To What Extent is Shang, Above in Chinese Conceptualized?

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1 To What Extent is Shang, Above in Chinese Conceptualized? Priscilla NGAN Yuk Han Centre de Recherches Linguistiques sur l Asie Orientale (CNRS UMR 8563) Ecole des Hautes Etudes en Sciences Sociales Paris FRANCE Abstract Homo sapiens have the ability to conceptualize and the ability to express themselves with what they have conceptualized. These two abilities interact with each other. To what extent can human beings combine these two abilities? In order to answer this question, we studied the historical conception of the linguistic sign shang, above in archaic Chinese (11 th - 3 rd centuries BC). We chose shang because it is used to express time as well as space in the Chinese language. The other aim of our paper is then to examine how ancient Chinese people conceptualized time in terms of space. Key words: prototype, analogy, Conceptual Derivation Domains Introduction Human beings have the ability to conceptualize and the ability to express themselves by words or writing. These two abilities are very closely linked. To what extent can human beings conceptualize and express themselves with what they have conceptualized? For answering this question, we examined the linguistic sign shang, above in Chinese. The main reason for choosing shang is as follows: In recent years, research has been done on Mandarin and English speakers conceptions of time (see Boroditsky 2001). It is observed that the formers conceptualize time in a vertical axe while the latters do so in a horizontal one. Besides, Chinese people s conception of time is related to their conception of space. Nevertheless, it is not explained how Chinese people conceptualize time in a vertical axe nor why their conceptions of time and space are related. In order to provide an explanation to these two phenomenon, we underwent a diachronic analysis (historical conception) of the linguistic sign shang, above in Chinese, which is one of the principal constituents of Chinese temporal expressions. Origin and Evolution of shang In Jiaguwen 1, the linguistic sign shang, above is a symbol indicating a vertically higher position of an object in relation with another. It is represented graphically as 2. This graphic is formed with an arc line or a horizontal line as the datum line and a short line above it to indicate the higher position. The symbol thus formed is 1 Inscriptions on tortoise shells and ox bones (16 th -11 th centuries BC). 2 Duan Zhenmei (1999 p. 29). purely indicative and it maps exactly onto what the Chinese people perceived in the physical world more than three thousand years ago. As the centuries pass, shang evolves semantically and syntactically. We can find examples of different usages of shang in the Shijing (Book of Odes) 3 : 1. Yan yan yu fei shang xia qi yin (poem no. 28) 4 The swallows go flying about; From below, from above, comes their twittering. 2. Liang fu shang xiang (no. 78) The two insides are two finest possible animals. 3(a). He shang hu ao xiang (no. 79) So do they roam about the He (river). (b). He shang hu xiao yao So do they saunter about by the He (river). 4. Wan qiu zhi shang xi (no. 136) There on the top of Wanqiu! 5. You huang shang di, (no. 192) There is the great God, 6. Ming ming shang tian,. (no. 207) O bright and high Heaven, 7. Shang tian tong yun, (no. 210) The heavens over head are one arch of clouds, 8. Niao yu nüluo shi yu song shang. (no. 217) [They are like] the mistletoe and the dodder growing over the pine. 9. Wen wang zai shang (no. 235) King Wen is on high. 10. Shang xia jun yi. (no. 258) To the [Powers] above and below I have presented my offerings and then buried them. 11. Shao ting shang xia. (no. 287) In his room, [I will look for him] to go up and come down in the court. 12. Wu yue gao gao zai shang. (no. 288) Let me not say that It is high aloft above me. In the above examples, we can see that shang is used semantically and syntactically in the following ways: 3 Shijing (Book of Odes) is the earliest Chinese literary text. It is an anthology of songs, poems, and hymns. It consists of 311 poems (6 without text) dating from the Zhou Dynasty ( BC) to the Spring & Autumn Period ( BC) [The text of Shi Jing, University of Virginia Library]. 4 Translation of the examples adopted from The text of Shi Jing, University of Virginia Library. 1869

