B E L D O C S znam da si tu

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1 znam da si tu

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3 11. BELDOCS Međunarodni festival dokumentarnog filma 11TH BELDOCS International Documentary Film Festival Sava centar / Sava Centre Dom omladine Beograda / Belgrade Youth Center Dvorana Kulturnog centra Beograda / Belgrade Cultural Centre Jugoslovenska kinoteka / Yugoslav Film Archive Muzej Jugoslovenske kinoteke / Museum of Yugoslav Film Archive Muzej savremene umetnosti Beograd / Museum of Contemporary Art Belgrade Kombank dvorana / Kombank Cinema Centar za kulturu Vlada Divljan / Cultural Centre Vlada Divljan Bioskop Fontana / Cinema Fontana Art bioskop Kolarac / Art Cinema Kolarac Cinplexx Ušće

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5 Sadržaj / Contents Srpski takmičarski program / Serbian Competition Programme Međunarodni takmičarski program / International Competition Programme Human Rights Front Page Planet Earth Fireworks Meteori / Meteors Retrospektiva Ulrih Zajdl / Retrospective Ulrich Seidl Retrospektiva Vlado Škafar / Retrospective Vlado Škafar Biografski dokumentarci / Biographical Documetaries Muzičko-plesni dokumentarci / Music Documentaries Fokus na Baltik / Focus on Baltic Specijalne projekcije / Special Screenings Beldocs Teen VR Cinema

6 004 Radost i nadahnuće Mladen Vušurović Osnivač i direktor Beldocs Festivala Neobično smo uzbuđeni, srećni i ponosni da Beldocs međunarodni festival dokumentarnog filma produžava svoje trajanje, nastavlja svoju misiju, otvara nova poglavlja i programske celine pred beogradsku publiku. Iako sam kao festivalski direktor postigao svoju zrelost u radu, ojačao svoju viziju tokom svih ovih godina pregalaštva, za ostvarenje postavljenih ciljeva mnogobrojne su prepreke koje vredi prevazići, unapređenja koja je nophodno ostvariti. Ovogodišnje izdanje festivala predstavlja nesumnjivo značajan korak u razvoju festivalskih aktivnosti, i daljem pozicioniranju Beldocsa na festivalskoj mapi Evrope i sveta. Festivalski tim dobio je značajna pojačanja, Marko Grba Singh, režiser prefinjene vizije i bogatog filmskog izraza, u timu s Igorom Stanojevićem već mesecima su vredno radili na daljem profiliranju programskih celina, preuzeo je značajnu odgovornost kao novi Umetnički direktor festivala. Cem Oztufekci, beskompromsni novi Čelni profesionalac industrijskih aktivnosti festivala, takođe je otvorio novo uspešno i vanredno ambiciozno poglavlje festivalskih aktivnosti, u najboljem interesu srpke dokumentarne industrije. Petar Mitrić, svojim bogatim festivalskim iskustvom, nesebično se ponudio za is- pomoć u osmišljavanju i moderiranju masterčasova s ovogodišnjim prestižnim gostima festivala, poput Abela Ferrare, Ruth Bekermann, Joao Pedro Rodriguesa, Urlich Seidla. Marija Vukić je sjajno osmisila naš novi programski izdanak, Beldocsova ljudska prava, s uglednim učesnicima panel diskusija koje će da prate prikazane filmove. No iznad svega, raduje uspon srpske dokumentaristike, preporod autorskog izraza, pa tako naš ovogodišnji takmičarski program predstavlja sjajan presek najnovijih ostvarenja domaćih autora. Zahvalni smo svim umetnicima i filmmakerima koji su poverili momenat rađanja filma pred publikom nama, malom festivalskom timu. Nadamo se da će publika prihvatiti poziv da podeli radost i nadahnuće, raznovrsnost tema i pristupa, s nama tokom osam festivalskih dana na jedanaest lokacija u Beogradu. Dobro došli na Beldocs 2018.

7 Joy and Inspiration Mladen Vušurović Beldocs Festival Founder and Director 005 We are exceptionally excited, happy and proud that Beldocs international documentary film festival continues its existence, continues its mission, opens new chapters and programme units before the Belgrade audience. Although I, as a Festival Director, have reached my professional maturity, strengthened our vision during all these years of strenuous work, there have been, on our way, numerous obstacles worth overcoming and improvements we had to make. This year s Festival undoubtedly represents a significant step ahead in development of Festival activities and further positioning of Beldocs at the European and the world festival map. The Festival team got significant additions - Marko Grba Singh, a director of sophisticated vision and a rich film expression, teamed with Igor Stanojević, has been working for months on further profiling of programme units and has taken over a significant responsibility as the new Festival Art Director. Cem Oztufekci, an uncompromising new Head of Festival Industrial Activities also opened a new successful and exceptionally ambitious chapter of festival activities, in the best interest of the Serbian documentary industry. Petar Mitrić, with his rich festival experience, unselfishly offered his assistance in designing and moderating master classes with this year s prestigious Festival gests, such as Abel Ferrara, Ruth Bekermann, Joao Pedro Rodrigues, Urlich Seidl. Marija Vukić has brilliantly conceived our new programme novelty, Beldocs Human Rights, with eminent participants to panel discussions that will follow the film screenings. But above all, we are happy because of the progress the Serbian documentary film has made, a revival of authorial expression; hence, this year s competition programme represents a brilliant cross-section of the latest works of the Serbian authors. We are thankful to the artists and filmmakers who entrusted us, a small festival team, with a moment of film birth before the audience. We hope that audience will accept the invitation to share with us the joy and inspiration, the diversity of topics and approaches, during eight festival days at eleven Belgrade venues. Welcome to Beldocs 2018.

8 006 Snovi su dostupni Marko Grba Singh Umetnički direktor Dragi gosti, Ušavši u drugu deceniju svoga postojanja, Festival je već čvrsto pozicioniran na filmskoj mreži Evrope. Međutim, kao što se svaki reditelj trudi da nadmaši sebe u svakom narednom filmu, tako i Beldocs po prirodi stvari evoluira i postavlja nove granice iz godine u godinu. Tokom dugog i marljivog rada, trudili smo se da u ovogodišnje izdanje unesemo novine koje će Festival dodatno približiti gledaocu uz raznovrsni program koji zadovoljava svačije senzibilitete. Od radikalnog arthausa, meditativnih filmova Vlade Škafara do komercijalnih hitova i nominacija za Oskara, na Festivalu će biti prikazano rekordnih 98 filmova u 14 selekcija. Pored novih pratećih programa Front Page, Planet Earth i Fireworks, prvi put je uspostavljena saradnja između Beldoksa i Muzeja savremene umetnosti, u čijoj će se video sali prikazivati filmovi iz selekcije Meteori. Takav vid saradnje je već ustaljena praksa na velikim festivalima širom sveta, kao što su Berlinale, FID Marsej, New Directors / New Films i drugi. Festival obeležava i dva jubileja - 70 godina od povelje UN o ljudskih pravima i stogodišnjicu nezavisnosti baltičkih zemalja, povodom čega su organizovane dve selekcije, Beldocs Human Rights i Fokus: Litvanija, Letonija, Estonija. Pazolini je rekao da istina ne leži samo u jednom snu, nego u više snova. Zahvaljujući kvalitetnim dokumentarnim filmovima, svet postaje povezaniji nego ikad i snovi, maštanja i žudnje aktera iz svih delova planete su dostupni gledaocu. Uprkos jezičkim barijerama, slike su te koje nas povezuju. Željno vas iščekujemo na ovogodišnjem Beldocsu.

9 007 Dreams are reachable Marko Grba Singh Artistic Director Dear guests, Entering the second decade of its existence, the Festival is already firmly positioned within the European film network. However, just as every director tries to surpass himself in his next work, so does Beldocs, by its very nature, evolves and sets new boundaries year on year. During our long and diligent work, we have tried to introduce in this year s Festival novelties that will bring it even closer to the audience, with a diverse programme that caters for everyone s sensibilities. From radical arthouse and meditative films by Vlada Škafar to commercial hits and Oscar nominations, the Festival will present the record 98 films in 14 selections. In addition to the new accompanying programmes - Front Page, Planet Earth and Fireworks - the collaboration has been established, for the first time, between Beldocs and the Museum of Contemporary Arts, in whose video hall films from the Meteors selection will be screened. This form of collaboration is an established practice at festivals worldwide, such as Berlinale, FID Marsej, New Directors / New Film, etc. The Festival also marks two jubilees 70 years since the signing of the UN Declaration of Human Rights and one hundred years of independence of Baltic States, which has been the reason for organising two new selections: Beldocs Human Rights and Focus: Lithuania, Latvia and Estonia. Pasolini once said that the truth does not lie in one dream only, but in many of them. Thanks to quality documentary films, the world is becoming more connected than ever and the dreams, fantasies and longings of authors from all parts of the planet are available to the audience. Despite language barriers, images are that very link that connects us. We are eagerly awaiting you at this year s Beldocs.

10 008 Zalogaj neukrotivog Igor Stanojević Selektor festivala Svet je plahovito i neobuzdano mesto. Krcato suludim prizorima, kakofoničnim zvukovima, bezbožnim bićima, zabranjenim stvarima. I ljudima. Neočekivanim, začudnim, prevrtljivim. I fascinantnim. Filmovi u ovogodišnjoj selekciji festivala Beldocs ne biraju sredstva. Odlikuju se autorskim vizijama koje su podjednako snažne koliko i različite, i to bogatstvo izraza svesrdno je oličeno u filmovima koje će beogradska publika imati prilike da pogleda. Tako će se u programu 11. edicije festivala, među 98 izvanrednih filmova, između ostalog pronaći minuciozno opaženo odrastanje u plemenskom društvu u filmu Boli Bana, pulsirajuću viziju Brazila u filmu Obscuro Barroco, portret hiperplodonosnog akcionog filmadžije iz Avganistana u filmu Princ od Notingvuda, društvene i političke komentare u pornochanchadas predstavljenim u filmu Priče koje naša kinematografija ni(je) ispričala, taktilno ocrtani život jednog ostrva u filmu Rajske odore, autopsiju nesrećne sudbine mladog srpskog strip autora u filmu Poslednja avantura Kaktus Bate, svedenim sredstvima preneto iskustvo jednog oregonskog pomračenja sunca u filmu L. Cohen i retrospektivu već legendarnih Ulriha Zajdla i Vlada Škafara. Bilo da se fokus nalazio na nekoj ushićujućoj, autentičnoj priči ili vizuelno moćnom rukopisu, ovogodišnji autori na platno su preneli neke od najlepših i najbrutalnijih prizora ikada viđenih na filmu. Život na ovoj planeti nije pitom, te tako i filmovi nastali na njoj, ne bi li bili istiniti, moraju da grizu.

