Lahore University of Management Sciences. ENGL 2131 Modern Drama Spring 2017
|
|
- Andrew Copeland
- 5 years ago
- Views:
Transcription
1 Lahore University of Management Sciences ENGL 2131 Modern Drama Spring 2017 Instructor Rabia Nafees Shah Room No. 125 HSS Wing- English (Ground Floor) Office Hours Telephone 2218 Secretary/TA TA Office Hours Course URL (if any) COURSE BASICS Credit Hours 3 Lecture(s) 2 lectures per Duration 1hr 50mins week COURSE DESCRIPTION The plays selected for this course were published between the years 1888 and 1957, a period of much experimentation in the theatre and a resulting proliferation of isms. This course will introduce students to a broad variety of modern dramatists from across Europe and the United States foregrounding issues of form and technique alongside textual and thematic analysis. How does the choice of form reflect each dramatist's aesthetic goals and what are the political implications of this choice? At heart of this interrogation are questions of authorship and the artist s relationship with the world and with the audience. What is the role that a modern dramatist should play as he grapples with the modern condition? How do these playwrights use the drama as a vehicle for social criticism? What is the purpose of modern drama, anyway? The theories of drama offered by Emile Zola, Gyorgy Lukacs, Bertolt Brecht, Lionel Abel and Martin Esslin and the rules for theatrical production constructed by Konstantin Stanislavski (the co-founder of the Moscow Art Theatre who worked directly with Anton Chekhov and Henrik Ibsen s dramas) will help situate us within this debate. The dramatists own experiences with the staging of their plays will also be considered. For purposes of this course, it will not be assumed that the students have a prior understanding of the literary movement called Modernism. Hence, the significant concerns of this movement as well as the historical, intellectual, artistic and cultural influences that birthed it, will be discussed in broad terms at the outset and then in specific terms and greater depth with reference to the genre of drama. The aim is that by the end of the course, the students will have a good sense of the historic development of the modern drama in its many manifestations. COURSE PRE-REQUISITE None. GOALS
2 Lahore University of Management Sciences This course is an attempt to help students develop a sound knowledge base in modern drama and the varied approaches taken by some of the writers whose names are synonymous with the field. The students will learn to share and defend their own interpretations of the texts through their discussions in class and the response papers and exams they will be required to take during the semester. This will help them hone their skills of close reading, critical evaluation and explicatory writing. Besides reading the stipulated plays in their course outline, they will analyze one additional play in their presentation so that the class could be briefly familiarized with a broader range of modern drama than we could do justice to in just 28 sessions. The staged reading assignment requires group work to enact one chosen scene from the principal texts in the course. The goal is to experience these extracts in a completely different way paying attention to not just the cadences and tempo of the scene but also what Stanislavsky called the sub-text behind the words on the page. GRADING 1. Presentation 15% 2. Midterm 25% 3. Class Participation 10% 4. Response Papers 15% 5. Final Paper (7-8 pages) 30% 6. Staged Readings 5% TEXTBOOKS Reading packages have been put together for the course LECTURES, TUTORIALS AND ATTENDANCE POLICY 1. There will be two 110-minute seminars per week. (A total of 28 sessions) 2. There will be a minutes presentation. 3. Attendance is Mandatory. COURSE SCHEDULE S SESSIONS TOPIC PRIMARY READINGS SECONDARY READINGS Introduction to the course Modernism and the theatre David Krasner, Introduction. History of Modern Drama Leigh Wilson, The Historical Context of Modernist Literature (26-31) Emmett Stinson, Literary and Cultural Contexts: Major Figures,
3 Institutions, Topics, Events (48-65) 3 What makes modern drama modern? Peter Szondi, Theory of the Modern Drama, Parts I-II (91-130) David Ian Paddy, Key Critical Concepts, Topics and Figures ( ) Perviz Sawoski, The Stanislavski System: Growth and Methodology (1-26) 2 4 Naturalism August Strindberg, Miss Julie Emile Zola, Naturalism on the Stage (1-5) Naturalism August Strindberg, Miss Julie 5 3 David Krasner, ( ) 6 Walter Kalaidjian et al, Forms of Modern Drama & Hedda : from Melodrama to in Understanding Literature ( ) 7 G.B. Shaw, The Technical Novelty in Ibsen s Plays ( ) Geoffrey Borny, The : Complete Synthesis of Vision and Form ( )
