User's Manual APM120/APM160 POWERED MIXER. Version 1.0 JUNE 2008 English

Transcription

1 APM/APM6 POWEED MIXE User's Manual Version. JUNE English

2 IMPOTANT SAFETY INSTUCTION CAUTION ISK OF EECTIC SHOCK DO NOT OPEN TO EDUCE THE ISK OF EECTIC SHOCK PEASE DO NOT EMOVE THE COVE O THE ACK PANE OF THIS EQUIPMENT. THEE AE NO PATS NEEDED Y USE INSIDE THE EQUIPMENT. FO SEVICE, PEASE CONTACT QUAIFIED SEVICE CENTES. This symbol, wherever used, alerts you to the presence of un-insulated and dangerous voltages within the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death. This symbol, wherever used, alerts you to important operating and maintenance instructions. Please read. Protective Ground Terminal ã AC mains (Alternating Current) Hazardous ive Terminal ON: Denotes the product is turned on. OFF: Denotes the product is turned off. CAUTION Describes precautions that should be observed to prevent damage to the product.. ead this Manual carefully before operation.. Keep this Manual in a safe place.. e aware of all warnings reported with this symbol. 4. Keep this Equipment away from water and moisture.. Clean it only with dry cloth. Do not use solvent or other chemicals. 6. Do not damp or cover any cooling opening. Install the equipment only in accordance with the Manufacturer's instructions. 7. Power Cords are designed for your safety. Do not remove Ground connections! If the plug does not fit your AC outlet, seek advice from a qualified electrician. Protect the power cord and plug from any physical stress to avoid risk of electric shock. Do not place heavy objects on the power cord. This could cause electric shock or fire.. Unplug this equipment when unused for long periodsoftimeorduringastorm. 9. efer all service to qualified service personnel only. Do not perform any servicing other than those instructions contained within the User's Manual.. To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not short-circuit the fuse holder. efore replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet. WANING To reduce the risk of electric shock and fire, do not expose this equipment to moisture or rain... Dispose of this product should notbeplacedinmunicipalwaste and should be separate collection. Move this Equipment only with a cart, stand, tripod, or bracket, specified by the manufacturer, or sold with the Equipment. When a cart is used, use caution when moving the cart / equipment combination to avoid possible injury from tip-over. Permanent hearing loss may be caused by exposure to \ extremely high noise levels. The US. Government's Occupational Safety and Health Administration (OSHA) has specified the permissible exposure to noise level. These are shown in the following chart: HOUS X DAY SP EXAMPE ,,, or less Small gig train Subway train High level desktop monitors Classic music concert ock concert According to OSHA, an exposure to high SP in excess of these limits may result in the loss of heat. To avoid the potential damage of heat, it is recommended that Personnel exposed to equipment capable of generating high SP use hearing protection while such equipment is under operation. The apparatus shall be connected to a mains socket outlet with a protective earthing connection. The mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

3 IN THIS MANUA:. INTODUCTION.... FEATUES.... QUICK STAT CONTO EEMENTS.... INSTAATION & CONNECTION PESET IST OCK DIAGAM.... TECHNICA SPECIFICATIONS WAANTY...4. INTODUCTION Thank you for your purchasing of the TO APM -channel (6-channel for APM 6) power mixer with 4-bit digital multi-effect built-in. It is just one of the many TO products that a talented, multinational Team of Audio Engineers and Musicians have developed with their great passion for music. Your APM is a remarkable compact powered mixer that doesn't find many equals in the market today. With microphone ( microphone for APM6) and stereo ine-level inputs for serious live performances, your APM Series also includes a 4-bit digital multi-effect with 6 Factory Presets and 6 variations for every preset, for a total of 6 different digital effects. There is a three bands EQ on mono input channels, four bands EQ on stereo input channels. Use it for small Gigs, for Church applications and for Conference. Enjoy your APM Series and make sure to read this Manual carefully before operation!. FEATUES MONO (APM)/ MONO (APM6) inputs with gold plated X and balanced TS jack. Stereo input channels with balanced TS jacks. GAIN and +4 V Phantom power for mono/mic inputs. Peak ED in each channel. -band EQ with sweepable MID on mono inputs. 4-band EQ on stereo inputs. 4-bit internal DSP with 6 effects, 6 presets by 6 variations with DSP mute switch and peak ED. 9-band graphic EQ. NC socket for connecting gooseneck lamps. ow cut filters 7 Hz, /Oct. on mono inputs. ow pass filter on mono outputs (~ Hz). High accurate -segment ar graph Meters. Maximum Output Power(EIAJ): APM: W+ W/4 Ohms ( W bridge/ Ohms) APM6: 7 W+7 W/4 Ohms ( W bridge/ Ohms)

