Loewe Reference. Perfect Quality.

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1 Loewe Technologes GmbH Industrestrasse Kronach Germany Loewe UK Ltd PO Box 220 Eastbourne BN24 9GQ Unted Kngdom Loewe Reference. Perfect Qualty. Fnd out more: Item no Prnted n Germany Edtoral deadlne 18 November 2015 Due to dfferent prntng processes, the colours depcted n devce llustratons may be subject to varaton. All Loewe products featured n the catalogue are ntended for prvate use. Loewe makes no guarantee for the extent and content of the Internet servces that can be receved. Ths also apples to the Loewe MedaNet portal. By supplyng ts applances, Loewe provdes the techncal platform that creates a basc capablty to receve these offers. Loewe cannot therefore provde any guarantee n relaton to changes n scope and content, n partcular wth respect to the future and after prntng. The avalablty of Internet servces s not ncluded n the scope of delvery and may vary dependng on the applcable product and country. Pad, Phone, Pod are trademarks of Apple Inc., regstered n the U.S. and other countres.

2 Loewe Reference. Contents. MADE IN GERMANY 01 Introducton. Edtoral. Page 4 Made n Germany. Now and n the future. Page 5 Loewe s hstory. From past to future: Smart Home Entertanment snce Your best sound. Space meets structure and becomes emoton. How do we hear? An ntervew wth the Berlner Phlharmonker s Drector of Sound and Creatve Producer. Page 10 Sound hghlghts. What gves the Loewe Reference ts outstandng sound? 03 Your best desgn. Turnng slver nto gold. Everythng s done manually here: a factory tour wth Hatec s Operatons Manager Alfons Kammermeer. Page 24 Desgn hghlghts. What gves the Loewe Reference ts unque vsual appeal? Page 30 A world of glass. Creaton of the Loewe Reference s spectacular contrast flter panel: a vst to the Berlner Glas factory. 04 Your best pcture. I want to see ther souls Clck: photographer Werner Pawlok talks about creatve crses and the art of chance. Page 38 Pcture hghlghts. What s the secret to the Loewe Reference s crystalclear pcture qualty? 05 Your best operaton. Popcorn and the bathtub. One day, many scenes: lve on the Loewe flm set. Page 54 Operatng hghlghts. What makes the Loewe Reference so user-frendly? 06 Loewe Reference. Product detals & techncal nformaton. Page 66 Page 20 Page 32 Page 50 Page 60 Page

3 Edtoral. Never Stop Begnnng. MADE IN GERMANY Loewe. Edtoral. / Made n Germany. There has been a lot of talk about new begnnngs at Loewe recently. But n actual fact, the thrll of new begnnngs has been a constant theme for the company startng wth ts creaton n 1923, founded by the brothers Dr. Segmund and Davd Loewe as a rado engneerng busness n Berln, and contnung to drve our development today. A recent example of ths s the new Loewe Reference and ts exceptonally hgh qualty standards. In ths magazne, we tell the story of ts creaton and brng ts achevements vvdly to lfe, through a selecton of carefully researched and dverse stores nspred by the concept of qualty. Dd you know that, back n 1931, Loewe played an nstrumental role n the world s frst publc televson broadcast? Made possble thanks to the research work of Manfred von Ardenne, Loewe s Chef Engneer, who later went on to become a world-famous physcst. After nventng televson, the natural next step s to enhance and mprove your creaton. Wth the Loewe Reference, we have taken sound to a new dmenson of power and precson, transformng lvng rooms nto concert halls (page 20). We have perfected the Loewe Reference s pcture qualty to create a fttng showcase for works by the LUMAS Galleres nternatonally renowned artsts (page 48). And, as you can see, we are mantanng our uncompromsng stance n relaton to desgn and materal qualty (page 30). We are also remanng true to our roots: unusual n our sector... but a commtment backed by some strong arguments. We are therefore embracng ths next new begnnng n perpetuaton of a tradton. I hope you wll contnue to accompany us on our journey! You can see, hear and feel our qualty. Innovaton, precson and sustanablty: for more than 90 years, Loewe has remaned true to ts promse of Made n Germany. And we wll contnue to do so n the future wth nnovatve and truly meanngful technologes, award-wnnng desgn and strngent qualty standards. Smart Home Entertanment: Desgned for Lfe. Mark Hüsges Managng Drector 4 5

4 Loewe. Made n Germany. over 90years 1 1 Each ndvdual contrast flter panel s nspected manually for defects. 2 The prototype for the new Loewe Reference was also bult n the company s n-house workshop. 3 All Loewe televsons are produced by hand n the company s factory n Kronach. 4 The hgher the qualty of the components, the smoother the assembly process. 5 The glass edges of the contrast flter panel are checked carefully for even the tnest cracks. 6 Always watchng: the dstnctve operatng eye Loewe s sgnature s added just before the fnal nspecton For more than 90 years, Loewe has remaned true to ts promse of Made n Germany. The company s development, producton and servce departments are stll based n Kronach, n Upper Francona. And ths wll contnue to be the case, because Made n Germany s more than smply a seal, t s an atttude. Accordng to Thomas Günther, who has spent three decades wth the company and has 25 years of experence at the helm of ts qualty assurance. What does qualty mean for you? A Loewe set needs to have that wow factor. Meetng expectatons s not enough, you need to exceed them so we am to be the best. We apply a zero defects polcy: we don t wat untl a set arrves n a customer s lvng room to check the qualty, we pull out all the stops to delver a perfect system. How does Loewe do ths? There s no secret to t: t s all about qualty. Loewe specfcally selects the supplers offerng the best materals. We buld long-term partnershps wth our supplers and we check processes and nspect components ourselves. Loewe controls producton, development and purchasng qualty, because we beleve that the only way to rase qualty standards as a whole s to oversee each and every component from a central locaton. At Loewe, we vew many thngs as routne that others regard as superfluous! Does locaton affect qualty? Absolutely! Every employee has the potental to affect qualty. Identfyng wth a company and feelng a sense of prde n your work are mportant factors. If our people, wth all ther experence, are fully commtted to the product they are developng and buldng, you can see, hear and feel ths n the end result. Our employees sense of dentfcaton s a partcularly mportant component of Loewe s qualty. Thomas Günther, Qualty, Customer Servce & Producton, wth the company for 30 years 6 7

5 Y our b est s ound. 8 9

6 Perfect sound. Intervew. Space meets structure and becomes emoton. An ntervew wth Chrstoph Franke, Drector of Sound and Creatve Producer wth the Berlner Phlharmonker. Acoustcs s the study of sound and ts dssemnaton. Qute straghtforward so far, n theory at least. However, complextes mmedately emerge as soon as we attempt to descrbe the percepton and effect of sound, for example musc. Volumnous, powerful, lght, clear, muffled or precse... t all becomes very subjectve, as we each hear and perceve somethng dfferent. So how can we defne perfect sound? Does such a concept even exst? We put the queston to Drector of Sound and Creatve Producer Chrstoph Franke the man responsble for the perfect sound of all of the Berlner Phlharmonker s recordngs over the last eght years. Chrstoph Franke also supported the development of the world-famous orchestra s Dgtal Concert Hall app, stll the only one of ts knd, from the frst lve transmsson n 2009 to the present day

7 Perfect sound. Intervew. Perfect sound what does that mean for you? Chrstoph Franke: It s a smple queston, but t s actually not that easy to answer. I would descrbe good sound as a successful balance of spatal experence, muscal experence and emotonal experence. These are the three components of good sound. Frst, I need to be able to truly feel the space I am n. Secondly, 3 Components the muscal experence must surpass the purely physcal or acoustc realm and take you nto ts very structure. Clarty s an essental aspect, to allow you to dscern and follow structures of scores, ndvdual voces and techncal progressons. The thrd component s unfortunately more dffcult to express. It comes down to conveyng the emoton the musc evokes through 1 ths combnaton of space and structure. When all these aspects come together, that s perfect sound. As an acoustcan, how do you convey these emotons? Frst and foremost, we apply the rules of the craft, operatng accordng to clearly defned parameters. Of course, the rght techncal foundatons are crucal as well. Includng hgh-tech mcrophones, a clean sgnal flow and a very precse mcrophone confguraton to allow the creaton of a spatal experence. So space s a crucal factor to what extent does the Berln Phlharmone buldng nfluence your recordngs? Space s a major nfluence. It s always surprsng when you ask people the queston: What s good sound?. A lot of people Tradton meets nnovaton. Or how an dea became a place. The seed of the dea for a dgtal concert hall was sown n the Tawanese captal of Tape. The orchestra s performance was beng transmtted smultaneously to a vdeo screen outsde the concert hall. At the end of the concert, the muscans stepped outsde to rapturous applause from an assembled 20,000 musc enthusasts. We were overwhelmed by the experence, that was what started t all. Even now, relvng the moment stll brngs a sparkle to the eyes of Olaf Mannger, Prncpal Cellst wth the Berlner Phlharmonker. It made us realse the great dstrbuton of our fans, an aspect that we hadn t fully apprecated n the concert halls. We felt we had to do somethng to promote the wder dssemnaton of our artstc works. That was n It then took three years untl both the technology and we ourselves were ready, explans Robert Zmmermann, Managng Drector of Berlner Phl Meda. In the frst season alone, , we broadcast 35 concerts. Ths season, we re lookng at 46. Our subscrber base has rsen from 4,000 n 2010 to the current fgure of over 21,000. And the Dgtal Concert Hall s stll the only one of ts knd n the world. No other orchestra so consstently records all ts creatve work. Ths approach has also resulted n the complaton of a comprehensve musc archve, already contanng more than 300 recordngs and contnuously evolvng. After each lve broadcast, the concerts are reworked and are then avalable for nfnte lstenng pleasure. The archve also features older recordngs from the days of Herbert Karajan, as well as ntervews wth solosts, nsghts nto the workng lves of the orchestra s muscans, ntroductons to selected works and musc-themed vdeos, ncludng the Rhythm s t! documentary featurng the Berlner Phlharmonker s educatonal work. say clarty, beng able to truly hear what s happenng on the stage. Whle others say, I love that wow factor, the powerful, resonatng sound experence. The Phlharmone brngs you both of these elements, wth a slght emphass on clarty. From any seat n the hall, you can hear each nstrument amazngly well. The buldng s geometry s also desgned to support ths feature. The Berln Phlharmone broke away from the tradtonal shoebox layout, where the orchestra s at the very front of the hall, and became the frst concert hall to poston the orchestra centrally, occupyng the mddle of the space. wow So archtecture nfluences acoustcs... Yes, t does. For nstance, the walls are a specal feature of the Phlharmone. They have been brought sgnfcantly closer together and ths s what creates ths amazng clarty. Our hearng s nfluenced above all by drect sound, the frst sound to reach us from the stage. We then have the sound reflected, wth a slght tme lag, from the sde walls. Our bran processes these stmul together as spatal nformaton. The Phlharmone s dmensons are deal n ths respect and support the percepton of very vvd sound. An aspect we of course strve to ncorporate n our recordngs. Schrmer When producng your recordngs, do you also consder the end lstener s spatal envronment? We assume that, n most cases, our recordngs wll be played n a lvng room wth average sound absorpton. So wth regard to ths spatal nformaton aspect, our am s to ensure the lstener can feel the Phlharmone space, but at the same tme avodng clashes wth the spatal nformaton generated by the actual lvng room. For example, f I play somethng through a loudspeaker, I have to factor n the reflecton from my own four walls. As an experenced drector of sound, these effects are somethng you automatcally consder

