BEING LATINX IN HOLLYWOOD. Monique Jones
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- Bridget Booker
- 6 years ago
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1 BEING LATINX LATINX IN HOLLYWOOD Monique Jones
2 TABLE OF CONTENTS CONTENTS Maids, Lovers, and Criminals: Latinx Roles in Hollywood 4 Whitewashing and Brownface in Hollywood 8 The Good and Bad of Hollywood's Latinx Representation 12 Epilogue: Why You Must Take Latinx Representation Seriously 16
3 SPECIAL THANKS: Desiree Rodriguez Janel Martinez Gerry Maravilla Kimberly Hoyos Amy Novondo
4 MAIDS, LOVERS, AND CRIMINALS: LATINX ROLES IN HOLLYWOOD Latinx representation in Hollywood is something that seems to be suspiciously under the radar, even though it s highly important, as the Latinx identity is one that is diverse and multifaceted. /3cUCj3h,@a,j3achICG3hbR8Chp3a<a ch;irach CNh#+ chkr03anh7lciwhn0hj@3h,cjchr8h HC83jCL3 ch/3qcrnchkc0chn0himi ch[n33nhr8h j@3hbrnj@h3uccjcn<hcnhj@3hl30c.hj@3a3 chcjciih LRa3hj@jhN330chjRh$3h0RN3hCNh?RIIwsRR0.hcn,@h ch8r,nccn<hlra3hrnh0ag3aacgcnn30hjrn3c.h a,cih0cq3accjw.hn0hs@cj3sc@cn<yh7rah3q3awh ;IRaChRNc,a33N.hj@3a3 chrniwhrn3huacihb3ujrn.h vwh/+rcj ch8ara#aycicnhari3hrnhm#+ ch +@C,<RhK30.hRah+aIh2cUCNRc.hDn0wh`3w3c h UaRn0h/RLCNC,Nh,@a,j3ahRNhM#+ chb,an$cyh 2q3Nhj@3haRI3chICG3hp3a<a chari3ys@c,@hcchh Ôc3uwhHjCNÕhcj3a3RjwU3yN330hsRaGhCNhRa03ah jrh3uccjhrnjcc03hr8hj@3hcj3a3rjwu3chj@jh@q3h $33NhsaRN<Iwhjj,@30hjRhHjCNuh,@a,j3achN0h,jRacYh isrhr8hj@3hij3cjhcncjn,3chr8h?riiwsrr0 ch 8CIna3hjhHjCNuha3Ua3c3NjjCRNha3htAK3Nh bnncurjhn0h/ayh+3,cich`3w3cyhi@3h8arah HjCNuh,@a,j3ac.hs@C,@hsCIIh$3hUajhR8hj@3h N3shtAK3Nh8CILhi@3hM3shKnjNjc.hsCIIh$3h UIw30h$wh?3Nawhx<hN0hIC,3h#a<Yhx<h Cch#ayCICN.h$njh@3hCcN jh$i,ghrah$ca,ci.h s@c,@ha3lrq3chln,@hr8hj@3h,rnj3ujh8arlh bnncurj ch,@a,j3a.hch@cch,@a,j3acyjcrnh cj3lch8arlhj@3ha,cihcccn3ch@3 ch@0hjrh8,3hch h$ca,cih8ara#aycicnyhij3anjcq3iw.h#a<h Cch8aRAHjCN.h$njh$3CN<hIC<@jAcGCNN30.hc@3 c h br8chp3a<ahcnhkr03anh7lciwyhv#r$h/_lc,rg#+w $I3hjRh3u@C$CjhhUaCqCI3<3hj@jhj@3hRaC<CNI.h0aG3aAcGCNN30h,ja3cchnUh8Rahj@3haRI3.h`RcaCRh/scRN.h,N jyh<cn.hcjh jg3chnhclurajnjhuc3,3hswh8arlhh,@a,j3ahj@jhcchnrjh EncjhTn3ajRh`C,N.h$njh038CN30h$wh@3ahUI,3hCNhj@3h8aC,Nh /CcURaYh i@arn<@rnjhlzse.hbhcurg3hscj@hc3q3aihhjcnuh,a3jrach $Rnjh@Rshj@3wh833Ih$Rnjh?RIIwsRR0 chhjcnuh a3ua3c3njjcrnhn0hs@jh,nh$3h0rn3hjrhlg3hcjh$3jj3ay h HjCNuh,jRac.hICG3hLNwhTQ+h,jRac.ha3hR883a30hI3cchj@Nh j@3cah8cahc@a3hr8hl3ncn<8nihari3cyhr@3nhj@3wha3hr883a30h ari3c.hj@3w a3hr8j3nha,ccjyh Ôr@3NhHjCNuh,jRach0Rh<3jhaRI3c.hBh833Ihj@3w a3hr8j3njcl3ch cj3a3rjwu3c.