2 a. As a preposition. Example 1 shang means from above. b. As an adjective (i) expressing superior quality Example 2 shang, superior quality + xiang, horse for ragging carriage. (ii) meaning supreme or high. Examples no. 5 shang, supreme + di, the ruler of heaven. 6 shang, high + tian, Heaven. 7 shang, high + tian, heavens means the heavens which are high. c. As a locative meaning (i) on or on the top of. Example 4 Wan qiu zhi shang literally means On the Hillock of Wan. It could be interpreted as on the top of the Hillock of Wan since the exact position is not precisely indicated in the poem. (ii). somewhere around or by. Examples 3 (a) and (b) He shang means somewhere around the river and by the river respectively. (iii). in a higher position Example 8 song, pine + shang, on/over. In fact, shang in this example is a locative indicating the position of the plants growing on the pine. They are in contact with the surfaces of the parts of the pine and are on them. Example no. 9 zai, to be + shang, high (in (i). heaven). 12 gao, high + gao, high + zai, to be + shang, above means high above (me). d. As a verb meaning to go up. Example 11 ting, court + shang, go up means go up the court. e. As a noun meaning superiors or elders. Example 10 shang means the powers above. Besides in The book of Odes, we find one example of shang used as a verb in Yijing (The book of Changes, compiled from 11 th century-256 BC). Example 13. Yun shang yu tian (5 th trigram) The clouds ascended to the sky. We can see from the examples 1 to 13 that the linguistic sign shang undergoes various semantic and syntactic changes. In this paper, we will only analyse the semantic evolution of shang which is closely related to conceptualization. After analysing the examples, we will present the results in graphics and detailed explanations. Our examination of the semantic evolution of shang does not stop at the time of Shijing ( BC). In the following paragraphs, we will continue the same examination of shang from 476 to 221 BC. In addition to the usages we have presented from 1 to 13, there are more new semantic and syntactic usages of shang found in the works of the Warriors States Period ( BC). The examples 14 to 20 are extracted from the works representing the language of the time. Examples: 14. Qi shang shi zhi shi (Shang jun shu) 5 The men of letter of the past generations. 15. Ke ai feng yu shang zheng (Li Sau) Suddenly in the dust and the wind I go upwards. 16. Zai fu shang shi (Zhuangzi) The butcher offered food (to his master). 17. Kuxing ling shang ji (Hanfeizi) (At the end of the year), the chief of the district of Kuxing reported the demographic and financial statistics to (his) chief. 18. Zhao sheng yu shang (Shujing) 6 Homage ascended to Heaven. 19. Min zhi zhi yu shang, (Guanzi) The fact that the people are governed by the king is 20. San gu zhi er zu bus hang (Zhanguoce) The drum was hit three times but the soldiers did not go forward. The examples above show four new usages of shang with seven new meanings: a. As an adjective expressing the time anterior to the present. Example14 shang, past + shi, generations. b. As an adverb indication a vertical direction up: Example 15 shang, upwards + zheng, go. c. As a verb meaning (i). offer something to someone in a higher position : Example 16 shang, offer + shi, food. (ii). report to one s superior : Example 17 shang, report to his chief + ji, the demographic and financial statistics. (iii). Go forward: Example 20 bu, do not + shang, go forward. d. As a noun meaning (i). Heaven: Example 18 yu, to + shang, Heaven. (ii). A ruler: Example 19 yu, by + shang, the king. Our examination of the semantic evolution of shang stops at 221 BC because of the length of the paper. In the next section, we will analyse the semantic derivation of shang from the prototypical meaning above. Semantic derivations from shang After analysing the examples 1 to 20, we obtain the result as follows: Thirteen new meanings of shang are produced in different textual contexts. These new significations derived from the 5 Examples adopted from Jianming gu hanyu zidian (Concise dictionary of Classical Chinese), Examples adopted from Ciyuan (Origin of words, 1984). 1870