8 Perfect sound. Intervew. On the Dgtal Concert Hall webste, t states that you am to convey an authentc concert hall experence. What do you mean by ths? In the context of our recordngs, authentcty nvolves magnng an deal seat and usng ths as the bass for the creaton of an artfcal lstenng stuaton that makes the lstener at home feel as f he or she s there n the concert hall. Of course, the sound experence s dfferent f you are actually sttng n the Phlharmone, that s obvous. The am of our recordngs s to make the meda barrer the sound s conveyed to you through speakers rather than experencng t drectly n the concert hall as mperceptble as possble. So we need to make certan elements more powerful, whle gvng slghtly lesser emphass to others. It mght sound paradoxcal, but we produce an authentc recordng by tryng to acoustcally convey an magnary stuaton. How much adjustment of sound s nvolved n recordngs? Could you quote a percentage? I can t pn ths down to an absolutely precse fgure. Lke most recordng teams, we work wth two man mcrophones, suspended n a locaton that we have found to be most effectve over a perod of years. Ths s somewhere around the frst two rows of the Phlharmone, elevated around fve metres above the edge of the stage. These two man mcrophones capture the space n a locaton representng the optmal balance between drect sound and dffuse sound. They provde 90 to 95 percent of the sound. The remanng fve, sx, seven or eght per cent nvolves more elaborate arrangements, usng a further 24 suspended mcrophones to remodel specfc elements that the acoustc stuaton makes t mpossble to capture perfectly. 26 mcrophones Can you gve an example of the knd of stuatons where you use ths remodellng process? The confguraton of the orchestra mposes a number of constrants. For example, the set locatons of solosts, chor and dfferent nstruments. If the sole purpose of the performance was to create a perfect recordng, we would move the muscans around untl we got the sound just rght and could probably work wth just the two mcrophones. However, the stage s a fxed factor and we have to work wth ths constrant. So f we can t hear the harp, all the way at the back on the left, clearly enough over the two mcrophones, I use an extra mcrophone to try to very precsely brng out the sound. You could compare the process to a watercolour, where the artst apples a delcate pencl stroke to add defnton to the contours. Was t decded from the start to record pctures as well as sound? After all, the man focus s the musc... Yes, we decded that rght from the very start. The am s to create a complete vsual and audo experence. The Dgtal Concert Hall started lfe as a purely Internet product and you needed a computer to be able to lsten to the recordngs. We put a lot of thought nto ways of transferrng the mages from computer to televson. We drew up an nstructon gude, but very quckly realsed that t smply wasn t practcal. Because each televson, stereo system or computer has dfferent connectors. Technologcal progress then overtook us at breathtakng speed, and we suddenly entered a new era of Internet televsons and smartphones capable of playng HD content. Today, just under a thrd of our streams are accessed from a computer. All the rest goes to moble phones or TVs. The Dgtal Concert Hall has taken dgtal reproducton capabltes to a whole new level. What does ths mean for the actual real-lfe concert? Does t enhance or detract from the appeal? There s no comparson between the lve experence n the Phlharmone and the experence n front of a televson or computer. Attendng a concert feels completely dfferent to sttng n front of your TV and followng the cameras as they pan over the dfferent nstruments. We have also seen no evdence of any cannbalsaton effect between the Dgtal Concert Hall and lve concerts. Nobody has sad, That s t, I don t need to go concerts any more. I can lsten to the Berlner Phlharmonker at home now. There s room for both experences, they each serve a purpose. Our am n desgnng the Dgtal Concert Hall was to create a place n addton to the man hall and chamber musc hall a thrd and vrtual concert hall. And we have acheved ths. I have even heard solosts say: I m performng n the Dgtal Concert Hall tonght. Whch of course s llogcal, as they are actually performng n the Phlharmone. But t llustrates the separate dentty assumed by ths vrtual venue. sound mracle Have the fast-paced advances n technology over the last few years changed our acoustc percepton? The way we lsten to thngs? I grew up n an age when t was mportant to have a cool hf system n the lvng room. Everyone was engaged n a quest for perfect sound, and prepared to spend a lot of tme and money n pursut of ths am. Towards the end of the 1980s, for the frst tme ever, the arrval of dgtal technology gave acoustcans the feelng that perfecton was now actually feasble n theory at least. However, ths was then swept asde by the wave of dgtal data compresson, beng able to take your data wth you and play t wherever you go. For a whle, ths new-found freedom made people forget the sometmes appallng compromses t nvolved n relaton to sound qualty. It was qute amazng to observe how, wthn the space of a few years, the goal of perfect sound was relegated to a secondary concern. What mattered was beng able to lsten to musc anywhere

9 Perfect sound. Intervew. The tde s now turnng once agan... That s rght, over the last few years, sound has once agan become ncreasngly mportant. Ths trend s supported by the new possbltes beng opened up by technologcal progress. External transmsson channels are no longer an ssue we need to consder n our recordngs and broadcasts. Dgtal Concert Hall app In the past, we never knew whether we would need to factor n a compressor somewhere along the lne or whether the sound would be dstorted by sound processors, often used n tradtonal rados to artfcally push the musc. Today, we know our broadcasts wll reach ther lsteners exactly as we ntended. Ths allows us to offer truly unque sound qualty and ths s hghly apprecated. In my vew, ths trend back towards perfect sound s a move back to the rght path Monka Rttershaus 1 Drector of Sound and Creatve Producer Chrstoph Franke s responsble for the acoustc qualty of each of the Berlner Phlharmonker s recordngs. 2 Archtect Hans Scharoun drew hs nspraton from nteractons of people, space and musc, reflected n the Berlner Phlharmone s three nterlnked pentagons. 3 The Phlharmone s dgtal recordng studo s the acoustc control centre for lve broadcasts for the Dgtal Concert Hall. 4 The camera control room s a hve of actvty durng lve broadcasts. 5 Acoustc democracy: the orchestra occupes a central locaton n the mddle of the hall, ensurng that no audence member s more than 30 metres away from the stage. Monka Rttershaus < Sr Smon Rattle has been conductng the Berlner Phlharmonker snce Followng n the footsteps of other famous prncpal conductors such as Herbert von Karajan and Claudo Abbado. Lve and always close to the acton that s the Dgtal Concert Hall app. What can you do f you re a fan of the Berlner Phlharmonker but you don t actually lve n Berln? Help s at hand, n the form of the Dgtal Concert Hall app. It allows you to stream all the home performances of the worldfamous orchestra, conducted by Sr Smon Rattle, lve to your televson at home, n HD qualty and wth excellent sound. Our vdeo stream s, of course, also compatble wth tablet computers, smartphones or PCs. However, a topend smart TV such as the Loewe Reference s undoubtedly a partcularly fttng way to apprecate our outstandng sound and mage qualty, comments Olaf Mannger, Prncpal Cellst wth the Berlner Phlharmonker and nstgator of the Dgtal Concert Hall. The arrval of Internet TV, restorng the televson s role as an essental focal pont and control centre n every household, was a stroke of great fortune for us. An experence such as a concert s not somethng you want to watch on a computer. The vsual and audo qualty are best apprecated n the relaxed atmosphere of your lvng room. The Dgtal Concert Hall app s already nstalled on the home screen of the Loewe Reference, so all you need to do s regster and then decde whether you would lke a 7-day or a 30-day tcket or even an annual subscrpton

10 The sound mracle. Lfelke and authentc. Sound precsely as our ears perceve t wthout techncal assstance. The am s to transport you, the lstener, to the heart of the acton rather than standng on the sdelnes. Ths s how Alfred Hassaou, Loewe Audo Engneer, descrbes hs vew of perfect sound. He smles, It mght sound lke a very smple concept, but a whole lot of work goes on behnd the scenes to acheve ths effect. What partcular challenge does desgnng televson sound pose for an acoustcan? The ultmate am s to acheve a perfect, authentc and lfelke reproducton of the orgnal sound despte today s ncreasngly flat screens. The ntegrated soundbar ncorporates eght hgh-performance speakers and makes maxmum use of the avalable volume to precsely replcate a very wde sound spectrum wth a power of 120 watts. A truly unque combnaton. We can say that the Loewe Reference really s a sound mracle. And thanks to ts complete coverage of the extremely hgh dynamc range requred notably for classcal musc, t s a real treat for musc lovers

11 Perfect sound. Sound hghlghts. Powerful dynamcs, authentc effects From the depths of the room... fres the man sound towards the front, clarfes Mr Hassaou. It mght sound smple. It s actually unque.... for memorable cnema experences and vbrant concerts: all n the comfort of your own home. Loewe has always regarded great sound as an essental complement to great pcture qualty. Back n 1933, Loewe s very frst mass producton televson featured a dynamc speaker. Fast forward to the present day and the Loewe Reference offers a sound qualty capable of rvallng many h-f and home cnema systems... or even puttng them n the shade. Tangble bass, vvd mddle, precse hghs. And all wthn an exceptonally wde dynamc range, says Alfred Hassaou, Audo Engneer, descrbng the tradtonal Loewe sound hallmarks. The Loewe Reference s features set partcularly hgh standards. An ntegrated soundbar wth eght speakers generates a rch 120 watts and crystal-clear sound. In combnaton wth the specally desgned bass reflex box and ntegrated 5.1 audo decoder wth Dolby Dgtal and DTS, the result s an mpressve home cnema and a perfect home concert hall. The Loewe Reference s addtonal Cnema Surround mode conveys amazngly authentc surround sound. At the touch of a button, t also allows you to swtch between flm and musc mode. Our algorthms calculate the optmal sound for each stuaton, explans Mr Hassaou. As powerful as possble whle retanng a fne resoluton deal for cnema buffs and musc fans.... a perfect sound experence: made to measure! As well as ts mpressve solo performance, the Loewe Reference also shnes at the heart of a harmonous ensemble. Not least, thanks to the ablty to progressvely expand your Loewe sound system, explans Alfred Hassaou. For example, ntegratng a Loewe Subwoofer 800 to ntensfy the bass foundaton. Untl you can feel the vbratons all the way to your toes, adds Loewe s audo expert wth a smle. For musc connosseurs, t s all about extendng the spatal effect. At a lve concert, the sound also comes to you from the rght and left, explans Mr Hassaou. Ths stage effect can be acheved by addng two more Loewe Reference speakers, each wth an output of 80 watts. Made from extremely torsonresstant ceramc, the tweeters master frequences of up to 40,000 Hz wth ease. Whle the D Appolto arrangement of the sx speakers ensures an extremely transparent soundscape. Alfred Hassaou contnues: Close your eyes n front of the Loewe Reference and you could almost be n a concert hall. Addng another two rear speakers then transforms your lvng room nto an atmospherc cnema hall. Lsten to the plane landng behnd you and then taxng past on your rght. The perfect home cnema experence! 40,000 Hz Front-frng speakers to project hgh-clarty, dstorton-free dalogue. Loewe TVs. Other TVs. You can poston your Loewe Reference anywhere n your room that you lke, and turn t to face any angle explans Audo Engneer Alfred Hassaou, and you ll enjoy breathtakng depth of sound and dstorton-free dalogue. Other sets emt the sound from the rear and underneath, whch explans the resultng rather dffuse percepton of sound. The Loewe Reference s ntegrated loudspeaker A complete dgtal chan more dynamcs, greater precson, less sgnal nose. From the broadcaster over cable networks and satellte systems to your TV set: sound sgnals are dgtal all the way. However, after reachng your TV, the chan s often altered by analogue conversons occurrng before amplfcaton n some cases, for cost reasons. Loewe bucks ths trend. From the front end the televson recever to the back end the loudspeaker: endto-end dgtal sound processng and reproducton. Is ths really necessary, Alfred Hassaou? You can hear the dfference, explans Loewe s Audo Engneer. In the Loewe Reference, there are no losses n dynamcs and precson and no nterference from sgnal nose. Analogue converson takes place at the last possble pont, contnues Mr. Hassaou. When the sound s projected from the loudspeaker. And wth no dstorton whatsoever, thanks to the specal acoustc fabrc covers: a treat for both your ears and your eyes! Alfred Hassaou, Loewe Audo Development