11 009 A Bite of the Untameable Igor Stanojević Festival Selector The world is an impulsive and unrestrained place. Full of insane scenes, cacophonic sounds, godless beings, forbidden things. And people. Unexpected, wondrous, faithless. And fascinating. The films in this years Beldocs selection refrain from nothing. They are characterised by authorial visions that are as powerful as they are diverse and that richness of expression is earnestly epitomised in films that the Belgrade audience will have a chance to see. The programme of the 11 th Festival, with 98 exceptional films, among many others, encompasses a meticulously observed growing up in a tribal society in the film Boli Bana ; a pulsating vision of Brazil in the film Obscuro Barroco ; a portrait of a hyper-prolific action movie filmmaker from Afghanistan in the film The Prince of Nothingwood ; social and political commentaries in pornochanchadas presented in the film Stories our cinema (did) not tell ; a tactilely portrayed life of an island in the film Paradise Gowns ; an autopsy of an unhappy fate of a young Serbian comic-strip author in the film Who Framed Kaktus Kid? ; an experience, conveyed by reduced means, of an Oregon eclipse in the film L.Cohen ; and finally, a retrospective of already legendary Ulrich Seidl and Vlado Škafar. Regardless of whether the focus is on an exhilarating, authentic story or a visually powerful approach, this year s authors communicated to the screen some of the most beautiful and most brutal scenes ever seen on film. The life on this planet is not gentle; hence the films created on it must bite to be truthful.

12 010 Srpski takmičarski program Savremeni srpski dokumentarizam obiluje originalnim naslova i stilski različitim ali podjednako izazovnim ostvarenjima. Filmovi domaćih autora boriće se za tri nagrade: Najbolji film, najbolja kamera i najbolja montaža.

13 011 Serbian Competition Programme The contemporary Serbian documentary film-making abounds with both original and stylistically diverse, but nevertheless equally provocative works. Films by Serbian authors will compete for three awards: Best Film, Best Camera and Best Editing.

14 012 Žiri Srpski takmičarski program Jury Serbian Competition Programme Stefan Malešević Stefan Malešević je filmski reditelj i muzičar, rođen godine u Beogradu. Završio je osnovne studije audio i video tehnologije na Visokoj školi elektrotehnike i računarstva. U sopstvenoj produkciji je snimio preko 20 kratkih igranih i dokumentarnih filmova. Postdiplomske studije upisao je na film.factory akademiji u Sarajevu, gde pod vođstvom proslavljenog mađarskog reditelja Bele Tara snima svoj diplomski film Gora koji osvaja nagradu za najbolji domaći film i najbolju kameru na Beldoks festivalu godine. Stefan Malešević is a film director and musician born in Belgrade, He completed his undergraduate studies audio and video technology at the College of Electrical Engineering and Computing. He produced and directed over 20 short films and documentaries. He attended his postgraduate studies at the film.factory Academy in Sarajevo, where under the guidance of acclaimed Hungarian director Bela Tarr, he recorded his graduate film Gora and won the award for the Best Film and the Best Cinematography at BELDOCS IDFF 2017.

15 013 Agnes Wildenstein Nenad Puhovski Agnes je rođena u Francuskoj, a živu u Lisabonu, u Portugalu. Deset godina radila je u Francuskoj Kinoteci, u Parizu, a zatiim preko dvanaest godina na Međunarodnom filmskom festival u Lokarnu, u Švajcarskoj. Deset godina je bila stalni član žirija za nagradu Žan Vigo, a između i godine, bila je član komiteta selekcije ARTE za francusku kinematografiju. Od godine ona je urednik saradnik na festivalu DocLisboa. Nenad Puhovski rođen je u Zagrebu, gde je diplomirao sociologiju, filozofiju i filmsku režiju. Svoj prvi, amaterski film snimio je s 15 godina. Kao profesionalni reditelj režirao je više od 250 produkcija u pozorištu, na filmu i televiziji i producirao više od 60 dokumentaraca. Osnivač je nezavisne dokumentarne produkcije FACTUM i festivala ZagrebDox te pokretač dokumentarističkog diplomskog programa na Akademiji dramske umetnosti u Zagrebu. Born in France, she lives in Lisbon, Portugal. She worked for ten years at the French Cinematheque, in Paris, and twelve years at the Locarno International Film Festival, in Switzerland. She was a member of the Jean Vigo Award jury for ten years and a member of ARTE France Cinema s selection committee from 2012 to She has been associate programmer at DocLisboa since Nenad Puhovski was born in Zagreb, where he has graduated sociology, philosophy and filmmaking. He shot his first movie when he was 15. As a professional director, he created over 250 works in theatre, film and television and produced over 60 documentaries. He is the founder of the independent documentary production FACTUM and ZagrebDox film festival. He also started the documentary graduate program at the Academy of Dramatic Arts in Zagreb.v

16 014 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Mladen Kovačević Srbija / Serbia, Mladen Kovačević Filmovi Mladena Kovačevića prikazani su u selekcijama Visions du Réel, Hot Docs, DOK Leipzig, FIDMarseille, CPH:DOX, i preko stotinu drugih festivala, gde su osvojili brojne nagrade. Trenutno snima dva dokumentarna filma, Srećna Nova, Yiwu i Zbirka početaka, i razvija projekat igranog filma Koryo koji će se snimati u Severnoj Koreji. In past several years Mladen Kovačević has wholeheartedly dedicated himself to documentaries. His films have been selected to hundreds of festivals including Visions du Réel, Hot Docs, DOK Leipzig, CPH:DOX, FIDMarseille, and so on, where he won numerous awards. Presently, he is directing Beginnings and Merry Christmas, Yiwu, both big international documentaries shot around the world, and developing a fiction feature film Koryo to be shot in North Korea. 4 godine u 10 minuta Na kasetama koje su 17 godina skupljale prašinu otkriva se zagonetni filmski materijal. Uz citate iz dnevnika protagoniste koji je iza kamere, sklapa se intimna slika jednog nesvakidašnjeg putovanja u večnu slavu. Vanzemaljski pejzaži, nedokučivi likovi, i zastrašujući momenti, i san o avanturi koji se umesto pokličem pobednika, završio krikom poraženog. 4 Years in 10 Minutes On the cassettes that have been collecting dust for 17 years, a mysterious film material isrevealed. Along with quotes from the journal of the protagonist behind the camera, we are confronted with a puzzling journey to the eternal glory. Alien landscapes, enigmatic characters, perilous circumstances, and a dream of an adventure that didn t culminate in a cry of the victorious, but ended in a scream of the defeated. Scenario i režija / Written and directed Montaža / Editor Producent / Producer Izvršna produkcija / Executive producer Mladen Kovačević Jelena Maksimović Iva Plemić Ruth Reid Festivali / F Visions du Réel 2018, Switzerland Hot Docs 2018

17 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME 015 Branko Lazić Branko Lazić BiH, Srbija / BH, Serbia, Rođen 1968 u Sarajevu. Živi u Banjaluci. Radi na Radio televiziji Republike Srpske kao urednik dokumentarnog programa. Radio kao fotoreporter, snimatelj, reditelj, producent, šef produkcije i direktor programa. Born 1968 in Sarajevo. SFRJ. Lives in Banja Luka. Chief editor of documentary programs on public television service Radio Television of Republika of Srpska, RTRS(CE). Worked as a photographer, cameraman, director, producer, head of production and program director. Čarobnjak iz Mutnja Bio jednom jedan Ivo Car, rođen na obroncima živopisne ali surove planine Rudnik u Srbiji. Ivo je sanjao velike snove za kakve obično nema mjesta ni u Balkanskim gradovima a kamoli u svijetu zemljoradnika na selu. Sudbina se ipak pobrinula da Ivo u Mutnju napravi Holivud. Mislite li da je magijski realizam moguć samo u umjetnosti, varate se, upoznajte Ivu i jedino selo sa crvenim tepihom na Balkanu! Tamo je realnost fantastična. Wizard from Mutanj It was once an Ivo the Tzar, born on the slopes of the picturesque but crisp mountains Rudnik in Serbia. Ivo dreamed of great dreams for which there is usually no place in the Balkan towns, let alone in the farmer s countryside. The fate, however, made sure that Ivo made his Hollywood in his village Mutanj. If you think that magic realism is possible only in art, you are mistaken. Meet Ivo the Tzar and the only village with red carpet on the Balkans! The reality in there is fantastic! Kamera i režija / Camera and directed by Montaža / Editors Producenti / Producers Dizajn zvuka / Sound designer Branko Lazić Vedran Marić Aleksandar Sevo Vladimir Vladetić Svetska premijera / World Premiere

18 016 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Tanja Brzaković Srbija / Serbia, Tanja Brzaković Rođena u Beogradu u Srbiji, studirala je filmsku i televizijsku režiju na Fakultetu dramskih umetnosti Univerziteta umetnosti u Beogradu. Postdiplomske studije režije završila je na Univerzitetu u Hamburgu. Radila je kao režiser i scenarista u Berlinu, Hamburgu i Beogradu. Tokom karijere napravila je oko 15 kratkih filmova, dva srednjometražna filma i dva dugometražna dokumentarca. She was born in Belgrade, Serbia, and studied Film and TV Directing at the Faculty of Dramatic Arts, University of Arts, Belgrade. Post-graduate studies of directing finished at University of Hamburg. She worked as a director and screenplay writer in Berlin, Hamburg and Belgrade. During her career she made about 15 short movies, 2 middle length movies and two feature documentaries. Doći će žuti ljudi sa Istoka i piće vodu sa Morave Mladi bračni par, radnik u tržnom centru, porodica poljoprivrednika, grupa srednjovečnih žena koje rekreativno plešu, svi migranti iz Kine, žive izolovan život, rastrzani između svojih ambicija za boljom egzistencijom i nemogućnosti da se asimiluju u Srbiji. Kineski predsednik je u trodnevnoj poseti Vladi Srbije, koja se nada ekonomskom procvatu zahvaljujući kineskim investicijama. The Chinese Will Come A young couple, a shopping centre worker, a farmer family, a group of middle-aged women who do recreational dancing, all of them Chinese migrants, live an isolated life, torn between their ambitions for better life and their inability to integrate in Serbia. The Chinese President is making a three-day visit to the Serbian Government, which hopes for economic prosperity on account of Chinese investments. Reditelji / Directors Montaža / Editor Zvuka / Sound Producenti / Producers Snimatelj / Cinematographer Muzika / Music Tanja Brzaković Tanja Brzaković Tanja Brzaković Nebojša Miljković Aleksandrija Ajduković Janja Lončar Svetska premijera / World Premiere

