ENTERTAINMENT LAW 101 A Crash Course on Legal Issues Arising in the Animation Industry

Transcription

1 ENTERTAINMENT LAW 101 A Crash Course on Legal Issues Arising in the Animation Industry Friday, March 4, 2011 Paul Chodirker and Bob Tarantino, Heenan Blaikie LLP 1

2 Agenda Introduction Pre-production (chain-of-title, transfer of rights, E&O insurance, and clearance issues) Principal Production (Performer agreements, crew, and unions/guilds) Post-production (Music licensing, credits, and distribution) Tax credits and Canadian content certification How to use legal counsel effectively Q and A 2

3 Pre-production: Chain of title Critical step: Everyone from the administrators of tax credits to financiers, and broadcasters will want to see a complete and unassailable chain of title - documentation linking the production company s ownership and/or control of the rights required to make and distribute the production Get everything in writing The owner of the copyright may assign this right, but no assignment is valid unless it is in writing signed by the owner of the right. 3

4 Pre-production: Chain of title Overview: Step 1: Do you have the underlying creative rights? Step 2: Do you have a written contract with everyone who makes any contribution whatsoever to the production (this is critical for obtaining E&O insurance coverage) Subsequent Steps: Option Agreement, performers, writers, etc. 4

5 Pre-production: Chain of title To obtain copyright in a work, you do not need to register it, publish it or put a copyright symbol at the bottom of the page. For copyright to subsist in a work it must be expressed in some material form - fixation Employment/Work Made for Hire Canada: work made in the course of employment US: work made for hire then the employer, in the absence of any agreement to the contrary, will be the first owner of copyright 5

6 Pre-production: The Option Contract which confers the exclusive right to purchase the underlying material Rights being Optioned/Purchased (i.e. screenplay, book, character designs, film shorts) Option Price (For payment of the option price, the Producer is granted the exclusive right to acquire a license to produce a production based on the optioned material ) Purchase Price (Is there a minimum?) 6

7 Pre-production: The Option Remember: Under the Writers Guild of Canada IPA, there is no minimum script fee. All script fees are negotiable. The payment schedule of the Script Fee shall be in accordance with the WGC IPA. The writer may be terminated by written notice within 21 days of receipt of an Outline, First Draft Script or Second Draft Script. The Animation Writer is deemed owner in copyright in the Script Material until payment of the Script Fee, as evidenced by written licence. 7

8 Acquisition of Property: The Option Option Term (Eq. The initial option period shall be for a period of two years with an option to renew for one year) Remember: An option agreement does not in itself constitute a license to produce Reserved Rights/Reversion (What rights will be retained by the author, or revert to author?) 8

9 Pre-production: E&O Insurance Producers and distributors are constantly at risk of being exposed to lawsuits as a result of a production s content such as invasion of privacy, defamation, infringement of copyrights and/or trademarks Errors and omissions insurance protects against such lawsuits (such policies are usually extended to distributors, financiers, and other third parties) Remember: E&O does not protect producers from everything (i.e. contract-related claims, intentional wrongdoing and injunctions brought against the production) 9

10 Pre-production: E&O Insurance Timing of when to bind the coverage is a matter of judgement. The E&O application will set forth a nonexhaustive list of procedures to be followed: Copyright report and title report must be obtained Chain of title Releases and licenses Synchronization and master-use licenses 10

11 Pre-production: E&O Insurance Prior to a lawyer reviewing a script, a script research or script clearance report should be ordered An insurer will require a lawyer to review the script and research report The lawyer will look for the following: copyright infringement, trademark infringement, defamation, and invasion of privacy 11

12 Pre-production: E&O Insurance Tips Checklist: Do not use real names for people or organizations If real names are used, do not make any defamatory statements about them Do not use identifiable locations and addresses Do not use trademarks and logos Do not make dialogue references to companies and products Do not use music without permission Obtain all necessary consents, licenses and releases 12