12 Y our b est d esgn

13 Perfect desgn. Report. Turnng slver nto gold. Everythng s done manually here: a factory tour wth Hatec s Operatons Manager Alfons Kammermeer. Alumnum has a brght slvery sheen, whereas the new Dark Gold shade for the Loewe Reference 55 s a warm shmmerng gold. What s the secret? How s t possble to turn alumnum nto gold? A vst to Hatec n Plattlng, Lower Bavara, shows that there s no magc nvolved. It's all down to experence, perseverance and, of course, qualty

14 Perfect desgn. Report. Maron Stenhauser has been fne-tunng the process for weeks, repeatedly adaptng the composton of the specal pant. Expermentng, over and over agan. Checkng each and every step. Then startng all over agan because the end result smply wasn t good enough. Expermentaton s an ntegral part of our task, explaned the pant expert, and that's precsely what makes t so nterestng. Somewhere along the lne, the perfect blend was found ensurng absolute adherence of the pant to the brushed alumnum surface together wth the perfect hue. Developed n close collaboraton wth Hatec n Plattlng and avalable exclusvely for the Reference 55, Loewe's new "Dark Gold" shade s a warm, shmmerng matte patna, somewhere between black, brown and gold. Dark Gold It took over a year to develop ths specal surface fnsh. And, Loewe s choce of Hatec for ths dffcult task was, of course, no concdence. Frst and foremost, the two companes already knew and respected each other. For the last seven years, demandng stand solutons for Loewe televsons have been produced here n Lower Bavara. Secondly, Hatec s a leadng reference for nnovatve metal processng and surface refnng solutons. 160 years We offer process know-how from the automotve sector combned wth experence from more than 160 years of creatng surface refnements. Ths dual expertse allows us to delver products to an exceptonally hgh standard of perfecton. Alfons Kammermeer Operatons Manager Alfons Kammermeer s proud of the poneerng sprt at Hatec. has been the company s Operatons Manager snce 2006 and s proud of the team's poneerng sprt: People often turn to us when other companes are unable to go any further. From body components for wellknown German and nternatonal automotve manufacturers to fttngs, ralngs, trophes and muscal nstruments - n many cases, custom products developed together wth customers. Mr Kammermeer clarfed: You can fnd our products at almost all automotve manufacturers. We also have a strong presence n the nteror luxury sector: for prestgous hotels, mega-yachts and arcraft, even churches and orchestras.enqures arrve from all over the world and we have even been German champons on several occasons. What do you mean? He smles: "We also provde surface refnements for copes of champonshp shelds for German Bundeslga clubs." Every customer has dfferent vsons and requrements that need to be met. And Loewe, contnued Mr Kammermeer, has the most strngent standards when t comes to ts surfaces. 1 Followng an ntal basc clean, the alumnum s ground by hand to create a 2 matte fnsh. Pant expert Maron Stenhauser then sprays on the frst waferthn coatng. 3 The dark patna s then appled to create the brass effect. 1 Take, for example, the Loewe Floor Stands we produce. We developed a specal exclusve sun-brushng fnsh for these tems: turnng the metal surface nto a desgn feature n ts own rght. To acheve ths standard, we use raw materals wth hgher qualty standards than n many Strngend Standard areas of the automotve sector. It was therefore hardly surprsng that the new Dark-Gold shade too proved such a challenge. Loewe s desgners sent a photo of a surface effect that had nspred them and 2 3 asked whether a smlar warm and comfortng patna could be acheved on alumnum. Erch Utz, a Project Manager at Hatec, has been lookng after Loewe s complex products for years, workng closely wth the desgn and development departments: We had already tred somethng smlar on brass n the past. At that pont, we had no dea whether t would be feasble on alumnum as well. But ths was precsely part of the attracton for us. Another example of that great perseverance. Indeed, a good measure of tenacty and perseverance s essental, confrmed Mr Kammermeer. Otherwse we would never move beyond the tral phase. The materal tself posed a partcular challenge. A chemcal ageng process s not capable of replcatng ths specal fnsh on alumnum, explaned Mr Utz. So we needed to look for a pantbased soluton and that was no easy task. However, numerous trals fnally culmnated n a prototype that exceeded all vsons and passed every qualty check wth flyng colours

15 Perfect desgn. Report. A glance behnd the scenes at the complex producton process for the new shade s qute astoundng: from the ntal clean through to the fnal qualty nspecton everythng s done manually here, makng each and every televson frame and loudspeaker one of a knd. After an ntal clean, a satn fnsh s appled manually to the alumnum blanks to gve them a matte structure. Achevng the most even surface fnsh possble s very ntutve work. Tny specks of dust from the grndng process are then removed n an ultrasonc mmerson bath and the alumnum s degreased to prepare the metal surface optmally for pantng. A wafer-thn layer of the warm base shade s then appled all over. Wth a steady hand, the pant expert turns the alumnum frame to gold. How do you know when the shade s rght? I compare each part aganst a colour sample, but by ths pont the rght shade s smply second nature. Ths frst layer s then hardened n the furnace n preparaton for the applcaton of the dark patna on top. The aged brass effect s then created n next step. A specal brush s appled to the patna layer untl the warm golden shade shnes through, creatng a shmmerng matte effect. It s also now clear why the layers of pant need to be so thn: to mantan the ntegrty of the base materal. You feel the coolness of the metal rather than the pant. Ths s what The patna s processed wth panstakng precson untl the gold shade shnes through. makes the brass effect so realstc. Ths authentc haptc aspect, explaned project Manager Mr Utz, was a partcularly mportant consderaton for Loewe s desgn department. A fnal transparent layer of varnsh s then appled to seal the surface and make t as hard-wearng as possble before one last qualty nspecton. From occlusons to colour varatons or surface rregulartes any flaws that have escaped detecton are dentfed at the fnal nspecton. The end customer wouldn t even notce many of detals that Loewe classes as unacceptable. Mr Utz checks the fnsh frst aganst the lght and then usng a magnfyng glass. Loewe s very demandng n ths respect. No two parts are the same and yet the qualty must be as consstent as possble. Televson Qualty s not negotable. Not at Loewe and not at Hatec. frames and loudspeakers are not generally produced at the same tme, contnued Mr Utz, so we need to ensure that each frame matches the speaker as closely as possble. No varatons n colour or structure are permtted. Qualty s not negotable. Not at Loewe and not at Hatec. Two companes unted n a complementary approach. We have a wnwn partnershp, explaned Mr Kammermeer. Loewe benefts from our dual know-how n both the luxury sector and the automotve ndustry. In return, we grow along wth Loewe s demands. An arrangement that works, as demonstrated by the results. < A strct qualty nspecton: Project Manager Erch Utz checks the fnsh aganst the lght. The company From metal frames for car seats to televson floor stands and surface refnements for muscal nstruments: the Haller group s dual expertse s reflected n the sze of ts product portfolo. It all started wth Henrch Haller, who founded a specalst panel-beatng busness n Hs company grew to become a large corporate group, operatng at four stes and employng some 350 people. Its headquarters s Hatec GmbH, based n Pönnng, Lower Bavara, whch specalses n metal processng. At Hatec Plattlng n Lower Bavara, the focus s surface processng and refnng. Wth the thrd generaton now at the helm, owner Chrstan Haller s managng the company very successfully: the group s turnover n 2014 amounted to 30 mllon euros

16 Perfect desgn. Desgn hghlghts. Defned shapes and strong emotons. Less s so much more: the Loewe Reference creates a lastng mpresson. Surface and frame. Overall aesthetc appeal. detal. For Reference 75 and 85 we take one step further. The alumnum frame now also extends to the back of the TV and provdes a dstnctve character. A perfect look and feel. 4housng colours When t comes to desgn, for once Loewe does not offer more than other televson manufacturers. It delberately offers less. Our desgn language has a clear focus a mnmalst approach, reflected n clear, geometrc lnes. That s our hallmark. Compromse s smply not an opton for Loewe Desgner Edmund Englch: Good desgn stands out thanks to ts unqueness. It ether works or t doesn t. Concessons dlute the shape, and shape s how we appeal to people on an emotonal level. Modern or tradtonal, understated elegance or bold effects? Naturally, Mr Englch and hs team have no dea what lvng envronment awats the Loewe Reference. However, they have delberately set out to create a desgn that wll ntegrate harmonously n any settng makng a lastng mpresson wthout beng overly domnant. Ths vsual appeal holds true from every angle, ncludng the back. The Loewe Reference s desgned to make ts own ndvdual contrbuton to ts surroundngs, explans Mr. Englch: Creatng a coherent and balanced effect. Loewe s approach to desgn steers clear of a glarng emphass on techncal features. When you swtch off the Loewe Reference, t transforms nto a pece of furnture n ts own rght. We seek to contnuously rng the changes to add that element of surprse, contnues Edmund Englch. So as well as the colour optons of Alumnum Slver, Alumnum Black or Hgh-Gloss Whte, the Loewe Reference also comes n the very warm new shade of Dark Gold. Careful selecton of materals can endow a techncal applance wth great emotonal appeal. The contrast flter panel also adds to the effect. After all, we have been usng glass n our homes for hundreds of years. We desgn clearly understandable objects, says Edmund Englch, n a very specal way. The Loewe Reference s spectacular contrast flter panel s a mult-talented component. As well as protectng the senstve panel and makng the screen easer to clean, the grey double-sded ant-reflectve glass ncreases the contrast values resultng n a sgnfcant mprovement n pcture qualty. However, one of the benefts of the contrast flter panel s far more obvous on frst sght: It enhances the overall aesthetcs, says Loewe Desgner Edmund Englch. It makes everythng seem clearer, more expansve, more tmelessly modern. A metculously prnted dark frame completely conceals the underlyng panel when the televson s swtched off. The screen s transformed nto a monochrome black surface. Gvng further emphass to a narrow alumnum border. The dstance between the glass and the frame creates an optcal break, explans Mr Englch. It makes a statement. We gve shape to the technology. Reference 55 was already desgned and manufactured wth great attenton to Edmund Englch, Loewe Desgn. Fabrcs and colour. A natural approach for an ndvdual look. There s more to the work of a desgner than smply sttng n an offce and drawng sketches on paper. Stmulaton and nspraton are mportant elements of the creatve process. Loewe s desgners spend a lot of tme travellng, attendng nternatonal ndustry desgn conferences and vstng nteror desgn trade fars. Edmund Englch comments: Our job s to seek out emergng developments before they actually materalse as trends. One specfc example s hs team s dentfcaton of the mportance of natural colours and materals llustrated n the nterchangeable fabrc covers on the Loewe Reference and the new housng colour of Dark Gold. Fabrc offers perfect acoustc propertes, explans Mr. Englch, but t s also a wonderful materal that masks the techncal components and turns the Loewe Reference nto an tem of furnture n ts own rght. Dark Gold s really somethng specal: t s metallc, warm and precous. Ths creates the dstnctve patna, a unque effect that can vary slghtly from one product to the next. Makng each Loewe Reference 55 system one of a knd. Just the way you lke t. And precsely as you want t. Flexblty you can see. And adjust. Surely t s absurd to clam that the desgn of the back of a televson set s just as mportant as the front? Loewe Desgner Edmund Englch shakes hs head emphatcally: The overall effect has to be rght. And a carefully desgned back s an mportant part of ths. Loewe has held true to ths prncple for more than 30 years. Intellgent cable management s another aspect. There are lots of good reasons for ths: for example, to allow you to poston your televson precsely where you wsh n your room. From freestandng to table and unt confguratons or n prde of place on the wall. Not only does the Loewe Reference ft seamlessly nto your lvng envronment, t also adjusts to your preferred angle and wshes: thanks to a motorsed rotatng floor stand, the 75 nch verson and the strctly lmted 85 nch sze. 55" 75" 85" 30 31

