once available) Easy operation and maintenance Minimum cost of ownership Kinoton Remote Service Interface (option)

5 3D D-Cinema with Kinoton Extending to the 3 rd dimension... extending the revenue stream

6 3D Projection How it works Behind the scenes of stereoscopic projections: Each of the human eyes is seeing objects from a different perspective 3D camera set captures both perspectives Result: two different images corresponding left and right eye view 3D projection system brings both, left and right eye on the screen 3D separation system required to make sure that: left eye image reaches only the left eye and right eye image reaches only the right eye Left eye perspective Right eye perspective Projected image: left and right view super-imposed Left eye Right eye

7 3D D-Cinema Courtesy of XPAND

8 3D projection with Dolby 3D GPO of DCP to Dolby DFC 100 Sync signal for filter wheel filter wheel inside DCP no silver screen required left eye right eye colour filter glasses

9 3D projection with masterimage silver screen required left eye right eye GPO of DCP to MI-2100 masterimage polarizer (in front of the DCP projector) pole filter glasses

10 3D projection with RealD GPO of DCP to Dolby DFC 100 Real-D Sync Box Sync signal for Z screen RealD Z-Screen active LCD polarizer silver screen required Also suited for XL polarizer! left eye right eye pole filter glasses

11 3D projection with Xpand GPO of DCP to Sync Box Sync signal to IR Transmitter (up to 4) no silver screen required left eye right eye shutter glasses

12 3D D-Cinema 3D with 2 Projectors = 3D2P in D cinemas Higher cost......but also substantial advantages

13 3D2P projection with pole filters pole filters on lenses (linear or circular) silver screen required left eye right eye pole filter glasses

14 3D2P projection with colour filters colour filter wheels inside no silver screen required left eye right eye colour filter glasses

15 3D with DCP projectors made by Kinoton Single projector 3D vs. 3D with two projectors: 3D1P cost effective only one projector no alignment / matching for the two images 3D2P much higher light output allows to reach SMPTE standards also on larger screens easy alignment via lens shifting absolutely flicker free no light loss due to 3D processing (double/triple flash) free from license fees / models backup projector for normal 2D operation

16 D-Cinema, associated products Scaler Switcher Automation Accessories

17 DMS HD 1 and HD 2 Digital Media Scaler Scales input video signals into 1080p signals suitable for Digital Cinema Projectors Supports multimedia devices like DVD players and TV sources boxes High quality de-interlacing for non-progressive input signals Inputs are Composite (NTSC, PAL, SECAM), Component (RGB and YUV), S-Video, VGA, DVI Output: DVI-D, optimized for 2K D cinema projectors Available as 1RU version (inputs on backside) or 2RU version (inputs on front side) PiP (Picture-In-Picture) support for displaying two sources at the same time Zoom function for perfect format adjustment I mage improvement tool

18 DMS DC 1 Digital Cinema Scaler HQ image scaler, optimized for DCP Digital Cinema Projectors Inputs: HDMI (with HDCP support), DVI, VGA Analog, Component YPbPr, GsB/RGBS, Composite, S-Video & HD-SDI inputs Supports most common HD, SD and VESA graphics formats Direct keys allow input selection without using the menu system / OSD Flexible color calibration controls Remote control via web interface Advanced functions: De-interlacing Automatic 3:2 and 2:2 pull-down detection PIP Aspect ratio conversion

19 DMS DC 2 PRO Digital Cinema Scaler High-performance image scaler with audio switch, optimized for Digital Cinema Projectors Post production-grade image processing (10 bit video decoder) True 24p output mode Inputs: HDMI (HDCP support), DVI-D, HD-SDI / SDI, Composite Video, S-Video, Component video, VGA Preset buttons and PC control software Genlock, Video I/O lock and I/O track Supports most common SD, HD and VESA graphics formats Advanced functions: De-interlacing, motion adaptive noise reduction, image enhancement zoom, pan and tilt function, extreme keystone correction, frame rate conversion, aspect ratio conversion, color adjustment, gamma selection, PIP and many more...

20 DMI 2 or DMI 3 Digital Media Interface Expands one existing single 6-channel analog audio input to 2 or 3 inputs For the connection of Digital Cinema servers or other audio sources Studio audio circuitry with solid-state switching Industry standard SubD-25 connectors 1x (DMI 2) or 2x (DMI 3) floating transformer-coupled input eliminates potential ground loops Levels adjustable

21 Installation space restricitons? The Kinoton castor system allows to sqeeze-in For this installation in a small booth, the Kinoton rail system was added for giving better service access.

22 Kinoton GmbH consultancy, design, production, installation, service, parts and more for

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