4 EFT PHANTOM +4V (CH -4) INE IN INE IN INE IN INE IN A/UNA A/UNA A/UNA A/UNA INSET INSET INSET INSET IGHT OW Hz AUX PE PE DFX (EXT) DFX (INT) PAN - + OW Hz AUX DFX (EXT) 4 4 DFX (INT) PE PE EFT IGHT PAN EFT + IGHT OFF OW Hz AUX PE PE DFX (EXT) DFX (INT) PAN 4 ON EFT IGHT OW Hz AUX PE PE DFX (EXT) DFX (INT) PAN - + INE IN A/UNA INSET OW Hz - + INE IN A/UNA INSET OW Hz - + OFF INE IN A/UNA INSET OW Hz ON PHANTOM +4V (CH -) - + INE IN A/UNA INSET OW Hz EFT IGHT -TACK IN/OUT TAPE IN TAPE OUT INE IN 9 INE IN EFT INE IN INE IN OW Hz DFX DFX DFX DFX DFX (INT) (INT) (INT) (INT) (INT) IGHT OW Hz EFT IGHT PAN EFT IGHT PAN EFT IGHT PAN PAN MAIN MAIN AUX MONO A IDGE AMP MODE ON OFF AUX AUX AUX AUX AUX AUX AUX AUX AUX - + PE - + PE - + PE - + PE - + PE - + PE PE - + PE DFX DFX DFX DFX DFX DFX (EXT) (EXT) (EXT) (EXT) (EXT) (EXT) PE PE PE A PE DFX (INT) A AUX SEND AUX SEND. VOCA. VOCA. AGE HA EVE SET EVE SET EVE SET EVE SET EVE SET EVE SET EVE SET EVE SET EVE SET EVE SET 4. SMA HA GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN GAIN. AGE OOM MIC MIC MIC MIC MIC MIC MIC MIC 6. SMA OOM INE INE INE INE 4 INE INE 6 INE 7 INE 9/ / 7. PATE. TAPE EVE 9. SPING EVE. MONO DEAY. STEEO DEAY. FANGE CHOUS 4. EV. + DEAY. EV. + FANGE OW CUT OW CUT OW CUT OW CUT OW CUT OW CUT OW CUT OW CUT 6. EV. + CHOUS 7Hz 7Hz 7Hz 7Hz 7Hz 7Hz 7Hz 7Hz /Oct /Oct /Oct /Oct /Oct /Oct /Oct /Oct EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ HI HI HI HI HI HI HI HI HI HI 6 khz khz khz khz khz khz khz khz khz khz PESETS HI-MID HI-MID 6 MID MID MID MID MID MID MID MID khz khz FEQ FEQ FEQ FEQ FEQ FEQ FEQ FEQ MID-OW MID-OW VAIATIONS Hz Hz Hz KHz Hz KHz Hz KHz Hz KHz Hz KHz Hz KHz Hz KHz Hz KHz PEAK MUTE MUTE MUTE MUTE DFX MUTE EQ OFF EQ ON 6 K K + EFT IGHT EFT IGHT EFT IGHT MUTE MUTE MUTE MUTE MUTE MUTE ST SU IN PF ST POWE AMP ST OUT ST SU IN ST ST SU OUT ST SU IN STEEO GAPHIC EQ AUX ST MONO OUT FOOT SW PHONES 4K - + PF PF PF ST SU IN ST SU IN T IN / / DFX TN AUX AUX AUX MONO OUT ST OUT PF PF PF PEAK PEAK PEAK PF PEAK PF PF PF PEAK PEAK PEAK PF PEAK PF PEAK PF PEAK DFX SEND DFX SEND PF P. AMP INPUT ST SU IN TO POWE Hz K ST AMP (V/.A) CHANNE WATT POWEED MIXE WITH 4-IT MUTI-EFFECTS POCESSO - + OFF PHONES ON PF(MONO OUT) MONO OUT K CIP ST AF. PF ST SU OUT AF AF AF AF AF TO PF 6 CHANNE WATT POWEED MIXE WITH 4-IT MUTI-EFFECTS POCESSO SPOTIGHT MIC MIC MIC MIC 4 MIC MIC 6 MIC 7 MIC APM APM APM6 APM6