17 Perfect desgn. Report. A world of glass. A factory tour wth Berlner Glas owner Dr. Herbert Kubatz and the head of the Techncal Glass department, Dr. Uwe Klngel. What s the purpose of the grey double-sded antreflectve glass on the Loewe Reference dsplay? We took a trp to Schwäbsch Hall to vst the manufacturer Berlner Glas and fnd out exactly how a contrast flter panel s made, what t does and why t makes the Loewe Reference so specal

18 Perfect desgn. Report. It splashes, fzzes and t s even a lttle dangerous. Whch explans why the glass safety door of the large CNC machne remans frmly closed whle the edges of the contrast flter panel are ground. We use hgh-qualty damond tools for ths process, explans Dr. Uwe Klngel, head of the Techncal Glass department at Berlner Glas. Ground glass edges are usually not very aesthetc, but f you grnd them very fnely they take on an attractve, slghtly polshed appearance. The fner the grndng requred, the slower the rotaton speed of the grndng head. It takes the machne around ten mnutes to complete one contrast flter panel, a very long tme, explans Dr. Klngel. So, as you can magne, t gets pretty warm n there. To counter ths, the glass panel, held n place by a vacuum effect, s cooled constantly wth water. Whch explans all the splashng and fzzng sounds fllng the ar at the producton ste n Schwäbsch Hall, where the Loewe Reference s contrast flter panel s made. The factory also produces and processes a range of dfferent types of techncal glass for specfc applcatons, from lamnated safety glass vsors for fre-fghters helmets to structured surfaces destned for use as touch-screens n medcal envronments or even for slot machnes. Loewe s a German company wth a rch hertage and ts long relatonshp spannng almost two decades wth another German hertage brand s no concdence. Loewe places great mportance on long-term partnershps, as an essental foundaton for mutual trust and consstently top qualty. Consequently, the process started wth a few test runs, untl both partes were satsfed and ready to embark upon the task of jontly defnng the work steps and qualty standards for the contrast flter panel. Owner Dr. Herbert Kubatz explans: For each new project, the frst step s a meetng wth the desgner. The desgner brefs us on the requrements and we then carry out a feasblty study wth our techncal specalsts to work out how we can acheve the desred results. It s not always an easy task. In practce, t often nvolves fndng a compromse that everyone s happy wth. We don t sell products, we sell solutons. In other words, we strve to delver precsely what the customer wants. And Loewe wanted an extremely hghqualty contrast flter panel that was equally mpressve n terms of both desgn and functon, and capable of protectng the senstve panel. Grndng the edges s the frst of three work steps carred out n Schwäbsch Hall. In the second step, the glass panels are prnted and subjected to a fnal qualty nspecton, before beng securely packed and transported to Kronach for assembly n the televsons. We handle all aspects of the optcal fnsh for the contrast flter panel, explans Dr. Klngel. The techncal process to transform the grey archtectural glass to the double-sded ant-reflectve base materal s carred out upstream of ths stage. When were contrast flter panels frst used n televsons? Dr. Kubatz: It all started somewhere around the 1980s, when the curvature of CRT screens began to be perceved as an ssue. Manufacturers expermented wth dfferent processes, ntally developng cylndrcal panels to restrct the curvature to a vertcal axs. Back then, contrast flter glass was known as tnted glass and was a very trendy feature n German lvng rooms. Coffee tables, lamps and doors n dfferent shades of brown and grey were n great demand. The specal feature of the contrast panel s the fact that the glass s a sold colour. What s the reasonng behnd ths? Dr. Klngel explans: The contrast s the rato between the lght value and the dark value. As the tnted panel s, by defnton, darker, ths means that the contrast s stronger too, makng black even rcher. Ths ncreases the lght/dark rato and the end result s enhanced pcture qualty. The double-sded optcal ant-reflecton process s the most complex and expensve work step. To reduce reflecton as far as possble, a seres of nanometre-thck layers of dfferent metal oxdes s appled. We all know how expensve t s to have an ant-reflecton coatng appled to spectacles, so magne the stuaton for a 55 nch or even an 85 nch glass panel. But the effort really pays off. As an llustraton, Dr. Klngel shows us Loewe places great mportance on long-term partnershps, as an essental foundaton for mutual trust and consstently top qualty. dfferent peces of glass, rangng from a sample wth no antreflectve coatng to one wth an ant-reflectve treatment on one sde and another on both sdes. solutonorented crystalclear And you don t need to be a professonal to observe how dstractng reflectons are or to apprecate the effect of a completely ant-reflectve screen. The vewer also sees reflectons projected to the front from the reverse of the glass, whch explans why both sdes need to be ant-reflectve. The dyed and newly antreflectve contrast flter panels are then cut and subjected to a fnal nspecton before beng delvered to Schwäbsch Hall for the prntng step, whch takes place after processng of the edges. Dr. Klngel: We use a screen prntng process to apply a border desgned to conceal the metal

19 Perfect desgn. Report. frame of the LCD panel. The border s an mportant desgn feature, t adds an aesthetc fnshng touch to the panel. Anyone nterested n seeng the large screen prntng machne n acton wll need to don a whte lab coat before enterng the area. The frst mpresson s a smell of dye, appled through a prevously exposed fne-meshed screen. Followng ths, the glass s then dred. Although the entre process s fully automatc, the prntng operaton s supervsed contnuously by at least three specalst workers, who montor the precson of the result, refll dyes and clean the screen. Up to 400 panels can be prnted per shft. The atmosphere n the fnal step of qualty control s one of quet concentraton. Once agan, the am s utmost precson, to ensure that not even the tnest contamnaton slps through. The surface qualty must be perfect. Whte lght s the most effectve way of dentfyng any bubbles and occlusons n the glass, whle scratches show up clearest aganst a black background, explans Dr. Klngel. So we check each ndvdual panel n front of whte lght followed by black lght. Glass s an extremely senstve materal, and although we wash every panel after each work step to remove any pollutants or debrs, you are never mmune from errors. Loewe s strngent qualty standards make ths fnal check a vtal part of the process. Glass s a very versatle materal. It s stable and yet flexble, gas-tght, transparent, resstant to hgh temperatures, does not nteract wth other materals... and what s more, t looks good. Dr. Kubatz: Glass s a precous and durable materal and these propertes alone make t an deal choce for a protectve panel. A top-end televson s not a dsposable tem, t wll stll be wth you n ten years tme. precous and durable 2 1 Dr. Uwe Klngel explans the functon of the contrast flter panel: The grey colourng ncreases contrast values. 2 Up to 400 contrast flter panels can be prnted per shft. 3 It takes ten mnutes to grnd the edges of the glass usng a damond tool. 4 An nspecton s carred out after each work step: prntng must be precse to one sxteenth of a mllmetre. 3 4 Berlner Glas a company wth a long hstory. Berlner Glas was founded n 1952, n the mddle of Germany s economc mracle perod. Busness n the glass wholesale market, however, proved somewhat sluggsh, promptng Herbert Kubatz senor to consder potental avenues for dversfcaton. He came up wth the dea of producng sldes. An ntutve decson that pad off, wth demand rsng steadly as German consumers began to travel and take photographs. Just two years later, 200 employees were producng one bllon of these lttle glass plates each year. Ths anecdote of a successful quest for the rght market nche characterses the Berlner Glas group s development through to the present day. The company has contnuously expanded and updated ts product portfolo n response to demand or market condtons. In our ndustry, t s mportant to be responsve and keep your eyes open, confrms owner Dr. Herbert Kubatz, a fact my father recognsed rght from the start. In addton to the company s headquarters n Berln, t operates a further fve stes n Schwäbsch Hall, Syrgensten, Swtzerland, Chna and Calforna. The former glass wholesaler s today an nternatonal group wth over 1,100 employees, generatng an annual turnover of 152 mllon euros. Its tradtonal actvty of techncal glass currently accounts for 10 percent of ts turnover, wth the rest now generated by phototoncs usng optcal components, devces and systems to transfer, store and process nformaton

20 Y our b est p cture

21 Perfect pcture. Report. I want to see ther souls. An ntervew wth photographc artst Werner Pawlok. From ctes to authors, flowers, landscapes and faces Werner Pawlok refuses to be categorsed by object or genre. The Stuttgart-based photographer s quest for fresh subjects s nspred by hs feelngs and nterests. He uses photographs to gan nsghts nto the topcs that move hm from hs favourte authors, featured n scaled-down black and whte, to the cty of Havana, usng hs camera to capture ts poetcally morbd declne. We vst the Stuttgart studo of the nternatonally renowned artst, who photographed Jm Hendrx at the age of 14, has kssed Salvador Dalí s hand and even exhbted alongsde names such as Andy Warhol, Gerhard Rchter and Robert Mapplethorpe