3 prototypal meaning above 7. According to the contexts in which they are produced, we observed that they derive more and more from the prototype. Based on the degrees of derivation of these new significations, we elaborated the following figure to show how far each of them is from the prototype. The arrow indicates the direction of the semantic derivations. Figure 1. Semantic derivations from shang, above In this figure, we can see that on and in a higher position are on the same level as above. It is because they all indicate a position higher than that of something or somebody else: Examples (1) twittering of the swallows from above the twittering comes from a position higher than that of the person who hears it; (4) on or on the top of the Hillock of Wan in a position higher than the top of the Hillock and in contact with the top; (8) the plants growing over the pine they grow in a position higher than the pine and are in contact with the surfaces of the parts of the pine; (9) King Wen is on 7 Shang is translated as on or over in English and thus generally considered as a preposition. However, it is a locative (examples 3, 4, 8, 9, 12) but not a preposition in Chinese syntax. The translation of shang in English leads to the misinterpretation of its syntactic function. Since the determination of the syntactic function of a linguistic sign should not be based on its translation in a foreign language, it is inappropriate to regard shang as a preposition just because it is translated as on or over in English. In examples 1-20 (11 th - 3 rd centuries BC), we observed that the linguistic sign shang has various syntactic functions as well as different meanings. Since the purpose of this paper is not to analyse shang as a preposition which is only one of the syntactic functions of shang but to examine its historical conception, especially its role in the Chinese people s conception of time and space, we chose the term linguistic sign for it and translated it as above which is the original meaning of the sign (see Origin and Evolution of shang on p. 1) in order to avoid any misunderstanding. high the king is in heaven while his people is on earth, thus the former is in a position much higher than that of the latter; (12) high aloft above me in a position higher than that of mine. In example 15, shang has a new meaning according to the context in which it is used: Suddenly in the dust and the wind I go upwards. In this verse, shang does not mean in a higher position any more. Instead, it indicates the vertically upward direction of go. The new meaning upwards derives then from the prototype above. Since it indicates the action of moving to a vertically higher position, it is not far from the original meaning. That is why we put it next to the prototype. The second derivation means to go or move upwards. Examples (11) In his room, [I will look for him] to go up and come down in the court ; (13) The clouds ascended to the sky. This derivation indicates neither a higher position nor a vertically upward direction. It describes exactly what happens, i.e. the motion of going up. So compared with upwards, to go up and to ascend derive further away from the prototype above. The semantic derivations of shang, above go further. The third one has nothing to do with neither a vertically higher position, nor a vertical motion. It expresses the contact or dealing with a person hierarchically higher placed than oneself. Examples (16) The butcher offered food (to his master) ; (17) reported the demographic and financial statistics to (his) chief. In these two examples, both master and chief imply authority and domination of the person who occupies an abstract higher position in hierarchy and shang means the contact or dealing with such a person. The next derivation concerns the social hierarchy: examples (10) The (Powers) above means the superiors or elders; (19)...by the king. Shang in these examples does not represent a vertically higher position but the persons who are socially higher or highest placed. Further away, there is the fifth new meaning produced. It is about how good something is: example (2) the superior quality of the horses for dragging carriages. In this example, there is the abstract idea of higher in category. The superlative degree, that is, supreme appears after the superior quality. Examples: (5) the great god ; (6) high Heaven ; (7) the heavens which are high. In Ancient China s beliefs, Heaven is not an imaginary place in the sky but rather a supernatural power which exists in the sky high above to control everything on earth. Therefore high Heaven means actually the supreme power in the sky, so as the heavens which are high which represents the supreme power high above. As for the great god, the idea of supreme in this example is clearly conveyed. The eighth derivation is about what belongs to the past: example 14 the past (shang) generations (shi). In this example, the locative shang (spatial) is used to express what existed in the past (temporal). This new derivation of shang expresses the vertical direction of time conceptualized in Chinese. We will discuss it in details in the following section. 1871