13 Principal Production: Talent Deal Memo: Assists the producer with obtaining financing based on secured talent Forms basis for formal contract - Performers Agreement Exclusivity of Services During principal photography and re-shoots or Alternative Dialogue Replacement Rights granted by artist to producer: Results and proceeds belong to producer to allow for exploitation of the performance Name and Likeness and appearances for marketing and promotional purposes Production, casting/staffing and shooting schedule control IMPORTANT: GET A WAIVER OF INJUNCTIVE RELIEF 13

14 Principal Production: Talent Animation Performers: Members of a guild - such as ACTRA Different regulations regarding animation Minimum fees for animation performers and for short animated productions Dubbing of animated productions - Dubbing Section Initial recording session of an animated series shall include 8 hours of work at the rate of a regular 4 hour call Doubling - additional roles by principal animation performers without additional payment (role shall not exceed 10 consecutive words) Crowd noises or incidental sounds and words are not considered a performance 14

15 Post-Production: Music Licenses All music should be cleared before using it to avoid having to remove it Required licenses: Synchronization - from publishers Master Use - usually from record label Soundtrack use rights Consider using a music clearance house - for a percentage fee based on the music budget Music Composition Agreements - details the ownership of composed work 15

16 Post-Production: Credits Canadian producer(s) must be clearly identified in main titles and all billing blocks Always include the Canadian copyright notice in the tail-end screen credits Non-Canadians may be given courtesy screen credits but must not exceed the number of credits given to Canadians from the same group Non-Canadians given a courtesy must file an affidavit with CAVCO on an approved form outlining their duties under the direction and control and with the full knowledge of the Canadian producer. 16

17 Post-Production: Distribution Distribution Rights: Theatrical/Non-Theatrical Standard TV/Non-Standard TV Video/Online Territorial Rights (Regional/National/International) Revenue Guarantees and Advances - production financing Net and Gross Receipts Choose a distributor - Consider hiring a sales agent to assist with entering distribution agreements outside Canada 17

18 Tax Credits What is it? Total production costs are reduced by federal and provincial tax credits in the form of a refundable income tax credit Available to Canadian-controlled taxable corporations whose primary business is the production of Canadian films and videos Federal (Canadian and non-canadian services), provincial (Canadian and non- Canadian services), Ontario Computer Animation and Special Effects ( OCASE ) tax credit, and inter-provincial 18

19 Tax Credits How much? Ontario: 35% of eligible Ontario labour expenditures Federal: 25% of labour expenditures OCASE: 20% of eligible Ontario labour expenditures; qualifying corporations can include animation or visual effects houses, post-production houses, etc. Note: The OCASE credit does not reduce the Ontario credit, though both reduce the production budget for the purpose of the Federal calculation 19

20 Tax Credits Who is eligible? Ontario and Federal credit: Canadiancontrolled production corporation OCASE: A Canadian corporation that is Canadian or foreign-owned (create digital animation or digital visual effects at a permanent establishment in Ontario) Ontario and Federal: 75% of total production costs are Ontario/Canadian expenditures Eligible productions must have a minimum of 6 out of 10 Canadian Content points as defined by the Canadian Audio-Visual Certification Office ( CAVCO ) 20

21 Tax Credits To be recognized as a Canadian production, an animation production must be allocated a total of at least six (6) points according to the following scale (points are allocated to individual(s) who are Canadian): Director, 1 point / Screenwriter and storyboard supervisor, 1 point / lead voice (1st or 2nd highest paid), 1 point / design supervisor, 1 point / camera operator where camera operation is done in Canada, 1 point / music composer, 1 point / picture editor, 1 point Layout and background, 1 point / key animation, 1 point / assistant animation and in-betweening, 1 point For the production to be considered Canadian, the following conditions must be fulfilled: either the director, or the screenwriter and storyboard supervisor must be Canadian; the lead voice for which the highest or second highest remuneration was payable must be Canadian; and the key animation must be done in Canada 21