22 Perfect pcture. Report. When s a place nterestng enough to make you take out your camera? It happens pretty spontaneously. I go nto a room and a scene ether unfolds n my mnd or t doesn t. All the Havana photos transpred lke short flms for me: I see people dancng n empty rooms or playng cards. And only then do I realse that I m actually usng my camera. So places become flm locatons? Precsely. In Cuba, I really felt as f I was n a road move. Not least, because I was travellng wth a lttle team, a drver, an nterpreter and me. That was t. I ddn t need lots of equpment, just my camera. I ddn t use any addtonal lghtng and I ddn t go back agan n the hope of capturng the perfect lght condtons... What s more, I ddn t change anythng n the rooms, they are exactly the way I found them. I walked nto the room, felt the atmosphere and shot my photos. There s a documentary aspect to t n some respects, as well as contrasts to ths approach. Werner Pawlok s studo s stuated n the mddle of Stuttgart s Heustegvertel dstrct. An nterestng place that would defntely nspre anyone to take out ther camera even f they re not a photographer. Not least the sght of all the works hangng on or leanng aganst the walls. Steppng through the door, a few stars down, you mmedately fnd yourself surrounded by the 61-year-old photographer s creatons. Startng wth a blurred New York street scene that Pawlok photographed quck and drty on hs moble phone from a movng car. Oh yes, New York! More about that later. I took these pctures wth my frst camera moble phone, remnsces Pawlok, then the mages sat on a hard dsk for years. Untl I came up wth the dea of enlargng them and prntng them on canvas seconds The photos from the Cuba expred seres currently showng n the LUMAS Gallery appear graphc and composed. How much of a chance element was nvolved n the shots? A local producer researched a few locatons, but for the most part I just drove around and found nterestng places. How should we magne the scene? Dd you smply rng the bell and say: Hello, I m a photographer, can I take a look around your house? Precsely. It was very straghtforward the Cubans were all very frendly and open. I always try to seek out places that are not so easy to get nto. I want to track thngs down once agan, the element of chance s mportant here. There are no people n the scenes depcted n the Cuba photos... That was a delberate decson. My focus for ths project wasn t the relatonshp between resdents and dwellng. All I was nterested n was the rooms. How do you decde whch angle you want to show a room from? It tends to be ntutve. I look at a room and very quckly know where I want to poston my camera. I smply know whch angle s the rght one. Well, I m a photographer and have been for forty years now otherwse, I should gve up (he laughs). You are self-taught and learned the craft on your own... That s a good thng. Why do you say that? The good thng about t s that I stood out. There s nothng worse than photographers who want to be just lke other photographers. Ether t works or I pack t n. Even at the age of 21 I realsed that. We come across an actually n many bographes. And Pawlok s no excepton: I actually wanted to be a panter. I started drawng when I was nne years old and tred to create a very realstc portrayal of the world. I enjoyed t untl someone gave me a camera. I knew straght away that ths was what I wanted to do! So he 1 An archve of days gone by: ples of works spannng the last four decades fll the Stuttgart studo some on hard dsk, others on canvas. 2 Even landscapes have a soul: powerful natural shots on the Arlberg mountan range n Austra. 3 Morbd charm: Werner Pawlok spent several weeks n Havana shootng the Cuba expred photo seres. 4 Colourful, alenatng, fascnatng: Pawlok s vew of Wall Street n New York Cty. 5 Pawlok s photos avalable to admre and purchase: n the LUMAS Gallery n Berln (Ku damm). 6 For hs vews faces of lterature work, Pawlok photographed 25 famous authors, ncludng T. C. Boyle featured here Faces, anmals, beautful places: nspraton s all around for Pawlok. The artst refuses to be defned by a genre. 10. Blue n all nuances: In hs sea pantngs the Frankfurt photographer Wolfgang Uhlg explores the nfnte breadth of the horzon. 1 began expermentng. As a young man, he travelled from concert to concert photographng hs heroes: from The Who to Pnk Floyd and Jm Hendrx. At the age of 23, he opened hs frst photo studo n Esslngen. Three years later, n 1979, he founded the frst photo gallery n southern Germany n an old furnture hall. Pawlok smles: I very quckly realsed that runnng a gallery was not my vocaton. But I dd get to know lots of great photographers. He combned ths work wth photography projects for ndustry and advertsng. I have always worked on two aspects n parallel: on the one hand, my freelance projects and, on the other hand, I worked to earn money. It was a very straghtforward deal for me. What about the pantng? It s somethng that has never left me over these 40 years... You embraced the rsk... Yes, I decded to take a lesstravelled path. It was mportant to me not to smply follow on from the work of artsts or other photographers. I wanted to take a more nave approach and fnd my own vson. If you do somethng that someone has already done, you ll never fnd out whether your own artstc vson s any good. How would you descrbe your vson? Can you actually descrbe t? I ll try. At the begnnng t feels lke a knd of nner unrest. At least, that s how t always starts wth me after that t takes a lot of drve to actually turn t nto realty. Hmm, but what s my vson? It sounds rather mundane, but t s the thngs I lke, the thngs I m nterested n

23 Perfect pcture. Report. 2 What atttude do you approach your projects wth? I want to follow my own nspraton. My photos need to be authentc. I don t set out to produce work that wll appeal to as many people as possble. That holds true for the Cuba project too. The fact that ths seres was so well receved you mght dream of ths, but t s not the actual goal. That came about more by chance. Lfe s shaped by chance. In the late 1970s, you met the surrealst Salvador Dalí and hs wfe Gala. Was that chance too? And how. That s a crazy story. I was travellng through Span on my way to Morocco when I pcked up a htch-hker. The htch-hker knew Dalí, as he had curated an exhbton for hm, and he sad: Come along f you lke. energy So we drove to Dalí s house n Cadaqués. We found hm sttng on a knd of throne n the garden wearng a slvery robe and holdng a staff n hs hand. The htchhker knelt down n front of hm and kssed hs hand. So I dd the same. And Dalí ddn t say a word the whole tme. A surreal stuaton What meanng does art have for you? Art has always played an mportant role n my lfe. Art s a specal energy, somethng that never leaves you. I lke lookng around exhbtons. Manly pantngs. I m qute cautous when t comes to photographs, as I don t want to allow myself to be nfluenced. LUMAS app It can even happen wthout you beng conscously aware of t. Your mnd retans mages and events and all of a sudden you fnd yourself dong somethng you ve seen somewhere along the way. You started out wth analogue and now work purely wth dgtal. How dd you fnd the transton? It was exctng. Rght at the begnnng, back n the development phase, I cooperated very closely wth companes such as Kodak. I was one of the frst people to try out dgtal cameras at workshops. So n ths respect, there was no abrupt transton for me. I m always nterested n new thngs. When I stop beng nterested, then I m dead. Follow me. Pawlok suddenly nterrupts the ntervew, crosses the studo and stops n front of a red photograph. The photo seres on Dantes Commeda came about n And because I was rrtated by poor lghtng n galleres I bult a specal lght box to llumnate the photo from behnd followng the basc prncple of a televson. I lke new deas and I enjoy expermentng wth both materals and mplementaton. For me, anythng else feels lke standng stll. So t s hardly surprsng that Pawlok s also one of the frst artsts whose work you can now vew on your home televson screen usng the LUMAS app (see next page). Or as Pawlok says: Sometmes I fnd a pcture on the wall too borng. Have you ever experenced a knd of photographc crss where you thnk to yourself why should I create more photos? Yes, constantly. What happens then? Somethng new and nterestng comes along and I carry on. I really hate t when shelves and archves fll up wth photographs and I ask myself: should I keep producng more? But you start to flter thngs and take tme to consder: s ths new dea really good? So you revew your deas? I don t actually need to revew thngs n that respect. When the rght energy strkes, I smply have to do t. I travelled to Zurch twenty-fve tmes to photograph authors. You need to be very motvated and really want to do a project lke ths. You have photographed authors, ctes, flowers and created a photographc nterpretaton of Dantes Dvne Comedy a very dverse portfolo. Where do you fnd your nspraton? It s usually pretty smple. For example, for the author project, I smply wanted to see the faces behnd the stores. I thought to myself: you ve read the books, but you don t actually know what the authors look lke. And that started me thnkng about how I could brng ths dea to lfe. I try to take a relatvely structured approach. stars and pants Stars and pants was Pawlok s frst major freelance project n whch he photographed the people who had nspred and nfluenced hm: Pedro Almodóvar, Jane Brkn, Julette Bnoche and Perre Cardn. Creatng, over the course of the 1990s, over one hundred large-format Polarod shots. Over ten years later, he embarked upon a seres of portrats of authors, meetng Martn Walser, T. C. Boyle, Hennng Mankell, Jonathan Franzen, Rchard Ford, Salman Rushde, Ken Follett and Sr Hustvedt. Pawlok opted for Polarod shots once agan for hs vews faces of lterature project. So you had a clear vson of how you wanted to photograph the authors? Yes, I need that. I am the knd of person who always needs to refocus. I m nterested n so many thngs that there s a rsk of gettng caught up n a whole plethora of pursuts. My man am was to portray the authors n an dentcal manner. I consdered the queston: what do I want? I wanted to see ther souls, I wanted to look beyond ther eyes to the person wthn. So I went n very close and focused on ther eyes. The face became the background for the eyes, f you lke. And? Dd you manage to see ther souls? You never qute know that. But that s what makes portrats and photography as a whole so fascnatng. It s all about recognsng and capturng a sngle moment. For me, photography s a knd of medtaton

24 Perfect pcture. Report. Crystal-clear sharpness. Crystal-clear sharpness, precse detal and perfect contrasts there s no doubt about t, Ultra Hgh Defnton photos are fun. Unfortunately, untl now there was only a very lmted amount of content avalable n genune Ultra HD. So we re even more delghted to fnally be able to offer a practcal applcaton to allow you to reap all the benefts of Ultra HD n the form of the new LUMAS TV app, says Loewe Product Manager Jan Bollow enthusastcally. The hgh resoluton and resultng depth of focus truly showcase the colour ntensty of today s dgtal photographs Solar Aguar IV Werner Pawlok LUMAS.com 47

25 Perfect pcture. Report. Hgh-resoluton art: wth the LUMAS app. 9 I lke new deas. So I m excted by the dea of the televson screen as another medum of artstc portrayal. Werner Pawlok, LUMAS photographc artst. The new Lumas Gallery app takes art nto the dgtal dmenson and opens up flexble new horzons. It allows you to enjoy selected works of art by nternatonally renowned artsts ncludng the Cuba seres by photographer Werner Pawlok n hgh-resoluton Ultra HD qualty on your televson screen. The LUMAS TV app s already nstalled on the home screen of the new Loewe Reference, allowng you to start choosng pctures straght away usng the convenence of the Loewe remote control from the comfort of your sofa. Choose artsts drectly n categores such Landscapes or People or smply scroll through the Hghlghts. You can also call up nformaton about each artst and hs or her work. Browse photographs, graphcs/ llustratons, dgtal art, pantngs and more n LUMAS contnuously evolvng portfolo. When you fnd a pcture that appeals to you, you can dsplay t as a fxed mage (for a maxmum of 24 hours) or enjoy the endless pleasure of a slde show. The settngs n the app allow you to determne the speed at whch you move from pcture to pcture, as well as the choce of a specfc sequence or shuffle mode Accessble art, or the LUMAS prncple. From the frst gallery, opened n 2004 n the Hackescher Markt area n the centre of Berln, LUMAS now has 35 galleres around the world, n ctes ncludng Amsterdam, Brussels, London, Moscow, New York, Pars, Venna and Zurch. The am of the founders, Marc Ullrch and hs wfe Stefane Harg, was to offer consumers modern photographc art orgnals hand-sgned, but as edtons at affordable prces. Mr Ullrch explans: Our average prnt run s 100 copes. In comparson wth tradtonal galleres, where a run of 5 s regarded as hgh, ths allows us to offer art at far more accessble prces. Reflectng our ethos that art s not eltst, t s there for everyone. The Gallery s portfolo currently conssts of 1,800 works by some 200 artsts, ncludng nternatonally renowned names such as Andreas Fennger, Edward Stechen, Man Ray, Mchel Comte, Olaf Hajek, Olaf Martens, Robert Lebeck and Wolfgang Joop. 7 8 P. 44 Photo no. 2 Arlberg Werner Pawlok P. 46/47 Photo no. 3 Solar Aguar IV Havanna Werner Pawlok LUMAS.com P. 49 Photo no. 4 Wallstreet 1 Werner Pawlok P. 49 Photo no. 5 LUMAS Gallery Berln, Ku damm LUMAS.com P. 49 Photo no. 6 vews tc boyle Werner Pawlok P. 49 Photo no. 7 Dante Läuterungsberg Werner Pawlok P. 49 Photo no. 8 Toucan Werner Pawlok P. 49 Photo no. 9 House of Magal Havanna (Detal) Werner Pawlok LUMAS.com P. 50 Photo no. 10 Sea # 1 Wolfgang Uhlg LUMAS.com 48 49