õhsarj3h/3cca33h`r0ac<n3y.h20cjraci h
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8 WHITEWASHING AND BROWNFACE IN HOLLYWOOD While Latinx actors have to face getting cast in stereotypical roles, they are also fighting against the Hollywood practice of whitewashing. Usually, the whitewashed roles are the ones with the most meaning. a3n jhuiw30h$whhjcnuh,jrac.õhcc0h`r0ac<n3yyh 8CILh$Rnjhh+n$NAL3aC,Nh0an<hIRa0hUIw30h$wh chia30whh0ccuarurajcrnj3hi,ghr8h 83jnaCN<hI3uhN0hK<<C3 charln,3yhv3jhk<<c3h HCL*Yh IhT,CNRhCNhb,a8,3 VmNCq3acIW ÔBh srni0n jhsnjhh?ccunc,hu3acrnhuiwcn<hnhccnh
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12 THE GOOD AND BAD OF HOLLYWOOD'S LATINX REPRESENTATION Hollywood s lack of proper Latinx representation has had negative social, emotional effects on Latinx viewers. ;arscn<hnu.h`r0ac<n3yhcc0hc@3hôcnj3anicy30hhirjhr8h a,ccjhqc3schn0hc03icõh8arlhj@3hl30chc@3h,rncnl30yh ÔBjhsaUchwRnahsRaI0hqC3sYhBh0C0N jhsnjhjrh$3hicg3hlwh Ö<@3jjR ha3ijcq3cyhmrjhs@3nhlwhs@cj3hcj3ua8lciwh schcrhln,@hlra3hc33lcn<iwh,iccw.hn0hac<@jyh buncc@hschcrl3j@cn<hlc0chn0hin0hsrag3ach curg3.hcrhbh0c0n jh@q3hcnj3a3cjhcnhcu3gcn<hcj.hn0hlwh LRj@3ahscha3In,jNjhjRhj3,@hCjhjRhL3h$3,nc3h <arscn<hnuhscj@hbuncc@hch@3ah8cacjhin<n<3hl03h IC83h0C88C,nIjh8Rah@3ahN0h@3ah8LCIw.Õhc@3hsaRj3Yh ÔTRRaha3Ua3c3NjjCRNch,NhI30hjRh@aL8nIhCNj3aNICy30h C03Ich$RnjhwRnah,RLLnNCjwhN0hhIRjhR8hCNj3aNIh c3i8a@ja30h8rahrn3 cha,cihn0h3j@nc,hc03njcjwyhbjhjg3ch jcl3hn0h388rajhjrhnni3anhj@rc3h$3ic38chn0h$3@qcracyh irh$3<cnhjrhjg3huac03hcnhwrnahc03njcjwhchhnrnas@cj3h U3acRN.Õhc@3hsaRj3YhÔN0hRN,3hwRnh0RhCj chnrjh3cw.h $3,nc3hÖ3cw hcchjgcn<hc,auch8arlhj@rc3hcnhurs3ayhbjh sch3cc3ahjrh$3hh,rira$icn0hj33n<3ah$3,nc3hlwh LERaCjwhs@Cj3hjRsNhsch,RIRa$ICN0YhbjwCN<hsCj@hj@3h cjjnch\nrhschh8ralhr8huarj3,jcrn.hn0hj@3hl30ch RNIwh3N8Ra,30hj@jhCL<3h$whc@Rs,cCN<hHjCNuchzhCNh Lwh,c3hzhCNhhN3<jCq3hIC<@jYÕh hkc0h CNhKN@jjN.hi@3hr300CN<hTINN3a.hN0hj@3h8CILh j@jhl03hhru3yhhlrqc3hcja.hb3i3nyh