1. Definitions. 1.4 Cinema Operators Equipment All fixed and portable equipment purchased by the Cinema Operator and used at the Museum Site.

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1 Management Agreement between the Science Museum Group and Picturehouse Cinemas Limited for the Operation of the Cinemas at the National Media Museum in Bradford. The Agreement is entered into on the Commencement Date between SCMG Enterprises Limited whose registered address is Science Museum, Exhibition Road, London SW7 2DD under registration number (hereafter Client ) and Picturehouse Cinemas Limited whose registered address is Power Road Studios, 114 Power Road, Chiswick, London, W4 5PY under registration number (hereafter Cinema Operator ), to govern the management of the cinema facilities (the Cinema ) and bar facilities (the Pictureville Bar ) located within the National Media Museum, Bradford, BD1 1NQ. The parties have agreed that the Cinema Operator shall provide management of the Cinema and Pictureville Bar operations at the NMeM and this Agreement sets out the terms and conditions under which the parties agree to work together. 1. Definitions 1.1 Cinema Areas Any area within the Museum Site for which the Cinema Operator is taking responsibility for management of service and outlined in red on the plan at Schedule Shared Facilities Any facilities (e.g. toilets, lifts) which are utilised by both parties and their customers and visitors including access routes to and from the Cinema Areas. 1.3 Clients Equipment All fixed and portable equipment in the Cinema Areas on the Commencement Date, including all mechanical and electrical equipment, air handling units, furnishings and furniture. 1.4 Cinema Operators Equipment All fixed and portable equipment purchased by the Cinema Operator and used at the Museum Site. 1.5 Food Safety Legislation The Food Act 1984 and the Food Safety Act 1995 and all other legislation, codes of practice and guidance notes relating to food quality and safety in force from time to time. 1

2 1.6 Health and Safety Legislation The Health and Safety at Work Act 1974 (as amended or re-enacted) and all other legislation, codes of practice and guidance notes reacting to health and safety in force from time to time. 1.7 Licencing Legislation The Licencing Act 2003 (as amended or re-enacted). 1.8 KPIs - Those key performance indicators relating to the management of the Cinema Operation Services. 1.9 Museum Site The site of the NMeM in which the Cinema Areas and Shared Facilities inter alia are located NMeM National Media Museum, Bradford Commencement Date The date on which this Agreement starts which is Friday 31 st October Cinema Operation Services The services provided by the Cinema Operator under this Agreement as specified in Schedule Hires and Conferencing Services The provision of services for parties, conferences and events organised by the Client or Cinema Operator for third parties Initial Term Years Trustees The Board of trustees of the Science Museum, Exhibition Road, London, SW7 2DD TUPE The Transfer of Undertakings (Protection of Employment) Regulations 2006 as amended Catering Supplier The current catering operator at the NMeM (Compass) 2. Term of the Agreement 2.1 The Agreement shall be from the Commencement Date and shall continue for the Initial Term of years, unless terminated earlier in accordance with any term of this Agreement expressly permitting termination. 2

3 2.2 At the end of the Initial Term a new agreement will be made subject to both parties wishing to continue subject to KPI s being met. 2.4 This Agreement can be signed and agreed in counterpart. 3. Provision of Services 3.1 The Cinema Operator undertakes: a) To provide the Cinema Operation Services in accordance with the KPIs and Service Level Agreement attached at Schedule 2. b) To act in accordance with all applicable legislation including, without limitation, Health and Safety Legislation, Food Safety Legislation, employment law, Licencing Legislation, Transfer of Undertakings (Protection of Employment) Regulations 2006 and the Data Protection Act 1998 (as amended or re-enacted). c) To operate in accordance with the agreed customer service standards set out in schedule 2. d) To operate in accordance with the annually agreed budgets so far as is reasonably practical in accordance with the KPI s in schedule 2. The budget for April 2015 to March 2016 is attached at Schedule Providing the Cinema Operation Services within the Cinema Areas is the sole responsibility of the Cinema Operator. 3.3 The Cinema Operator will not offer fresh food items sold by the Catering Supplier without prior consent from the Client. 3.4 Where the Cinema Operator and Catering Supplier sell products of a similar quality or an identical product, the pricing will be set to be no more than a 10% differential. 3