26 The perfect pcture. Pcture hghlghts. True stature for szeable demands: the Loewe Reference 85. There are so many optons for mprovng the pcture qualty of a home entertanment system... Loewe engneers are masters of ther craft. A craft they elevate to an art form by never losng sght of an mportant fact: The perfect pcture s n the eye of the beholder, says Jan Bollow, Loewe Product Manager. We orchestrate, n a manner of speakng, a unque overall effect. For example, as well as mprovng the ntensty of dark scenes, the large contrast flter panel, the frut of a complex producton process, also serves as a desgn feature that ntegrates seamlessly nto the lvng envronment, creatng an eye-catchng effect even when the Loewe Reference s swtched off. And for all fans of that authentc cnema feelng, n addton to the 55 nch verson, there s also a Reference 75 and even a Reference 85. Boastng a spectacular 216 cm screen dagonal, the strctly lmted 85 nch model s avalable exclusvely from selected Loewe dealers. A deluxe home cnema experence: "Once agan, we have completely realgned our technology to delver brllance, clarty and rch detal n an extra-large screen sze," explaned Jan Bollow. "For all those n search of amazng new vewng experences." 75 nch 189 cm Ultra Hgh Defnton 85 nch 216 cm More than smply numbers. catalogue, explans Jan Bollow, Product Manager wth Loewe. Our flat-screen TVs offer the customer a hghly realstc vewng experence. Seeng s belevng? Precsely, confrms Jan Bollow. For example, the new Loewe Reference s Ultra Hgh Defnton dsplay offers a resoluton four tmes hgher than a classc Full HD televson. But nnovatons are only truly meanngful f you can actually use them! Ultra HD photos and vdeos can be dsplayed n the crystalclear qualty they deserve, va HDMI, a USB stck, from your home network or exclusvely on Loewe TVs usng the new Lumas app. However, most current TV broadcast sgnals do not yet meet the new standard, an upscalng process s needed. An algorthm s requred for ths, says Jan Bollow. And ours s partcularly sophstcated. The Loewe Ultra HD scalng algorthm converts the currently avalable 1,920 x 1,080 pxels to a rch 3,840 x 2,160 pxels. In a seamless process ensurng vsbly enhanced detals and clarty even for Full HD content. At Loewe, we gve meanng to the numbers, smles Jan Bollow. Loewe Image+ Actve for a perfect fnsh. A smartphone allows you to edt photos wth a touch of your fnger. Creatng strkng exaggerated effects, oversaturated colours and extreme contrasts. That s what you re tryng to acheve n that case... but what about a TV pcture? You can use specal eye-catchng effects to make your product stand out on a wall of TV sets n an electrcal store, says Jan Bollow, Loewe Product Manager. We avod these knd of gmmcks. Each and every Loewe Reference leaves the factory perfectly calbrated. And each tme you swtch the televson set on, Loewe Image+ Actve pcture control guarantees natural sharp outlnes, balanced contrast, ntensve renderng of black and attractve colour values. Loewe 3D Actve Shutter... for even more depth. Jan Bollow, Loewe Product Marketng. Dsplay adapts to provde perfect brghtness at all tmes. A feature most of us are famlar wth from laptops: the dsplay automatcally adjusts to changes n the surroundng lght condtons. The am s to avod stran on the user s eyes and preserve battery lfe. Although t may not run on batteres, ths automatc adjustment of the dsplay brghtness makes the Loewe Reference more energy effcent. And your eyes wll be happy about t too! Another automatc feature further enhances vewng pleasure. VBD+ (Vdeo-Compensated Backlght Dmmng) ensures perfect llumnaton for every scene. For example, for a nght-tme scene n a crme thrller: the LED backlght dms to create a realstc black effect. for the best pcture. PAL 720 Full HD There are many competng clams and dfferent measures used as ndcators of pcture qualty. But ts not the numbers that count, ts the pctures you see and ths s where Loewe really shnes. We don t develop our nnovatons to look good n a data table n the 10 Ultra HD Four tmes the resoluton n comparson to Full HD, multplyng the level of detal wthn the same area: that s the promse of Ultra HD, wth 3,840 x 2,160 pxels! The Loewe Reference fully explots these new horzons. From outer space to jungles or oceans Sometmes, you want to truly mmerse yourself n the acton unfoldng on your screen. Loewe s 3D Actve Shutter technology brngs 3D content alve wth vbrant detal. 51

27 Your best operat on

28 Perfect operaton. A vst to a flm set. Popcorn and the bathtub. One day, many scenes: lve on the Loewe flm set. We could wax lyrcal about navgaton, nformaton archtecture, menu structure or nterface desgn. But s there a sngle word that truly encapsulates the benefts of the new Loewe Reference s operatng concept? I would need two words, answers Software Engneer Stefan Schedel: Freedom and Joy. To demonstrate what Loewe means by ths, we produced a seres of short flms themed around the everyday lfe of a famly and ncludng some behnd the scenes glmpses nto producton at the Loewe factory. We vsted the flm set. Acton! 54 55

29 Perfect operaton. A vst to a flm set. What a day! The sun s shnng. From the warm wooden deckng of the roof terrace, there s a vew of Alpne peaks and the gltterng blue waters of Lake Starnberg. Nobody spares a glance. Insde the modern dwellng, there s a scene of ntense actvty. Here too, the desgn features of Loewe s flm locaton, wth ts expansve concrete surfaces and acres of glass, go unnotced. Nobody cares. Because the Dansh drector needs popcorn. What a crazy problem, says Anders Ingvartsen. But t s an mportant one: because ths move snack s set to play a starrng role on the other sde of the camera. A few mnutes later, a car drves up. The popcorn express has arrved. Let the acton begn. In the ktchen, everythng s ready. A pepper grnder and some basl add a homely touch, whle a saucepan and a spoon serve as essental props. In the lvng room, the new Loewe Reference s lookng every nch the star, showcased to perfecton aganst the backdrop of the plan wall. In the garden (lookng good even aganst the green), the lmted edton 85-nch model s watng n the wngs for ts bg moment. The story s very smple: the grandfather of the Loewe famly, specally cast for ths seres of flms, s spendng tme wth hs grandson. They are watchng a flm on TV. Wow! Ths s better than the cnema! The pcture and sound on granddad s Loewe Reference are amazng. All that s mssng s some home-made popcorn. The grandfather goes off to the ktchen... but there s no need to worry about mssng any of the acton. Thanks to a second televson n the ktchen, an elegant Loewe Connect. What s more, there s no tresome connecton to an aeral, cable or satellte. The new Loewe Multroom DR+ Streamng feature smply streams the lve mages from the Loewe Reference n the lvng room over the home network to the ktchen. Somethng that would take just ten mnutes or so n real lfe and a smple push of a button n the case of the televson s a far more tme-consumng affar n a flm shoot. The make-up artst apples cream to grandfather George s hands, powders hs face and sprays hs har. Anders then talks hm through the scene: You swtch off the heat under the popcorn, remove the pan from the cooker, shake the popcorn nto a bowl and pck t up. And then you glance at the televson! George s only too happy to dp nto the bowl... the popcorn s real. A lttle smle. Then off he goes, back to the lvng room. Not too dffcult? Rollng cameras, precsely tmed sequences and a quest for perfect close-ups and frames add more than enough complexty. Let s go, announces Anders calmly. Acton! And fnally Cut!. flm shoot In one take, the angle of the pan tppng the popcorn nto the bowl sn t rght. Towards the camera, please!. In another, George turns the cooker off a few seconds too late, and once he moves out of shot a fracton too soon. The TV channel then needs to be changed, the current programme, somethng about rubbsh bns, s startng to get a bt rrtatng. Wthout further ado, t s flcked over to the qualty broadcaster ARTE and a nature documentary. Somewhere after Cut! and Cut! and Cut! and Cut!, Anders Ingvartsen fnally pronounces the welcome words: That looked pretty good. Can I take a look? Instead of popcorn, George s gven a pretzel for sustenance: After all, we re n Bavara, he says happly. Another scene s n full swng, ths tme n a bathtub and featurng a star who s just sx years old. Leopold s standng, or more accurately sttng, n front of the camera for the frst tme. He s a real pro, prases Anders. The am of the scene s to llustrate how dffcult lfe could be wthout Loewe Smart tv2move, a clever app that streams the TV pcture to a tablet computer. Lke Leopold, you would need to use bnoculars and an elaborate system of mrrors to try to catch a glmpse of your Loewe televson from the bathtub. Not a serous suggeston of course but a fun concept to shoot. Leopold and the crew are laughng a lot, wth just the sound man lookng a lttle stressed from tme to tme. Some scenes were also shot at the Loewe factory n Kronach, to reveal precsely what goes nto the new Loewe Reference: from the passon of the employees who produce t to the panstakng attenton to detal In the end, all summng up the key concepts: all the freedom n the world and a whole lot of joy. Or: Desgned for Lfe. < George s makng popcorn n hs role as the young-at-heart grandfather of the Loewe famly. All Loewe flms are avalable onlne: and Loewe Feature Upgrades allow you to easly enhance your Loewe Reference wth new features as and when they are released

30 Perfect operaton. A vst to a flm set How s t lookng: a quck glance at the prevew montor. Ths s used to check that the lght and settngs are rght. 2 Sts comfortably n your hand: the Loewe apps play a starrng role n the Loewe flm. 3 Acton! A taste of Hollywood no flm set s complete wthout a clapper board. 4 Drector Anders Ingvartsen was usually rght behnd the camera n person. 5 The new Loewe Reference 85 a true star. 6 The popcorn s ready, let the fun begn: the Loewe grandparents and ther grandchldren on the couch. 7 Flexble vewng: the father of the Loewe famly demonstrates how to use the Loewe Smart Assst app to record a flm even when you re not at home