5 . QUICK STAT This is the fastest way to get something out from your APM Series, if you have a keyboard and a microphone. a. Plug the microphone into Channel MIC IN. b. Turn down AUX and EVE controls on the input channel. c. Put the EQ controls on center position. d. Connect passive cabinets to the rear speaker cabinets. e. Turn on your APM Series. f. Sing or speak into the microphone with normal volume and adjust the channel EVE control of half. g. If you like, you can adjust the EQ at this stage. h. The ED on the Master ED meter should flash only occasionally, otherwise you will hear distortion. If this ED is not active and you still hear distortion, please turn down a little the input EVE control or reduce the output level of your source instrument. i. Connect your stereo keyboard into channel 9/ and repeat the sequence.(for APM) Connect your stereo keyboard into channel /4 and repeat the sequence.(for APM6) Here you are. It is your first gig with your APM Series.

6 ON PHANTOM +4V (CH -4) A/UNA A/UNA A/UNA A/UNA OFF ON PHANTOM +4V (CH -4) A/UNA A/UNA A/UNA A/UNA OFF A/UNA A/UNA A/UNA A/UNA OFF A/UNA OFF A/UNA ON ON PHANTOM +4V (CH -) A/UNA PHANTOM +4V (CH -) A/UNA EFT IGHT EFT IGHT EFT IGHT EFT IGHT (V/.A) (V/.A) HOOK SMA GIG HOOKUP DIAGAM UP MIC MIC MIC MIC4 WIEESS MICOPHONE CD PAYE PASSIVE SPEAKES STAGE MONITOS MIC MIC MIC MIC 4 MIC MIC 6 MIC 7 MIC -TACK IN/OUT AUX SEND P. AMP INPUT ST OUT ST SU OUT MONO OUT AMP AUX SEND INE IN INE IN INE IN INE IN INE IN INE IN INE IN INE IN TAPE IN TAPE OUT INE IN 9 INE IN DFX SEND ST SU IN ST SU IN ST SU IN FOOT SW INSET INSET INSET INSET INSET INSET INSET INSET INE IN INE IN DFX SEND PHONES D/I OX DUM MACHINE GUITA ASS KEYOAD HEADPHONE HOOK COMPUTE SET-UP DIAGAM UP MIC MIC MIC MIC4 WIEESS CD PAYE CD PAYE MICOPHONE SOUND CAD INE IN STAGE MONITOS INE OUT MIC IN MIC MIC MIC MIC 4 MIC MIC 6 MIC 7 MIC -TACK IN/OUT AUX SEND P. AMP INPUT ST OUT ST SU OUT MONO OUT AMP AUX SEND INE IN INE IN INE IN INE IN INE IN INE IN INE IN INE IN TAPE IN TAPE OUT INE IN 9 INE IN DFX SEND ST SU IN ST SU IN ST SU IN FOOT SW INSET INSET INSET INSET INSET INSET INSET INSET INE IN INE IN DFX SEND PHONES D/I OX DUM MACHINE GUITA ASS KEYOAD HEADPHONE 4

7 SPOTIGHT 4. CONTO EEMENTS Mono and Stereo Input Channels The MONO MIC/INE Channels Your APM is equipped with ( for APM6) low-noise microphone preamplifiers with optional phantom power, 4 of Gain and over of S/N ratio. You can connect almost any type of microphone. Dynamic microphones do not need phantom power. Use phantom power only with condenser microphones but make sure that the phantom power button is disengaged before connecting the microphone. Phantom power will not damage your dynamic microphones, so make sure to read the microphone instructions manual before engaging phantom power. Use switch (4) to activate/deactivate phantom power. These channels are also equipped with /4" TS balanced/unbalanced INE-IN plugs to connect line-level instruments such as keyboards, drum machines and effect devices. MONO Channel INSET This is where you connect external sound processors such as compressor-limiter, equalizers, etc. The insert point is available on the first MIC ( for APM) channels only. For the other channels you can always insert the processor in between the sound source (such as keyboard or drum machine) and the APM input. The Insert sockets can be used as direct-outs to feed the input of a 4-track tape recorder. MIC INE IN A/UNA INSET STEEO INPUTS These are Channel 9/ and / (Channel/4 and /6 for APM6). They are organised in stereo pair and provided with /4" TS phone sockets. If you connect only the left jack, the input will operate in mono mode, that is the mono signal will appear on both input channels. You can use these inputs with a stereo keyboard, drum machine, etc Volt Phantom Power It is available only to the X MIC sockets. Never plug in a microphone when phantom power is already on. efore turning phantom power on, make sure that all faders are all the way down. In this way you will protect your stage monitors and main loudspeakers. INE IN 9 EFT INE IN IGHT OFF ON PHANTOM +4V (CH -4) 4