4 10 Roland Barthes, Death of the Author ( ) Naturalism/ Eugene O Neil, The Emperor Jones J.L. Styan, in the Theatre (1-10) 13 Gyorgy Lukacs, The Sociology of Modern Drama ( ) Midterm Exam Salesman by Arthur Miller Salesman Salesman Gyorgy Lukacs, in the Balance (28-59) Annette J. Saddik, Revisting the American Dream (40-70) Luigi Pirandello. Preface & Six Characters in Search of an Author Lionel Abel, Preface, Tragedy and Luigi Pirandello, Six Characters in Search of an Author Luigi Pirandello, Six Characters in Search of an
5 Author 23 Brecht, Theatre for Pleasure or Theatre for Instruction (69-76); Brecht, A Short Organum for the Theatre (1-19) Bertolt Brecht from The Popular and the Realistic (42-44) Theatre of the Absurd Samuel Beckett, Endgame Martin Esslin, The Theatre of the Absurd (3-14) Theatre of the Absurd Samuel Beckett, Endgame Edward Albee, Which Theatre is the Absurd One? (1-2) 28 Theatre of the Absurd Samuel Beckett, Endgame
Theatre Arts 121 History of the Theatre II 1600 to 1980 Spring, Theoretical Introduction
Theatre Arts 121 History of the Theatre II 1600 to 1980 Spring, 2010 MWF 9:15-10:20 Porter Theatre Dr. John Blondell; extension 6778 T/R 10:30-12; Monday 3-4; and by appointment Theoretical Introduction
More informationPEOPLE PLACES AND PLAYS: Theatre That Changed The World
PEOPLE PLACES AND PLAYS: Theatre That Changed The World THEATRE ARTS 302Y (Summer B 2016) Instructor: Lee Soroko On-Line Office Hours: Sunday s 7:00-9:00PM E-mail: LSoroko@Miami.edu COURSE DESCRIPTION:
More informationLahore University of Management Sciences
ENGL 2354 The Victorian Novel: Charles Dickens to Thomas Hardy Fall Semester (2015-2016) Instructor Dr. Saeed Ghazi Room No. 129 HSS Office Hours Friday 5:00 8:00 pm Email saeedg@lums.edu.pk Telephone
More informationLahore University of Management Sciences
LITR 236 Creative Nonfiction Spring 2015 Instructor Room No. Office Hours Email Telephone Secretary/TA TA Office Hours Course URL (if any) Dr. Naveed Rehan 137, English (New) Wing, Ground Floor, Acad Block
More informationIM Syllabus 2018 THEATRE & PERFORMANCE SYLLABUS IM 34
IM Syllabus 2018 THEATRE & PERFORMANCE SYLLABUS IM 34 Theatre and Performance IM 34 Syllabus 1.0 Introduction Part 1 Theatre Events and Practitioners (2½ hours) Part 2 Exploring Performance Practice (8
More informationEN203 Introduction to Drama
College of Micronesia FSM P.O. Box 159 Kolonia, Pohnpei FM 96941 Course Outline Cover Page Introduction to Drama_ EN 203 Course Title Department & Number Course Description: This course introduces students
More informationUniversity of Puerto Rico Rio Piedras Campus College of Humanities Department of English Undergraduate Program Fall 2012
Course Title: Modern Drama 1890-1940 Code: Ingles 4216; Credit Hours 3 Instructor: University of Puerto Rico Rio Piedras Campus College of Humanities Department of English Undergraduate Program Fall 2012
More informationDRAMA IN LONDON: ANCIENT, SHAKESPEAREAN, MODERN: Text and Performance
DRAMA IN LONDON: ANCIENT, SHAKESPEAREAN, MODERN: Text and Performance Instructor Dr Boika Sokolova Course Number ULF ENGL 110 (also cross-listed as DRAMA 110 ) Aims and Objectives The present course has
More informationCollege of the Desert
College of the Desert Introduction to Theatre (Dual Enrollment) Units 3 Instructor: Allyson Sawyer (M.A. in Theatre) Contact: asawyer@psusd.us (951) 505-7391 Office Hours: Wednesdays during 6 th Period
More informationJEFFERSON COLLEGE COURSE SYLLABUS ENG216 WORLD LITERATURE: AFTER Credit Hours. Presented by: Trish Loomis
JEFFERSON COLLEGE COURSE SYLLABUS ENG216 WORLD LITERATURE: AFTER 1650 3 Credit Hours Presented by: Trish Loomis Revised Date: March 2010 by Andrea St. John Arts and Science Education Dr. Mindy Selsor,
More informationDEPARTMENT OF FINE ARTS COURSE OUTLINE FALL DR 1010 (A2): INTRODUCTION TO THEATRE ART (3-0-0) 45 Hours for 15 Weeks
DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2017 DR 1010 (A2): INTRODUCTION TO THEATRE ART (3-0-0) 45 Hours for 15 Weeks INSTRUCTOR: Michelle Rios PHONE: (780) 539-2029 OFFICE: L222 E-MAIL: mrios@gprc.ab.ca
More informationTheatre IV. Course # Credits: 15
Theatre IV Course # 1185 Credits: 15 theater iv curriculum 2017 Page 1 I. Course Description Theater IV is a full year course designed to reinforce what has been introduced in Theater I, II and III to
More informationSEMESTER AT SEA COURSE SYLLABUS University of Virginia, Academic Sponsor
SEMESTER AT SEA COURSE SYLLABUS University of Virginia, Academic Sponsor Voyage: Fall 2014 Discipline: Drama DRAM 2020-501 and 502: Acting I (Sections 1 and 2) Lower Division Faculty Name: Dr. Judith Williams
More informationTheatre II. Course # Credits: 12.5
Theatre II Course # 1185 Credits: 12.5 theater ii curriculum 2017 Page 1 I. Course Description Theater II is a full year course designed to reinforce what has been introduced in Theater I and to reinforce