19 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME 017 Kada dođu svinje Biljana Tutorov Biljana Tutorov Srbija, Hrvatska, BiH / Serbia, Croatia, BH 72 Nakon što je diplomirala Arheologiju i Istoriju umetnosti u Belgiji, na Katoličkom Univerzitetu u Luvenu, Biljana Tutorov je odslušala postdiplomske studije iz Antropološkog filma na Ecole Pratique des Hautes Etudes u Parizu. Više godina pohađala je kurs Žana Ruša iz Etnografskog filma i Filmsku estetiku kod Alana Bergale. Istovremeno je učila pozorišnu umetnost i glumu na Ecole Internationale de Thêatre Jacque Lecoq u Parizu. Kreirala je više video instalacija, kratkih i dugometražnih, igranih i dokumentarnih filmova, video radova After graduating Art History at the Catholic University in Louvain, Belgium, Biljana Tutorov studied Film Anthropology at Ecole Pratique des Hautes Etudes, Paris, and Ethnographic Film with Jean Rouch. In parallel, she studied Drama at Ecole Internationale de Thêatre Jacque Lecoq in Paris. Biljana is the author of several video installations, short, feature and documentary films, video works and performances. She was first director s assistant to the famous Serbian film director Želimir Žilnik. i performansa. Radila je kao asistent Želimira Žilnika. Dragoslava ima četiri televizora, troje unuka, dve najbolje drugarice i muža sa kojim se otima za daljinski upravljač. Živela je u pet zemalja a da se nije pomerila iz svog stana u pograničnoj varošici. Mediji i politika su se uvukli u porodičnu intimu dok ona sa humorom i čvrstinom promišlja o tome. Umesto bajki izmišlja za decu priče iz stvarnog života dok u njoj nada u bolju budućnost ne jenjava. Od ujutro od kada ustanemo svaki naš gest je činodgovornosti kojim započinje promena sveta. When Pigs Come Dragoslava has four TV sets, three grandchildren, two best friends, and a husband with whom she fights over a remote control. She has lived in five countries without ever moving from her flat in a small borderline town. The media and politics creep into the family intimacy but she reflects about it with humor and determination. For the kids, she invents real life stories instead of fairy tales and keeps her desire to see a future of hope. Our every single gesture, from getting up in the morning onward, is an act of responsibility which starts to change the world. Reditelj / Director Učestvovali / Cast Producent / Producer Direktor fotografije / DoP Montažeri / Editors Biljana Tutorov Dragoslava Aleksić, Dragan Aleksić, Dušan Bošnjak, Nataša Bošnjak, Lena Gordić, Svetlana Zeković Biljana Tutorov Orfeas Skutelis Thomas Ernst, Ana Lagator, Nataša Pantić Festivali / F Sarajevo Film Festival EDN Talent Grant Award So, Independent Film Festival Sofia Special Jury Mention, Watch Docs Warsaw 2017, FAF Authors Film Festival 2017 Belgrade, Balkan Days 2018 Munich, Sarajevo sur Seine 2018 Paris, Sharm El Sheikh Film Festival 2018, Balkan Florence Express 2018, TRT Documentary Days 2018 Istanbul, Visions du Réel 2018 Nyon, Hot Docs 2018 Toronto, Subversive Festival 2018 Zagreb

20 018 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Senka Domanović Srbija / Serbia, Senka Domanović Živi i radi u Beogradu. Okupirani bioskop je njen prvi dugometražni film. Works and lives in Belgrade, Serbia. Occupied Cinema is her debut feature film. Okupirani bioskop Film prati mlade aktiviste i događaje oko okupacije bioskopa Zvezda. Različite društvene grupe ujedinile su se sa istom namerom - da menjaju stvarnost u kojoj žive, međutim, ideje o tome kako bi ta stvarnost trebalo da izgleda nisu bile iste. Occupied Cinema Occupied cinema is a film about guerrilla action initiated by young activists taking over privatized cinema Zvezda in Belgrade, Serbia. This activity united various social groups that shared the same ambition - to change the reality in which they live. However, their views about how that reality should look like were not the same. Scenario i režija / Written and directed Producent / Producer Direktor fotografije / DoP Montaža / Editor Kompozitor / Music Senka Domanović Snežana Penev Siniša Dugonjić Mina Nenadović Hrvoje Nikšić Film zatvaranja / Closing Film

21 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Zlatko Pranjić, Aleksandar Nikolić Zlatko je rođen u Bosni godine. On je renomirani pisac i pozorišni reditelj godine osnovao je pozorišnu grupu pod nazivom Pozorište sa akcentom. Učestvovao je u dokumentarnom filmu Srpski advokat i ko-režirao kratki poetski film Svet kuća sa Aleksandrom Nikolićem. Zlatko was born in Bosnia in He is a renowned writer and theatre director. In 2004 he started the theater group called Theatre With Accent. He also took part in documentary film The Serbian Lawyer and co- directed short poetic film The World The House with Aleksandar Nikolic. Zlatko Pranjić, Aleksandar Nikolić Srbija, BiH, Hrvatska, VB / RS, BH, CRO, UK, Aleksandar radi na filmu i televiziji od godine. Paralelno sa montažom visoko profilisanih televizijskih dokumentaraca za BBC, PBS i CH4, pisao je scenarije i režirao svoje filmove. Aleksandar has been working in film and television since In parallel to editing high profile TV documentaries for BBC, PBS and CH4, he has been writing and directing his own films. Vodič kroz crnu rupu Sule je bosanski pesnik i umetnik koji u Londonu živi četrdeset godina. Nezadovoljan svojim životom, uzrok svih svojih problema projektuje na imigrantsku sudbinu, živeći u idiličnim uspomenama svoje voljene Banja Luke. Zaglavljen u rutinu, Sule dobija poslednju šansu da preokrene svoj život kada ga bosanska ambasada u Londonu poziva da izloži seriju svojih slika pod nazivom Vodič kroz crnu rupu. Guidance Through the Black Hole Sule is a Bosnian poet and artist who has been living in London for 40 years. Unsatisfied with his life there, he projects all his troubles on his immigrant destiny, wallowing in idyllic memories of his beloved Banja Luka. Stuck in a rut, Sule gets one last chance to turn his life around when the Bosnian embassy in London invites him to exhibit a series of his paintings entitled: Guidance Through the Black Hole. Reditelji / Directors Snimatelj / Cinematographer Montažer / Editor Dizajneri zvuka / Sound Designers Producenti / Producers Zlatko Pranjić, Aleksandar Nikolić Aleksandar Nikolić Aleksandar Nikolić Vladimir Rašković, Robert Bukarica Production Braidmade Films (UK), Paradox Film (RS), The Theatre With Accent (BA) Festivali / F Sarajevo Film Festival 2017, DokuBazar Ljubjana, DocFeed Eindhoven

22 020 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Đorđe Marković Srbija / Serbia, Đorđe Marković Rođen u Beogradu, Srbiji. Obrazovanje: Fakultet Dramskih Umetnosti, Beograd. Filmski montažer, bio je kreativni direktor Televizije B92 ( ), realizovao više od 50 reklama za vodeće kompanije u regionu, dokumentarnu seriju SFRJ za početnike - Do You Miss Yugoslavia za koju je nagrađen Srebrnom plaketom na Chicago Film and TV festivalu. Montirao više od 200 reklama i kratke filmove, dugometražne i dokumentarce. Born in Belgrade, Serbia. Education: Film & TV Editing, Faculty of Dramatic Arts. Creative Director for National Television B92, Belgrade ( ). His documentary TV Series SFRJ for beginners - Do You Miss Yugoslavia was awarded with Silver Plaque on Chicago Film and TV festival. Edited more then 200 commercials, as well as short films, documentary, feature films. Poslednja avantura Kaktus Bate Aleksandar Zograf, poznati strip autor otkriva neobičan strip iz perioda Drugog svetskog rata. Njegov junak je Kaktus Bata mali kaktus zarobljen u saksiji. Zaintrigiran, Zograf istražuje život autora Kaktus Bate malo poznatog umetnika Veljka Kockara. Uskoro otkriva da je Kockar uhapšen neposredno po oslobađanju Beograda godine. Optužen je da je bio agent Gestapoa i streljan. The Final Adventure of Kaktus Kid Aleksandar Zograf, a renowned cartoonist discovers an unusual comic book from World War II. The comic s hero is Kaktus Kid - a small cactus trapped in his pot. Intrigued, Zograf investigates into the life of Kaktus Kid s creator - little known artist Veljko Kockar. He soon discovers that Kockar was arrested just after the liberation of Belgrade in He was charged for being a Gestapo agent and executed. Reditelj / Director Producenti / Producers Scenario / Screenplay Direktor fotografije / DoP Montaža / Editor Muzika / Music Uloge / Cast Đorđe Marković Ivana Antić, Đorđe Marković Vladimir Simić Kosta Glušica Davor Bosankić Nenad Marić a.k.a. Kralj Čačka, Marko Marić Milutin Milošević, Tihomir Stanić, Viktor Savić, Ana Mandić Film otvaranja / Opening Film Svetska premijera / World premiere

23 SRPSKI TAKMIČARSKI PROGRAM / SERBIAN COMPETITION PROGRAMME Boris Mitić Rođen u Leskovcu. Živeo na nekoliko kontinenata, radio nekoliko godina za najveće svjetske medije, dok nije shvatio nekoliko stvari i posvetio ostatak svog života kreativnom roditeljstvu, kreativnom fudbalu i kreativnim dokumentarcima. Njegova četiri filma prikazana su na preko 200 festivala, bila nagrađena 20 puta i emitovana na 18 međunarodnih televizija. Predaje realpolitiku dokumentarnog filma širom sveta i igra brzopotezni šah za pare, koje potom troši na doručak. Born in 1977 in Leskovac, southern Serbia. Lived on a few continents, worked for a few years for the most prestigious global media, understood a few things and dedicated the rest of his life to creative parenting, creative football and creative documentaries. Four films, 200+ festivals, 20 awards, 18 broadcasters, global lecturing track record. Plays blitz-chess for money, which he then spends on breakfast. Boris Mitić 021 Srbija, Hrvatska, Francuska / Serbia, Croatia, France, Slatko od Ništa Slatko od Ništa je satirična dokumentarna parabola u kojoj Ništa, umorno od našeg nerazumevanja, beži od kuće i dolazi da nam se obrati po prvi i poslednji put. Dokumentarne kadrove Ničega snimale su desetine direktora fotografije u 70 zemalja, muziku su komponovali Pascal Comelade i Tiger Lillies-i, a glas Ničega, koje nam se sve vreme obraća u stihu, snimio je Iggy Pop. In Praise of Nothing In Praise of Nothing is a whistleblowing documentary parody about Nothing, wherein Nothing, tired of being misunderstood, runs away from home and comes to address us for the first and last time. It was researched over 8 years through the most eclectic bibliography ever used in a documentary film, brainstormed and filmed by 62 superstar and amateur cinematographers in 70 countries, scored by cabaret grandmasters Pascal Comelade and the Tiger Lillies and narrated - in simple childlike verse - by Iggy Pop. Scenario i režija / Written and directed Narator / Narrator Muzika / Music Zvuk / Sound Kamera / Cinematography Montaža / Editor Boris Mitić Iggy Pop Pascal Comelade, The Tiger Lillies Ivan Uzelac, Bruno Tarrière 62 snimatelja u 70 zemalja / by 62 DoPs in 70 countries Boris Mitić Film otvaranja / Opening Film Festivali / F Locarno FF, IDFA (Masters), Moscow FF, Shanghai FF, CPH:DOX, Docs Against Gravity Warsaw, Jihlava DFF, El Gouna FF, Sarajevo FF, Riga FF, Sofia FF, Tempo DFF Stockholm, Dok.Fest Munich, DocPoint Helsinki, ZagrebDox, Cinemambiente Torino, ICA London, CAC Geneva

24 Međunarodni takmičarski program Program sačinjen od 12 izuzetnih naslova, precizno balansiran između filmova dokazanih autora koji bez sumnje već pripadaju istoriji filma i vrlo originalnih i stilski zrelih mlađih autora.