8 SPOTIGHT 4. CONTO EEMENTS MONO IN GAIN This control is provided with different indications: One is for the MIC and the other for INE levels. When you use a microphone, you shall read the MIC ring (~-4); when you use a line level instrument, you shall read the INE ring (+~-). For optimum operation you shall set this control in a way that the PEAK ED() blinks only occasionally in order to avoid distortion on the input channel. 6 EVE SET ED This ED will help you to detect the input level immediately. In this case the research of the fault will become much faster! 7 OW-CUT utton y pressing this button you will activate a 7 Hz low frequency filter with a slope of per octave. You can use this facility to reduce the hum noise infected by the mains power supply, or the stage rumble while using a microphone EVE SET MIC INE EVE SET OW CUT 7Hz /Oct + - GAIN GAIN 9/ STEEO IN GAIN When you use a line level instrument, you shall read the ring (+~-).For optimum operation you shall set this control in a way that the PEAK ED() blinks only occasionally in order to avoid distortion on the input channel. EQUAISE There are bands EQ with sweepable MID on all mono input channel- (channel- for APM6): HI, MID and OW band. There are 4 bands fixed frequency EQ on the stereo channel 9- (channel-6 for APM6): HI, HI-MID, MID-OW and OW band. All bands provide up to of boost or cut. EQ HI khz 9 EQ HI khz MID HI-MID khz - + FEQ - + MID-OW Hz Hz KHz - + OW Hz OW Hz

9 SPOTIGHT 4. CONTO EEMENTS 9HI If you turn this control up, you will boost all the frequencies above khz (shelving filter). You will add transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies above khz. In such way you can reduce Sibilances of human voice or reduce the hiss of a Tape player. MID This is a peaking filter and it will boost/cut frequencies from Hz to khz depending on the position of the MID freq control. This control will affect especially upper male and lower female vocal ranges and also the harmonics of most musical instruments. HI-MID This control gives you up to boost/cut at khz. It is useful for controlling voice. It can accurately polish your performance via adjusting this knob. MID-OW This control gives you up to boost or cut at Hz. OW If you turn this control up, you will boost all frequencies below Hz. You will give more punch to bass drum and bass guitar and make the vocalist more "macho". Turn it down, you will cut all the frequencies below Hz. In this way you can avoid low-frequency vibrations and resonance thus preserving the life of your woofers. 4 AUX SENDS evel Control These four controls are used to adjust the level of the respective signal sent to AUX bus, AUX and AUX can be switched to PE/-FADE via the PE/ button, so, generally, they can be used for monitor application and effects & sound processors Input. AUX and AUX4 are configured as -Faders. In this typical compact unit, excluding sending out the signal directly to the external effect or processor equipment, AUX SEND4 can also be assigned to the internal onboard effect module. 4 AUX - + PE - + PE DFX (EXT) DFX (INT) A AUX PE PE DFX (EXT) DFX (INT) A EFT IGHT EFT IGHT MUTE MUTE 7

10 SPOTIGHT 4. CONTO EEMENTS PAN/A Control Abbreviation of PANOAMA control for mono channels, or the stereo channels, always says, AANCE control. Keep this control in center position, then the signal will be positioned in the middle of stage. 6 MUTE Switch Each channel is equipped with the MUTE switch. Pressing this switch is equal to turning the fader down, which can mute the corresponding channel output except for the PE AUX sends, channel INSET send. 7 PF (pre-fader listen) Switch Each channel has a PF switch which will send a signal from a post-eq pre-fader location to the PHONES jack. Use this when you wish to use the headphones to monitor only a specific channel. Moreover, you can monitor a channel no matter the channel is lowered or the MUTE switch is on when this PF switch is engaged. This will not affect the signals that are sent to the ST bus and AUX buses. PEAK ED Inside your APM Series the audio signal is monitored in several different stages and then sent to the PEAK ED. When the ED is red illuminated, it warns you that you are reaching signal saturation and possible distortion, then you should reduce the input level for avoiding distortion. 7 - PF PEAK 9 FADE This fader will adjust the overall level of this channel and set the amount of signal sent to the main output Master Section -TACK IN/OUT - TAPE IN Use the Tape input if you wish to listen to your mix from a Tape ecorder or DAT. - TAPE OUT These CA jacks will route the main mix into a tape recorder. -TACK IN/OUT TAPE IN TAPE OUT