More informationTheatre Arts 001 Great Literature of the Stage Dr. John Blondell. Introduction. --The Tempest, Epilogue, William Shakespeare
Theatre Arts 001 Great Literature of the Stage Dr. John Blondell MWF 9:15-10:20 Porter Theatre Phone 565-6778. E-mail: blondell@westmont.edu Office Hours TBA Now I want Spirits to enforce, art to enchant;
More informationDEPARTMENT OF FINE ARTS COURSE OUTLINE FALL DR 1010 (A2): INTRODUCTION TO THEATRE ART 3(3-0-0) 45 Hours for 15 Weeks
DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2018 DR 1010 (A2): INTRODUCTION TO THEATRE ART 3(3-0-0) 45 Hours for 15 Weeks INSTRUCTOR: Misha Albert PHONE: (780) 539-2836 OFFICE: L222 E-MAIL: malbert@gprc.ab.ca
More informationIM SYLLABUS (2015) THEATRE & PERFORMANCE IM 34 SYLLABUS
IM SYLLABUS (2015) THEATRE & PERFORMANCE IM 34 SYLLABUS Theatre and Performance IM 34 (Available in September) Syllabus Part 1 - Theatre History (2½ hrs) Part 2 - Performance (½ hr) 1.0 Introduction The
More informationTheatre, History, Culture II: Romantics, Realists, and Revolutionaries
Theatre, History, Culture II: Romantics, Realists, and Revolutionaries Theatre Arts 102 Cary Mazer Spring 2018 Mazer: 519 Annenberg Center, 3-2659; cmazer@english.upenn.edu Office Hours: by appointment
More informationSession 6 Style. The medium is the message Creating meaning through style Naturalism Expressionism Absurdism
Session 6 Style The medium is the message Creating meaning through style Naturalism Expressionism Absurdism Key Concepts Style As Substance As in all art forms, theatre writing has gone through many different
More information1 Amanda Harvey THEA251 Ben Lambert October 2, 2014
1 Konstantin Stanislavki is perhaps the most influential acting teacher who ever lived. With a career spanning over half a century, Stanislavski taught, worked with, and influenced many of the great actors
More informationEnglish 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring
English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring 2015-16 From the fourteenth to the seventeenth centuries, the development of English literature
More informationThe University of Georgia CLAS 4300/6300. Ancient Daily Life. Tu/Th 5:00-6:15, SLC 207
The University of Georgia CLAS 4300/6300 Ancient Daily Life Tu/Th 5:00-6:15, SLC 207 Instructor: Dr. Erika T. Hermanowicz Term: Fall, 2008 Telephone: 542-7466 Office: Park Hall 237 E-mail: erikat@uga.edu
More informationThe Theatre Of Revolt: Studies In Modern Drama From Ibsen To Genet By Robert Brustein READ ONLINE
The Theatre Of Revolt: Studies In Modern Drama From Ibsen To Genet By Robert Brustein READ ONLINE If you are searching for the ebook by Robert Brustein The Theatre of Revolt: Studies in modern drama from
More informationPost 1954 Historicised Drama The Woman In Black Devising from text Bringing texts to life (performance, direction and design) Play Review marks
Curriculum Coverage Autumn 7 8 9 10 11 Storytelling through stage and film Murder In the Red Barn Devising from true stories and historic artefacts and texts : written portfolio Brecht and Mid 20 th century
More informationHIST 425/525 Economic History of Modern Europe European Industrialization
HIST 425/525 Economic History of Modern Europe European Industrialization Winter Term 2015 CRN 25948 (HIST 425) 4:00 5:20 pm Tues/Thurs CRN 25949 (HIST 525) 301 Gerlinger Hall Professor George Sheridan
More informationIntroduction to Music Theory (HUMA 2104) Division of Humanities The Hong Kong University of Science and Technology Spring 2016
Introduction to Music Theory (HUMA 2104) Division of Humanities The Hong Kong University of Science and Technology Spring 2016 Instructor: Ilari Kaila Email: kaila@ust.hk Office hours: TBA and by appointment
More informationMACMILLAN MODERN DRAMATISTS
MACMILLAN MODERN DRAMATISTS Macmillan Modern Dramatists Series Editors: Bruce and Adele King Published titles Reed Anderson, Federico Garcia Lorca Susan Bassneu, Luigi Pirandello Eugene Benson, J. M. Synge
More informationChapter 2 Intrinsic Elements in Modern Drama
Chapter 2 Intrinsic Elements in Modern Drama 9 Contents This chapter addresses characteristics of modern drama, specifically discussion about intrinsic elements: character, plot, setting, dialogue, and
More informationMedia and Government: The Presidency and the Press, 1900-Present Prof. David Greenberg Fall 2014
Media and Government: The Presidency and the Press, 1900-Present Prof. David Greenberg Fall 2014 Class Time: MW Period 5 (2.50-4.10) Room: Scott Hall 102 Email: davidgr[at]rutgers.edu Phone: (646) 504-5071
More informationTHEATRE AND DRAMA (THEATRE)
Theatre and Drama (THEATRE) 1 THEATRE AND DRAMA (THEATRE) THEATRE/ENGL 120 INTRODUCTION TO THEATRE AND DRAMATIC LITERATURE Reading important plays, attending stage productions, writing and thinking critically
More informationTo explore and interrogate the role of documentary film as a vehicle for initiating change in society.