25 International Competition Programme The programme consisting of 12 exceptional films, a well-balanced selection of works comprising both films by established authors, who are undoubtedly already a part of film history, and stylistically mature young authors.

26 024 Žiri Međunarodni takmičarski program Jury International Competition Programme Jasmin Bašić Jasmin Bašić je istoričarka filma i kustoskinja, magistarka filmske umetnosti. Kao koordinator i selektorka, sarađivala je sa više filmskih festivala u Švajcarskoj i van nje kao što su: Visions du Réel (Nyon), International Film Festival and Forum on Human Rights FIFDH (Geneva)... Sarađivala je i sa institucijama poput Geneva University of Arts & Design (HEAD), the Cinemathèque of Tangier (Morocco), the Centre for the Image La Virreina in Barcelona, the Croatian Audiovisual Center - HAVC, the French Cinémathèque, the Centre Pompidou, the Cahiers du Cinéma and the Forum des Images in Paris. Švajcarska federalna kancelarija za kulturu postavila je na poziciju eksperta za TV drame i serije i izabrala je za člana odbora Ženevske filmske komisije. Jasmin Bašić is a Film historian and curator, Master of Arts in Cinema. She has collaborated as coordinator and programmer with several festivals, in Switzerland and abroad: Visions du Réel (Nyon), International Film Festival and Forum on Human Rights FIFDH (Geneva)... She has also collaborated with the Geneva University of Arts & Design (HEAD), the Cinemathèque of Tangier (Morocco), the Centre for the Image La Virreina in Barcelona, the Croatian Audiovisual Center - HAVC, the French Cinémathèque, the Centre Pompidou, the Cahiers du Cinéma and the Forum des Images in Paris. She was an appointed expert for the Swiss Federal Office of Culture for TV drama and series and a Board Member of the Geneva Film Commission.

27 025 Nicolas Feodoroff Čarna Manojlović Nicolas Feodoroff, diplomirao je estetiku, selektor je festivala FIDMarseille, član je selektorskog komiteta i odgovoran je za FIDcampus programa. Kao umetnički i fimski kritičar, on je i predavač na Školi lepih umetnosti u Marselju (ESADMM) i redovno doprinosi svim strukturama koje se bave promocijom kinematografije i savremene umetnosti Čarna Manojlović rođena je godine u Beogradu. Diplomirala je filmsku režiju na Akademiji Umetnosti. Usavršavala se na mnogim domaćim i internacionalnim master klasovima. Za dugometražni dokumentarac Tri (u)lične priče (2003) osvojila je Gran pri 50. Festivala dokumentarnog i kratkometražnog filma u Beogradu, nagradu za najboljeg reditelja debitanta, kao i još nekoliko nagrada na festivalima u zemlji i inostranstvu. Autorka je više filmskih ostvarenja. Na Akademiji Umetnosti u Beogradu radi u zvanju docenta na Katedri za FTV režiju i montažu. Članica UFUS-a, DOKSRBIJA Dokumentaristi Srbije, Asocijacije filmskih reditelja Srbije. Nicolas Feodoroff, graduated in aesthetics, is a programmer of FID- Marseille, member of the selection commitee and is in charge of FIDcampus programme. Art and film critic, programmer, in teaches at Marseilles Fine art school (ESADMM), and also regularly contributes to other structures for promotion of cinema and contemporary art. Čarna Manojlović was born in Belgrade, in She has graduated filmmaking at the Academy of Arts. She has participated in many national and international Master Classes. For a feature-length documentary Tri (u)lične priče (2003), she won the Grand Prix at the 50th Festival of Documentary and Short Film Festival in Belgrade, the award for best debutant director, as well as several other awards at national and international festivals. She is the author of several films. She works as the assistant professor at the Department of FTV directing and editing, at the Academy of Arts in Belgrade. She is a member of UFUS, DOKSRBIJA - Documentary Serbia, and Serbian Association of Film Directors.

28 026 Midi Z Tajvan, Majnmar / Taiwan, Myanmar, MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Midi Z Rođen u Mjanmaru, Midi Z sa šesnaest godina odlazi na studije u Tajvan gde je završio osnovne i magistarske studije dizajna. Trenutno režira filmove u Tajvanu, Mjanmaru i Kini. Od godine do danas Midi je snimio tri dugometražna film, od kojih je svaki imao budžet manji od deset hiljada dolara. Born in Myanmar, Midi Z went to study in Taiwan at the age of sixteen and obtained a BA and an MFA in Design. Currently, he makes films in Taiwan, Myanmar and China. Since 2011 Midi has made three feature films, each with a budget smaller than ten thousand US dollars. 14 jabuka U poslednje vreme, Šin-hong pati od nesanice i susreće se sa mnoštvom problema u životu. Njegova majka obraća se za savet gatari. Ona od Šin-honga traži četrnaest jabuka. Potom treba da ih odnese u hram u ruralnom delu centralnog Mjanmara i da četrnaest dana živi kao monah, jedući jednu jabuku na dan. 14 Apples Recently, Shin-hong suffers from insomnia and encounters so many problems in his life. His mother goes to a fortune-teller for advice. The fortune-teller asks Shin-hong to get fourteen apples. Then he should take them to a temple in the rural area in Central Myanmar and live as a monk for fourteen days, eating an apple a day. Reditelj / Director Snimatelj / Cinematographer Producenti / Producers Midi Z Nikolai Hartmann Midi Z, Lin Sheng-wen Isabella, Ho Wang Shin-hon Wu Pei-chi, Midi Z, Lin Sheng-wen Scenario / Scriptwriters Festival / F Berlinale, 2018

29 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME 027 Simon Gillard Simon Gillard Belgija, Francuska / Belgium, France, Simon Gillard rođen je u Kostenetsu godine. Godine zaljubljuje se u Zapadnu Afriku i tokom poslednjih deset godina putuje njenom teritorijom od Senegala do Benina. Njegov prvi dokumentarni film Anima ušao je u selekciju brojnih festivala. Godine snimio je drugi kratki dokumentarac Yaar koji je našao svoj put do preko 60 festivala širom sveta i osvojio gotovo 20 nagrada. Boli Baba je treći i poslednji film ove afričke trilogije. Simon Gillard was born in Kostenets, in In 2007, he has lost his heart to West Africa and has been travelling across its territory from Senegal to Benin for the last ten years. In 2013, his first documentary ANIMA is selected in many festivals. In 2014, he made a second short documentary YAAR, this film found his way in over 60 festivals worldwide and won nearly 20 awards. Boli Baba is the third and last film of this African trilogy. Boli Bana Kroz noć, dečak Ama sa svojim saputnicima putuje šikarom Boli Bane. Prati ih stado krupnih i dobronamernih goveda. Kada svane dan, mlada devojka Aissita postaje centar pažnje stanovnika sela Boli Bana. Veštica pristiže da obavi ritual: jer Aissita je na pragu zrelosti. Nomadski i mističan svet viđen očima ove dece. Detinjstvo pripadnika plemena Fulani u Burkini Faso. Boli Bana At night, the young boy Ama and his companions travel through the bush of Boli Bana. A herd of huge and at the same time benevolent cattle accompanies them. By day, the young girl Aissita is the centre of attention of Boli Bana village. A witch has arrived for a ritual: For Assista this is the beginning of adulthood. It is a nomadic and mystic world that comes into being through the eyes of these children. A Fulani childhood in Burkina Faso. Reditelji / Directors Direktor fotografije / DoP Montažeri / Editors Producenti / Producers Simon Gillard Simon Gillard Nicolas Rumpl Julie Esparbes, Camille Meynard Festivali / F Cinéma du Réel 2017, IndieLisboa International Independent Film Festival 2017, Rotterdam International Film Festival 2017

30 028 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Shevaun Mizrahi Turska, Holandija, SAD / Turkish, Netherland, USA, Shevaun Mizrahi Magazin Filmmaker izabrao je režiserku i snimateljku Shevaun Mizrahi među 25 lica nezavisnog filma za godinu. Njen prvi dugometražni dokumentarac Distant Constellation izabran je za IFP Documentary Lab na IFP Project Forumu (New York), the!doclab (Istanbul), the Catapult True/False Roughcut Retreat (San Francisco), i dobio pomoć od Fonda za novi turski film (Istanbul). Director/Cinematographer Shevaun Mizrahi was selected as one of Filmmaker Magazine s 25 Faces of Independent Film for Her first documentary feature Distant Constellation was selected for the IFP Documentary Lab in the IFP Project Forum (New York), the!doclab (Istanbul), the Catapult True/False Roughcut Retreat (San Francisco), and received support from the Turkish New Film Fund (Istanbul). Udaljeno sazvežđe Ovo zloslutno sanjarenje vodi nas pravo u unutrašnjost doma za stare u Istanbulu, u kome se stanari, puni životnih ožiljaka, sa toplinom okreću pažnji kamere. Razigran, besprekorno kontrolisan film Shevaun Mizrahijev pronalazi hipnotišuće ritmove u limbu-nalik stanju stanovnika doma. U međuvremenu, u spoljašnjem svetu, zlokobne građevinske mašine transformiše zemlju. Distant Constellation This haunted reverie drops us inside an Istanbul retirement home, where the battle-scarred residents bask in the camera s attention. Shevaun Mizrahi s playful, immaculately controlled film finds hypnotizing rhythms in the residents limbo-like state. Meanwhile, outside, ominous construction equipment transforms the land. Reditelj / Director Snimatelj / Cinematographer Montažer / Editor Producent / Producer Shevau Mizrahi Shevau Mizrahi Shevau Mizrahi Deniz Buga Festival / F Winner - Locarno Festival 2017, The Jury s Special Mention Award Winner - Viennale 2017, FIPRESCI Prize WInner - Festival de Sevilla 2017, New Waves Non Fiction Award Nominee - London Film Festival 2017, Grierson Award for Best Documentary, Nominee - Film Independent Spirit Awards 2018, Truer Than Fiction Award

