Visual Imaging and the Electronic Age Color Science
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1 Visual Imaging and the Electronic Age Color Science Color Gamuts & Color Spaces for User Interaction Lecture #7 September 15, 2015 Donald P. Greenberg
2 Chromaticity Diagram
3 The luminance or lightness axis, when added to the chromaticity diagrams provides the third dimension for color.
4
5
6 3D Model - Billmeyer
7 Color Demonstration Video (Jeremy Selan Color Cube Demo)
8 Trichromatic Generalization Many colors can be matched by additive mixtures of suitable amounts of three fixed primary colors. Others have to be mixed with a suitable amount of one before it can be matched by the other two. All the colors can be matched in one of these two ways: The restriction is that none of the primary colors can be matched by an additive mixture of the other two.
9 Color Gamuts
10 Trichromatic Generalization Many colors can be matched by additive mixtures of suitable amounts of three fixed primary colors. Others have to be mixed with a suitable amount of one before it can be matched by the other two. All the colors can be matched in one of these two ways: The restriction is that none of the primary colors can be matched by an additive mixture of the other two.
11 Chromaticity Diagram & Gamut (monitors) Dominant Hue
12 Chromaticity Diagram & Gamut (monitors).. Nearest Color
13 Chromaticity Diagram & Gamut (printers)
14 Sharp 4 Color Display
15 Sharp 4 Color Display
16 Sharp 5 Color Display Kit Eaton. Sharp s New Five Color LCD Displays 99% of Visible Colors, But Not on Your TV, Fast Company, May 29, 2009http://
17 Sharp 5 Color Display
18 5 Color Gamut Color coordinates and gamut for five-primary LCDs. Hui-Chuan Cheng, Linghui Rao, Shin-Tson Wu. Color Breakup Suppression in Field-Sequential Five-Primary-Color LCDs, Jourrnal of Display Technology, June 2010.
19 Expanded colar gamut reproduced by sixprimary projection display
20 Expanded color gamut reproduced by sixprimary projection display
21 Color Space Diagram with Various Gamuts
22 How do you map a color which is outside the gamut of a display with four or five primaries? How do you map a color which is inside the gamut? Which and how many primaries do you use and why?
23 Color Spaces for User Interaction RGB Cube Hexacone Model Munsell Color System HSL Biconical Solid (Hue, Saturation, Lightness) Others
24 RGB Cube B Blue Cyan Magenta White Black Green G R Red Yellow
25 Hexacone Model
26 Hexacone Model
27 Perceptually Uniform Color Spaces Chromaticity specifies the basic color (hue) of an object. Comparing chromaticities gives the best indicator of the color differences between two objects. A chromaticity diagram where equal physical distances (on the diagram) indicate equal perceptual differences would be useful. Why?
28 MacAdam Experiments Subjects were shown colors of known chromaticity (luminance was held constant) and were asked to match the sample using an adjustable color source. Each chromaticity point studied is surrounded by an ellipse proportional in size to the standard deviation of the difference between the actual and match chromaticities. The ellipse indicate how rapidly the color change is perceived.
29 Just Noticeable Differences (JND s) MacAdam Ellipses Note the varying size and orientation of the ellipses. Donald P. Greenberg - Cornell Program of Computer Graphics
30 MacAdam Ellipses - Nonlinear Color Spaces (uvw) u 6y 2x x 1.5 v 6y 3y x 1.5 Basis for the CIELUV and CIELab systems
31 Munsell Color System
32 Munsell Color System Billmeyer
33 Munsell Color System Meyer
34 Munsell Color System Meyer
35 Munsell Color System Meyer
36 Biconical Color Solid George Joblove
37 Biconical Color Solid George Joblove
38 Biconical Color Solid George Joblove
39 Color Constancy The eye has evolved to see the world in unchanging colors, regardless of shifting and uneven illumination. The fact remains that objects retain their color identity under a great variety of lighting conditions. -Edwin Land, Scientific American 1977
40 Color Constancy The most deeply shadowed regions of the church s white siding project luminances to the eye almost equal to the luminances projected by the black shingles is the direct sunlight. Yet they look very different. - Irvin Rock. PERCEPTION, 1984 Scientific American Books, Inc., p.22.
41 Color Constancy
42 Color Constancy
43 End...
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