1 PRODUCING FILMS FOR SOCIAL CHANGE Fall 2014 Tufts University Experimental College & Dept. of Drama and Dance Monday and Wednesday, 6:00-9:00 PM Mark Computer Lab, Tisch Library Instructor Khary Jones,
More informationMedia Aesthetics. MED 114 Section County College of Morris Randolph, New Jersey Spring, Matthew T. Jones, Ph.D.
Media Aesthetics MED 114 Section 20764 County College of Morris Randolph, New Jersey Spring, 2010 Matthew T. Jones, Ph.D. Instructor Contact Information Office Hours: Mon & Tues, 1-2:30pm Email: mjones@ccm.edu
More informationVictorian Certificate of Education 2001 THEATRE STUDIES. Written examination. Wednesday 21 November 2001
1 THEATRE STUDIES EXAM Victorian Certificate of Education 2001 THEATRE STUDIES Written examination Wednesday 21 November 2001 Reading time: 2.00 pm to 2.15 pm (15 minutes) Writing time: 2.15 pm to 3.45
More informationSelected Bibliography
200 Selected Bibliography PRIMARY SOURCES Albee, Edward. The Zoo Story. The Collected Plays of Edward Albee. Overlook Duckworth Press. NY. 1958. Brecht, Bertolt. The Caucasian Chalk Circle. Trans. Eric
More informationSEMESTER AT SEA COURSE SYLLABUS
SEMESTER AT SEA COURSE SYLLABUS Voyage: Summer 2014 Discipline: Slavic Languages and Literatures SEMS 3500-106: Fiction Into Film Division: Upper Faculty Name: Julian W. Connolly Pre-requisites: None COURSE
More informationPRESCOTT UNIFIED SCHOOL DISTRICT District Instructional Guide 1/12/16
1/12/16 Grade Level: 9 12 Subject: Beginning Drama Time: All Year Core Text: Time Unit/Topic Standards Assessments Q1 Introduction Talent Show Drama Games Class policies Guidelines Syllabus Theater Tour
More informationMVK 1111: Piano Skills 1 Course Syllabus Fall, 2018
Text: Alfred s Group Piano for Adults Book 1 (Second Edition) Lancaster & Renfrow Room: MUB143 MVK 1111: Piano Skills 1 Course Syllabus Fall, 2018 Page 1 Coordinator: Dr. Jasmin Arakawa Email: jarakawa@arts.ufl.edu
More informationSYLLABUS: HISTORY : AN INTRODUCTION TO WORLD HISTORY, 4 credits
SYLLABUS: HISTORY 448-130: AN INTRODUCTION TO WORLD HISTORY, 4 credits FALL 2018-2019 TR 4:00-5:15 HUMANITIES 2650 Professor André Wink Office hours: TR 2:30-3:30 Office: Department of History, Mosse Humanities
More informationTHE 6507 Dramatic Theory and Criticism
THE 6507 Dramatic Theory and Criticism Dr. Julia Listengarten Fall 2014 Office: T220 Tuesday/Thursday: 10:30-11:45 Tuesday/Thursday: 12:00-2:00 PAC-T244 and by appointment COURSE DESCRIPTION: This course
More informationCourse Syllabus. 2. Course Code ICCM 203 Introduction to Literary Analysis. 3. Number of Credits 4(4 0 8) (Lecture/Lab/Self study)
25 Course Syllabus 1. Program of Study Bachelor of Science Program Bachelor of Arts Program Bachelor of Business Administration Program Bachelor of Nursing Science Program Faculty/Institute/College Mahidol
More information20 performance, design/production, or performance studies Total Semester Hours 44
Theatre and Dance 1 Theatre and Dance Website: theatre.sewanee.edu All students are invited to participate in the curriculum and production program of the Department of Theatre and Dance. The major in
More informationLevel 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level with an X
MODULE SPECIFICATION TEMPLATE MODULE DETAILS Module title Screen Comedy Module code HD600 Credit value 20 Level Level 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level
More informationWaiting for Godot by Samuel Beckett. Presented by Akram Najjar