31 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME 029 Lica mesta Agnes Varda & JR Rođena u Ikselu u Belgiji, Osnovala je Sine-Tamaris (zadrugu) da bi režirala i producirala svoj prvi dugometražni film La Pointe Courte koji joj je doneo titulu Baka francuskog novog talasa. Od tada je režirala kratkometražne i dugometražne filmove, igrane i dokumentarne. JR je rođen godine, u blizini Pariza i trenutno živi na relaciji Francuska (Pariz) - SAD (Njujork). Pošto ostaje anoniman i ne objašnjava svoje radove, JR ostavlja prostora za susret između subjekta/protagoniste i prolaznika/ interpretatora. Agnès Varda was born in Ixelles, Belgium in She founded Ciné-Tamaris (a cooperative) to produce and direct her first feature, La Pointe Courte, which has earned her the title Grandmother of the French New Wave. She has since directed short films and features, both fiction and documentaries. JR was born in 1983 near Paris and currently splits his time between both France (Paris) and the US (New York). Since he remains anonymous and doesn t explain his huge portraits, JR leaves room for an encounter between the subject/protagonist and the passerby/interpreter. Agnes Varda & JR Faces Places Francuska / France, Osamdesetdevetogodišnja Agnes Varda, jedna od vodećih figura fran cuskog novog talasa i priznati tridesettrogodišnji francuski fotograf i muralista JR zajedno su režirali ovaj očaravajući dokumentarac/ putopis. Zajedno putuju po selima Francuske u Džej Arovom foto kamionu srećući lokalce, slušajući njihove priče i praveći njihove portrete na velikom formatu. 89-year old Agnes Varda, one of the leading figures of the French New Wave, and acclaimed 33 year-old French photographer and muralist JR teamed up to co-direct this enchanting documentary road movie. Together they travel around the villages of France in JR s photo truck meeting locals, learning their stories and producing epic-size portraits of them. Scenario, režija i komentar / Written, directed and commented by Producent / Producer Agnes Varda and JR Rosalie Varda Festivali / F Cannes Film Festival - winner-the Golden Eye, or L Oeil d Or

32 030 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Ai Weiwei Nemačka / Germany, Ai Weiwei Režiser/producent poznat je po stvaranju snažnih estetičkih izjava koje reflektuju aktuelne fenomene širom današnjeg geopolitičkog sveta. Od arhitekture do instalacija, od društvenih medija do dokumentaraca, Ai koristi širok spektar medija kao izraz novih načina da se publici omogući da preispituje društvo i njegove vrednosti. Director/Producer is renowned for making strong aesthetic statements that resonate with timely phenomena across today s geopolitical world. From architecture to installations, social media to documentaries, Ai uses a wide range of mediums as expressions of new ways for his audiences to examine society and its values. Ljudski tok Human Flow Oko 65 miliona ljudi širom sveta prisiljeno je da napusti svoje domove da bi izbegli glad, klimatske promene i rat u najvećem ljudskom egzodusu od Drugog svetskog rata do sada. Human Flow, epsko filmsko putovanje na koje nas vodi svetski renomirani umetnik Ai WeiWei, daje snažan vizuelni izraz ovoj masivnoj ljudskoj migraciji. Dokumentarac rasvetljava kako zapanjujuću skalu izbegličke krize, tako i njen duboko lični ljudski uticaj. Over 65 million people around the world have been forced from their homes to escape famine, climate change and war in the greatest human displacement since World War II. Human Flow, an epic film journey led by the internationally renowned artist Ai Weiwei, gives a powerful visual expression to this massive human migration. The documentary elucidates both the staggering scale of the refugee crisis and its profoundly personal human impact. Reditelj / Director Producent / Producers Montažeri / Editors Ai Weiwei Ai Weiwei, Chin-Chin Yap, Heino Deckert Niels Pagh Andersen Festivali i nagrade / F&A 2017 Venice Film Festival World Premiere, 2017 Telluride Film Festival

33 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME 031 Gürcan Keltek Rođen u Izmiru u Turskoj, godine Gürcan Keltek je studirao film na Univerzitetu Dokuz Eylül, nakon čega je režirao nekoliko kratkih dokumentarnih filmova, među kojima je i Overtime (2012), izabran u selekciju na festivalima Visions Du Réel i DOK Leipzig. Njegov srednjemetražni film Colony (2015) prikazan je na FIDMarseille. Meteorlar (2017) njegov je prvi dugometražni film. Director Gürcan Keltek Born in İzmir, Turkey, in 1973, Gürcan Keltek studied film at Dokuz Eylül University before directing several shorts including Overtime (2012), selected at Visions Du Réel and DOK Leipzig. His medium-format film, Colony (2015), was screened at FIDMarseille. Meteorlar (2017) is his first feature film. Gurcan Keltek Turska, Holandija / Turkey, Netherland, Meteori Dolaze noću. Svi izlaze iz svojih kuća. Pale lampe i sećaju se onih koji su pre njih hodali ovim ulicama. U nastupajućim satima, grad će biti blokiran i nastupa pomračenje. U noći, pad metora počinje. Kombinujući dokumentarni film i politički komentar i spajajući ovozemaljsko i kosmičko, Meteors je film o sećanjima i nestajanjima ljudi, mesta i stvari. Meteors They come at night. Everyone steps out of their homes. They light torches and remember those who have walked these streets before them. In the next few hours, the city is on lockdown and an eclipse appears. At night, meteors start to fall. Blending documentary filmmaking and political commentary, and connecting the earthly to the cosmos, Meteors is a film about memory and disappearance of people, places and things. Reditelj / Director Producenti / Producers Montažer / Editor Snimatelji / Cinematographers World Sales Gürcan Keltek Marc Van Goethem, Gürcan Keltek Fazilet Onat Mustafa Sen, Fırat Gürgen Heretic Outreach Festivali i nagrade / F&A Locarno Festival Filmmakers of the Present Competition 2017

34 032 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Claude Lanzmann Francuska / France, Claude Lanzmann Rođen je godine u Parizu. Claude Lanzmann jedan je od nekoliko francuskih intelektualaca i umetnika sa međunarodnom reputacijom čiji je rad dosegao i ostavio traga na milionima posmatrača širom sveta. Njegovi filmovi napravili su revoluciju u svetskoj kinematografiji. Claude Lanzmann was born in Paris in Claude Lanzmann is one of the few French intellectuals and artists of international stature whose body of work has reached out and left its mark on millions of viewers all over the world. His films have revolutionized world cinema. Napalm Napalm Napalm je priča o neverovatno uzbudljivom kratkom susretu koji se godine odigrao između francuskog člana prve zapadnoevropske delegacije koja je zvanično pozvana da poseti Severnu Koreju nakon razornog Korejskog rata (u kome je ubijeno četiri miliona civila) i medicinske sestre koja je radila u bolnici severnokorejskog Crvenog krsta u Pjongjangu, glavnom gradu Demokratske Narodne Republike Koreje. Claude Lanzmann vratio se u Koreju bez dozvole za snimanje i svaki kadar predstavlja neobičnu pobedu nad neprestanom kontrolom političke policije režima. Napalm is the story of the breathtaking and brief encounter, in 1958, between a French member of the first Western European delegation officially invited to North Korea after the devastating Korean war (4 million civilians killed) and a nurse working for the Korean Red Cross hospital, in Pyongyang, capital of the Democratic People s Republic of Korea. Claude Lanzmann returned to Korea without the permission to film and each take represents an extraordinary victory over the permanent control of the regime s political police. Reditelj / Director Producent / Producer Snimatelj / Cinematographer Montažer / Editor Claude Lanzmann François Margolin Caroline Champetier Chantal Hymans Festivali i nagrade / F&A Winner of the Best Irish Feature Documentary Winner of the Best Cinematography in a Feature Film Best Documentary Feature and Best Cinematography of an Irish Feature at the 2016 Galway Film Fleadh Cannes film festival 2017

35 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Talal Derki Talal Derki Nemačka, Sirija, Liban /Germany, SiriaLebanon, Rođen je u Damasku i živi u Berlinu od godine. Studirao je filmsku režiju u Atini i radio kao pomoćni režiser za brojne igrane filmove i režirao za različite arapske TV programe između i Pored toga, radio je i kao frilans kamerman za CNN i Thomson & Reuters. Njegovi kratki filmovi i dugometražni dokumentarni filmovi osvajali su brojne nagrade na različitim festivalima. Talal Derki was born in Damascus and is based in Berlin since He studied film directing in Athens and worked as an assistant director for many feature film productions and was a director for different Arab TV programs between 2009 and Furthermore, he worked as a freelance cameraman for CNN and Thomson & Reuters. Talal Derkis short films and feature length documentaries received many awards at a varietyof festivals. 033 O očevima i sinovima Talal Derki vraća se u domovinu gde stiče poverenje porodice radikalnih islamista i deli njihov svakodnevni život tokom dve godine. Njegova kamera fokusira se na Osamu i njegovog mlađeg brata Ajmana, pružajući krajnje redak uvid u to šta znači odrastati u Islamskom kalifatu. Of Fathers and Sons Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. Reditelj / Director Montažer / Editor Direktor fotografije / DoP Muzika / Music Producenti / Producers Produkcija / Production Talal Derk Anne Fabini Kahtan Hasson K.S. Elias AnsgarFrerich, Eva Kemme, Tobias Siebert, Hans Robert Eisenhauer BASIS BERLIN Filmproduktion Festivali / F IDFA Competition for Feature-Length Documentary, 2017

36 034 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Giovanni Totaro Italija / Italy, Giovanni Totaro Rođen je godine u Palermu, Italija. Nakon što je diplomirao na Centro Sperimentale di Cinematografia Sicily godine, Giovanni Totaro radio je kao asistent produkcije i filmski režiser. Happy Winter je njegov prvi dugometražni dokumentarni film i njegov prvi film nakon završetka studija. Born in 1988 in Palermo, Italy. After graduation from Centro Sperimentale di Cinematografia Sicily in 2015, Giovanni Totaro worked as a production assistant and film director. Happy Winter is his first feature-length documentary & also his first film after graduation. Srećna zima Happy Winter Svakog leta na plaži Mondelo u Palermu gradi se preko hiljadu kabina kako bi se ugostilo isto toliko porodica koje tamo provode odmor. Za njih su kućice na plaži savršen scenario za skrivanje iza sećanja na društveni status koji je kriza poslednjih godina neizbežno kompromitovala. Porodice se zadužuju da bi sebi omogućile letnji odmor na morskoj obali i održale privid bogatstva u očima drugih posetioca plaža. Every summer on Palermo s Mondello beach over one thousand cabins are built ready to host as many families who will spend the holidays there. For them the beach huts are a perfect scenario for hiding behind the memory of a social status the crisis of recent years has inevitably compromised. A family goes into debt so they can take their seaside holidays and appear wealthy in the eyes of the other beach-goers. Reditelj / Director Snimatelji / Cinematographers Montažer / Editor Producent / Producer World Sales Giovanni Totaro Paolo Ferrari, Nunzio Gringeri Andrea Maguolo Simone Catania (Indyca), Francesca Portalupi (Zenit Arti Audiovisive) Deckert Distribution Festivali i nagrade / F&A Venice IFF 2017, Italy IDFA Amsterdam 2017, Netherlands Docpoint IDF Helsinki 2018, Finland Docpoint IDF Tallinn 2018, Estonia ZagrebDox IDF 2018, Croatia Vilnius IFF 2018, Lithuania Istanbul IFF 2018, Turkey Bolzano IFF 2018, Italy Visions du Réel IDF Nyon 2018, Switzerland Hot Docs IDF Toronto 2018, Canada