ÔBNhKC0hCNhKN@jjN.hc@3 chhlc0hs@rhrniwh8cn0ch cn,,3cch8j3ah8cn0cn<hirq3hscj@hhs@cj3hlnyhbnhi@3 h r300cn<htinn3a.hj@3ha3e3,jcrnhr8h@3ahhjcnhc03njcjwh UaRqC030h@3ahsCj@hcn,,3ccY BNhb3I3N.hs@CI3hh<a3jh $CRUC,hRNhj@3ha3IhIC83hb3I3Nh[nCNjNCII.hc@3h0C3cYh i@3hjsrhjcl3chbh<a3shnuhc33cn<hhru3yhuiwhhhjcnh srln.hc@3 chhlc0.hrahc@3hschlna03a30.õhc@3hcc0.h 00CN<hha383a3N,3hjRhNRj@3ah8CILhj@jhCLU,j30h@3a.h r3cjhbc03hbjrawyhôbnhr3cjhbc03hbjraw.hh8cilhlwh KLCjhsRnI0hcwhÖsch$Rnjhnc. hj@3hrniwhhjcnh,@a,j3ahuiw30h$whnh,jnihhjcnh,ja3cc.hncj.h 3N0chnUhIRN3h8j3ah@3ahIRq3ahCchLna03a30hN0hCch c3uniiwhccnij30yhb@3 chj@3h$3cjh,@a,j3ahcnhj@3h 3NjCa3h8CIL.h$njhc@3h@chj@3hLRcjhja<C,h3N0CN<hR8hIIh j@3h,@a,j3acyõh?rwrch@c<@ic<@j30hj@jhurraha3ua3c3njjcrnhiclcjch HjCNuhN0hNRNAHjCNuhqC3s3ach8aRLh3uU3aC3N,CN<hj@3h ac,@n3cchn0h0cq3accjwhr8hhjcnhl3ac,yh ÔHjCNR.hbUNCc@.hN0h?CcUNC,h)j@3h038CNCjCRNcha3*h q3awh$inaa30hn0hnc30hcnj3a,@n<3$iwhs@3nhj@3w a3h q3awh0c883a3njh<3r<au@c,iiwhn0h,nijnaiiwhn0h R$qCRncIwh3j@NC,IIw.ÕhcC0h?RwRcYhÔBh833IhICG3hs@3Nh?RIIwsRR0hUC,GchHjCN.hj@3w Rahj@3h,3NjaIhRahbRnj@h L3aC,N.hK3uC,NhcRajAR8hjwU3Yhi@Rc3ha3hj@3hjsRh 038nIjcYhBhj@CNGhj@jhs@j3q3ahj@jhCchEncjhh$IjNjh I,GhR8hCN8RaLjCRNhN0hEncjhI,GhR8ha3c3a,@hchh s@ri3yõh KajCN3yhIcRhjIG30h$Rnjh@Rsh$0hcj3a3RjwU3chN0hh I,GhR8hHjCNuha3Ua3c3NjjCRNhRNIwh@aLhHjCNuhN0h NRNAHjCNuhU3RUI3hCNhLRa3hswchj@NhEncjhCNhj@3h L30CY
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16 EPILOGUE: WHY YOU MUST TAKE LATINX REPRESENTATION SERIOUSLY For those who think there isn t an issue with Latinx representation in the media, what would you say to them? `R0aC<n3y-h?q3h3LUj@wYhB8hwRn a3hnrjhhjcnu.hwrnh LwhNRjhGNRshRah8nIIwhnN03acjN0hj@3hLa<CNICy30h s3h833ihchh,rllnncjwyhi@j chrgw.hnrhrn3h<r3ch CNjRhj@3hsRaI0hGNRsCN<h3q3awj@CN<h$Rnjh3q3awRN3hRah 8nIIwhnN03acjN0CN<hj@3h,RLUI3uCjC3chR8ha,3hqch 3j@NC,Cjw.hRahj@3h,RLUI3uCjC3chR8hj@3hHjCNuh,RLLnNCjwhchhs@RI3YhB LhcjCIIhI3aNCN<YhBj chh UaR,3ccYhBjhjG3chjCL3hN0h388RajYh srni0haj@3ah,cjhs@cj3h,jrachjrhuiwhnchj@3nh,cjhnch jrhj3iihrnahrsnhcjrac3cyhbnuurajhrnahsraghn0huare3,jcyh HCcj3NhjRhnchs@3Nhs3h0Cc,ncchRnahLa<CNICyjCRNhN0h 0Cc,aCLCNjCRNYhbjN0hsCj@hnchs@3Nhs3h8C<@jh8Rahj@3h $3jj3aL3NjhR8hRnahL30ChUa3c3NjjCRNYh r3 a3hi,gcn<hcnh$i,g.hs3 a3hi,gcn<hcnhccn.hs3 a3h