Technical specifications Main theatre. Sound

Transcription

1 Sound Console: Soundcraft Si Performer 3 32 mono mic inputs 4 stereo line inputs 4 stereo Lexicon effects engines Stagebox: Soundcraft Mini Stagebox 32R 32 analogue inputs 8 analogue outputs 4 AES Out Installed in half-height bay with space on top (and power outlets) for accessories such as radio mic receiver and IEM transmitters Loudspeakers FOH: Martin Audio AQ10 Subs: Martin Audio Blackline S18 Monitors: Proel TFLV10P and Mackie DLM12 Amplifiers QSC PLX2402 (FOH, Subs, Monitors) Behringer NX3000 (Monitors) Microphones Shure SM58 vocal mics Shure SM57 instrument mics Shure PGA drum kit Shure wireless hand-held microphone and receiver Numerous microphone stands DI Boxes Three dbx Di1 active Two dbx DJDI dual passive Control position Control room at rear with elevated position behind audience Part of back row auditorium seating can be removed for touring consoles ASL wired intercom system Fixed outlets located in control rooms (LX and sound) plus SM position (stage left) Temporary outlets can be provided on request. Cat5 runs Several Cat5 circuits joining stage areas to LX and SX control rooms Mains supply Numerous 13A sockets available side of stage, SL and SR 32A three phase socket available SL, 3m above stage level Distro to three single phase 32A outlets available Two 15m single phase 32A extensions 32A single phase to 6 x 13A stage box 32A single phase socket also available in control room at rear of auditorium Other items Extra microphones, outboard equipment and various other items may be available on request and subject to availability. There may be an additional hire charge for visiting/touring companies. Re-rigging, substitutions or alterations to the configuration of the standard in-house system are subject to prior arrangement.

2 Projection Projector 1 XGA resolution (1024 x 768 pixels) 4:3 aspect ratio. VGA input from DSL position. HDMI input from control room. Permanently focussed onto a motorised drop down screen, which is located roughly 2m from the front edge of the stage. Well suited for presentations that include textual content. Projector 2 Sanyo PLC-XT35 (5000 ANSI lumens). XGA resolution (1024 x 768 pixels) 4:3 aspect ratio. DVI-D input from control room, with HDMI and VGA adapters available. Remote signal sender can be moved from the control room down to back row of the auditorium for when shows are operated from there. Focussed onto the white cyc at the rear of the stage. Approximately 6.5m wide image. Due to the nature of the cyc material, this projector is not ideal for intricate textual content.

3 Lighting Desk: Zero 88 Solution XL 96 channel faders 30 submaster faders (x 20 pages) 4 DMX universes via 5-pin XLR ports (2 universes distributed to stage) Art-Net support via Ethernet port Dimming: Zero 88 Chilli inductive dimmers x 6 (roughly 60 operable channels) 15A outlets distributed throughout the stage and FOH areas DMX outlets: DMX infrastructure (9 x 5-pin XLR outlets) distributed throughout stage area (two universes) House lights: Controlled by separate dimmers, not linkable to the main LX desk Note: House lights have a fixed 2 second dim up and 7 second dim down time, not suitable for quick audience participation uses. Up/down/preset controls located at LX, sound and SM (stage left) positions LX control position: Control room at rear with elevated position behind audience Part of back row auditorium seating can be removed for touring consoles Haze: Unique 2.1 hazer with DMX control Cirro Micro oil cracker with DMX control Mirrorballs: Two 50cm diameter half mirrorballs located over downstage area with DMX rotation control. Can be illuminated using GLP Impression X4 wash lights. Intelligent fixtures: GLP Impression X4 LED wash lights x 12 Robe MMX Spot moving profiles x 6 Conventional fixtures: (FOH front cover) Selecon Arena 2kW fresnels x 6 Teatro 2kW profiles x 2 Selecon Pacific 650W profiles (18-24) degrees x 4 Strand T84 1kW profiles x 8 (Over stage) Strand Patt 743 1kW fresnels x 8 Par cans 1kW (CP62) x 12 QuartzColor Polaris 1kW fresnels x 8 Selecon 3 way LUI cyc lights x 4 (Additional fixtures) Selecon 1200W tungsten follow spots x 2 Strand Coda asymmetric 500W floods x 5 Strand Patt W profiles x 6 Strand Patt W profiles x 5 400W UV cannons x 2 2kW DMX controlled strobe x 1 (See the plan on next page for the standard fixture layout) A fairly wide range of Lee Filters gels (saturated colours and correction filters) are kept in stock.

