LIES AND LOVE. Combined Continuity and Spotting List. Sc# Time Code Scene Description Title # 1 1:00:00:00 FIRST FRAME OF PICTURE. Start End Dur Title
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1 Sc Time Code Scene Description Title 1 1:00:00:00 FIRST FRAME OF PICTURE. BLACK. MT 1 IN/OUT OVER BG: CMV PICTURES (LOGO) MUSIC IN MT 2 IN/OUT OVER BG: FINALE PRODUCTIONS, LTD. (ANIMATED LOGO) MUSIC OUT MT 3 IN/OUT OVER BG: a Final Chances Film 2 1:01:29:10 INT. APARTMENT LOBBY - DAY. LS -. SHE MOVES FWD AS CAMERA DOLLIES AWAY. 1. /1:01:29:10 1:01:31:05 BILL TO, THEN TO BILL) -Hey, Lily. -How are ya, Bill? BILL (OS) Hey, Lily. How are ya, Bill? MUSIC IN :01:31:13 1:01:34:29 1:01:34:25 1:01:37: BILL TO ) Isn t it a gorgeous day in Boston? No rain today. TO BILL) Well, that s great news. I m tired of this rain. CAMERA PANS R REVEALING BILL STANDING NEAR DOOR. 4. 1:01:37:10 1:01:42: MAIN TITLE) Lies and Love BILL Isn t it a gorgeous day in Boston? No rain today. Well, that s great news. I m CaptionMax Page 1 11/11/2009
2 Sc Time Code Scene Description Title tired of this rain. MT 4 IN/OUT OVER BG: Lies and Love 3 1:01:42:02 MS - PAST BILL STANDING NEAR DOOR TO. JACK (OS) Are you ready to go, Lily? /1:01:42:02 1:01:44:04 1:01:43:27 1:01:45:27 (over scene end) 1.23 JACK TO ) Are you ready to go, Lily? TO JACK) I m finally ready. Thanks Jack. I m finally ready. Thanks JACK ENTERS FROM OS R AND OPENS DOOR. LABORATORY: CHECK POSITION OF TITLES 9 AND 10 TO AVOID DOUBLE PRINTING WITH OPENING CREDITS. 4 1:01:45:18 EXT. S APARTMENT BUILDING - DAY. MS - IN DOORWAY. (CONT D) Jack. Morning, Barry. TITLE FADES IN/OUT OVER BG: :01:45:29 1:01:47:11 1:01:47:09 1:01:49: TITLE) Boston 2007 TO BARRY, THEN BARRY TO ) -Morning, Barry. -Philip is waiting. Boston :01:49:23 1:01:50:23 TO BARRY) How s Michael doing? PEDESTRIANS IN BG CONTINUOUSLY THROUGHOUT SCENE. [AD-LIBS] MOVES FWD AS CAMERA DOLLIES AWAY REVEALING BARRY NEAR TAXI :01:51:05 1:01:56:24 1:01:55:25 1:01:58:23/ BARRY TO ) He s single again. He can t seem to find a nice girl. He must take after me. TO BARRY, THEN ) Give him my best. Hey, Philip. [CAR HORN] BARRY CaptionMax Page 2 11/11/2009
3 Sc Time Code Scene Description Title Philip is waiting. How s Michael doing? MT 5 IN/OUT OVER BG: Robert Brooks BARRY Uh, he s single again. He can t seem to find a nice girl. He must take after me. MT 6 IN/OUT OVER BG: Curtis Hudson BARRY OPENS TAXI DOOR FOR. Give him my best. Hey, Philip. MUSIC OUT 5 1:01:58:24 INT. S TAXI - DAY. MCS - PAST TO IN BACK SEAT OF TAXI. Are you all set with your morning coffee? SMILES. (overlapping) I m all :01:59:00 1:02:01:27 (over scene end) 2.25 TO, THEN TO ) - Are you all set with your morning coffee? - I m all set. Let s go. 6 1:02:00:04 MCS -. (CONT D) set. Let s go :02:02:24 1:02:04:19 TO, THEN TO ) -Did you do your research? -What do you think? (OS) Did you do your research? 14. 1:02:05:09 1:02:07: TO ) I m not going easy on you this morning. CaptionMax Page 3 11/11/2009