I,GCN<hCNhNwhGCN0hR8h0Cq3acCjwhRj@3ahj@Nhs@Cj3Yh i@3a3hc@rni0h$3hlra3hcn,inccrnyhb8hwrnh0rn jhc33hj@j.h wrn a3huajhr8hj@3huar$i3lyh KajCN3y-hhUajhR8hL3hsNjchjRhcwhÔr@3a3h@q3h wrnh$33n]õh$njhb IIh$3h@RN3cj.hhIRjhR8hjCL3c.hs@3Nh wrn a3hcnhhcu3,c8c,h<arnuhcchs@3nhwrnha3icy3hcjh wrnac3i8hq3acnchcrl3rn3h3ic3h$3,nc3hj@3whencjha3n jh UajhR8hj@jhcU3,C8C,h03LR<aU@C,.h$njhBhsRnI0hcwhjRh j@3lhs@ci3hwrnhlwhnrjhn3,3ccaciwhc33hcjhchh UaR$I3L.hBhsRnI0hcGhj@jhwRnh038CNCj3IwhjG3hhIRRGhjh crl3hr8hj@3h8cilchj@jhwrn a3hsj,@cn<hrahc@rschj@jh wrn a3hsj,@cn<hn0ha3iiwhjg3hnh@rn3cjhn0hru3nh IRRGhjhj@3hHjCNRchwRn a3h3n,rnnj3acn<hj@arn<@hj@3c3h c@rschn0h8cilc.hc8hwrnh3q3nh3n,rnnj3ahnwhjhii.h j@3nhi3j ch@q3hhia<3ah,rnq3acjcrnyh Bj chnrjhnh3cwhjcg.hu3rui3ha3h<rcn<hjrhl3cchnu.hnrh RN3hCchU3a83,jYh#njhBh0RN jh$3ic3q3hcnhu3a83,jcrnyhbh $3IC3q3hCNh3LUj@wh8CacjhN0h8Ra3LRcjYhi@3hsCICN3cchjRh ICcj3NhN0hI3aNh,Nh<RhhIRN<hswYh#njhC8hwRnh0RN jh$3hsciicn<hjrhiccj3nyh vrnhlwhnrjh<a33hscj@h3q3awj@cn<hs3hcw.hn0hj@jh,nh$3h8cn3.h$njhjhi3cjhiccj3nyhr3 a3h@3a3.hn0hs3h 03c3aq3hjRh$3hICcj3N30hjRYh MRqRN0R-hB 0hcw.hÔ?RN3w.hIRRGhaRnN0y0RhwRnhc33h NwRN3hRj@3ahj@NhwRnhaRnN0h@3a3]Õhr3 a3hi,gcn<h CNh3q3awh03UajL3NjhR8h0Cq3acCjwY h HjCNRcha3hLRN<hj@3hI3cjha3Ua3c3Nj30hCNhcU3GCN<h ari3c.h,,ra0cn<hjrhhcjn0wh$whj@3hnn3n$3a<hb,@rrih R8h+RLLnNC,jCRNhN0hDRnaNICcLYhBhj@CNGhcRL3h U3RUI3h0RhN330hjRhc33hj@3hNnL$3achcRhj@jhLwh@3IUh j@3lh<3jhhu3acu3,jcq3hr8hs@jhs3 a3hjigcn<h$rnj h )Q*NIwh9YkhU3a,3Njh)R8hcU3GCN<haRI3c*hs3a3hHjCNRYh r@3nhwrnh@q3hnnl$3achicg3hj@j.hj@3a3 chh,i3ah Cccn3Yhi@j
17 0hcGh U3aCR0]hB chencjhh j $Rnjhj@jhcRajhR8hj@CN<.hN0hCj j@3whc@rni0h30n,j3hj@3lc3iq3chrnhn0hirrghjh s3a3hja3j30hcnhj@cchicjh3i3,jcrn.h8rah3ului3.hrahencjh arnn0hj@3hsrai0yhrcj@hl30c.hj@3h$c<<3cjhj@cn<hj@jh jhnn03acjn0hcch c3unihrac3njjcrnhrahnwhla<cnicy30h<arnuhcchjrh h Cover photo: Carmen Miranda and Cesar Romero in a press image for Week-end in Havana (20th Century Fox). Table of Contents photo: Cesar Romero as photographed by Carl Van Vechten as part of the Carl Van Vechten collection, housed in the U.S. Library of Congress' Prints and Photographs division. (Public Domain). Special thanks photo: Carmen Miranda circa 1945 (mptvimages.com/imdb)
18 COLORWEBMAG.COM
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