11 SPOTIGHT 4. CONTO EEMENTS 4 6 AUX SEND P. AMP INPUT ST OUT ST SU OUT MONO OUT AMP AUX SEND (V/.A) 9 DFX SEND ST SU IN ST SU IN ST SU IN FOOT SW 7 DFX SEND PHONES AUX/DFX SENDS Connectors These /4" phone jacks are used to send out the signal from the AUX bus to external devices such as effect units and/or stage monitors. P. AMP INPUT Jacks These /4" phone jacks are used to input line level stereo signals to the built-in power amplifier. ST OUT Jacks These jacks are used to output the signal of the STEEO bus. The final output level from these jacks is adjusted by the ST OUT fader. 4 ST SU OUT Jacks These jacks are used to output the signal of the STEEO bus. Use the ST SU OUT control to adjust the final output level at the ST SU OUT jacks. Generally, it is available to connecting effects unit. ST SU IN - Jacks These /4" jacks are used to connect stereo output of a sub mixer or external effect processor. The signal input can be routed to the AUX- bus and STEEO bus. 6 MONO OUTPUT Jack Use this balanced MONO jack to connect the input of an external amplifier or active monitor speaker. 7 FOOTSWITCH Jack This /4" jack can be used to connect an external foot switch to turn on/off the onboard effect module. 9

12 SPOTIGHT 4. CONTO EEMENTS PHONES Jack This jack will be used to send the signal to a headphone or to a pair of powered studio monitors. 9 AMP This lovable AMP is very convenient for your operation, it is located in the top right corner of the front panel, and provides the V socket that can drive standard NC-type lamp. CIP ED METE Display 7 The ED METE Display indicates the output signal level. 4 y pressing the switch, you can choose the output signal - source. When the switch is off, the stereo ED meter -4 will indicate the signal level sent to ST OUT outputs. When the switch is on, the ED meter indicates the signal level sent to PHONES output ST SU OUT Control This knob adjusts the final level of the signal sent from the ST bus to the ST SU OUT jacks. AUX- Controls These knobs are used to adjust the amount of the signal sent from the ST SU IN- jacks to the AUX, and buses. ST (stereo ) Controls The ST knob is used to adjust the amount of stereo signal sent from the ST SU IN- jacks to the STEEO bus. 4 PF (pre-fader listen) Switch When this switch is engaged, the signal at the point before the ST control knob is sent to the PHONES jack ST SU OUT ST AF. PF ST SU IN AUX ST PF

13 SPOTIGHT 4. CONTO EEMENTS POWE ED The ED indicates when the power is switched on. POWE 6 PHONES Control This control is used to adjust the level of PHONES output, which can be varied from - to PHONES OFF ON 7 PF (MONO OUT) - PF ON/OFF Switch This switch applies a low-pass filter to the signal that is output from the STEEO bus. - PF Control You can adjust the frequency to the desired position by using a screwdriver to turn the control. The output region will below the frequency (- Hz) if you specify by the control. Use it when you are using a sub-woofer. ST (stereo) Control This knob is used to adjust the level of the signal sent from the T IN jacks to the STEEO bus. The adjustable range goes from - to +. 9 PF Switch 7 9 PF(MONO OUT) Hz MONO OUT - + T IN ST PF When this switch is engaged, the signal input from the T IN jacks is routed at the point before the ST control to the PHONES jack. PF 4 PF AF AF AF AF AF DFX TN AUX AUX AUX MONO OUT ST OUT

14 SPOTIGHT. 4. CONTO EEMENTS 4 AF Switch When this switch is on, the output signal that passes through the corresponding fader is sent to the jack. 4 PF Switch When this switch is engaged, the signal at the point before the ST OUT control fader is sent to the PHONE jack. 4 DFX TN Fader This fader is used to adjust the level of the return signal which is sent from the built-in DSP to the STEEO bus. 4 AUX- Fader The AUX- faders adjust the final level of the signal sent from the AUX- bus to the AUX SEND- jacks. 44 MONO OUT Fader The MONO OUT fader adjusts the final level of the signal output from the STEEO bus to the MONO OUT jack. 4 ST OUT Fader The ST OUT fader adjusts the final level of the signal sent from the STEEO bus to the ST OUT jacks. 6 K K 4K K 6K EQ OFF EQ ON STEEO GAPHIC EQ EQ Switch Engage this button to add the stereo graphic EQ into the main mix output circuit. It can be used to modify the frequency "contour" of a sound. If you release the button free, the stereo graphic EQ will be bypassed.