4 3.5 The Cinema Operator shall be responsible for setting the prices for all products and services sold by them to reach the margins in the agreed budgets, subject to benchmarking the prices. 3.6 The Cinema Operator s General Manager and the Client s Film Business Manager will meet quarterly to discuss the Service Level Agreement and KPIs. Reporting on these will be as set out in Schedule 2. Should these not be met, adhoc meetings will be held to discuss action planning. 3.7 The Cinema Operator s General Manager and Marketing Manager and the Client s Communication Manager and Film Business Manager will meet monthly to discuss Marketing and Communications. 3.8 Any future opportunities for provision of services within the NMeM which the Cinema Operator may be interested in providing will be published and they are able to view and bid should they so wish. 3.9 The Cinema Operator will set the opening times of the Pictureville Bar in order to maximise its profitability especially around evening screenings in the Pictureville Cinema All customer comments specifically related to the Cinema Operation Services will be dealt with by the Cinema Operator, a summary of which will be provided to the Client to satisfy KPI s and the Service Level Agreement Both parties are committed to providing a seamless experience to visitors to the Museum site and will regularly share information with each other to enable this for example the Cinema Operator will usually attend the Visitor Experience daily briefings to receive information from the NMeM operation and share any information on the Cinema Services The Cinema Operator will undertake regular risk assessments of the Cinema Areas. These will be available to the NMeM and external parties for audit purposes The Cinema Operator s non-managerial staff will wear a uniform that is consistent with that worn by staff at its other venues. The Cinema Operator s staff will either wear name badges or lanyards with their names shown. 4

5 3.14 The Cinema Operator s staff will carry out cleaning of the cinema auditoria after screenings. This will include the removal of bulky items such as popcorn boxes, cups and glasses The Cinema Operator is responsible for the evacuation of the cinema spaces in the event of any emergency evacuations or drills. 4. Client Undertakings 4.1 The Client will pay for all utilities and rates at the Museum Site. 4.2 The Client will provide appropriate daily cleaning and security services for the Museum Site, except as detailed in 3.14 above. 4.3 The Client will take responsibility for buildings insurance for the Museum Site and insurance of the Clients Equipment in accordance with the Clients own policy on insurance. 4.4 The Client will ensure that the Museum Site is operated in such a way to allow access to the Cinema Areas at whatever times the Cinema Operator wishes within the licenced hours. The Client will agree the times of maintenance work on infrastructure with the Cinema Operator if the maintenance work might affect the delivery of the Cinema Operation Services. 4.5 The Client will ensure that the Shared Facilities and any areas legitimately used by the Cinema Operator s customers, staff or visitors are well lit, well maintained, safe and secure and that any museum spaces that are closed are properly secured as the Cinema Operator will have no responsibility over those spaces. 4.6 The Cinema Operator will maintain all the Client s Equipment solely for the provision of the Cinema Services at the Client s expense and use the Clients existing contracts. This does not apply to any mechanical and electrical, air handling, utilities or other services that also service areas outside of the Cinema Areas which will be maintained by the Client. 4.7 The Client will provide a connected telephone system at the NMeM so that both parties can transfer any calls from customers to each other. 5

6 4.8 The Client will undertake regular evacuation risk assessments of the Museum Site and provide copies to the Cinema Operator and external parties for audit purposes. 4.9 The Client will maintain and test the fire, emergency lighting and alarm systems. 5. Equipment 5.1 The Clients Equipment will remain the property of the NMeM and will be used by the Cinema Operator to provide the Cinema Operation Services. 5.2 The Cinema Operator s Equipment will remain the property of the Cinema Operator following termination of this Agreement. 5.3 Both parties will assess the Clients Equipment prior to the Commencement Date and agree a maintenance plan and routine for the Client to keep the Clients Equipment in working order. This will include a process for the Client to replace items that are faulty or have reached the end of the appropriate lifecycle. The Clients Equipment will be reviewed annually by both parties. 5.4 The Cinema Operator will manage the maintenance of projection equipment within the Cinema Areas on behalf of the Client and at the Client s cost with the Clients agreement. 5.5 Equipment for use in the Cinema Areas replaced, repaired or purchased by the Client after the Commencement Date will be part of the Clients Equipment. 5.6 A full inventory of the Clients Equipment on the Commencement Date is attached in Schedule A full inventory of the Cinema Operator s Equipment will be maintained by the Cinema Operator. 5.8 The Cinema Operator will use its own hardware and software for the selling of tickets both at the Cinema Site and online. 5.9 The Cinema Operator and Client will decide on the most appropriate equipment for the streaming of content into the Cinema. The Client will fund the purchase and installation 6

7 of this equipment subject to agreement which shall be added to the Clients Equipment inventory Any Client s Equipment that is broken through the negligence of the Cinema Operator or its representatives will be replaced at the Cinema Operator s cost Any Cinema Operator Equipment that is broken through the negligence of the Client or its representatives will be replaced at the Client s cost Any additions to the Clients Equipment must follow the Client s procurement policy. 6. Fee 6.1 The Client will pay the Cinema Operator a management fee of per year (or pro rata for part thereof) (the Management Fee ). 6.2 In addition to the Management Fee, the Client shall pay the Cinema Operator an incentive fee of. 6.3 Should the Client invest in IMAX digital equipment 6.4 Should the Client invest in IMAX digital equipment the Client 6.5 The Cinema Operator will continue to show a programme of educational 45 minute IMAX films which will not be included in the target. 6.6 The above amounts exclude VAT, which shall be paid in addition. 6.7 The Client will pay the Management Fee monthly, in arrears, on the first day of the month from the Commencement Date into the account designated by the Cinema Operator. 6.8 The Client will pay the Cinema Operator the aforementioned incentive fees within 30 days of receipt of an invoice. 7

8 7. Finance and Accounting 7.1 The Cinema Operator will provide daily box office reports to the Client with detail by title and advance sales. 7.2 The Cinema Operator will provide monthly profit and loss accounts to the Client by the twenty fifth day of the following month. 7.3 The Cinema Operator is responsible for collecting all monies receivable from the sale of tickets, food and drink, screen advertising and any other income from services provided under the Cinema Operation Services ( the Cinema Sales ). For the avoidance of doubt this does not include revenue from any national sponsorships which are arranged through the head office of the Cinema Operator. However Cinema Sales will include income from sponsorships that are arranged by the Cinema Operator primarily for delivery at the Museum Site. 7.4 Quarterly in arrears (subject to review should IMAX digital be installed) from the Commencement Date, the Cinema Operator will pay across to the Client the Cinema Sales less: a) b). c) ; d) The costs shown in the budget at Schedule 4, including licences, film transport, money handling charges, print marketing, stationery and postage, travel and expenses for staff based at the Museum Site, audit fees and projection consumables; and e) VAT

9 7.6 The Cinema Operator shall keep detailed books and records (including ticket types for audience profiling and insight) of the cinema operation services. The Cinema Operator shall allow the Client and / or its authorised representatives to have access in office hours upon reasonable notice to inspect and copy such books and records in a format approved by both parties which are held at the Cinema Operator s head office. 7.7 The Cinema Operator is responsible for paying the costs of providing the Cinema Operation Services other than those costs that the Client has undertaken to pay in accordance with this Agreement Marketing and Communications 8.1 The operation will be called Picturehouse at the National Media Museum. 8.2 Agreed logos for use by the Cinema Operator and NMeM for marketing, promotion and communication purposes are shown in Schedule 6. Any proposed use and application of any logos to be used will be agreed by both parties in advance for initial campaign, any repurposing of previously approved use shall be considered approved. For the avoidance of doubt any very occasional inadvertent breach of this clause 8.2 shall not be deemed a material breach of this Agreement. 8.3 The Client recognises that some of the Cinema Operator s marketing materials are made for use across multiple cinemas and so not everything will carry local branding. 8.4 Any advertisement or reference made by one party (whether in tender documents, marketing materials, notices within the Museum Site, external marketing of any kind or otherwise) disclosing the nature of the relationship hereunder, or making use of the trademarks or names of the other party shall be subject to the prior written approval of the other party. Once an initial use has been approved by a party its subsequent replication shall also be deemed approved. For the avoidance of doubt any very 9

10 occasional inadvertent breach of this clause 8.4 shall not be deemed a material breach of this Agreement. 8.5 Both parties will follow an agreed process for crisis and emergency communications. 8.6 Both parties will inform the other at the earliest opportunity of any known issues which could impact on the reputation of the other party. 8.7 The Cinema Operator will allow the Client to advertise upcoming large scale events and festivals on screen and in appropriate printed materials for free subject to contractual obligations within the Screen Advertising contract, availability of space and if there are no conflicting priorities. The Client will cover the costs of providing such advertising, if any. 9. Festivals 9.1 The Client and Cinema Operator will work together to agree the future structure of film festivals, if any, to be held in the Cinema Areas including timings, length and content. The Cinema Operator will give the Client reasonable access to use the Cinema Areas for up to 15 days a year (including some weekends) for festival activity delivered by the Client. For the avoidance of doubt, attendances at festivals events within the Clients Cinema s will count towards the Cinema Operator s targets and any ticket income will remain with the Client. 9.2 The Client will give at least three months notice of any access it requires to use the Cinema Area for festival activity. Such access will be timed to minimise disruption to the Cinema Operator s customers. 10. Hires and Conferences 10.1 The Cinema Operator will reasonably endeavour to accommodate access to the Cinema Areas to maximise income from Hires and Conferencing Services. No private hires will be booked between Friday 5pm and Sunday 11pm or on bank holidays The Client will take any income from Hires and Conferencing When the Client books the Cinema Areas for Hires and Conferencing Services the Cinema Operator will receive a credit towards its admissions KPIs 10

11 10.4 The Cinema Operator will give reasonable access to the Cinema Areas for the Client to undertake learning and community activities and for staff events and meetings held by the Client at times when no public screenings are scheduled The Client will give at least eight weeks notice of any access it requires to use the cinema spaces for Hires and Conferencing Services and learning and community activity The Client recognises the importance of the Cinemas being profitable and to that end will ensure that commercial uses of the Cinema Areas are a priority In the event of conflicting requests for the use of the Cinema Areas the NMeM Director will decide which event shall be prioritised, having due regard to the Cinema Operators budget and to the obligations of both parties in this Agreement and to contracts with film distributors When any of the Cinema Areas are used by the client or third party appointed by the client: a) The Cinema Operator shall ensure that the Cinema Areas are handed over to the Client in a clean and tidy state. b) The Client shall ensure that the Cinema Areas are handed back to the Cinema Operator in a clean and tidy state. c) The Cinema Operator will provide any staff required for Hires and Conferencing Services and Festivals unless additional or specialist skills are required, in which case this will be procured by the Client. All staffing costs for Hires and Conferencing Services will be recharged to the Client outside of the regular operational payroll budget. 11. People 11.1 The Cinema Operator will employ a General Manager to manage the Cinema Operation Services. The appointment of this individual at any point during the lifetime of this agreement will be with prior agreement by the NMeM not to be unreasonably withheld or delayed. If the appointment is withheld, then the Client will give full reasons for this decision to the Cinema Operator The Cinema Operator shall maintain suitably qualified and capable staff with the necessary administrative and managerial supervision as shall be required to carry out 11

12 and perform the Cinema Operation Services and the Cinema Operator s other obligations under this Agreement in an efficient, orderly and satisfactory manner The Cinema Operator has full responsibility for its entire staff employed to work at the Museum Site to provide the Cinema Operation Services including their supervision, training, daily direction and control and payment of salary (including income taxes, insurance and pension and the like, as required by the law from time to time) It is acknowledged that some of the Cinema Operator s administrative and management support will come from staff based at the Cinema Operators head office at no additional cost to the Client The Cinema Operator hereby indemnifies the Client against any and all loss, damage, costs and expenses suffered or incurred by the Client arising out of claims made by the Cinema Operator s staff (including, without limitation for unfair dismissal, discrimination or breach of contract), except to the extent of the claim arises from the breach of contract, negligence or other unlawful act or omission of the Client, its contractors or other representatives The Client hereby indemnifies the Cinema Operator against any and all loss, damage, costs and expenses suffered or incurred by the Cinema Operator arising out of claims made by the Clients staff (including, without limitation for unfair dismissal, discrimination or breach of contract), except to the extent of the claim arises from the breach of contract, negligence or other unlawful act or omission of the Cinema Operator, its contractors or other representatives All staff employed by the Cinema Operator to work at the Museum Site must have been through a disclosure Scotland check. The Client will administer the checks and the costs are to be included as a cost of employees The Cinema Operator shall (where it is lawful to do so and in compliance with its disciplinary procedures) replace any of its staff who the Client reasonably identifies as having significantly failed to carry out their duties with reasonable skill and care, having acted in a way detrimental to the Client or Trustees or the NMeM generally, or for any other reasonable reason identified by the Client. 12

13 11.9 All of the Client s staff who work solely on the day to day cinema activity as detailed in Schedule 7 on the Commencement Date will transfer to the Cinema Operator under TUPE and will be wholly employed by the Cinema Operator for the purposes of delivery of the Cinema Operation During the term of the Agreement the Cinema Operator may choose to reorganise staff into a new operating structure. Any costs associated with this will be met by the Client, providing that the plans and procedures have been agreed in advance and that the new structure meets the minimum staffing requirements for the Cinema Operator to undertake emergency evacuations of the cinema spaces NMeM staff will receive the same discounts on tickets and food and drink as the Cinema Operator s staff, subject to availability. The Cinema Operator may withdraw this benefit from any individual at its own discretion. 12. Failure to Perform and Termination 12.1 In the event that either party is in material breach of its obligations under this Agreement or if the Cinema Operator consistently fails to operate within the tolerances of the KPIs either party may require the other to provide an action plan to rectify this If within 30 days the breach is not remedied or an action plan is not agreed either party may refer the matter to the Dispute Resolution Procedure below If the matter is not resolved by the Dispute Resolution Procedure either party may give the other 30 days notice to terminate the Agreement Either party may immediately terminate this Agreement if the other party (save in relation to a solvent reorganisation, reconstruction or amalgamation) becomes insolvent, makes a general assignment for the benefit of creditors, files a voluntary petition for bankruptcy, suffers or permits the appointment of a liquidator, receiver or administrative receiver for its business or assets or becomes subject to any proceeding under any bankruptcy or insolvency law, whether domestic or foreign or is unable to pay its debts as they fall due Upon termination the accrued rights, remedies, obligations and liabilities of the parties as at termination shall not be affected, including the right to claim damages in respect of any breach of the Agreement which existed at or before the date of 13

14 termination and clauses which expressly or by implication have effect after termination shall continue in full force and effect Upon termination of this Agreement all of the Cinema Operator s staff who work at the Museum Site will transfer to the new operator s employment under TUPE and will be wholly employed by the new operator Within 7 days of termination the Client will allow Cinema Operator reasonable access to the Museum Site, during normal operating hours, to remove the Cinema Operator Equipment The Client will indemnify and keep indemnified the Cinema Operator (and any of its group companies) from and against any liabilities, losses, demands, damages, costs, claims, expenses and interest suffered by or brought against the Cinema Operator relating to a breach by Client of any of the obligations set out in this Agreement The Cinema Operator will indemnify and keep indemnified the Client (and any of its group companies) from and against any liabilities, losses, demands, damages, costs, claims, expenses and interest suffered by or brought against the Client relating to a breach by Cinema Operator of any of the obligations set out in this Agreement. 13. Dispute Resolution Procedure 13.1 If any dispute arises in connection with this Agreement that has not been resolved within 30 days of notification by one party to the other, a director or other senior representatives of the parties with authority to settle the dispute will, within 14 days of a written request from one party to the other, meet in a good faith effort to resolve the dispute If the dispute is not wholly resolved within 14 days of at that meeting, the parties will attempt to settle it by mediation in accordance with the CEDR Model Mediation Procedure. Unless otherwise agreed between the parties within 14 days of notice of the dispute, the mediator will be nominated by CEDR. To initiate mediation a party must give notice in writing ( ADR notice ) to the other party to the dispute requesting mediation. A copy of the request should be sent to CEDR. Unless otherwise agreed, the mediation will start not later than 28 days after the date of the ADR notice. 14

15 13.3 No party may commence any court proceedings/arbitration in relation to any dispute arising out of this agreement until it has attempted to settle the dispute by mediation and either the mediation has terminated or the other party has failed to participate in the mediation, provided that the right to issue proceedings is not prejudiced by a delay. 14. Changes to this Agreement and its schedules must be agreed in writing by the Client and Cinema Operator at director level. 15. If any provision of this Agreement (or part of any provision) is found by any court or other authority of competent jurisdiction to be invalid, illegal or unenforceable, that provision or part provision shall, to the extent required, be deemed not to form part of this Agreement, and the validity and enforceability of the other provisions of this Agreement shall not be affected. 16. A person who is not a party to this Agreement shall not have any rights under or in connection with it by virtue of the Contracts (Rights of Third Parties) Act This Agreement (inclusive of Schedules 1 through 7) constitutes the whole agreement between the Parties and supersedes all previous agreements between the Parties relating to its subject matter. IN WITNESS WHEREOF the parties have made this agreement on the day and year first before written. 15