4 The second last semantic derivation indicates imprecise positions Examples 3 (a) somewhere around the river (b) by the river. Since this new meaning does not tell exactly where the situation is, it is far from the prototype above (a vertically higher position) which is, on the contrary, clear and precise. Finally, we have the new meaning of going forward. Example 20 but the soldiers did not go forward. This proposition describes the reaction of the soldiers on a battle field in Ancient China. They are supposed to attack after hearing the beating of the drum but they fail to do so. The fact that the soldiers are on a battle field, a plain horizontal surface, suggests that if they move forward, they certainly advance in the horizontal axe. However, in this example, the horizontal movement supposed to be made by the soldiers is expressed by shang which implies the vertical axe. This semantic derivation thus changes from vertical dimension to horizontal dimension. To go forward means to move horizontally towards the direction that is in front of you. It has entirely nothing to do with a vertically higher position. Conceptions of shang Before expressing themselves orally or by writing, human beings have to conceptualize, organize and construct an utterance in their brain first. Ancient Chinese people are Homo sapiens. So they also undergo a cognitive process in their brain, which includes conceptualization, organization and construction before expressing themselves. In the above examples, we can see that the range of meanings expressed by shang is very wide. This implies that during the stage of conceptualization, ancient Chinese people choose shang to represent concepts of different domains. After examining the different semantic derivations from shang, we find that there are eight groups of concepts derived from the prototypal concept of above. These concepts belong to different domains. We arranged them in the way shown in figure 2 on the right. In this figure, the arrows indicate the derivational directions of the different concepts from the prototypal concept above. The circle in the middle is the main domain from which the new concepts derive. We call it Conceptual Source Domain and the concept concerned is a vertically higher position. There are eight different conceptual domains around the main one, numbered from 1 to 8. Number 1 is the conceptual group closest to the prototypal group. Number 2 is farther, and so on. We numbered these domains according to the semantic resemblances between them and the Conceptual Source Domain and we call them Conceptual Derivation Domains (CDD). Figure 2. Conceptual derivations of shang, above The Conceptual Source Domain group includes above, on and in a higher position because they have a point in common, that is, in a higher position perceived in the physical world (see the examples above). The first Conceptual Derivation Domain (CDD1) relates closely to the main domain. It contains the description about motions in a vertical dimension upwards and to go up/to ascend. This domain is not about the indication of a higher position but the description of motions towards a higher position. The common point between the main domain and this one is that both of them belong to the concrete vertical dimension, i.e. the vertical actions or positions perceived in the physical world. CDD2 is about the contact with a person higher placed than oneself to report or offer something to one s superior. It has nothing to do with the indication of a vertically higher position in the physical world. Nevertheless, there is an implication of the abstract upward direction of offering and reporting from a lower placed person to a higher placed one. Hence, the higher position (of the person higher placed) expressed in this domain is abstract, opposite to the ones mentioned in the above two domains. CDD3 no longer deals with concrete or abstract higher positions. Instead, it covers the higher/highest placed persons such as superiors, elders, kings and rulers. The conception of shang in this domain changes thus from the description of concrete or abstract higher positions to the representation of human beings occupying a higher or the highest position socially or politically. Shang used in this domain derives then further more from the prototype above. The fourth CDD includes superior quality and supreme. Both of them are abstract. The fact that shang is used to express them implies that in the mind of the ancient Chinese 1872