15 SPOTIGHT. 4. CONTO EEMENTS 47 STEEO GAPHIC EQ Each one of these faders will boost or attenuate (+/-) the selected frequency at a preset bandwidth. When all the faders are in the centre position, the output of the equalizer is flat response. 4 POWE AMP. MODE Switch This switch provides three modes: MAIN /MAIN ; AUX/MONO; IDGE. Select any one of these modes to specify the signals to be routed to the corresponding jacks according to the speaker connection at speaker jacks on the rear panel. The details refer to later content MAIN MAIN AUX MONO A IDGE AMP MODE ON OFF POWE AMP 49 POWE AMP Switch This switch is used to control the amplifier input signal. DSP SECTION There is a powerful 4-bit/6 presets digital multi-effects included in your APM Series Effects include reverbs, chorus, flanger, delay and combinations of the above. PESETS Control Adjust this knob to select the right effect you wish to perform. There are total 6 options for you: several kinds of reverb, mono and stereo delay, effects with modulation, and versatile two-effect combination. VAIATIONS Control Since you have selected the preferable effect, the next step, please go with the fine consideration, there are also total 6 variations for each preset, and each variation may be managed by several different factors. DFX MUTE Switch & PEAK ED This switch is used to activate/deactivate the effect facility. This ED lights up when the input signal is too strong. In case of the digital effect module being muted, this ED also lights up.. VOCA. VOCA. AGE HA 4. SMA HA. AGE OOM 6. SMA OOM 7. PATE. TAPE EVE 9. SPING EVE. MONO DEAY. STEEO DEAY. FANGE. CHOUS 4. EV. + DEAY. EV. + FANGE 6. EV. + CHOUS PESETS VAIATIONS PEAK DFX MUTE

16 AC INPUT -V /6Hz Fuse: T6.A ATED POWE CONSUMPTION: 6W Apparaten skall anslutas till jordat uttag nar den ansluts till ett natverk Designed in Italy VOTAGE SEECTO MAX. OUTPUT W/ (A,IDGE) MAX. OUTPUT W/4 (A,) CASS WIING WAY E USED. and=-6/speake or=4-/speake IDGE =-6/SPEAKE SPOTIGHT 4. CONTO EEMENTS EA PANE CAUTION MODE ISK OF EECTIC SHOCK DO NOT OPEN WANING: SHOCK HAZAD DO NOT OPEN AVIS: ISQUE DE CHOC EECTIQUE NE PAS OUVI SEIA CAUTION: EPACE WITH THE SAME TYPE FUSE AND ATING DISCONNECT SUPPY COD EFOE CHANGING FUSE CAUTTION ETHA VOTAGES MAY APPEA AT OUTPUT TEMINAS CASS WIING IS EOUIED SPEAKES A IDGE POWE O C K O C K A ON OFF POWE ON/OFF Switch This switch is used to turn the main power ON and OFF. 4 AC Inlet with FUSE Holder Use it to connect your APM Series to the main AC with the supplied AC cord. Please check the voltage available in your country and how the voltage for your APM Series is configured before attempting to connect your APM Series to the main AC. VOTAGE Selector There are two kinds of voltages for your operation. From this switch you can select the voltage at ~VAC or ~4VAC. 6 VENTS These vents are used for ventilation and heat dissipation. 7 SPEAKES Jacks These jacks are used to connect speakers. They are configured with 4-way speakon connectors and /4" phone jacks. You can determine the signal that is output to these jacks according to the setting of the AMPIFIE MODE select switch. Note: In order to avoid damage to the built-in amplifier, please pay attention to the allowed impedance of the speaker. Very low load impedances may damage the amplifier. 4

17 . INSTAATION AND CONNECTION Ok, you have got to this point and you are now in the position to successfully operate your APM Series. However, we advise you to read the following section carefully to be the real master of your own mix. Not paying enough attention to the input signal level, the routing of the signal and the assignment of the signal will result in unwanted distortion, a corrupted signal or no sound at all. So you should follow this procedure for every single channel:. Turn down all Input and output gain controls.. Connect phantom powered microphones before switching on the +4 Volt phantom power switch.. Set the output level of your APM Series or the connected power amplifier at no more than 7%. 4. Position EQ controls on middle position.. Position panoramic (PAN) control on center position. 6. Increase the input gain properly for maintaining the good headroom and ideal dynamic range. 7. Depending on the actual application, turn slowly the input and output level controls for obtaining the maximum gain before distortion.. Now repeat the same sequence for all input channels. The main ED meter could move up into the red section. In this case you can adjust the overall output level through the main mix control. Audio Connections You can connect unbalanced equipment to balanced inputs and outputs. Simply follow these schematics. Sleeve Tip ing ing=ight Signal Strain Clamp Tip=eft Signal Sleeve=Ground/Screen Use for Headphone /4" Stereo (TS) Jack Plug Sleeve Tip Strain Clamp Tip=Signal Sleeve=Ground/Screen Use for Mono ine In, Mono /4"Jack Plugs /4" Mono (TS) Jack Plug