37 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME 035 Viktor Jakovleski Viktor Jakovleski SAD, Meksiko / USA, Mexico, Viktor Jakovleski je filmski stvaralac koji živi u Berlinu. Režirao je i producirao video klipove za renomirane elektronske muzičare i producirao nemački igrani film LenaLove. Viktor je proveo četiri godine radeći na filmu Brimstone & Glory, vraćajući se na godišnji festival u Tultepeku u Meksiku tri puta. Viktor Jakovleski is a Berlin-based filmmaker. He has directed and produced videos for internationally renowned electronic musicians and produced the German feature film LenaLove, which was released in selected German cinemas in September Viktor spent four years making Brimstone & Glory, returning to the annual festival in Tultepec, Mexico three times. Sumpor i slava Nacionalni festival pirotehnike u Tultepeku u Meksiku, mesto je na kome se odigrava proslava nalik nijednoj drugoj na svetu. U slavu San Huana de Diosa, sveca zaštitnika proizvođača pirotehničkih naprava, vatrena svetkovina tokom deset dana zahvata ceo grad. Više od tri četvrtine stanovnika Tultepeka radi u pirotehničkoj industriji, što festival čini više od svetkovine radi sebe same. Brimstone & Glory The National Pyrotechnic Festival in Tultepec, Mexico is a site of festivity unlike any other in the world. In celebration of San Juan de Dios, patron saint of firework makers, conflagrant revelry engulfs the town for ten days. More than three quarters of Tultepec s residents work in pyrotechnics, making the festival more than revelry for revelry s sake. Reditelj / Director Montaža / Editor Snimatelji / Cinematographers Producenti / Producers Viktor Jakovleski Affonso Gonçalves Tobias von dem Borne Dan Janvey, Elizabeth Lodge Stepp, Kellen Quinn Festivali / F Hot Docs 2017, True/False 2017

38 036 Abel Ferrara Italija / Italia, Trg Vitorio Pjaca Vitorio je najveći rimski trg. Karakterističan je - trg i susedni krajevi koji se graniče sa Eskvilinom - po multietničkoj raznolikosti svojih stanovnika. U njemu nalazimo grupu srodnih i dalekih etničkih grupa: Italijani, Azijati, Severnoafrikanci, Indijci koji jedni uz druge čine trg i okolinu živim, ali u isto vreme teškim za upravljanje. Upravo zbog svoje jedinstvene i živopisne prirode, dom je mnoštvu umetnika i ličnosti vezanih za svet filma, kao što su Paolo Sorentino, Mateo Garone (obojica stanovnici Pjace Vitorio). Jedan od njih je i Ejbel Ferara, koji je odlučio da svojom nezavisnom i poetskom vizijom ispriča ovaj svet, stavljajući, u fizičkom smislu, samog sebe u film. MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Abel Ferrara Rođen u Njujorku godine u porodici italo-irskog porekla. Ferara se zvanično probio na scenu niskobudžetnim horor filmom The Driller Killer, a potom je usledio Anđeo osvete, koji već predstavlja njegovu tipičnu religioznu tematiku. Kralj Njujorka mu konačno otvara vrata ka većem uspehu kako u komercijalnom tako i u kritičkom smislu: raste razumevanje prema njegovom stvaralaštvu i na njega sve više gledaju kao na istinskog autora. Piazza Vittorio Born in 1951 in New York in a family of Italian-Irish origins. He made his official breakthrough with his low-budget horror film The Driller Killer, followed by Angel of Vengeance, which introduced his typical religious theme and where he established a collaboration with a scriptwriter Nicholas St John. King of New York finally opened the door to a greater success, both in financial terms and those of reception: recognition of his work was growing and he was increasingly seen as a true author. Piazza Vittorio is the largest Roman square. It is distinguished, the square and adjacent neighborhoods of the Esquilino, for the multiethnic variety of its inhabitants. We find a group of close and far-away ethnicities: Italian, Asiatic, North African, Indians who make the square and the neighborhood lively but at the same time difficult to manage. Just because of its unique and colorful nature it s the residence of many artists and personalities linked to the world of cinema, such as Paolo Sorrentino, Matteo Garrone (both residents of Piazza Vittorio). One of these is also Master Abel Ferrara, who has decided to tell this world with his independent and poetic vision, putting himself physically in play in the movie. Reditelj / Director Producent / Producer Produkcija / Production Montažeri / Editors Abel Ferrara Andrea de Liberato Enjoy Movies srl Fabio Nunziata Festivali / F Venice Film Festival, New York Film Festival, Vienna International Film Festival, Mar del Plata Film Festival, Amazon Prime, CPH:DOX

39 MEĐUNARODNI TAKMIČARSKI PROGRAM / INTERNATIONAL COMPETITION PROGRAMME Joel Akafou Rođen godine u Bvakeu, Obala Slonovače, Joël Akafou magistrirao je filmske studije na L ISIS (Institut Supérieur de L Image et du Son Ouagadougou). U sklopu studija, režirao je nekoliko kratkih dokumentarnih i igranih filmova. Born in 1986 in Bwake, Côte d Ivoire, Joël Akafou has a Master degree in Filmmaking from the L ISIS (Institut Supérieur de L Image et du Son Ouagadougou). He has directed some short films both documentary and fiction films as part of his academic studies. Joel Akafou 037 Francuska, Burkina Faso / France, Burkina Faso, Živeli bogati U Abidžanu, u okruženju potpune društvene mutacije, otkrivamo mlade ljude iz Obale Slonovače kojima nedostaju referentne vrednosti nakon političke i ekonomske krize koja se odigravala nekoliko poslednjih godina. Pratimo Roleksa Portugalca i njegove drugare, mlade ljude, u njihovim dnevnim aktivnostima, prevarama i malim biznisima kojima se koriste da prežive. Prevare, seks, alkohol, fetiš, žrtvovanje. Za njih varanje Evropljana predstavlja naplatu kolonijalnog duga. Vivre Riche In Abidjan, in full social mutation, we discover an Ivorian youth lacking benchmarks after the political and economic crises of recent past years. We follow Rolex the Portuguese and his companions, young people in their daily activities, scam and small business to survive. Scam, sex, alcohol, fetish, sacrifice. For them, scamming the Europeans is collecting the colonial debt. Scenario i režija / Written and directed Snimatelji / Cinematographers Zvuka / Sound Montaža / Editor Akafou Joël Richmond Mathieu Hamadi Dieudo Akafou Joël Lefay Magali Festivali / F Visions du Réel Nyon, Grand Prix for mid-lenght film

40 038 Beldocs Human Rights Povodom obeležavanja 70 godina od potpisivanja Deklaracije o ljudskim pravima, Beldocs predstavlja ovaj program filmova i panel diskusija sa eminentnim stručnjacima na teme genocida, trgovine ljudima i smrtne kazne. On the occasion of marking 70 years since the signing of the Declaration of Human Rights, Beldocs presents this programme of films and panel discussions with eminent experts on the topics of genocide, human trafficking and capital punishment.

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42 040 Trgovina ljudima Genocid Smrtna kazna Marija Vukić Urednica programa Beldocs Human Rights Beldocs Human Rights posvećen je obeležavanju 70 godina od potpisivanja Deklaracije o ljudskim pravima. Shodno programskoj koncepciji, selektovali smo filmove koji tretiraju teme kao što su genocid, trgovina ljudima i smrtna kazna. Film kao moćni medij za prenošenje poruka svojim vizuelnim jezikom podstiče aktivno razmišljanje, preispitivanje, razvija empatiju i kao krajnji cilj proizvodi reakciju na pojave koje su u suprotnosti sa osnovnim načelima ljudskih prava. Pored filmskih projekcija, organizujemo tri moderirane panel diskusije sa eminentnim stručnjacima. Genocid je najekstremniji, po metodima često najbrutalniji, a po posledicama najpogubniji vid diskriminacije, te predstavlja najteži oblik zločina protiv čovečnosti. Uporedo sa biološkim iskorenjivanjem, brišu se i prepoznatljivi tragovi njene materijalne i duhovne kulture tj. uništava se njeno sveukupno bioantropološko i socioantropološko biće. Prvi film koji prikazujemo na ovu temu je film američkog sineaste Joe Berlingera S namerom da se uništi koji u fokus stavlja genocid Otomanskog carstva nad jermenskim narodom godine. Ukupno 29 država sveta je priznalo masovna ubistva Jermena kao genocid. Drugi film iz ove tematske celine je Lovci na zločin, švajcarske produkcije u režiji Nicolas Wadimoff-a i Juan Jose Lozano-a koji prati advokate švajcarske nevladine organizacije Trial u progonu ratnih zločinaca koji se kriju na teritoriji Švajcarske. Druga tematska celina je posvećena trgovini ljudima. Prikazujemo četiri filma koja rasvetljavaju fenomen trgovine i eksploatacije ljudi, većinom žena, u modernom društvu. Rasprostranjenost ovog fenomena, sve veća zastupljenost, raznolikost njegove forme, otvara široko polje kritičkog promišljanja i javne rasprave. Po statistici UNI- CEF-a više od žena godišnje su vrbovane u svrhu seksualne eksploatacije i prinudnog rada. Prvi u nizu je film italijanskog reditelja Guiseppe Carrieri-a pod nazivom Hana o isprepletanim sudbinama devojčica-nevesta istog imena, zatim sledi film izraelske rediteljke Ade Ushpiz Pustinjske neveste o obrazovanim beduinkama koje pokušavaju da prežive u poligamnom društvu i film američko-švedske koprodukcije Podvedene koji govori o regrutovanju mladih devojaka u svrhu prostitucije. Danilo Marunović dolazi sa filmom Mirsada oslikavajući skriveni svet na periferiji Podgorice. Treća celina u fokus stavlja smrtnu kaznu i film Kazna autora Will Francome-a i Mark Pizzey-a koji nas filmskom kamerom vode kroz sudbine ljudi osuđenih na smrt i suočavanje njihovih porodica sa presudom i sa američkim pravnim sistemom. U 32 od 50 američkih saveznih država postoji institucija smrtne kazne. Prema podacima Amnesty International, više od osoba je osuđeno na smrt u 67 zemalja sveta. Smrtna kazna je ukinuta od strane Veća Evrope i Konvencijom za zaštitu ljudskih prava i temeljnih sloboda.