5 people, there is a standard of measuring abstract things and shang represents the quality above the average. As for supreme or high, the conception is related to the beliefs of the ancient Chinese people. Shang tian, high heaven/the heavens which are high and shang di, the supreme ruler of heaven represent the power they believed to exist in the Sky. In this case, the derived concept implies that what exists high above our head is of the highest degree. The fifth CDD concerns the Supernatural. We divided it as a single domain because in this domain, shang, Heaven is conceptualized particularly in relation to the cultural model of the ancient Chinese people. In Ancient China, shang means tian, Sky/Heaven. It is not an imaginary place where God or gods are. In fact, it implies a supernatural power which exists above and controls everything in this world (see the explanation in the above section of Semantic Derivations of Shang). For example, a Chinese emperor is called tianzi, the son of Sky/Heaven because he is said to be sent from the Heaven (which is high above, and so that is why it is called shang ) to rule the country. In CDD6, shang indicates the time anterior to the present, that is, the past. As we have seen on p. 1, shang in the inscriptions on tortoise shells and ox bones (16 th -11 th centuries BC) is represented by an indicative symbol. In this graphic, the arc line or the horizontal line is the datum line and the short line above it shows the vertically higher position of an object which is above the datum line. This symbol thus indicates purely the spatial relation between the two objects represented by the datum line and the short line above it. As the centuries pass, the symbol shang evolves and becomes the modern Chinese character 上 as shown in figure 3. In this figure, we put two arrows to indicate the horizontal axe represented by the datum line and the vertical axe shown by the short horizontal line above it and the straight line perpendicular to it. people do so? It is probably by analogy. In their mind, the datum line (horizontal axe) would have represented the present. The time anterior to the present, i.e. the past, would have then been indicated by the short horizontal line above it (vertical axe). Besides signifying the past, shang represents what is before in order and the first half in modern Chinese. Examples: 21. Zhe ben shu fen liang ce, wo kanle shang ce. This book is divided into two volumes (and) I have read the first one. 22. shang ban nian the first half of the year The concepts shown by the above two examples are the same as the concept of vertically higher position. They all start from a datum line and then go upwards. The seventh CDD expresses imprecise positions somewhere around the river and by the river. This concept of imprecision derives very far from the prototypal concept above which is on the contrary, precise. In the last CDD, shang does not mean a higher position but a horizontal motion to the direction in front of one, i.e. to go forward. This fact implies that in this domain, the dimension suggested by the prototypal concept of shang changes from vertical to horizontal. This phenomenon is significant because it shows that ancient Chinese people had the ability to conceptualize the horizontal dimensional motion (to go forward) in terms of the spatial vertical dimensional position (above). Conclusion From 16 th century to 221 BC, ancient Chinese people conceptualized fourteen meanings of the linguistic sign shang 8. These meanings cover a wide range of concepts belonging to different domains. Ancient Chinese people are Homo sapiens. The fact that they had the ability to express different kinds of concepts by the word shang implies that human beings ability of conceptualization and their ability to express themselves with what they have conceptualized are very large. As for the conceptualization of time in terms of space and in the vertical axe by ancient Chinese people, analogy is the determinative factor of this cognitive process. Finally, ancient Chinese people s cultural model plays also an important role in the conceptualization of the different significations of shang. Main References Anttila, R. (1977). Analogy. The Hague, Mouton. Figure 3. Shang horizontal and vertical axes In example 14, we saw that shang is not used to indicate a position (spatial) but to signify the past generations (time). This example shows that ancient Chinese people conceptualized time in terms of space. Besides, time was conceptualized in the vertical axe. Why did ancient Chinese 8 There are more meanings of shang in this period. We have only mentioned the more current ones found in the works of the time. We cannot analyse all the meanings of shang because of the length of the paper. 1873