22 Federal Tax Credits The Canadian Film or Video Production Tax Credit ( CPTC ) Refundable tax credit for 25% of labour expenditures The Canadian Film or Video Production Services Tax Credit ( PSTC ) Refundable tax credit for 16% of labour expenditures paid to Canadian residents Scientific Research and Expiremental Development Tax Incentive Program Up to 35% of the first $3 million of qualified expenditures carried out in Canada by a Canadiancontrolled private corporation Experimental development, applied research and basic research 22

23 Ontario Tax Credits Film and Television Tax Credit 35% of eligible labour expenditures - not capped First time producers - 40% on the first $240,000 Production Services Tax Credit 25% of all qualifying production expenditures in Ontario Canadian and foreign production companies are eligible No content requirements beyond having a permanent establishment in Ontario (including a production office during filming) 23

24 Ontario Tax Credits Interactive Digital Media Tax Credit Ontario supports the development of the digital media industry through OIDMTC. 40% of eligible labour expenditures (no maximum) as well as eligible marketing and distribution expenses up to $100,000 - in the development of an interactive digital media product. 35% of eligible labour expenditures with respect to specified products - interactive digital media products that are developed under a fee-for-service arrangement under the terms of an agreement between the qualifying corporation and and arm s length purchaser corporation Interactive Digital Media Product - Primary purpose is to educate, inform, and entertain, and achieves that by presenting information in at least two of the following: text/sound/images 24

25 Ontario Tax Credits Computer Animation and Special Effects Tax Credit ( OCASE ) Digital animation and digital visual effects - includes designing, modeling, rendering, lighting, painting, animating and compositing 20% of eligible labour expenditures related to computer animation or visual effects Not capped Only qualified corporations - Canadian corporations with a permanent establishment in Ontario that are either Canadian or foreign controlled May be claimed in conjunction with the Ontario Film and Television Tax Credit or the Ontario Production Services Tax Credit Administered by the Ontario Media Development Corporation and Canada Revenue Agency 25

26 Tax Credits In short.. Tax credits can provide 20-30% of total production budget Remember that the 75% is a presumption - always get labour expenditure statements from suppliers 26

27 Federal Incentive Programs Canada Media Fund ( CMF ) Formerly the Canadian Television Fund and Canada New Media Fund operating with a $350 million budget Two streams: Experimental and Convergent Experimental - for innovative and interactive digital content with maximum contribution of 75% of eligible costs or $1 million (whichever is less) Convergent - for creation of TV shows and related digital media content for drama, documentary, children s and youth, and variety and performing arts with at least one digital media platform and high levels of Canadian elements, including Canadian creative content Canadian Independent Film and Video Fund The Harold Greenberg Fund Independent Production Fund Scientific Research and Experimental Development Tax Incentive Program 27

28 Ontario Incentive Programs Ontario Media Development Corporation Film Fund ( OMDC ) Ontario producers for feature film projects Development (final stage) - up to $25,000 interest free loan Production - up to $400,000 repayable advance on last-in basis to complete financing Minimum amount of 85% of the total number of days of key animation must be done in Ontario CJOH-TV/CTV Television Incorporation Development Fund Ontario Arts Council Toronto Arts Council Grants to Media Artists Program TV Ontario 28

29 Additional Animation Concerns Under CAVCO, a minimum of 75% of the aggregate cost of post-production and laboratory work, processing and final preparation must be paid for services provided in Canada CRTC recognizes two types of animation: Computer Animation - digital image synthesis using computers and computer programs to generate animated movement Traditional Animation - continuous or frame-byeframe continuous is considered Live Action for CRTC Canadian content 29

30 How to use Legal Counsel Effectively? Tasks we can assist with: Acquiring/granting of rights and ownership Acquiring/granting of options Chain of Title opinions E & O Insurance applications Canadian content certification opinions Production Financing (including applications for tax credits and incentive programs) And remember...always ask first to avoid any major setbacks! 30

31 ANY QUESTIONS?? 31

32 CONTACT INFORMATION Bob Tarantino, Heenan Blaikie LLP Phone: Paul Chodirker, Heenan Blaikie LLP Phone: