Shooting a Poem. New Colossus by Emma Lazarus. The Road Not Taken by Robert Frost

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1 Not like the brazen giant of Greek fame With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame, "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore, Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!" Shooting a Poem New Colossus by Emma Lazarus The Road Not Taken by Robert Frost TWO roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; 5 Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, 10 And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. 15 I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I I took the one less traveled by, And that has made all the difference. 20 So You Want to Be a Writer by Charles Bukowski f it doesn't come bursting out of you in spite of everything, unless it comes unasked out of your heart and your mind and your mouth and your gut, if you have to sit for hours staring at your computer screen or hunched over your typewriter searching for words, if you're doing it for money or fame,

2 if you're doing it because you want women in your bed, if you have to sit there and rewrite it again and again, if it's hard work just thinking about doing it, if you're trying to write like somebody else, forget about it. if you have to wait for it to roar out of you, then wait patiently. if it never does roar out of you, do something else. if you first have to read it to your wife or your girlfriend or your boyfriend or your parents or to anybody at all, you're not ready. don't be like so many writers, don't be like so many thousands of people who call themselves writers, don't be dull and boring and pretentious, don't be consumed with selflove. the libraries of the world have yawned themselves to sleep over your kind. don't add to that. unless it comes out of your soul like a rocket, unless being still would drive you to madness or suicide or murder, unless the sun inside you is burning your gut, when it is truly time, and if you have been chosen, it will do it by itself and it will keep on doing it until you die or it dies in you. there is no other way. and there never was anyone lived in a pretty how town, by ee cummings anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did Women and men(both little and small) cared for anyone not at all they sowed their isn't they reaped their same sun moon stars rain

3 children guessed(but only a few and down they forgot as up they grew autumn winter spring summer) that noone loved him more by more when by now and tree by leaf she laughed his joy she cried his grief bird by snow and stir by still anyone's any was all to her someones married their everyones laughed their cryings and did their dance (sleep wake hope and then)they said their nevers they slept their dream stars rain sun moon (and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down) one day anyone died i guess (and noone stooped to kiss his face) busy folk buried them side by side little by little and was by was all by all and deep by deep and more by more they dream their sleep noone and anyone earth by april wish by spirit and if by yes. Women and men(both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain I THINK that I shall never see A poem lovely as a tree. Trees by Joyce Kilmer A tree whose hungry mouth is prest Against the sweet earth's flowing breast; A tree that looks at God all day, And lifts her leafy arms to pray; A tree that may in summer wear A nest of robins in her hair; Upon whose bosom snow has lain; Who intimately lives with rain. Poems are made by fools like me, But only God can make a tree. Marginalia by Billy Collins Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O Brien,

4 they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense. Please! HA!! -that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote Don t be a ninny alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls Metaphor next to a stanza of Eliot s. Another notes the presence of Irony fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, hands cupped around their mouths. Absolutely, they shout to Duns Scotus and James Baldwin. Yes. Bull s-eye. My man! Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written Man vs. Nature in a margin, perhaps nowis the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page anonymous men catching a ride in to the futureon a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake s furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page a few greasy looking smears and next to them, written in soft pencil by a beautiful girl, I could tell, whom I would never meet Pardon the egg salad stains, but I m in love.

5 Spring BY GERARD MANLEY HOPKINS Nothing is so beautiful as Spring When weeds, in wheels, shoot long and lovely and lush; Thrush s eggs look little low heavens, and thrush Through the echoing timber does so rinse and wring The ear, it strikes like lightnings to hear him sing; The glassy peartree leaves and blooms, they brush The descending blue; that blue is all in a rush With richness; the racing lambs too have fair their fling. What is all this juice and all this joy? A strain of the earth s sweet being in the beginning In Eden garden. Have, get, before it cloy, Before it cloud, Christ, lord, and sour with sinning, Innocent mind and Mayday in girl and boy, Most, O maid s child, thy choice and worthy the winning.