16 Executed for and on behalf of SCMG Enterprises Limited acting by its Director/ Secretary/Authorised Signatory in the presence of: Director/Secretary/Authorised Signatory Witness Print Name. Address.. Executed for and on behalf of Picturehouse Cinemas Limited acting by its Director/ Secretary/Authorised Signatory in the presence of: Director/Secretary/Authorised Signatory Witness Print Name. Address 16

17 Schedule 1: Cinema Operation Services The cinema operator will be responsible for providing the following services under this Agreement: Programming Selecting all IMAX and non-imax films and Event Cinema. Programming 45-minute IMAX educational screenings in consultation with the NMeM Learning team Booking content with distributors each week and agreeing the best possible terms. Reviewing the programme weekly and agreeing schedules for the following Friday to Thursday week to maximise admissions. Providing Film Returns to distributors Marketing Promoting the venue, films and events through , Internet, social media and on-screen marketing. Following all industry standard rules and regulations (including Data Protection) around Marketing and Communications. Creating and operating membership schemes that enhance customer loyalty and gather marketing data. Design, production, and delivery to site of a 6-8 weekly printed cinema brochure which promotes Films and Event Cinema to be screened at the NMeM and which also promotes screenings for clubs and groups. Mailing the brochure to members at their home address. For so long as it is produced, providing copies of Picturehouse Recommends to members and customers at the venue. This will not carry local branding. Providing quad posters for the quad frames throughout the Museum Site. Securing Screen Advertising at the best possible terms. Providing support for the local cinema marketing team from the Picturehouse Head Office marketing team. Customer Service All members of staff should adhere to the codes of practice set out in the Cinema Operators operating and customer services training and manuals. All queries should be dealt with promptly and in courteous manner. Should any faults need to be reported, this should be done as soon as possible, through the agreed channels. Operations Managing the daily cinema operations to maximise customer service and safety. Managing the cinema staff, including recruitment, performance management, and payroll. Selling tickets in person, online and by telephone for all screenings at NMeM. Banking money and fully accounting for it. Cleaning the cinema auditoria after screenings Cleaning 3D glasses, using the glasses and glass washing facility provided and where necessary replaced by the Client. Operating the Pictureville bar to maximise customer service, sales and profitability. 17

18 Selling concessions items from the Box Office area and on occasion in screen to maximise customer service, sales and profitability. Providing Operations and HR support for the local cinema team from the Picturehouse Head Office Operations and HR team. Finance Monthly management accounts Bank reconciliation Invoicing and credit control on behalf of the Cinema Operator Payroll 18

19 Schedule 2: Key Performance Indicators and Service Level Agreements The Cinema Operator will deliver the Services to the target standards shown below. These Key Performance Indicators first take effect from 1 st April 2015 but the Cinema Operator will work towards them from the Commencement Date. Revised targets will be notified to the Client by the Cinema Operator if circumstances change significantly; such changes to the targets will not be unreasonably refused by the Client. These targets are reported on monthly, if they are constantly falling short the Film Business Manager will meet with the General Manager of the Cinema Operator to discuss remedial action. Area Key Performance Indicator Reference Period Tolerance Customer base Admissions Members list Social Media Marketing Printed brochures Weekly listings s Financial Turnover Cost of Sales 19

20 Distributor Share Overheads EBITDA Bar gross income Staff costs per admission 20

21 Customer Service Customer Survey Twice Yearly 5% Tolerance Complaints 1/4/ /3/2016 0% Reporting Timeliness Schedule 3 Plan A plan of the Museum Site, showing the Cinema Spaces is attached in appendix A. Appendix A Cinema Areas plan.pdf Schedule 4 Budget A budget for the 2015/16 financial years are attached in appendix B Appendix B - Agreed Budget.xlsx Schedule 5 Clients Equipment A full inventory of Equipment and the maintenance schedule are attached in appendices C & D Appendix C Cinema Equipment list.xls 21

22 Appendix D Maintenance Schedule Schedule 6: Logos Schedule 7 Transferring Staff 22

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