6 Boroditsky, Lera (2001). Does languages shape thought? English and Mandarin speakers conceptions of time. Cognitive Psychology, 43(1), pp Cassimatis, Nicholas L. (2004). Grammatical Processing Using the Mechanisms of Physical Inference. In Proceedings of 26th Annual Meeting of the Cognitive Science Society, Chicago. Coulson, S. and Oakley, T. (2005). Blending and coded meaning: Literal and figurative meanings in cognitive semantics. Journal of Pragmatics 37, pp Ciyuan [Origin of words] (1984). Shangwu yinshuguan (The Commercial Press), Hong Kong. Duan Zhenmei (1999). Yinxu wenhua (Civilization of the Ruins of Yin). Dongfang chubanshe, Beijing. Evans Vyvyan (2004). How we conceptualize time: Language, meaning and temporal cognition. Essays in Arts and Sciences, Vol. XXXIII no. 2, pp Fauconnier, Gilles (2005). Space, Motion, and Abstract Thought. In Behavioral Sciences of Space. E. Kihira, ed. University of Kyoto. Fauconnier, Gilles and Turner, Mark (2002). The Way We Think: Conceptual Blending and the Mind's Hidden Complexities. New York: Basic Books. Haspelmath, Martin (2004). On directionality in language change with particular reference to grammaticalization, in Olga Fischer, Muriel Norde, and Harry Perridon, eds. Up and Down the Cline: The Nature of Grammaticalization, pp Amsterdam: John Benjamins. Heine, Bernd (1997). Cognitive Foundations of Grammar. Oxford: Oxford University Press. Herman, David (1999). Spatial Cognition in Natural- Language Narratives. Papers from the AAAI Fall Symposium on Narrative Intelligence. Technical Report FS Menlo Park, CA: American Association of Artificial Intelligence, 1999, pp Jackendoff, Ray S. (1983). Semantics and Cognition. Cambridge, Mass.: MIT Press. Jianming gu hanyu zidian [Concise dictionary of Classical Chinese] (1987). Zhonghua shuju (Zhonghua Bookshop), Hong Kong Lakoff, George (1987). Women, Fire and Dangerous Thing : What Categories Reveal about the Mind. Chicago: University of Chicago Press. Langacker, Ronald W. (1999). Grammar and Conceptualization. Mouton de Gruyter. Language and Conceptualization (1999). Edited by Jan Nuyts and Eric Pederson. Cambridge University Press. Laurel Brinton (2004). Towards an integrated model of lexicalization and grammaticalization. Plenary Speaker. The Studies in the History of the English Language Conference 3, Ann Arbor, Michigan, May 6-7. Laurel J. Brinton and Elizabeth Closs Traugott (2005). Lexicalization and Language Change. Cambridge University Press, 204 pages. Lehmann, Christian (2002). New reflections on grammaticalization and lexicalization, in Wischer and Diewald, eds., pp Levinson, S. (2001). The linguistic expression of space. In N.J. Smelser & P. Baltes (eds.), International Encyclopedia of Social and Behavioral Sciences. Vol. 22 (pp ). Amsterdam/Oxford: Elsevier Science. Levinson, S.C. and Enfield, N. (eds.) (in press, 2006). Roots of Human Sociality. Culture, Cognition and Interaction. Berg Publishers. Ning Yu (1999). Spatial conceptualization of time in Chinese. In Masako K. Hiraga, Chris Sinha, and Sherman Wilcox (eds.), Cultural, Psychological and Typological Issues in Cognitive Linguistics, pp Amsterdam: John Benjamins. Norde, Muriel (2002). The final stages of grammaticalization: affixhood and beyond, in Wischer and Diewald, eds., pp Palmer, Gary (1996). Toward a Theory of Cultural Linguistics. Austin: University of Texas Press Peyraube, Alain (1980). Les constructions locatives en chinois moderne. Paris: Editions Langages croisés. Peyraube Alain (2004). Grammaire diachronique et cognition: l'exemple du chinois. C. Fuchs éd. La linguistique cognitive. Paris: Orphys, pp Ramat, Paolo (1992). Thoughts on degrammaticalization. Linguistics 30:5, pp Ramat, Paolo (2001). Degrammaticalization or transcategorization? In Chris Schaner-Wolles, John Rennison, and Friedrich Neubarth, eds. Naturally! Linguistic Studies in Honour of Wolfgang Ulrich Dressler Presented on the Occasion of his 60th Birthday, pp Torino: Rosenbach and Sellier. Sinha, Chris and Jensen de Lûpez, K. (2000). Language, culture and the embodiment of spatial cognition. Cognitive Linguistics 11, pp Taylor, John R. (2003). Linguistic Categorization. Oxford University Press. Wischer, Ilse and Gabriele Diewald, eds. (2002). New Reflections on Grammaticalization. Proceedings of the International Symposium on Grammaticalization, June 1999, Potsdam, Germany. Amsterdam and Philadelphia: John Benjamins. van der Auwera, Johan (2002). More thoughts on degrammaticalization, in Wischer and Diewald, eds., pp Wolfgang, Klein and Nüse, Ralf (1997). La complexité du simple : l expression de la spatialité dans le langage humain. Under the supervision of Michel Denis. Langage et cognition spatiale. Paris : Masson, pp

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