[THURSDAY] Plenary Session (Amphitheatre): Giovanni Matteucci
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1 ESA Maribor [THURSDAY] 8.30 Registration Opening Plenary Session (Amphitheatre): Giovanni Matteucci The (Aesthetic) Extended Mind: From Experience-of to Experience-with Chair: X Kant s Aesthetics I Intentionality Religion Aesthetics of Horror Weijia Wang: Two Approaches in Kant s Theory of Taste: The Intellectual Interest in the Beautiful and the Mediation between the Domains of Nature and Freedom Irene Martínez Marín: The Artist s Word: Artistic Intentions and Emotional Understanding. Andrew Huddleston: The Idea of an 'Art-Religion' Lorriane Yeung. Art and Life: The value of horror experience Larissa Berger: The Felt Syllogism of Taste in Kant s Theory of Beauty Andrey Rukavishnikov: Theological aesthetics: the Orthodox interpretation Mark Windsor. Tales of Dread Lunch
2 Aesthetics of Perception I Philosophy of Literature I Sue Spaid: Are Art and Life Experiences Mostly Perceptual or Largely Extraperceptual? Errol Lord: The Nature of Perceptual Expertise and the Rationality of Criticism Contemporary Art Practices I Ken Wilder: Rosalind Krauss: From Sculpture in the Expanded Field to the Spectacle of Installation Art Pol Capdevila: Poetics of History in Contemporary Art Sebastian Müngersdorff: Ka fka, Blanchot and the dedication of life to literature Stephen Chamberlain: Lit erary Realism and the Significance of Life Aesthetics of Design Laura T. Di Summa- Knoop: Fashion as Play Zhuofei Wang: Atmosphe ric Experience and Design the Self Dan Eugen Ratiu: The Aesthetics of Existence : Art as a Model of Self- Invention in Last Foucault Philosophy of Pictures Marco Arienti: Some concerns with experimentalism about depiction: the case of separation seeingin Empirical Aesthetics Melvin Chen: Túngara Frogs, The Puzzle of Natural Beauty, & the Problem with Darwinian Aesthetics Aesthetic Matters I Aljosa Kravanja: Mixed- Signal Aesthetic Attitudes Vitor Guerreiro: The unity of our aesthetic life Joerg Fingerhut and Javier Gomez- Lavin: The Aesthetic Self Claire Anscomb: The Epistemic Value of Photographs in the Age of New Theory Jerzy Luty: Do animal make art or the evolutionary continuity of species: a case for uniqueness Tereza Hadravova: The notion of expertise in empirical aesthetics Igor Cvejic: Pleasure in mere reflection Lisa Giombini: Materi al Authenticity in Conservation Philosophy ESA General Assembly (Amphitheatre)
3 [FRIDAY] Aesthetics of Music I Eran Guter and Inbal Guter: Time made audible : A critique of Susanne Langer s view of musical temporality Hermeneutics Marcello Ruta: Hermeneutics and the Performative Turn The Unfruitfulness of a Complementary Characterization Aesthetics of Film and Photography I Stefan Bird- Pollan: Making Skepticism Bearable: Cavell s Aesthetic of Film Ethics Lev Kreft: From Universalism to Singularity, from Singularity to Moralization Kim Jayson Villezca: Plato and Schopenhauer on the Notion of Music and the World: A Tale of Two Cosmologies Towards a Metaphysics of Music Andreas Vrahimis: Wittgenstein and Heidegger against aestheticism Philip Mills: The Politics of Poetic Language: An Analysis of Jean- Luc Godard's Alphaville Alfred Archer and Benjamin Matheson: When Artists Fall: On Admiring the Immoral :30 Tiago Sousa: An expressionist Hanslick? The performer s intimacy in On the Musically Beautiful Pauline von Bonsdorff: Sharing and dialogue: aesthetic communication with non-speaking others Abel Franco: The Beauty of the Viewer s Emotions As the Aesthetic Value of Film Washington Morales: Naturalization and reification of the human global subjective experience in some forms of scientific and technological art Lunch Plenary Session (Amphitheatre): Robert Hopkins The Sculpted Image Chair: x