31 Perfect operaton. Operatng hghlghts. Loewe Moble Recordng, Loewe Mult Recordng Loewe Assst Meda a great new knd of freedom. 1 a new knd of user frendlness. Ever snce the nventon of the remote control n the early 1950s, t has been a symbol for user-frendly operaton. Press and clck all from the comfort of your armchar or sofa. Of course, there have been a few developments snce then. Televsons lke the Loewe Reference are now perfect and versatle home entertanment systems: mpressvely flat, smart, hgh resoluton and offerng resonant sound. One thng that hasn t changed n all these years, says Stefan Schedel, a Software Developer wth Loewe, s the desre for the smplest and most ntutve operaton. Explanng Loewe s quest to develop and mprove the remote control concept at all levels... one example beng the new Loewe Moble Recordng feature. Openng up the flexblty to programme recordngs easly on the ntegrated Loewe DR+ hard dsk, even f you re not at home thanks to the new free Loewe Smart Assst app. Allowng you to enjoy your favourte programmes at a more convenent tme. And what about Loewe Mult Recordng, Mr Schedel? He smles: It has fnally put an end to those constant arguments over the remote control! Because Loewe DR+ now allows you to record two programmes at the same tme and n many cases, you can even watch a thrd channel n parallel. We make optmal use of the two tuners n the Loewe Reference for ths. They are desgned to work ndependently on fully dgtsed sgnal processng. The only possble restrctons are the type of connecton or legal provsons. Last but not least, the Loewe IR Lnk feature. An unassumng name for such fabulous convenence: use your Loewe remote control to operate thrd-party devces wth an RC5 code n locatons concealed from vew. Clear, uncluttered and nformatve features the new Loewe Assst Meda operatng system offers all ths and more: 1 All vdeo content at a glance. 2 Rapd overvew of channels. 3 Vsblty of recorded programmes stored n the DR+ archve. 4 The new Loewe Internet Rado Artst Search: searches all Web rado statons for Coldplay or other favourtes. 5 Lst of Internet rado statons Loewe s uncompromsng approach encompasses both perfect aesthetcs and ultmate functonalty. Ths nvolves settng standards n user-frendly operaton, as well as n the desgn of the TV housng and loudspeakers. Stefan Schedel explans: To brng lastng satsfacton, an electronc devce must be as easy as possble and fun to use. In other words, you should be able to swtch on, get started and understand how t works wthout havng to decpher small prnt n nstructon manuals. And enjoy the thrll of dscovery agan and agan as you explore all the optons at your fngertps! Our Loewe Assst Meda 2015 operatng system n the new Loewe Reference paves the way for even more ntutve navgaton, helpng you to easly fnd your way around the dfferent features, contnues Stefan Schedel. For example, a redesgned user nterface, meanngful cons and more elegant detals. ntutve You can stll store your favourtes on the home screen at the touch of a button from selected channels to specfc programmes, archved recordngs, photos and more. A useful new flter has now been added to help you navgate all ths content allowng you, for example, to mmedately locate all your vdeo-related favourtes. Stefan Schedel smles: I just wsh there was a feature lke ths for my desk n the offce too! Stefan Schedel, Loewe Software Development. Loewe Instant Channel Zappng a new knd of speed. It s a fact: the arrval of the remote control has made channel zappng part and parcel of our televson experence. Some people swtch channels durng ad breaks, whle others flck through programmes n search of surprses or to fnd out more about our complex world. Every press of the button mmerses you n a completely dfferent experence! However, on most televson sets, changng channel seems to take an unbearably long tme. Help s at hand: Loewe Instant Channel Zappng for a genune flm edtng lke effect. We use our Dual Tuner technology to acheve ths. Whle you are watchng one channel, the second tuner s already automatcally loadng the next one. You then smply swtch to ths mage when you change channels. Channel 4 loadng 1 second BBC 2 ITV loadng B 60 61

32 Loewe Artst Search a new knd of dscovery. From Karajan to Abba or the Beaste Boys: somewhere on the World Wde Web, somewhere between Bangladesh and Idaho... someone s playng the artst you want to hear rght now. But how can you track the staton down? Ask your Loewe Reference! At the touch of a button, the Loewe Artst Search fnds all the Internet rado statons currently playng your chosen artst. Ths clever feature also tells you whch of the 30,000 statons feature ths artst most frequently on ther playlsts. Loewe Smart tv2move app a new knd of comfort zone. From your ktchen to your pato: The Loewe Smart tv2move app 1 turns your tablet computer nto a second televson. In Loewe qualty naturally! Watch lve TV, a programme from your archved recordngs 2 or use the electronc programme gude to schedule a new recordng... all wthout leavng your deckchar on the pato. And t s now even easer: the Magazne Programme Gude 3 allows you to create channel lsts accordng to the layout of your favourte TV lstngs magazne usng the Smart TV2move app or drectly usng your Loewe TV. Loewe Smart Assst app a new knd of freedom. Smartphones have become our fathful companons n everyday lfe. They make sure we don t forget mportant dates (brthday remnders), help us stay on track (or not) wth det resolutons (calore counter) and even gude us to dfferent destnatons (Sat-Nav). The free Loewe Smart Assst app s now makng your multfunctonal smartphone even smarter, comments Loewe Software Developer, Stefan Schedel: It transforms t nto an ntutve remote control for the Loewe Reference ncludng a contnuously updated 7-day deluxe programmng gude. But that s not all: you can also manage the entre Loewe DR+ recordng archve, from playng an archved programme to schedulng a new recordng, completely wthn the nterface of the app. Thanks to Loewe Moble Recordng, you can even schedule recordngs on holday, for example, on a beach n Crete. Just tell your Loewe Reference back home that you d lke t to record James Bond and then relax n your lounger and get back to the serous busness of sunbathng. How does the techncal sde of t work? It doesn t really matter, smles Stefan Schedel. What s mportant to the user s the fact that t s chld s play to operate. Loewe Bluetooth a new knd of connectvty. Your favourte musc now has the showcase t deserves: thanks to the new Loewe Reference s Bluetooth connectvty. Use the Bluetooth Musc Player to easly connect your Bluetoothenabled smartphone or tablet computer and lsten wherever you happen to be at that precse moment usng the very handy Loewe Smart Audo app, for example. Wrelessly and wth a sound qualty that only the Loewe Reference can offer. You can also operate the famlar computer keyboard usng Bluetooth. Loewe DR+ a new knd of locaton-tme dmenson. What s the easest way to explan the possbltes opened up by Loewe DR+ wth ts ntegrated 1-TB hard drve? Loewe software developer Stefan Schedel doesn t need to thnk for long: I would say, t s a whole new freedom! Loewe DR+ frees you from the constrants of tme and locaton. After all, your entertanment schedule should adapt to your needs. Not the other way round. It s actually surprsng to fnd that hardly any other televson manufacturer has ntegrated ths level of recordng convenence n a TV set. Pause. You re engrossed n a nal-btng scene n a crme thrller and suddenly your chld starts to cry or your neghbour knocks on the door. What do you do? Just press the red Pause button. The lve programme wll then stop allowng you to pck where you left off as soon as your chld has settled or your neghbour has left. All you need to do s press Play. Record. Scroll through the electronc programme gude on the TV screen, your smartphone or a tablet computer and get an dea of what you mght lke to watch. Select the programmes you want the Loewe Reference to record for you. Save your recordngs n your own customsed folder structure and then dp n and out of your personal flm and TV archve as often as you please! Access. The Loewe DR+ archve on the Loewe Reference s always at your fngertps! You can play your stored content on any other current Loewe televson n your home network or even on a tablet computer, thanks to the Loewe Smart tv2move app... Stream. Sometmes t can be hard to stay awake n front of the TV... Thanks to Loewe DR+ wth the Follow-me feature, there s now a comfortable soluton to ths dlemma. Press and hold the Pause button on your Loewe Reference n the lvng room, go off and brush your teeth and make yourself comfortable n bed. Then press Play on your second current Loewe televson set n the bedroom. And you won t have mssed any of the debate on your talk show. Dstrbute. Do you need to quckly tdy up the ktchen, but don t want to mss the thrller the rest of the famly are watchng n the lvng room? Thanks to Loewe Multroom TV Streamng, you don t need to mss a thng. You can stream the lve programme to an addtonal two Loewe televsons n other rooms. There s no need for an aeral, cable or satellte connecton, the programme s smply streamed over your home network va LAN. 1 The Smart tv2move app s compatble wth free-to-vew channels. Avalable for OS and Androd. 2 Where programme encrypton allows. 3 At the moment, ths feature can be used to access German TV lstngs magaznes

33 Loewe Reference. Product detals. TV housng Screen dagonals Loewe Reference. Product detals. 216 cm Reference 85 (85 nch) Wall Mount Slm / VESA Sze 400 Chrome Slver Flat mountng 55: W / H 76.6 / PD 6.1 / TD 7.5 Wall Mount Reference 75 / 85 Wall Mount 67 Wall Mount Isoflex Black Convenent mountng 85: W / H / PD 8.9 / TD : W / H / PD 8.9 / TD : W / H 76.6 / PD 6.1 / TD 10.0 Alumnum Flexble soluton, folds flat, can be pulled out, rotated and pvoted, concealed cable routng 55: W / H 76.6 / PD 6.1 / TD cm Reference 75 (75 nch) 140 cm Reference 55 (55 nch) TV housng Colours 1 Alumnum Black Alumnum Slver Hgh Gloss Whte 2 Dark Gold 3 Colour Kt 2 Whte Slver Techncal features 4 Table Stand Reference 55 Table Stand Art 55 Alumnum Manually rotatable (+ / 20 ) 55: W / H 83.6 / PD 6.1 / TD 34.7 Alumnum Manually rotatable (+ / 20 ) 55: W / H 79.6 / PD 6.1 / TD 32.0 Floor Stand Reference 75 / 85 MU Floor Stand Reference 55 MU Alumnum Motor operated rotaton (+/ 45 ), concealed cable routng 85: W / H / PD 8.9 / TD : W / H / PD 8.9 / TD 70.0 ntellgent cable management 55: W / H / PD 6.1 / TD 59.0 Front Frng Speaker Perfect pose. Select your preferred stand soluton from the numerous optons and create the perfect showcase for your new Loewe Reference, exactly where and how you want t because thanks to ts 360 desgn, ths vsual hghlght makes a compellng mpresson even n free-standng mode. A motorsed rotatng stand even allows you to use your remote control to easly and convenently adjust the TV angle to your vewng poston. Screen Lft Plus 1 Rack TS Brushed Alumnum Manually rotatable (+/ 90 ), concealed cable routng 55: W / H / PD 6.1 / TD 20.2 Dfferent versons, szes and two colours avalable to match Loewe TV, sound system and equpment: Rack TS: W x H 36.0 x TD 43.0 Rack TS: W x H 36.0 x TD 43.0 Dmensons n cm: W = wdth, H = heght, PD = product depth, TD = total depth Contents: Assst 1 system remote control, ncl. batteres. No set-up opton ncluded n delvery. Some products are depcted wth optonal accessores. 64 Only n conjuncton wth VESA Sze 400 adapter. Producton on request for the 75 and 85 nch models. 3 Avalable only for the Reference Techncal features for Reference 55. For other models see pages 66 and