Waiting for Godot by Samuel Beckett Presented by Akram Najjar Samuel Becket (1906 1989) Born in Ireland (Now North Ireland) When 22 won a post to teach in the Ecole Normale Supérieure in Paris After 2
More informationWadsworth Anthology OF DRAMA
SUB Gfittingen 216 644 240 FOURTH EDITION Wadsworth Anthology OF DRAMA W. B. WORTHEN University of California, Berkeley THOIVISOIM WADSWORTH Australia Canada Mexico Singapore Spain United Kingdom United
More informationDEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2015 MU2550 A2 MUSIC THEORY III MW 10:00-11:20AM, L228
DEPARTMENT OF FINE ARTS COURSE OUTLINE FALL 2015 MU2550 A2 MUSIC THEORY III MW 10:00-11:20AM, L228 INSTRUCTOR: Mathew Walton OFFICE: L117 PHONE: 780-539-2837 (email preferred) E-MAIL: mwalton@gprc.ab.ca
More informationTHEATRE: CONTEXT & CULTURE
Theater Historiography website www.theater-historiography.org Creative Commons Attribution-Noncommercial 3.0 United States License THEATRE CRITICISM SYLLABUS THEATRE: CONTEXT & CULTURE Revised 1/25/12
More informationLT245 Autobiography and/as Fiction
LT245 Autobiography and/as Fiction Course times: Mondays and Wednesdays 2.00-3.30 pm Instructor: Laura Scuriatti Email: l.scuriatti@berlin.bard.edu Office hours: Thursdays 1.30-3.30 pm, office 004, P98A
More informationGRADE 12 SUMMER READING LIST 2018
GRADE 12 SUMMER READING LIST 2018 College Preparatory (CP) Senior English [1 book] Early College Senior English [2 books] 2. You Don t Have To Say You Love Me: A Memoir Sherman Alexie Students should be
More informationCURRICULUM MASTER IN LITERATURE AND ARTS (120 CREDITS)
CURRICULUM MASTER IN LITERATURE AND ARTS (120 CREDITS) Wester Culture 20 cr/hr 1. IMMIGRATION 1.1. Racism 2. RELIGION IN THE UNITED STATES 2.1. History of the religion in The United States 2.2. Religion
More informationMUS-111 History of American Popular Music
Departmental Policy Syllabus Revised 5/27/18 Bergen Community College Division of Business, Arts, and Social Sciences Visual and Performing Arts Department Course Syllabus MUS-111 History of American Popular
More informationCIEE Global Institute Paris
CIEE Global Institute Paris Course name: 20th Century French Literature (in English) Course number: LITT 3002 PAFR (ENG) Programs offering course: Paris Open Campus (Language, Literature and Culture Track)
More informationKeyboard Area Handbook for Undergraduate and Graduate Students in Applied Keyboard Courses
Keyboard Area Handbook for Undergraduate and Graduate Students in Applied Keyboard Courses effective June 1, 2013 TABLE OF CONTENTS LISTING OF COURSE NUMBERS...2 CLASS PIANO SECONDARY INSTRUCTION 3 GRADING
More informationCTP 431 Music and Audio Computing. Course Introduction. Graduate School of Culture Technology (GSCT) Juhan Nam
CTP 431 Music and Audio Computing Course Introduction Graduate School of Culture Technology (GSCT) Juhan Nam 1 Who We Are Instructor: Juhan Nam ( ) Assistant Professor in GSCT Music and Audio Computing
More informationCRITICISM AND MARXISM English 359 Spring 2017 M 2:50-4:10, Downey 100
CRITICISM AND MARXISM English 359 Spring 2017 M 2:50-4:10, Downey 100 Professor Matthew Garrett 285 Court Street, Office 309 Email: mcgarrett@wesleyan.edu Phone: 860-685-3598 Office hours: M 4:30-6pm OVERVIEW
More informationLIT 99/English Department Orientation Seminar (fall) LIT 200/Introduction to Poetry (every semester) LIT 201/Approaches to Literature (every semester)
