Upgrading to LEDs?: Things to Think About So it Doesn t Go Horribly, Horribly Wrong

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1 Upgrading to LEDs?: Things to Think About So it Doesn t Go Horribly, Horribly Wrong Tobin Neis - Barbizon Lighting Jim Sippel - Lighting Director / Director of Photography Shawn Harmon - Lighting Designer / TD at Waterlife Church.

2 Topics during the hour: Technology Power Control New technology becomes mature when we stop talking about it and start using it just like we have always used it.

3 Has this happened to you yet?

4 Are tungsten / halogen lamps days numbered?

5 We ve all heard it before: LEDs have long-life light source Significant energy efficiency Stable color & light output Low heat in beam & at fixture housing

6 But here s where it gets interesting - now we have: Relationally Accurate Color Light Out Beam Shaping & Beam Control Brightness Control & Color Fidelity User Functionality

7 Let s start with the color All LED s are NOT created equal Excellent Reference AMPAS Illuminating the Future: The Arrival of Solid State Lighting

8 This is a little easier to remember

9 SCIENCE ALERT!! Visible Light Spectrum

10 Just the facts Ma am

11 Lumens / Foot-candles / Watts - I m So Confused!

12 So How Do We Get White Light from LEDs?

13

14 R/G/B/A LED

15 Color Rendering Index Low vs High CRI An indicator of the amount of the spectrum a light source emits Color Rendering Index: Measure of light quality of a light source as compared with sunlight (which is given the maximum CRI value of 100). The closer a light-source s CRI is to 100, the better its ability to show true colors.

16 Color Quality Scale NIST* Color Quality Scale (CQS) National Institute of Standards and Technology Color Quality Scale: CQS is derived from modifications to the method used in the CIE s Color Rendering Index(CRI) Also on a scale the closer a lightsource s CQS is to 100, the better its ability to show true colors. Image: Color Quality Scale colors

17 TLCI (Television Lighting Consistency Index) 85 to 100 errors are so small 75 to 85 a colorist would probably want to correct, but could easily get an acceptable result 50 to 75 a colorist would certainly want to correct the errors, and could probably achieve an acceptable result, but it would take significant time to get there 25 to 50 the color rendering is poor, and a good colorist would needed to improve it, but the results would not be up to broadcast standard 0 to 25 the color rendering is bad, and a colorist would struggle for a long time to improve it, and even then the results may not be acceptable for broadcast

18 IES TM Method for Evaluating Light Source Color Rendition" TM-30 is the Illumination Engineerings Society s updated metric for measuring light quality. It relies on separate fidelity and gamut metrics, and a set of color samples that is more representative of real-world objects as opposed to the pastel samples that were primarily used for the baseline CRI metric that was sometimes called Ra.

19 Bottom Line Higher IS Better (in general)

20 MacBeth Color Checker/Chart

21 FREE ipad APP ALERT AMPAS Color Predictor The app helps predict interaction of the key ingredients in cinematography: the lights, camera, filters and the photographed objects themselves.

22 AMPAS Color Predictor

23 Trust and Verify! Manufacturers used to just make enclosures Now they provide the bulb too! But they (in most cases) don t make them They are reliant / subject to supply chain issues Lux corrected to V (lambda) spectral response of the human eye. Some now do foot candles. CRI (color rendering index) ra average and CRI with color references CCT (correlated color temperature in Kelvin) Scotopic and Photopic ratio and graph Dominant wavelength (λ nm)

24 LED Profile Fixtures

25 No two LED Profiles were the same as the base reference. So who won?

26 Fixtures - LED output intensity

27 Now Let s Talk About Power

28 LED and Power Consumption Wattage CNBC 2003 NBC SPORTS watts per sq ft 45 watts per sq ft

29 Not just in studios!

30 Chesapeake Shakespeare Theatre - Baltimore, MD ACL Live at The Moody Theatre - Austin City Limits, Austin, TX

31 Theatre Consultants Collaborative, Inc Revision Note Supply Space Location Load Type Termination Schedule - Concert Hall Lighting Group Qty Circuits Qty Terminations Amps Phase Single Phase Voltage Item Total Div. % Demand kw Group Div. % Total Group Demand KW Transformer Div. % Transformer Demand KW Space Demand KW Notes Electrical Loading Conventional P-1 Dimmer Room SCR Dimmers Dimmer Racks % 346 P-2 Control Room Automated Fixtures / Worklights / LED Motorized Breaker Panel Board % 58 (4) Dimmer Racks. Fed at 400A PER RACK. See Performance Lighting Faceplate (below) for branch distribution. See Performance Lighting Faceplate (below) for branch distribution. P-3 Stage P-4 Stage Portable Stage Lighting Fixtures Low Voltage Conduit P-5 Basement Touring Disconnects P-6 Catwalks Touring Disconnects P-7 Follow Spot Follow spots, etc. Perf Lighting Faceplate Perf Ltng Control 36 (conduits) 0 Receptacles typically represent 20A distribution from dimmers in clusters of 6, on the average. Load specified at the dimmers. Average Length 100'. Conduit and wire size by others Average Length 120' Conduit Size 1" metallic Company Switch % 58 Neutral is usually doubled. Company Switch % 29 Neutral is usually doubled. Plug-In Bussway P-8 Follow Spot Follow spots, etc. Receptacle % 8 L5-20R P-90 Dimmer Room P-91 Catwalks P-91 + P-7 Bussways Follow Spots, Automated Fixtures, etc. Multi-Pole Switch % 63 Plug-In Bussway Group Total - Lighting % 366 Emergency Lighting Group Load carried by P-90 Multi-Pole Switch ASCO 911 REMOTE CONTROL SWITCH Loads carried by P-90 Multi- Pole Switch 365KW Load (Group Demand in KW) requires a 500 KVA transformer