4 1.2m 1.85m 1.8m 1.0m 0.7m Technical specifications LX Layout Our intention is to retain the lighting rig in this configuration most of the time. However, at certain times the layout (colours and/or fixture positions) may be very different to that shown here. 2m dropper post 1.5m 0.8m (Juliette balcony level) 35 5 x x x 56 x x x x x x 56 x x x Mid tabs Tab track LX3 281 Half mirrorball Half mirrorball m LX LX1 LX8 LX7 LX2 35 (Juliette balcony level) 2m dropper post LX5 SN Par Patt 743 LN Par Selecon Arena (2kW) Patt 813 (650W) Patt 823 (650W) QuartzColor Polaris Sel Pac (600W) 39 DMX channel 106 Gel number T84 Teatro (2kW) [2] [10] [6] [5] [4] [8] [2] [8] [6] [9] GLP Impression X4 [12] Robe MMX Spot [6] Grey area = grid level walkways = valances and legs 12 Maximum trim height is approximately 6m Auditorium Important: Diagram is not to scale and all dimensions are approximate

5 Scale plan view showing all bars LX9 LX8 Cyc LX7 Blacks Mid blacks Tab track LX5 Blues LX LX1 LX2 Browns ORCHESTRA PIT Scale 10mm = 1m

6 Cyc Technical specifications Scale plan view showing usable central performance area Blacks Useable central stage area (9.85m wide x 9.5m deep) MSR Leg MSL Leg ORCHESTRA PIT Scale 10mm = 1m

7 Scale side view showing bars, drapes and projector locations CYC US Blacks LX9 LX8 LX7 Mid blacks Tab rail LX6 LX5 LX4 Projector 1 screen Blues LX3 LX2 Projector 2 LX1 Browns FOH bridge Projector 1 T84s Audience seating ORCHESTRA PIT Scale 10mm = 1m

8 Audience & Stage Auditorium 312 numbered seats (see seating plan below). Rear row seats can be removed in pairs to accommodate disabled guests, technical & video recording equipment, as required. Fixed raked seating (rising up from stage level). Stage area Performance area on stage is approximately 10m x 9m. No flying facilities. Proscenium opening approximately 12m wide (bordered by soft legs and a valance). Orchestra Pit 10.5m x 2.5, can accommodate 10 musicians + MD. Fully separated crossover / back passage behind stage. Venue access Scene dock doors approximately 1.8m wide and 7.6m high Double stage doors at rear, with loading area to accommodate two large vans or three cars. Free parking at rear of theatre for production crew / cast, this is shared as an overflow car park for audience members. Tabs and bars Motorised main tabs (aka blues ) with variable speed - track across upstage of the orchestra pit. Controls located at LX, sound and SM (stage left) positions Additional wide tabs (aka browns ) with manual winder handle - encompass the full downstage perimeter of the orchestra pit. Winder located on SL Juliette balcony. Mid-stage black tabs with manual pull cord (near to SM position, stage left) Various other bars available for hanging static or swipe cloths, although please note there is no fly tower - cloths cannot be taken up. Upstage perimeter has a white cyc plus black tabs that can be drawn across. One extendable tri-truss on two 250kg motorised winches, can be moved to numerous positions from DS to US with sufficient notice. Most bars have a total 150kg SWL. Mains supply Numerous 13A sockets available side of stage, SL and SR. Distributed 16A and 13A sockets available throughout the overstage rig. 32A three phase socket available SL, 3m above stage level. Distro to 3 x 1P 32A available plus 2 x 15m 1P 32A extensions and 32A 1P to 6 x 13A stage box. 32A single phase socket also available in control room at rear of auditorium.