Marc Segar Director of Technology NEP Australia

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1 Marc Segar Director of Technology NEP Australia

2 RESOURCES BRANDS & SOLUTIONS WHO IS NEP? Americas U.K., Ireland & EUROPE Australia Asia Middle East 60+ HD OBs 7 Mobile LED Screen Trucks 9 Studios As Well as Custom Control Rooms 1 Transportable Control Room Flypacks, Camera Systems And A/V Packages Thousands of Video Display Solutions Including LED, Projection And Plasma Technologies 50+ HD OBs, 1 HD OB/Uplink Truck, 1 Sprinter Van 2 Music Production Vans 4 Uplink Trucks 32 Mobile LED Screen Trucks 18 Studios As Well as Custom Control Rooms Extensive Post Production Facilities for Full Video, Audio, Graphics and Visual Effects. Flypacks, Camera Systems And A/V Packages Thousands of Video Display Solutions including LED, Projection And Plasma Technologies 14+ HD OBs 16+ HD Flypacks 9 Studios Custom Control Rooms 1 HD OB Flypacks, Camera Systems And A/V Packages Thousands Of Video Display Solutions Outside Broadcast, Studio Production, Video Display, Host Broadcast, Post Production, Play Out / MCR and Digital Solutions Around The Globe Access To NEP s Worldwide Pool Of Resources Support Services Across Our Worldwide Network Including: IT, Asset Management, Purchasing, Strategy, HR And More

3 INTRODUCTION CENTRALISED PRODUCTION - AUSTRALIA Fox Sports Australia approached NEP almost exactly one year ago to today, with a view to centralising its live sports production requirements into one Sydney and one Melbourne location. The key drivers were production efficiency and cost Why two locations? It comes down to the geographic location of the production crews that cover our key sports. The NRL, National Rugby League and Soccer are located in Sydney. The AFL, Australian Rules football being located in Melbourne We committed to an IP solution from day one in discussions with Fox Sports, given that we were always going to be IP for contribution anyway, it made no sense to have mixed SDI and IP ecosystem, and with ST2110 on the horizon the parts of the puzzle were looking good So the journey began and one year later, this ambitious project is about to go live.

4 THE PROJECT SCOPE We are building 2 IP centralised production centres (hubs) in Sydney and in Melbourne Whilst building the hubs, create 1 temporary facility so we can begin production trials in October 2017 We are building 4 new connected 100% IP trucks And upgrading 7 of our existing fleet with an IP layer 29 venues connect to the 2 sites, spanning the entire country With a diverse/hitless 50Gbs network at 90% of connected venues SMPTE 2110 and/or VC 2 SMPTE 2059 (PTP) for system wide timing VSM control Our anchor client - Fox Sports is connected by a 100Gbs hitless network to the production hubs Meaning we are able to be uncompressed and hitless from the venue to the broadcaster The anyone anywhere concept is born

5 PROJECT TIMELINE Sept Oct Nov Dec Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Jan Feb Mar Apr May Jun IBC 2016 BEGIN WORK VENDORS NAB TEMP FACILITY SYDNEY LIVE August 2016 begin discussions with Fox Sports September IBC January 2017 Project GO Begin construction of 4 x new trucks And 2 broadcast centres March 2017 Confirm major vendors April 2017 NAB/ST 2110 ratified May 2017 ST2110 test site setup in Sydney, internal interoperability and proof of concept tests begin September 2017 IBC, 1 year anniversary from beginning of discussions October 2017 trial events in temporary facility January 2018 Sydney hub live March 2018 Melbourne hub live

6 NETWORK CONCEPT The DPN (Distributed Production Network) TOWNSVILLE BRISBANE PERTH ADELAIDE MELBOURNE SYDNEY 3933kms (main fibre path is 4452kms)

7 IP TRUCK OVERVIEW World first 100% IP broadcast truck * Up to 16 x IP CCU CAMERAS 2 x IP EVS machines 3 ME Sony XVS 6000 IP switcher LAWO MC56 audio console Telex IP Communications 30 x SDI inputs 30 x SDI outputs UHD 4K and HDR capable Little truck on its own Very big truck when its connected

8 IP 21 The 1st truck

9 IP 22 The 2 nd truck

10 NETWORK SPEEDS 1Gbs, 10Gbs, 25Gbs, 40Gbs and 100gbs IP TRUCK NETWORK OVERVIEW

11 SYDNEY PRODUCTION HUB Existing facility Two 750Sq/m television studios significant support areas One central control room Proposed facility Discreet The Hub reception area 4 x Production Galleries 4 x Audio Control Rooms 5 x overflow multi purpose rooms 2 x Large 25sq/m studio/commentary suites 2 x Production offices including meeting rooms 1 x bookable meeting room MCR and central camera control areas Indoor and outdoor breakout areas Central Apparatus Room 100% redundant power and UPS system On-site electronic and mechanical maintenance Site specific car parking Secure access control by room

12 SYDNEY PRODUCTION HUB

13 MELBOURNE PRODUCTION HUB Existing facility Three various size television studios significant support areas control room Proposed facility Discreet The Hub reception area 3 x Production Galleries 3 x Audio control rooms 5 x overflow multi purpose rooms 2 x Production offices including meeting rooms MCR and central camera control areas Indoor and outdoor breakout areas Central Apparatus Room 100% redundant power and UPS system On-site electronic and mechanical maintenance Large street frontage Cafes, restaurants and public transport on the doorstep Secure access control by room

14 MELBOURNE PRODUCTION HUB

15 MELBOURNE PRODUCTION HUB

16 HUB NETWORK OVERVIEW

17 TODAY.. We are 2 weeks away from our first full technical tests from the first connected venues This is the current facility, its 100% IP, Switcher, Multiview, distribution and EVS By NAB 2018, both sites and all mobile facilities will be active covering up to 24 projects every week

18 TODAY.. For the end user, the experience is the same. We have changed almost every single device behind this control panel, the way the signals move and the distance we move them. Can you see the difference?

19 ANY QUESTIONS?

Date <> Time-of-day <> Frequency <> Phase

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