4 Contemporary Art Practices II Matthew Rowe: Minimalism: Empirical and Contextual, Aesthetic and Artistic Kant s Aesthetics II Jose Luis Fernandez: Kant s Feeling: Why Judgments of Taste are De Dicto and Not De Re Philosophy of Literature II Kalle Puolakka: Replete Literary Moments and Aesthetic Experience Everyday Aesthetics I Eda Keskin: Everyday Empathy Development Elisa Caldarola: Works of Conceptual Art and The Execution of Ideas Dan O'Brien: Cubism and Kant Parysa Mostajir: Literature in Experience: A Pragmatist Account Matti Tainio: Art of Running. Distance Running and the Artistic in Everyday life AB 3C 3D 3E Philosophy of Aesthetics of Film Aesthetics of Aesthetic Matters Perception II and Photography II Television II Clotilde Salvador Rubio Iris Vidmar: How Mª José Alcaraz Torregrossa. What Marco: Manipulating Fictional Can It Get? León: Reasons for Happens When the Spectator's Moral Depiction Of Real Aesthetic You Are Not Judgments: a Life In Judgement? Looking Criticism of the Contemporary Cognitivist Approach Crime Fiction in Cinema Michalle Gal. The Visuality of Metaphors Marta Benenti and Giovanna Fazzuoli: Pittura Analitica: Experiencing the Making Adam Andrzejewski and Mateusz Salwa: Aesthetic Appreciation of TV Series Remei Capdevila Werning: Roots Firmly in Place and Arms Outstretched to the Rest of the World : Architectural Local and Global Strivings 20:00. ESA Conference Dinner
5 [SATURDAY] Contemporary Art Practices III Polona Tratnik: Challenging the Biopolitical through Animal- Human Hybridization Everyday Aesthetics II Gloria Luque Moya: Experiencing the Extraordinary of the Ordinary. Robert Bechtle s and Photorealism Aesthetics in History I Una Popovic. The Birthplace of Aesthetics: Baumgarten on Aesthetical Concepts and Art Experience Aesthetic Matters III Jessica Jaques: Idées esthétiques et théâtre engagée: "Les quatre petites filles" de Pablo Picasso Leszek Sosnowski: Aesthetic epoché as a tool for re-cognising a work of contemporary art Gioia Laura Iannili: What s the point of Everyday Aesthetics? An overall assessment Nicolò Pietro Cangini: Prose and Life. A comparison between Hegel s Aesthetic and the romantic poetic. Valentina Hribar Sorčan: LA VIE ET LA MEMOIRE Aesthetics of Music II Nemesio García- Carril: Defending the type/token theory against Hazlett s argument Kant s Aesthetics III Ido Geiger: How can Works of Fine Art Make sensible Rational Ideas? Art History Jakub Stejskal: Substitution by Image: Philosophy v. Art History Aesthetic Matters IV Cain Todd: Aesthetic Emotions? The Prospects for an Aesthetic Neosentimentalism Daniela Šterbáková: John Cage s 4 33 : Unhappy theory, meaningful gesture Aviv Reiter: Kant on the Aesthetic Ideas of Beautiful Nature Mojca Kuplen: Cognitive Interpretation of Kant s Theory of Aesthetic ideas Ancuta Mortu: Aesthetic Cognition and Art History Vitor Moura: The reversible Vermeer, or The author as cospectator questions for the hypothetical intentionalist Gerard Vilar: Cognification of Art and Artistic Research
6 Lunch AB 3C 3D 3E New Aesthetics in Aesthetic Matters Media Testimony History II V Nathan Wildman and Neil Jon Robson: The Daniel Dohrn: Art McDonnell: Virtual Reality: Benefits of avant la lettre Digital or Fictional? Aesthetic Testimony Emanuele Arielli: Algorithms we live by. Art and aesthetic experience in the age of the digital Rebecca Wallbank: On the Role of Trust in Aesthetic Testimony John Thompson: Realism and the Everyday in Conceptual Art: Georg Lukács, Theodor Adorno and On Kawara s I Got Up ( ) Zoe Cunliffe: Testimonial Injustice and the Role of Narrative Fiction Plenary Session (Amphitheatre): Catrin Misselhorn Conceptual Knowledge in Literature Chair: x
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