Literature Courses-1 LIT 99/English Department Orientation Seminar (fall) 0 course unit LIT 200/Introduction to Poetry Prerequisite: Reserved for English students This course is designed to provide students
More informationBergen Community College Division of Business, Arts, and Social Sciences Department of the Performing Arts. Course Syllabus. MUS-106 World Music
Departmental Policy Syllabus Revised 5/27/18 Bergen Community College Division of Business, Arts, and Social Sciences Department of the Performing Arts Course Syllabus MUS-106 World Music Basic Information
More informationMUH 2051: Music Cultures of the World Fall pm-1pm
MUH 2051: Music Cultures of the World Fall 2011 12pm-1pm Catherine Williams ccw10c@appstate.edu (919) 414-0835 Office hours (Musicology Office, Longmire): MWF 10am-12pm and by appointment. TA: Harry Potter
More informationHUMN-130 COURSE SYLLABUS FOR HISTORY AND DEVELOPMENT OF MOTION PICTURES. Dirk Andrews Instructor
Coffeyville Community College HUMN-130 COURSE SYLLABUS FOR HISTORY AND DEVELOPMENT OF MOTION PICTURES Dirk Andrews Instructor COURSE NUMBER: HUMN-130 COURSE TITLE: History and Development of Motion Pictures
More informationMYKOLAS ROMERIS UNIVERSITY FACULTY OF SOCIAL TECHNOLOGIES INSTITUTE OF PSYCHOLOGY
CONFIRMED at the meeting No. 1PI-1 of the Institute of Psychology Faculty of Social Technologies August 29, 2014 MYKOLAS ROMERIS UNIVERSITY FACULTY OF SOCIAL TECHNOLOGIES INSTITUTE OF PSYCHOLOGY METHODICAL
More informationStudy Abroad UG Sample Module List. By Theme
Study Abroad UG Sample Module List By Theme Please note, generally Level 3 modules are final year classes and will usually require demonstration of prior academic learning related to the class. The relevant
More informationLahore University of Management Sciences. ENGL 1000 Introduction to Literature in English
ENGL 1000 Introduction to Literature in English Fall Semester (2017) Instructor Dr. Saeed Ghazi Room No. Room No. 129, Department of English, Academic Block Office Hours Friday 4:30 7:30 pm Email saeedg@lums.edu.pk
More informationENGL 8140: VICTORIAN LITERATURE AND PHOTOGRAPHY
ENGL 8140: VICTORIAN LITERATURE AND PHOTOGRAPHY Spring 2014, M 5:00-7:45 p.m., Daniel 301 David Coombs Email: dcoombs@clemson.edu Office Hours: Strode 613, M 12-1, F 2:30-3:30, and by appointment Thomas
More informationHistory of East Asia I. TTh 1:30-2:50 ATG 123
History of East Asia I TTh 1:30-2:50 ATG 123 Nick Kapur Office: 429 Cooper Street, Room 103 Office Hours: TTh 3-4:30pm, or by appointment nick.kapur@rutgers.edu COURSE DESCRIPTION This course examines
More informationENGLISH (ENGL) 101. Freshman Composition Critical Reading and Writing. 121H. Ancient Epic: Literature and Composition.
Head of the Department: Professor A. Parrill Professors: Dowie, Fick, Fredell, German, Gold, Hanson, Kearney, Louth, McAllister, Walter Associate Professors: Bedell, Dorrill, Faust, K.Mitchell, Ply, Wiemelt
More informationIB THEATRE SENIORS SUMMER ASSIGNMENT 2018 for SENIORS
IB THEATRE SENIORS SUMMER ASSIGNMENT 2018 for SENIORS Your Assignment for the summer of 2018 will help you to get more and more familiar with the assessments you will be working toward next year. All summer
More informationSIBELIUS ACADEMY, UNIARTS. BACHELOR OF GLOBAL MUSIC 180 cr
SIBELIUS ACADEMY, UNIARTS BACHELOR OF GLOBAL MUSIC 180 cr Curriculum The Bachelor of Global Music programme embraces cultural diversity and aims to train multi-skilled, innovative musicians and educators
More informationBethesda University. 730 North Euclid Street, Anaheim, California Tel: (714) , Fax: (714) Professor.