18 . INSTAATION AND CONNECTION Sleeve Tip ing ing=eturn Signal Strain Clamp Tip=Send Signal Sleeve=Ground/Screen Use for Insert Points /4" Stereo (TS) Jack Plug =Hot(+) =Ground/Screen =Hot(+) =Ground/Screen =Cold(-) Use for alanced Mic Inputs (For unbalanced use, connect pin to ) -pin X Male Plug (seen from soldering side) =Cold(-) Use for Main output (For unbalanced use, leave pin unconnected) -pin X ine Socket (seen from soldering side) MAIN SPEAKES CONNECTION Please use only the power connectors to make connections with other signal source equipment for the passive speaker cabinets. The power connector has four terminals: +, -, +, Speakon connector 6

19 MAX. OUTPUT W/ (A,IDGE) MAX. OUTPUT W/4 (A,) CASS WIING WAY E USED. MAX. OUTPUT W/ (A,IDGE) MAX. OUTPUT W/4 (A,) CASS WIING WAY E USED. and = - 6 /SPEAKE or = 4 - /SPEAKE IDGE = - 6 /SPEAKE and = - 6 /SPEAKE or = 4 - /SPEAKE IDGE = - 6 /SPEAKE. INSTAATION AND CONNECTION And now some tips how to use the AMPIFIE MODE switch Main Speaker SPEAKES MAIN AUX A IDGE AMP MODE MAIN MONO + + O C K + + A + + O C K IDGE A Use either the speakon jacks or phone jacks Main Speaker MAIN+MAINMode This is the most common application. The built-in amplifier drives two main speaker cabinets eft and ight. The AMPIFIE MODE is on MAIN +MAIN position. Main Speaker MAIN AUX A IDGE AMP MODE MAIN MONO SPEAKES O C K A + + O C K IDGE A Stage Monitor Use either the speakon jacks or phone jacks AUX + MONO Mode With the AMPIFIE MODE in AUX+MONO position, channel drives a Main speaker cabinet while channel drives a stage monitor. 7

20 MAX. OUTPUT W/ (A,IDGE) MAX. OUTPUT W/4 (A,) CASS WIING WAY E USED. and = - 6 /SPEAKE or = 4 - /SPEAKE IDGE = - 6 /SPEAKE. INSTAATION AND CONNECTION Main Speaker SPEAKES MAIN AUX A IDGE AMP MODE MAIN MONO + + O C K A O C K IDGE A ridge Mode With the AMPIFIE MODE switch in IDGE position the two power amplifiers in your APM Series drive together a single speaker cabinet with the sum of the power of the amps. Usually this solution is used to drive a single subwoofer and the main out output on the front panel are used to feed a pair of powered speakers as midhigh units.

21 6. PESET IST NO. Preset Description VOCA VOCA AGE HA SMA HA AGE OOM SMA OOM PATE TAPE EVE SPING EVE MONO DEAY STEEO DEAY FANGE CHOUS EV.+DEAY EV.+FANGE EV.+CHOUS Simulate a room with small delay time. Simulate a small space with slight decay time Simulate a large acoustic space of the sound. Simulate a stage space of the sound. Simulate a studio room with many early reflections Simulate a bright studio room. Simulate the transducers sound like classic bright vocal plate. Simulate a record head and multiple playback heads at intervals along the tape. Simulate the analog transducers' springs lightly stretched sound. eproduce the sound input on the output after a lapse of time. ecreate the input sound on the stereo output with different time. Simulate to play with another person carrying out same the notes on the same instrument ecreate the illusion of more than one instrument from a single instrument sound Delay with room effect Stereo flanger and large room reverb Stereo chorus and large room reverb Controllable Parameter Parameter Variable range Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Decay time Pre-delay Period Period Feedback ate ate Decay period ev.decay time Flanger ate ev.decay time Chorus rate ev.decay time.~.s ~79ms.~.s ~79ms.6~.4s ~ms.~.9s ~4ms.9~4.s ~ms.7~.s ~4ms.6~6.s ms.~.4s ~4ms.~.4s ~ms 6~6ms ~4ms 7~7%.6~.79Hz.~Hz ~7ms.~.9s.6~.Hz.~4.74Hz.~.9s 9