4 Sc Time Code Scene Description Title What do you think? (OS) I m not going easy on you this morning. Bring it on :02:08:09 1:02:09:09/ TO ) Bring it on. 7 1:02:09:10 MCS - PHLIP. Robert Redford and Paul Newman. (OS) The Sting! And the year was nineteen seventy-four. CAMERA PANS L TO IN BACK SEAT. (ON/OS) (mimics buzzer sound) Seventy-three :02:15:23 1:02:20:00 1:02:24:11 1:02:25:26 1:02:18:14 1:02:23:08 1:02:25:11 1:02:29:06 (over scene end) TO ) Robert Redford and Paul Newman. TO ) The Sting! And the year was TO ) 73 TO ) Seriously? I thought I had that one. Seriously? I thought I 8 1:02:28:14 POV THROUGH WINDSHIELD, MCS -, IN BG. (CONT D) had that one :02:29:26 1:02:30:28 1:02:30:26 1:02:32: TO ) Did you see this? NARRATIVE TITLE) OPEN MIC NIGHT HOLDS UP A FLYER, OPEN MIC NIGHT :02:32:18 1:02:34: TO ) Aren t you going to this tonight? Did you see this? Aren t you going to this tonight? 23. 1:02:34:21 1:02:38: TO ) I m supposed to. Yeah, I guess I am. I m supposed to. Yeah, I guess I am :02:39:03 1:02:40: TO ) Are you terrified? CaptionMax Page 4 11/11/2009
5 Sc Time Code Scene Description Title Are you terrified? 9 1:02:40:21 MCS -. Why would you say that? I m ready for this. I ve been singing my whole life. Seriously, don t get me all worked up. Hey, can we drive by my sister s place on the way in? I need to pick up something real quick. (OS) You got it /1:02:40:21 1:02:43:21 1:02:45:18 1:02:51:07 1:02:42:26 1:02:45:16 1:02:50:04 1:02:55: TO ) Why would you say that? TO ) I m ready for this. TO ) I ve been singing my whole life. Seriously, don t get me all worked up. TO ) Hey, can we drive by my sister s place on the way in? I need to pick up something real quick :02:55:29 1:02:56:29 TO ) You got it. 10 1:02:57:05 EXT. STREET - DAY. MFS - EXITING TAXI. (OS) Does your sister still think I m creepy? Philip. I told her that you were in school and that we help each other out. She gets it. (OS) Are you lying? TURNS AWAY AND CLOSES TAXI DOOR :02:57:29 1:02:59:26 1:03:03:22 1:03:06:11 1:02:59:16 1:03:03:06 1:03:05:23 1:03:08:15/ TO ) Does your sister still think I m creepy? TO ) Philip. I told her that you were in school and that we help each other out. She gets it. TO, THEN TO ) -Are you lying? -Yep. TO ) I ll be back in a few minutes. Yep. (laughs) I ll be back in a few minutes. 11 1:03:08:16 MS - PAST TO LEANING OUT TAXI WINDOW :03:08:22 1:03:11: TO ) Wait, I ve got to ask you one more thing. CaptionMax Page 5 11/11/2009
6 Sc Time Code Scene Description Title Wait, I ve got to ask you one more thing. Yes, dear. What movie beat out Star Wars? Name the picture and the year :03:11:08 1:03:12:15 1:03:15:05 1:03:12:08 1:03:15:03 1:03:16: TO ) Yes, dear. TO ) What movie beat out Star Wars? Name the picture and the year. TO ) Annie Hall MOVES FWD. MUSIC IN Annie Hall. Nineteen seventy-seven. 12 1:04:17:12 INT. HANNAH S APARTMENT. - DAY. MS - HANNAH SITTING ON COUCH. [PHONE RINGS] SHE GRABS PHONE FROM TABLE AND ANSWERS IT ITAL /1:04:17:12 1:04:18:14 1:04:18:12 1:04:21: HANNAH TO UNKNOWN CALLER) Hello? TO HANNAH) (VO) I m downstairs. Can you buzz me up? HANNAH (into phone) Hello? (VO) I m downstairs. Can you buzz me up? 13 2:34:33:20 BEGIN END CREDITS: Lily Philip Bill Jack Barry Hannah Cast Karen Robinson Robert Brooks Curtis Hudson Dave Hugo Dean Fleury Lisa P. Thompson CaptionMax Page 6 11/11/2009
7 Sc Time Code Scene Description Title Executive Producers Marshall Koenig Larry Richmond 2:37:41:07 LAST FRAME OF PICTURE/MUSIC OUT TOTAL RUN TIME = 1:37:41:07 Director Harold Smith Writer Billy Parker Editor Harrison Goldberg CaptionMax Page 7 11/11/2009
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