MU541 Music of the Nineteenth Century *The discrepancies between the two groups will be specified throughout the course, but in general, the M.A. students will have approximately 25% more assigned work
More information: Tragic Drama across Time and Space
B.A. (Honours) in Contemporary English Studies Course Title : Tragic Drama across Time and Space Course Code : ENG3004 Recommended Study Year : 3 rd or 4 th Years No. of Credits/Term : 3 Mode of Tuition
More informationJEFFERSON COLLEGE COURSE SYLLABUS ENG215 WORLD LITERATURE BEFORE Credit Hours. Presented by: Trish Loomis
JEFFERSON COLLEGE COURSE SYLLABUS ENG215 WORLD LITERATURE BEFORE 1650 3 Credit Hours Presented by: Trish Loomis Revised Date: March 2010 by Andrea St. John Dean of Arts and Science Education Dr. Mindy
More informationThe Chinese University of Hong Kong Department of Philosophy. PHIL 2050 History of Western Philosophy II Course Outline
The Chinese University of Hong Kong Department of Philosophy Course overview PHIL 2050 History of Western Philosophy II Course Outline This course is a history oriented introduction into modern Western
More informationA C E I T A Writing Strategy Helping Writers Get that A And Avoid Plagiarism
A C E I T A Writing Strategy Helping Writers Get that A And Avoid Plagiarism What ACEIT stands for A- Assertion C- Citation E- Explication I- Interpretation T- Transition/Termination Purpose All writers,
More informationEastern Kentucky University Department of Music Syllabus for MUS , Musicianship I, CRN T/TH 11:00-11:50 1 Credit Hour Fall 2012
Eastern Kentucky University Department of Music Syllabus for MUS 161-002, Musicianship I, CRN 14053 T/TH 11:00-11:50 1 Credit Hour Fall 2012 Professor: Dr. Richard Byrd Office: Foster Building 202 office
More informationPHR-107 Introduction to the Philosophy of Art
Bergen Community College Division of Arts & Humanities Department of Philosophy & Religion Course Syllabus PHR-107 Introduction to the Philosophy of Art Basic Information about Course and Instructor Semester
More informationFrom. THEA115 America in Prison: Theater Behind Bars X. THEA135 Documentary Performance: Theater and Social Justice X X
Crosslisted FYS Technical THEA105 Production Laboratory THEA110 Drafting for Theatrical Design THEA115 America in Prison: Behind Bars THEA135 Documentary Performance: and Social Justice THEA150 Plays and
More informationClass Syllabus MUSIC IN SOCIETY, SCIENCE AND PSYCHE (HONORS, FALL 2012)
Class Syllabus MUSIC IN SOCIETY, SCIENCE AND PSYCHE (HONORS, FALL 2012) Dr. Mark Henderson / Office Hours: 2:30PM MWF (Room 355 VBC) 801-626-6448 email: mhenderson@weber.edu. I have not yet agreed to be
More informationSyllabus for MUS 208 Music in World Cultures 3 Credit hours Spring 2004
I. COURSE DESCRIPTION Syllabus for MUS 208 Music in World Cultures 3 Credit hours Spring 2004 A study of the world s music cultures. Aspects of style, performance practice, instruments, and functions of
More informationCreative Arts Subject Drama YEAR 7
Creative Arts Subject Drama YEAR 7 Whole Class Drama Narration Cross-cutting Still images/ Freeze frames Slow motion Split stage Facial Expressions Marking the moment Flash back Body Language Sound effects
More informationThe Theatre of the Absurd
Journal of Studies in Social Sciences ISSN 2201-4624 Volume 17, Number 2, 2018, 173-182 The Theatre of the Absurd Dr. SamerZiyad Al Sharadgeh English Language Centre, Umm-Al Qura University, Makkah, Kingdom
More informationSociology 325: Departmental Seminar for Juniors Social Influences on the Experience of Health, Illness and Disability Spring 2009
Sociology 325: Departmental Seminar for Juniors Social Influences on the Experience of Health, Illness and Disability Spring 2009 Instructor: Dr. Jessica Kelley Moore Office: 230 Mather Memorial Hall Phone:
More informationMichele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11
Michele Schreiber Department of Film and Media Studies Emory University Introduction to Film Through the Lens of Sustainability 6/17/11 In the Fall semester of 2010, I co-taught a graduate seminar with
More informationBACHELOR OF MUSICAL ARTS
BACHELOR OF MUSICAL ARTS This interdisciplinary program is intended to help students prepare for performance careers while developing a secondary area of emphasis outside of music. Students must meet the
More informationDRAFT (July 2018) Government 744 Foundations of Security Studies. Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475
DRAFT (July 2018) Government 744 Foundations of Security Studies Fall 2017 Wednesdays 7:20-10:00 PM Founders Hall 475 Professor John Gordon Email: jgordon@rand.org Course description This course will provide
More informationJ.P.Sommerville THE EMERGENCE OF MODERN BRITAIN
J.P.Sommerville 361 THE EMERGENCE OF MODERN BRITAIN 1485-1660 Semester II, 2011 This course will explore a decisive period in the making of modern Britain, and of the western world today. Though the social,
More informationSEMESTER AT SEA COURSE SYLLABUS University of Virginia, Academic Sponsor
SEMESTER AT SEA COURSE SYLLABUS University of Virginia, Academic Sponsor Voyage: Fall 2014 Discipline: Drama SEMS 2500-104: Theatre Around the Atlantic Division: Lower Faculty Name: Reade Dornan Credit
More informationWhat is Imperial History?