43 041 Human Trafficking Genocide Death Penalty Marija Vukić Curator of Beldocs Human Rights Beldocs Human Rights is dedicated to marking 70 years since the signing of the Declaration of Human Rights. According to the programme concept, we have selected films that examine the topics such as genocide, human trafficking and capital punishment. The film, as a powerful medium for conveying messages by means of its visual language, stimulates active thinking and reviewing, develops empathy and, as its final aim, provokes reaction to occurrences that are opposed to the basic principles of human rights. In addition to film screenings, we are organising three moderated panel discussions with eminent experts as panelists. The genocide is the most extreme, its methods often the most brutal and its consequences the most baneful form of discrimination, hence it represents the most serious form of crime against humanity. Concurrently with the biological extermination, recognisable traces of material and spiritual culture are wiped out, or in other words, it involves the destruction of the entire bio-anthropological and socio-anthropological being. The first film on this topic is a film by a US filmmaker Joe Berlinger Intent to Destroy, which puts in focus the genocide committed by the Ottoman Empire against the Armenian people in world countries in total have recognised mass-murders of the Armenians as genocide. The second film in this thematic unit is Crime Hunters, a Swiss production directed by Nicolas Wadimoff and Juan Jose Lozano, which follows the lawyers of the Swiss non-governmental organisation Trial in their pursuit of war criminals hiding on the Swiss territory. The second thematic unit examines human trafficking. We will screen four films which shed the light on the phenomenon of trafficking and exploitation of people, mostly women, in the contemporary society. The prevalence of this phenomenon, its increasing presence, diversity of its forms, open up a broad space for critical reflection and public discussions. According to the UNICEF s statistics, more than 700,000 women per year are lured into sexual exploitation and forced labour. The first in this group is a film by the Italian director Guiseppe Carrieri Hana on intertwined destinies of girl-brides that share the common name; the next in the series is the film Desert Brides by the Israeli director Ada Ushpiz, which tells the story of educated Bedouin women who are trying to survive in a polygamous society; the film that follows is a US-Swedish coproduction Pimped which speaks about recruiting young girls for prostitution. Danilo Marunović s film Mirsada portrays the hidden world situated in the suburb of Podgorica. The third unit puts in focus capital punishment - the film Punishment by Will Francome and Mark Pizzey, with a film camera, leads us through the fates of people sentenced to death and their families facing the verdict and the US legal system. In 32 out of 50 US federal states death penalty still exists. According to the data by Amnesty International, more than 3,248 persons are sentenced to death in 67 countries. Capital punishment has been abolished by the Council of Europe and by the Convention on Protection of Human Rights and Fundamental Freedoms.

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45 BELDOCS HUMAN RIGHTS Will Francome, Mark Pizzey Mark i Will četiri godine zajedno režiraju filmove godine zajedno su režirali hvaljenu seriju interaktivnih kratkih filmova One for Ten koja se bavi nevino osuđenim ljudima koji čekaju izvršenje smrtne kazne u SAD-u. Pre nego što su Mark i Vil započeli saradnju, Mark je više od deset godina radio kao reditelj i osvojio prestižnu nagradu Craft Kraljevskog filmskog udruženja za najbolju kameru i kreirao televizijske programe za sve veće televizijske stanice u Velikoj Britaniji. Mark and Will have been directing together for the last 4 years. In 2013, they co-directed the much-lauded series of interactive short films - One For Ten - about innocent people who were on death row in the USA. Before Mark and Will began collaborating, Mark had been working as a director for over ten years winning the Royal Television Society s prestigious Craft Award for Camerawork and making TV programmes for all of the UK s major channels. Will Francome, Mark Pizzey 043 SAD, Velika Britanija / USA, UK, Kazna The Penalty Tri fascinantne osobe kreću na putovanje oporavka, otkrića i pobune i pritom se nađu u središtu najveće krize izazvane kontraverzama oko smrtne kazne u modernoj istoriji. The Penalty (radni naslov) otkriva Ameriku u kojoj nas ucveljene porodice, nespretne egzekucije i pogrešne presude teraju da preispitamo sve ono što smo mislili da znamo o smrtnoj kazni. Three extraordinary people embark on journeys of recovery, discovery and rebellion and find themselves centre stage in the biggest capital punishment crisis in modern memory. The Penalty (working title) unearths an America where grieving families, botched executions and wrongful convictions force us to question what we think we know about the death penalty. Reditelji / Directors Producenti / Producers Kamera / Cinematography Montaža / Editor Will Francome, Mark Pizzey Christopher Hird, Laura Shacham Will Francome, Mark Pizzey James Scott Festivali / F Human Rights Film Festival of Paris, Jihlava International Documentary Film Festival, Twin Cities Film Fest, East End Film Festival, IDFA- International Documentary Filmfestival Amsterdam

46 044 Guiseppe Carrieri Italija / Italia, Guiseppe Carrieri Tragač za zvezdama i zaboravljenim pričama, Giuseppe Carrieri oduvek se okretao skrivenim pričama našeg vremena. Hana je njegov prvi dugometražni dokumentarni film o isprepletanim malim sudbinama u svetu sve većem za nevidljive mlade žene. Hunter of stars and forgotten stories, Giuseppe Carrieri has always turned his look to hidden stories of our time. Hanaa is his first feature length film about interweaving little destinies in a world increasingly bigger for invisible young women. BELDOCS HUMAN RIGHTS Hana U Indiji je mlada devojka prisiljena da se uda jer joj horoskop kaže da je za nju to jedini način da preživi. U Nigeriji mladu devojku siluju vojnici grupe Boko Haram i jedne noći ona pokušava da pobegne svojim otmičarima. U Peruu mlada devojka postaje mlada majka. U Siriji, usled rata, devojku prodaju na licitaciji. Njihove četiri sudbine neizbežno se prepliću, počevši od imena koje sve četiri dele: Hana. Hanaa In India a young girl has been forced to marry because her horoscope said that that was the only way for her to survive. In Nigeria a young girl has been raped by Boko Haram s soldiers and one night she has tried to escape her kidnappers. In Peru a young girl has become a young mother. In Syria, because of the war, a girl has been sold to the best bidder. Their four destinies will inevitably interweave, starting from the name that they all share: Hanaa. Reditelji / Directors Montaža / Editor Kamera / Cinematography Produkcija / Production Giuseppe Carrieri Carlotta Marrucci Nicola Baraglia, Marco Caddeo, Giorgia Benazzo, Giancarlo Migliore, Giancarlo Migliore, Matteo Urbinati, Giancarlo Migliore Natia Docufilm and Rai Cinema Festivali / F CPH:DOX, Cape Town

47 BELDOCS HUMAN RIGHTS Nicolas Wadimoff, Juan José Lozano Rođen godine u Ženevi, Nicolas Wadimoff režirao je kako igrane tako i dokumentarne filmove. Njegovi poslednji filmovi prikazani su na festivalima kao što su Berlinale, Festival del film Locarno, kao i u Kanu na programu Petnaest dana autora. Born 1964 in Geneva. Nicolas Wadimoff has directed both fictions and documentaries. His latest films have been shown at festivals such as Berlinale, Festival del film Locarno and at the Cannes Quinzaine des Réalisateurs. Nicolas Wadimoff, Juan Jose Lozano 045 Švajcarska / CH, Rođen godine, studirao je na Kolumbijskom nacionalnom univerzitetu. Nezavisni producent i reditelj, snimio je seriju televizijskih dokumentarnih filmova za kolumbijsko Ministarstvo kulture ( ). Juan José Lozano was born in 1971, and studied at the National University of Colombia. An independent producer and director, he has made a series of television documentaries for the Colombian Ministry of Culture ( ). Lovci na zločin Iz svoje centrale u Ženevi advokati švajcarske nevladine organizacije Trial (Track Impunity Always) neumorno progone svakog ratnog zločinca koji je dovoljno neoprezan da stupi na švajcarsku teritoriju. Ovi autentični savremeni lovci na zločince na svom nišanu imaju sve one koje na rukama imaju krv žrtava ratnih sukoba. Film donosi priču o njihovoj svakodnevnoj borbi protiv nepravde i nekažnjivosti. Crime Hunters From their headquarters in Geneva, the lawyers of the Swiss NGO Trial (Track Impunity Always) unremittingly pursue any war criminal careless enough to pass through Swiss territory. These true contemporary crime hunters have in their crosshairs all those with the blood of victims of conflicts on their hands. This film tells the story of their daily struggle against injustice and impunity. Reditelj / Director Scenario / Screenplay Produkcija / Production Kamera / Cinematography Montaža / Editor Nicolas Wadimoff & Juan José Lozano Juan José Lozano & Nicolas Wadimoff Nicolas Wadimoff (Akka Films), Irène Challand & Gaspard Lamunière (RTS) Patrick Tresch, Marc Zumbach, Sergio Mejia, Ufuk Emiroglu, Gregory Bindschedler, Diego Barajas Riaño, Nicolas Wadimoff Ana Acosta Festivali / F FIFDH, Festival International du film sur les droits humains, Competition, 2014; Watch Docs Human Rights Int. Film Festival, Warsaw, 2014; Festival Diritti Umani, Lugano, 2014; Sarajevo Film Festival, 2014

48 046 BELDOCS HUMAN RIGHTS Danilo Marunović Crna Gora / Montenegro, Danilo Marunović Filmski i pozorišni reditelj iz Podgorice. Autor je nekoliko projekata među kojima se ističu: poznata video kampanja za promociju LGBT prava Mi smo dio ekipe koja je stekla viralan status u zauzimanju prava ove populacije; Lud za tobom višestruko nagrađivani film, dugometražni Preludijum za snajper. Film/theatre director from Podgorica. He has created several projects, the more prominent being: a wellknown video campaign for promotion of LGBT rights We are part of the team, which gained a viral status in standing up for the rights of this population; Full for you a multi- awarded film, a feature film Prelude for Sniper. Mirsada Mirsada U neravnopravnoj borbi vjekovne romske kulture, tvrdih kodeksa i tradicije sa snovima jedne djevojčice, nastaje uzbudljiva priča iz skrivenih prostora periferije Podgorice. U tom paralelnom svijetu, kamere po prvi put zalaze... Sniman u šokantnim ali i bajkovitim ambijentima napuštenih vagona, deponija, otpada i ulica gdje su sklonište od kiše i topla riječ transrodne prostitutke u hladnoj noći, sasvim dovoljno za sreću... In an unequal fight between a centuries-old Roma culture, strict codices, tradition and a young-girl s dreams, an exciting story emerges from the hidden spaces of a Podgorica s suburb. Into that parallel world, cameras enter for the first time... Filmed in shocking, but also fairy-tale like settings of abandoned train carriages, landfills, waste and streets... where the shelter from the rain and a kind word of a transgender prostitute suffice for happiness in a cold night... Scenario i režija / Written and directed by Production / Produkcija Direktor fotografije / DoP Montaža / Editors Danilo Marunović Koala Production Danilo Marunović Nebojša Rakonjac, Gojko Berkuljan

