PROJECTORS BRADLEY BRANAM
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1 PROJECTORS BRADLEY BRANAM
2 TYPES OF PROJECTORS LCD DLP 1- CHIP DLP 3- CHIP LCoS
3 LCD PROJECTORS LIQUID CRYSTAL DISPLAY Light passes through LCD to block or let light through at pixel level Light then passes through a color filter RGB Light combines in prism then out through lens
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5 DLP 1- CHIP DIGITAL LIGHT PROCESSING Light bounces off a DMD (Digital Micromirror Device) DMD deflects or reflects light into lens at pixel level Light passes through color wheel before mirror to achieve colors
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7 DLP 3- CHIP Similar to 1- Chip Light is split into RGB then sent to 3 separate DMD chips Light is then recombined and sent through lens
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9 LCoS LIQUID CRYSTAL on SILICON A mix of LCD and DLP Light passes through an LCD panel then bounces off a DMD Creates higher pixel density
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11 PROJECTOR LENSES Some projectors allow for changeable lenses Lenses have different focal lengths to give flexibility in projector placement
12 LENS RATIO RaWo of throw distance and screen size Lower rawo=projector closer to screen
13 THROW DISTANCE The distance from the projector to the screen or surface O[en dictated by performance space constraints
14 SCREEN SIZE How large of a projecwon screen or surface is needed? Knowing the size of the screen and the available projector posiwons usually dictates throw distance
15 ONLINE CALCULATOR h_p:// projecwon- calculator- pro.cfm
16 LENS SHIFT Projector controls can shi[ the lens horizontally and verwcally to help fine tune projector focus Helpful when stacking or matching projectors
17 PIXEL DENSITY THE NUMBER OF PIXELS THAT MAKE UP IMAGE
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20 ASPECT RATIO RATIO OF THE WIDTH RELATIVE TO THE HEIGHT OF AN IMAGE
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22 PROJECTOR LAMPS Bright, metal halide lamps Require warm up and cool down Wme Very sensiwve to vibrawon while on and cooling down
23 BRIGHTNESS- LUMENS Projector brightness is rated in Lumens Rule of Thumb Expect to spend around $1 per lumen on a new projector
24 LAMP HANDLING Handle lamps carefully Never touch glass with fingers Let lamps cool completely before handling Change lamps before they burn out if possible
25 CONTRAST RATIO THE DIFFERENCE BETWEEN LIGHT AND DARK IN PROJECTED IMAGE LARGER RATIO = BETTER REPRESENTATION OF BLACK IN IMAGE
26 VIDEO BLACK Projectors project light even when they are not projecwng content The light output can be seen during blackouts on stage Light can be blocked or masked to solve the problem
27 INPUT/OUTPUT Projectors have several opwons for input VGA DVI HDMI Component Video Composite Video S- Video
28 VGA Video Graphics Array Analog video signal
29 DVI Digital Visual Interface Analog or Digital Six Types:
30 HDMI High DefiniWon Media Interface Digital Audio and Video Signals on the same cable
31 COMPONENT VIDEO Analog Signal Signal is split into 2 or more separate signals
32 COMPOSITE VIDEO Analog All Video Signals are combined into one cable
33 S- VIDEO Type of Composite video where four signals are carried on one cord Popular consumer electronics format prior to HDMI
34 PROJECTOR SETUP TURN ON PROJECTOR ADJUST PROJECTOR POSITION ROUGH FOCUS LENS SET BACKGROUND SET INPUT SET VIDEO MODE
35 CALIBRATION BRIGHTNESS CONTRAST SHARPNESS COLOR SATURATION COLOR TINT GAMMA
36 BRIGHTNESS SET TO FULL/100% LOWER UNTIL BLACK LEVELS ARE BLACK AND ALL GRAY LEVELS ARE STILL VISIBLE
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38 CONTRAST SET CONTRAST TO MIDDLE/50% INCREASE UNTIL THE WHITE SQUARE IS WHITE BUT STILL SEPARATE FROM THE LIGHTEST GREY
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40 SHARPNESS LOAD FOCUS GRID WITH FINE LINES ADJUST PROJECTOR LENS FOCUS ADJUST SHARPNESS SETTING TO FINE TUNE FOCUS
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42 COLOR LOAD COLOR IMAGE OR TEST PATTERN SATURATION TINT GAMMA
43 COLOR SATURATION AMOUNT OF COLOR OR COLOR BRIGHTNESS INCREASE TO FULL 100% LOWER LEVELS UNTIL COLORS LOOK CORRECT AND BLACKS ARE STILL BLACK
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45 COLOR TINT COLOR CONTRAST SET TO MIDDLE OR 50% INCREASE UNTIL COLORS ARE CRISP AND WHITE IS TRUE WHITE
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47 GAMMA CORRECTION SETTING OF THE RELASHONSHIP OF SIGNAL INPUT TO SIGNAL OUTPUT GAMMA CAN EFFECT SHADOW DETAIL AND PERCEIVED DEPTH
48
49 GAMMA CORRECTION ADJUST UP OR DOWN UNTIL THE IMAGE APPEARS CLEAR LOWER GAMMA IF IMAGE APPEARS TOO DARK INCREASE GAMMA IF IMAGE APPEARS WASHED OUT
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