1 What is Imperial History? History 97e Spring 2017 Thursday 1-4 pm Bonaparte Before the Sphinx by Jean-Léon Gérôme based on the expedition of the emperor-to-be Napoleon Bonaparte in Egypt in 1798-1799
More informationArt History, Curating and Visual Studies. Module Descriptions 2019/20
Art History, Curating and Visual Studies Module Descriptions 2019/20 Level H (i.e. 3 rd Yr.) Modules Please be aware that all modules are subject to availability. Where a module s assessment happens in
More informationNorth Carolina State University is a land-grant university and a constituent institution of The University of North Carolina
NC STATE UNIVERSITY North Carolina State University is a land-grant university and a constituent institution of The University of North Carolina College of Humanities and Social Sciences Foreign Languages
More informationDate Credits 3 Course Title English Composition II Course Number ENC 1102 Pre-requisite (s) ENC 1101 Co-requisite (s) None Hours 45
Date Credits 3 Course Title English Composition II Course Number ENC 1102 Pre-requisite (s) ENC 1101 Co-requisite (s) None Hours 45 Place and Time of Class Meeting San Ignacio University 3905 NW 107 Avenue,
More informationHow to write a RILM thesis Guidelines
How to write a RILM thesis Guidelines Version 3.0 October 25, 2017 0 Purpose... 1 1 Planning... 1 1.1 When to start... 1 2 The topic... 1 2.1 What? The topic... 1 2.2 Why? Reasons to select a topic...
More information200 level, and AHPH 202
Disclaimer: This is an indicative syllabus only and may be subject to changes. The final and official syllabus will be distributed by the instructor during the first day of class. The American University
More informationDepartment of English : 2 Year MA Syllabus Credits Sem 7: ENGL0701: Module 17: Research methodology 4 ENGL0702: Module 18: Advanced theory 1 4
1 Department of English : 2 Year MA Syllabus Credits Sem 7: ENGL0701: Module 17: Research methodology 4 ENGL0702: Module 18: Advanced theory 1 4 ENGL0703: Module 19: European literature in translation
More informationLahore University of Management Sciences
ENGL 3264 - Articulations of Nation: Nineteenth-Century American Poetry Fall 2017-18 Instructor Saba Pirzadeh Room No. 137 Office Hours Email saba.pirzadeh@lums.edu.pk Telephone 2137 Secretary/TA TA Office
More informationLevel 4 Level 5 X Level 6 Level 7 Level 8 Mark the box to the right of the appropriate level with an X
MODULE SPECIFICATION TEMPLATE MODULE DETAILS Module title British Television Drama Module code HD524 Credit value 20 Level Level 4 Level 5 X Level 6 Level 7 Level 8 Mark the box to the right of the appropriate
More informationMark, M. & Madura, P. (2014). Contemporary Music Education. Boston: Shirmer.
Contemporary Issues in Music Education: MUS392 Dr. Colleen Sears Tuesdays & Fridays, 2:00 3:20 Music Building Room 120 Field Placements: Wednesdays 8:00 3:00 Fall 2016 E-Mail: colleen.sears@tcnj.edu Office
More informationSEMESTER AT SEA COURSE SYLLABUS. REQUIRED TEXTBOOKS: Please note: try to buy these specific editions!
Voyage: Spring 2014 Discipline: English ENLT 2559: Global Shakespeares Division: Lower Division Faculty Name: Dan Kinney SEMESTER AT SEA COURSE SYLLABUS Pre-requisites: Basic composition training; some
More informationEnglish 100A Literary History I Autumn Jennifer Summit and Roland Greene
English 100A Literary History I Autumn 2011-12 Jennifer Summit and Roland Greene English literature was invented during the medieval and early modern periods. During this quarter we will explore these
More informationOffice: 1417 Cathedral of Learning Hours: Tu: 2-3PM, W: 12-1PM, by appointment
UNIVERSITY OF PITTSBURGH Department of Slavic Languages and Literatures Russian 1210. Man and Superman: Representations of the Superior Individual in Philosophy and Culture Theodora Kelly Trimble Fall
More informationHistory of American Cinema. Course Description HIST 399
HIST 399 History of American Cinema Winter 2017 University of Oregon 30 Pacific Hall Tuesdays and Thursdays, 3:30-5:50 Instructor: Steven Beda sbeda@uoregon.edu Office: 340A McKenzie Hall Office Hours:
More informationPOSTMODERN AMERICAN DRAMA: AN INTRODUCTION
POSTMODERN AMERICAN DRAMA: AN INTRODUCTION THEATRE To start with, I would like to talk about theatre as an art, a cultural practice and a genre. What do you think about the theatre? Do you like it? Do
More informationAMERICA, PROSPERITY, DEPRESSION, AND WAR
Columbia University History W3649 Fall 1999 Alan Brinkley 622 Fayerweather ab65@columbia.edu AMERICA, 1918-1945 PROSPERITY, DEPRESSION, AND WAR This course examines one of the most turbulent periods of
More information