32 Revision Note Supply Space Location Load Type Termination Schedule - Concert Hall Lighting Group Qty Circuits Qty Terminations Amps Phase Single Phase Voltage Item Total Div. % Demand kw Group Div. % Total Group Demand KW Transformer Div. % Transformer Demand KW Space Demand KW Notes Electrical Loading LED/Hybrid P-1 Dimmer Room SCR Dimmers Dimmer Racks % 173 P-2 Control Room Automated Fixtures / Worklights / LED Motorized Breaker Panel Board % 58 (2) Dimmer Racks Fed at 400A each. See Performance Lighting Faceplate (below) for branch distribution. See Performance Lighting Faceplate (below) for branch distribution. P-3 Stage P-4 Stage Portable Stage Lighting Fixtures Low Voltage Conduit P-5 Basement Touring Disconnects P-6 Catwalks Touring Disconnects Perf Lighting Faceplate Perf Ltng Control 24 (conduits) 0 Receptacles typically represent 20A distribution from dimmers in clusters of 6, on the average. Load specified at the dimmers. Average Length 100'. Conduit and wire size by others Average Length 120' Conduit Size 1" metallic Company Switch % 58 Neutral is usually doubled. Company Switch % 29 Neutral is usually doubled. Plug-In Load carried by P-90 Multi-Pole P-7 Follow Spot Follow spots, etc. Bussway Switch P-8 Follow Spot Follow spots, etc. Receptacle % 8 L5-20R P-90 Dimmer Room P-91 Catwalks P-91 + P-7 Bussways Follow Spots, Automated Fixtures, etc. Multi-Pole Switch % 63 Plug-In Bussway Group Total - Lighting % 194 Emergency Lighting Group ASCO 911 REMOTE CONTROL SWITCH Loads carried by P-90 Multi- Pole Switch 194KW Load (Group Demand in KW) requires a 300 KVA transformer

33 Harmonics Transformers LED Tungsten

34 Harmonics - Snooze Alert!! (It s still kind of important) In a power system with a fundamental frequency of 60Hz, the second harmonic is 120Hz, the third harmonic is 180Hz, etc. Harmonics have no useful purpose, yet contribute to losses and lower system efficiency. It s not this Harmonics can cause overheating in windings, greatly reducing the life of the transformer. It could be this

35 Harmonics

36 Harmonics K-Rated Transformers K-Rated transformers are sized to handle 100% of the fundamental 60 Hz load, plus the non-linear load specified. K-Factor 13: A K-13 transformer can accommodate 200% of the harmonic loading of a K-4 rated transformer. These transformers are used for multiple receptacle circuits in health care facilities, UPS without optional input filtering, Production or assemble line equipment, Schools and classroom facilities. Examples of equipment producing non-linear loads: Lighting Ballasts, Dimmers, Computers, Switched Power supplies on electronic equipment.

37 Harmonics When to Change out Transformers: Implementing an energy efficiency program Existing transformers are noisy and/or hot Changing load profile Aging transformers Pursuing High Performance Building Certifications

38 HVAC Consideration heat loads and humidity ORLANDO FEBRUARY 17-18, 2015

39 Heat Loads

40 Heat Loads

41 Architectural Lighting in Performance Venues

42

43 In Theatre, we expect our house lighting and architectural accent lighting to dim from 0%-100%, on a evenly ramped curve, without flicker, pulsing, popping on or off at the low end of the curve. Dependent upon the LED dimming ballast/driver, LEDs are (OR ARE NOT) compatible with different types of dimming. Common LED Dimming Options: DMX (preferred) 0-10v Line Voltage Wireless (Zigbee, Mesh, Wireless DMX) Others.

44

45 Emergency Lighting - Considerations Transfer Switches - Sense Feeds UL1008 transfer vs UL924 devices DMX requires a Listed UL924 device to bypass and drive DMX to full Some manufacturers are having fixtures listed as a UL924 device to accept a second mains feed and switch within the fixture Planning for mixed wireless vs. wired data must be considered. Warning: New Code Changes Coming Soon!

46 Hybrid Systems Centralized dimming Remote Dimming Localized Dimming

47 Controlled Switching DMX Controlled relay panels DMX Controlled Motorized Breaker Panels

48 Quiescent Loads Just because it s off, doesn t mean it s not on.

49 So What About Control?

50 How Complicated is your system? There s a solution for most any size/scope

51 Data Distribution DMX / Networking cables

52 Data Distribution wireless transmitters & receivers

53

54 Follow Follow Shawn doesn't tweet

55

56

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