34 Loewe Reference. Techncal nformaton. Loewe Reference. Techncal nformaton Image+ (Image) Resoluton (n pxels) Dsplay technology Screen dagonal (n cm/nch) / Response tme (n ms) Brghtness (n cd/m²) / Vewng angle (horzontal/vertcal) Contrast flter glass Ultra HD Super Resoluton Scalng / Image+ Actve / 24 p moton pcture dsplay 3D technology / Actve Glasses 3D Vdeo auto-dmmng (VBD+) / Interor auto-dmmng (OPC) / Home Mode Dgtal+ (Televson Standards) DVB-T2 / DVB-C2 / DVB-C / DVB-S2 / Multstandard (analogue) / Dual Channel MPEG / MPEG2 / MPEG4 (H.264) / HEVC (H.265) / ntegrated HDTV recepton 1 DVB rado / Uncable (acc. EN 50494) Sound+ (Audo) Output n W (sne / musc) Acoustc speaker concept Integrated 5.1 AV-Recever / Dgtal Audo Lnk Dolby Dgtal / DTS Indvdual bass and treble control / Loudness Automatc Volume Control (AVC) Audo out avalable: varable / fxed / Subwoofer Assst+ (Operaton) Assst Meda user Interface / Home Screen (ncl. favourtes) Smart Assst app (Androd/OS) / Smart tv2move app (Androd/OS) Electronc Programme Gude (SI-data) MedaText (HbbTV) / Vdeo text (Level 2.5) Menu languages 2 / Context Related Help Parental Lock / Automatc turn-off / Tmer Instant Channel Zappng / Quck Start Mode Programme postons ncludng AV and rado Dgtal Lnk HD (CEC) PIP (AV) 3 / Full PIP / Splt screen TV : Vdeo text MedaUpdate (va USB / Internet) Meda+ (Multmeda functons) DR+ / storage capacty n GB / USB recordng (wth DR+: USB-Archve) DR+ Streamng server / clent / Follow-Me Mult Recordng / Moble Recordng Photo player / Musc player / Vdeo player (va Home network and USB ncl. Ultra HD) Dgtal Meda Renderer (ncl. Ultra HD) / Bluetooth Musc Player Internet apps (MedaNet) / Internet Browser / Internet Rado (ncl. search functon) Connectvty+ (Connectors) HDMI wth HDCP LAN network connecton / ntegrated WLAN Common Interface / CI Plus 1.3 certfed 4 Home Control Interface (RS232) / IR Lnk 5 / Motor control Dgtal Audo Lnk (DAL) 6 / Dgtal Audo-Out (cnch) Analogue Audo-Out (L/R) / Headphone (jack 3.5 mm) Mcro-AV 7 (Component / Scart / VGA) USB Envronment EU energy effcency class / Annual energy consumpton (kwh) 8 Power consumpton n stand-by mode / off (n W) Power consumpton ON 9 (n W) / Peak lumnance rato n % Mercury content n mg / contans lead 10 Mscellaneous Weght n kg Power swtch / Mans voltages VDE-safety standard (nspecton seal) Ultra HD (3840 x 2160) LCD wth Drect-LED-Backlght 216 / 85 / / 178 / /y / // // 2 x 30 / 2 x 60 Soundbar / / / 6,000 / / 1,000 / / / / 4 (1 x UHD, 1 x ARC) 2 / / 6 / / 3 (1 x 3.0) B / / / / traces 96.7 / V, 50 / 60 Hz Ultra HD (3840 x 2160) LCD wth Drect-LED-Backlght 140 / 55 / / 178 / /y / // // 2 x 30 / 2 x 60 Soundbar / / / 6,000 / / 1,000 / / / / 4 (1 x UHD, 1 x ARC) 2 / / 6 / / 3 (1 x 3.0) B / / / / traces 78.2 / V, 50 / 60 Hz Ultra HD (3840 x 2160) LCD wth E-LED-Backlght 140 / 55 / / 178 / /y / // // 2 x 30 / 2 x 60 Soundbar / / / 6,000 / / 1,000 / / / / 4 (1 x UHD, 1 x ARC) 2 / / 6 / / 3 (1 x 3.0) B / / / / traces 37.8 / V, 50 / 60 Hz = ncluded/nstalled y = upgradeable/optonal 1 Recepton of dgtal channels may be lmted by ndvdual regulatons from the respectve broadcaster/provder. UK models are Freevew HD complant. 2 D-GB-F-I-E-NL-CZ-GR-PL-H-FIN-SLO-SK-TR-S-DK-P-RUS-N 3 AV-PIP s only avalable n combnaton wth DVB-T/C/S. 4 CI Plus s backwards compatble wth CI. Functonalty s dependent on module avalablty from the suppler. 5 Only n conjuncton wth a correspondng adapter and selected devces (RC5, 36 khz), to be ordered separately. 6 Loewe System 5.1 Out, Stereo Out, Subwoofer Out, Centre In. 7 Only n conjuncton wth a correspondng adapter, to be ordered separately. 8 On the bass of four hours of operaton per day, 365 days a year. Actual energy consumpton depends on the purpose for whch the TV s used. 9 To EN : Traces may occasonally be found n electronc components (n complance wth the recast European RoHS drectve)

35 Loewe Reference. Product detals. / Techncal nformaton. Loewe sound systems. Product detals. Housng Colours Loewe sound systems. Techncal nformaton. Reference Speaker Stand Speaker Satellte Speaker Reference Speaker Floor Stand: W 32.0 / H 97.5 / PD 6.4 / TD 32.0 Wall Mount: W 20.0 / H 86.8 / PD 6.4 / TD 7.2 Satellte Speaker as shelf or rack soluton Stand Speaker W 9.0 / H / PD 9.0 / BP 26.0 Satellte Speaker wth Wall Mount Satellte Speaker on S-Stand W 6.2 / H / PD 6.2 / BP 20.1 Satellte Speaker wth Celng Mount Hgh Gloss Whte Alumnum Black Alumnum Slver Dark Gold Reference Speaker h h h Stand Speaker Satellte Speaker Chrome Slver Black Subwoofer 800 h h Subwoofer 525 h Alumnum Slver General Prncple Nomnal/musc power handlng (sne/max.) Recommended amplfer power Frequency range Acoustc pressure at 1 W Impedance Volume Features Speaker complement Speaker connectons Accessores Wall mount Speaker cable Loudspeaker grlle 3-way bass reflex (D Appolto confguraton) 50 W / 80 W W 80 Hz 30 khz (- 6 db) 86.5 db (at a dstance of 1 metre) 4 8 ohms 4 ltres 2 x 155 mm woofers 2 x 155 mm passve membrane 2 x 60 mm ceramc tweeter/ md-range speaker Gold-plated termnal screws 3-way bass reflex (D Appolto confguraton) 75 W / 120 W W 65 Hz 22 khz (- 6 db) 86 db (at a dstance of 1 metre) 4 8 ohms 5 ltres 2 woofers 2 full-range speakers 1 tweeter Gold-plated termnal screws Mscellaneous Weght (approx.) n kg h 1-way closed 50 W / 50 W W 160 Hz 20 khz (- 6 db) 86 db (at a dstance of 1 metre) 8 ohms 0.3 ltres 2 full-range speakers Speaker termnals y W 6.2 / H 15.0 / PD 6.2 Delvery Content Subwoofer 800 W 43.0 / H 34.5 / PD 43.0 W 6.2 / H 15.0 / PD 7.2 Subwoofer 525 W 43.0 / H 24.4 / PD 34.0 W 9.0 / H 20.4 / PD 9.0 Ceramc speaker. The Loewe Reference speakers further expand the already extensve sound spectrum. Made from extremely torson-resstant ceramc, the tweeters guarantee partcularly clear, dynamc sound. The D Appolto confguraton of the total of sx speakers creates an exceptonally fne and transparent sound pattern. Together wth a Loewe Subwoofer 800, the Loewe Reference speakers are the deal soluton for your personal home cnema system. General Prncple Nomnal/musc power (sne/max.) Frequency range Features Power amps Bass control Phase swtch Low pass flter Bass equalser Power swtch Stand-by swtch Sgnal recognton Audo Lnk Speaker complement Connectons Cnch-connectons Accessores Dgtal Audo Lnk cable Dgtal Audolnk / Audolnk converter Cable management cover Loudspeaker grlle Subwoofer 800 Subwoofer 525 Actve subwoofer, passve radator 300 W / 600 W (subwoofer channel) 28 Hz 250 Hz Total output: 800 W 5 dgtal amplfers (Class D) for connecton wth front and surround speakers: 100 W (snus), 4 ohms each; 1 dgtal amplfer (Class D) for subwoofer channel: 300 W (snus) 12 db / + 12 db 50 Hz 250 Hz h 1 woofer, 10" 2 passve radators, 10" gold-plated termnal screws gold-plated Mscellaneous Weght (approx.) n kg way bass reflex, actve 150 W / 270 W (subwoofer channel) 34 Hz 250 Hz ( 6 db) Total output: 525 W 5 dgtal amplfers (Class D) for connecton wth front and surround speakers: 75 W, 4 ohms each; 1 dgtal amplfer (Class D) for subwoofer channel: 150 W (snus) 12 db / + 12 db h 50 Hz 250 Hz 1 woofer, 8" gold-plated termnal screws gold-plated h Dmensons n cm: W = wdth, H = heght, PD = product depth, TD = total depth, BP = dameter/dmensons of base plate = ncluded/nstalled y = upgradeable/optonal 68 69

36 Loewe. Hstory. Perfect Home Entertanment. Snce Loewe nvented televson as we know t. Ths nnovaton has contnued unabated over the years culmnatng n today s versatle, fully ntegrated smart entertanment systems Loewe realzes the world s frst electronc flm transmsson at the Berln Rado Exhbton Loewe gves a whole new meanng to the dea of movng pctures wth the frst portable televson Loewe unvels ts frst flat-screen televson: desgned to ntegrate perfectly n customers lvng envronments At the 8th Berln Rado Exhbton n 1931, Rado AG D. S. Loewe presented the world s frst electronc flm transmsson. Manfred von Ardenne, Loewe s frst Chef Engneer, had found the perfect replacement for neffcent mechancal pcture transmsson methods the Braun cathode ray tube. Just eght years after ts creaton, n 1923, the Loewe brothers company embarked upon a path that was to set the course for the brand s future. tmeless Over the years, Loewe has produced truly meanngful Made n Germany nnovatons, focusng exclusvely on technologes brngng genune user benefts. Ths helps to explan the endurng appeal of Loewe s classcally mnmalst desgns, standng the test of tme and mantanng ther premum value. Updates keep the software contnuously at the cuttng edge too. All comng together to create the smartest possble entertanment systems: desgned to ntegrate seamlessly n your lfe Loewe equps ts frst producton televson wth a dynamc speaker Loewe bulds ts frst hgh volume mass produced televson just n tme to screen Germany s World Cup vctory n Loewe lvens thngs up: wth the frst colour televson Loewe ntroduces Europe s frst televson wth stereo sound The Loewe Art 1 takes ts place as a desgn con n the museum of Modern Art n New York Loewe nvents customsed televson desgn: wth the Loewe Indvdual Loewe Reference Loewe does t agan, settng new standards wth perfect qualty

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