22 7. OCK DIAGAM

23 7. OCK DIAGAM

24 . TECHNICA SPECIFICATION Mono input channels Microphone input electronically balanced, discrete input configuration Frequency response Hz to khz, +/ Distortion (THD & N).% at +4 u, khz Gain SN (Signal to Noise atio) ine input Frequency response to 4 (MIC) electronically balanced Hz to khz, +/ Distortion (THD & N).% at +4 u, khz Gain - u to u Stereo input channels ine input Unbalanced Frequency response Hz to khz, +/ Distortion (THD & N).% at +4 u, khz Impedances Microphone input.4 kohm Channel Insert return. kohm All other inputs kohm or greater Tape out kohm All other output Ohm Mono Equalization Hi-shelving khz Mid-peak/dip +/ -frequency range ~khz ow-shelving Stereo Equalization Hi-shelving khz Mid-peak/dip khz Mid ow-peak/dip Hz ow shelving DSP Section A/D and D/A converters 4-bit DSP resolution 4-bit Type of effects Hall, oom, Vocal & Plate EVES Mono & Stereo DEAY (max DEAY TIME 6ms) Chorus, Flanger & everb MODUATIONS EVE+DEAY, EVE+CHOUS, EVE+FANGE combinations Presets 6 Main Noise Controls Mix(us Section noise) 6-position Fader, PESET channels Selector muted: r (ref.:+4u) 6-position VAIATION selector CIP ED MUTE SWITCH with ED indicator Main Mix Section Noise (bus noise) Fader, all input channels assigned and set to UNITY gain: r (ref.:+4 u) Max output + u balanced, AUX Sends max out + u ST SU OUT + u Power Supply Main voltage VAC ~ 6Hz VAC ~ Hz VAC~6Hz 4VAC~Hz Power Consumption APM Stereo mode: x W@4Ohm(EIAJ) x4w@4ohm(ms) ridge mode: W@Ohm(EIAJ) ridge mode: ohm APM6 Stereo mode: x 7 W@4Ohm(EIAJ) xw@4ohm(ms) ridge mode: W@Ohm(EIAJ) ohm

25 Fuse APM ~ V : A ~ 4 V : 6. A APM6 ~ V : A ~ 4 V : 6. A Physical Dimension (W D H) APM mm APM6 6 4 mm Weight APM (Net) :.6 kg (. lb) (Gross) :. kg (. lb) APM6 (Net) :. kg (7.6 lb) (Gross) : 7.4 kg (.4 lb)

26 9. WAANTY. WAANTY EGISTATION CAD To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty egistration Card within days of the Purchase Date. All the information presented in this Warranty egistration Card gives the manufacturer a better understanding of the sales status, so as to provide a more effective and efficient after-sales warranty service. Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty service.. ETUN NOTICE. In case of return for any warranty service, please make sure that the product is well packed in its original shipping carton, and it can protect your unit from any other extra damage.. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail information about your return address and contact telephone number.. A brief description of the defect will be appreciated..4 Please prepay all the costs involved in the return shipping, handling and insurance.. TEMS AND CONDITIONS. TO warrants that this product will be free from any defects in materials and/or workmanship for a period of year from the purchase date if you have completed the Warranty egistration Card in time.. The warranty service is only available to the original consumer, who purchased this product directly from the retail dealer, and it can not be transferred.. During the warranty service, TO may repair or replace this product at its own option at no charge to you for parts or for labor in accordance with the right side of this limited warranty..4 This warranty does not apply to the damages to this product that occurred as the following conditions: Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product. Normal tear and wear. The product has been altered or modified in any way. Damage which may have been caused either directly or indirectly by another product / force / etc. Abnormal service or repairing by anyone other than the qualified personnel or technician. And in such cases, all the expenses will be charged to the buyer.. In no event shall TO be liable for any incidental or consequential damages. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you..6 This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also have other statutory rights that may vary from state to state. 4

27 SEIKAKU TECHNICA GOUP IMITED NO., ane 7, Sec., Han Shi West oad, Taichung 4, Taiwan Tel: Fax: All rights reserved to ATO. All features and content might be changed without prior notice. Any photocopy, translation, or reproduction of part of this manual without written permission is forbidden. Copyright c Seikaku Group