49 BELDOCS HUMAN RIGHTS Podvedene John Keith Wasson, Jane Wells Nagrađivani autor dokumentarnih filmova. Njegov rediteljski debi Surviving Hitler: A Love Story (2010), premijerno je prikazan na BiBiSiju. John-Keith je kao snimatelj radio programe za televizijske kanale kao što su Discovery Channel, History Channel, National Geographic Channel i TruTV. Jane Wells je autorka dokumentarnih filmova dobitnik Emija i aktivistkinja. Osnivač je 3 Generations, neprofitne organizacije koja koristi film da bi podelila priče o ljudima širom sveta koji su žrtve narušavanja ljudskih prava. John-Keith Wasson is an award-winning documentary filmmaker. His directorial debut, Surviving Hitler: A Love Story (2010), premiered on the BBC. John-Keith s credits as a cinematographer include shows on the Discovery Channel, History Channel, National Geographic Channel and TruTV. Jane Wells is an Emmy-award nominated documentary filmmaker and activist. She is the founder of 3 Generations, a non-profit organization that uses film to share stories of survivors of human rights abuses from around the world. John Keith Wasson, Jane Wells Tricked 047 SAD, Švedska / USA, Sweden, Moderno ropstvo je živo i prosperitetno u SAD-u, gde se širom zemlje trguje hiljadama žrtava da bi se zadovoljili apetiti američke industrije seksualne trgovine ljudima, vredne 9,7 milijardi dolara. Čak američke dece svake godine izloženo je riziku da postanu žrtve seksualne trgovine ljudima. Film prikazuje devojke, makroe, mušterije, policiju i organe za primenu zakona u gradovima kao što su Boston, Denver, Las Vegas, Orindž Kaunti, Los Anđeles i Njujork. Modern-day slavery is alive and well in the United States, as thousands of victims are trafficked throughout the country to satisfy America s $9.8 billion human trafficking industry. As many as 300,000 children are at risk of being victims of sex trafficking in the United States each year. Children are being trafficked from urban, suburban and rural communities across the country. Tricked chronicles the girls, pimps, johns, parents and law enforcement in cities such as Boston, Denver, Las Vegas, Orange County, Los Angeles and New York. Reditelji / Directors Producenti / Producers Direktori fotografije / DoP Montaža / Editors Muzika / Music John-Keith Wasson, Jane Wells Jane Wells, Christina Ljungberg John-Keith Wasson Craig McKay A.C.E. Beth Moran, Francesco Portinari, John-Keith Wasson Wendy Blackstone

50 048 BELDOCS HUMAN RIGHTS Ada Ushpiz Izrael / Israel, Ada Ushpiz Reditelj i producent dokumentarnih filmova. Autor je filmova Blood Engagement, Detained, Good Garbage. Bila je novinar dnevnika Ha Aretz trideset dve godine. Završila je osnovne studije filozofije i literature, magistrirala film i stekla doktorat iz istorije. A director and producer of documentary films. Her films include: Blood Engagement, Detained, Good Garbage. Ushpiz was a journalist for Ha Aretz newspaper for thirty-two years. She holds a Bachelor s Degree in philosophy and literature, and a Masters Degree in Film, as well as a doctarate in History. Pustinjske neveste Ovo je priča o tri relativno obrazovane i nezavisne žene koje pokušavaju da prežive svaka na svoj način i svaka u svom svetu život u poligamiji. Jedna od njih je prva žena, koja živi u konstantnom strahu da će muž u kuću dovesti drugu ženu. Druge dve naterane su da se udaju za oženjene muškarce i postanu druge žene, prisiljene da sarađuju unutar strukture koju preziru ili je se plaše. Desert Brides This is the story of three, relatively educated and independent women, trying to survive, each in their own way in their world a life of polygamy. One is a first wife, living in constant fear that her husband will bring home a second wife. The other two are pushed into marrying already married men, and become second wives, forced to cooperate within a structure they despise or are afraid of. Scenario i režija / Written and directed Produkcija / Production Snimatelji / Cinematographers Montaža / Editor Muzika / Music Ada Ushpiz Company AU Films Danor Glazer Ron Goldman Eli Soorani Festivali / F Winner: DocAviv International Film festival, Israeli international Womens Film Festival, Best Cinematagraphy, Israeli Academy Documentary awards; LA Israeli Film Festival, 2009; Israeli Consulate Cultural Centre, Brazil 2009; Beeld voor Beeld FF, 2009; San Fransisco Jewish Film Festival 2009; Femina Womens FF, Brazil, 2009; OnFilm festival, Northfolk, Virginia, 2009; Belfast Film Festival - Maysles Brothers Competition, 2009; Thessaloniki DocMarket 2009; Tartu Festival of Visual Cuture- Estonia, 2009; Other Israel Film Festival 2008; Israeli Women s International FF- Israel, 2008; Watch Docs -Poland, 2008; IDFA,Docs For Sale 2008; Dok Leipzig- Germany, 2008; Docaviv - Israel,

51 BELDOCS HUMAN RIGHTS 049 Joe Berlinger Dobitnik nagrade Filmske akademije Oskar, sedam puta nominovan za Emija i dobitnik Peabody i Emi nagrade, filmski stvaralac Joe Berlinger tokom dve decenije vodeći je glas dokumentarnog filma i televizije. Academy Award and seventime Emmy nominated and Peabody and Emmy-winning filmmaker Joe Berlinger has been a leading voice in nonfiction film and television for two decades. Joe Berlinger SAD/USA, S namerom da se uništi Skidajući zavesu sa holivudske cenzure o masovnom ubistvu, Joe Berlingerov trinaesti dugometražni dokumentarni film S namerom da se uništi istražuje nasilnu istoriju jermenskog genocida i zaostavštinu turskog negiranja iz prošlog veka, beležeći kinematografske i političke izazove koje donosi stvaranje istorijski smislenog, visoko-budžetnog filma u sredini prepunoj političkog prikrivanja i pretnji osvetom. Intent to Destroy: Death, Denial & Depiction Pulling back the curtain on mass murder censorship in Hollywood, Joe Berlinger s thirteenth feature documentary Intent To Destroy explores the violent history of the Armenian Genocide and legacy of Turkish denial over the past century while capturing the cinematic and political challenges of producing a historically meaningful, big-budget film in an environment rife with political suppression and threats of retaliation. Reditelj / Director Kamera / Cinematography Montaža / Editor Joe Berlinger Robert Richman Cy Christiansen Festivali / F Tribeca Film Festival, Hot Docs Film Festival, International Film Festival Boston, Maryland Film Festival, Human Rights Arts and Film Festival, Krakow Film Festival, Golden Apricot Yerevan Film Festival, San Francisco Jewish Film Festival, New Zealand International Film Festival, Armenian Film Festival Sydney, American Film Festival in Russia, Special screening at Jacob Burns Film Center, Pleasantville, NY, Haifa Film Festival

52 050 Front Page Od pobune protiv diktature u DR Kongu do posledica Bregzita - selekcija Front Page predstavlja naslovnu stranu aktuelnih političkih i socioloških dešavanja u svetu i približava publici probleme, nedoumice i slepe ulice kojima savremeno društvo tumara. From uprising against the dictatorship in the Democratic Republic of Congo to impact of Brexit the Front Page selection presents front pages of the global current political and sociological events, bringing closer to the audience problems, doubts and dead-ends in which the contemporary society wanders.

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55 FRONT PAGE 053 Timothy George Kelly Timothy George Kelly Velika Britanija / UK, Filmski stvaralac i vizuelni umetnik koji je svoj rad predstavio širom Evrope, Azije i Severne Amerike. Godine seli se u Montreal gde završava sedmodelnu kratku dokumentarnu seriju Big Small i snima nekoliko muzičkih video klipova za muzičare kao što su Grimes i Miracle Fortress. Timothy George Kellyis a filmmaker and visual artist who has shown work across Europe, Asia and the North America. In 2008 he moved to Montreal where he completed a seven-part short documentary series Big Small and several music videos for artist such as Grimes and Miracle Fortress. Bregzitanija Napred ili nazad. Da ili ne. Napustiti ili ostati. Referendumi stvaraju podele, a tako je bilo i sa Bregzitom, i to na način bez presedana u britanskoj istoriji. Selo protiv grada. Stari protiv mladih. Nacionalisti protiv migranata. Narod protiv elite. Zaboravljeni protiv vidljivih. Brexitannia je portret demokratije u svom njenom nezamislivo prljavom sjaju. Brexittania On or off. Yes or no. Leave or remain. Referendums divide and Brexit did so in a way never before in British history. Country versus city. Old versus young. Nationalists versus migrants. The people versus the elite. The forgotten versus the visible. Brexitannia is a portrait of a democracy in all it s impossible ugly glory. Reditelj / Director Producenti / Producers Montaža / Editor Snimatelj / Cinematography Timothy George Kelly Timothy George Kelly, Pavel Karykhalin Steven Carver Timothy George Kelly Festivali / F CPH:DOX, DOK.fest Munich, Sheffield Doc/Fest, Beat Film Festival, Encounters South African International Documentary Festival, New Horizons Poland, East End Film Festival, Göteborg Film Festival, Underhill Fest Montenegro, Valetta Film Festival Malta, Dokufest Kosovo, RIDM

56 054 FRONT PAGE Jessica Gorter Holandija / Netherland, Jessica Gorter Rođena godine u De Biltu, Holandija. Od završetka studija na Holandskoj akademiji za film i televiziju u Amsterdamu radi kao nezavisan filmski stvaralac usmeren na post-sovjetsku Rusiju. Njeni filmovi prikazivani su na brojnim festivalima i distribuirani u svetu. Born in 1969 in De Bilt, Netherlands Jessica Gorter has been working as an independent filmmaker focusing on post-soviet Russia since graduating from the Dutch Film and Television Academy in Amsterdam. She directs documentaries for Dutch television and works as an editor, script writer and coach. Crvena duša The Red Soul Zašto još uvek toliko Rusa vidi Staljina kao velikog lidera i heroja? Crvena duša ogoljava savremenu rusku psihu i prikazuje svet pun kontradiktornosti. U Rusiji gotovo da nema porodice koja je izbegla glad, strah i nasilje koji su bili rezultat Staljinovog terora, pa ipak niko nije bio osuđen za zločine počinjene pod njegovim režimom. Ovaj uznemirujući film razotkriva kako sovjetska prošlost živi među sadašnjim generacijama u Rusiji. Why is it that still so many Russians defend Stalin as a great leader and a hero? The Red Soul lays bare the Russian psyche of today and shows a world full of contradictions. In Russia, hardly any family escaped the hunger, fear and violence resulting from Stalin s terror, yet no one has ever been convicted for the crimes committed under his regime. Gradually this disturbing film exposes how the Soviet past lives on in current generations in Russia. Reditelj / Director Direktor fotografije / DoP Montaža / Editors Muzika / Music Producent / Producer World sales Jessica Gorter Sander Snoep Danniel Danniel Bobbie Roelofs Rutger Zuydervelt, Ilia Belorukov, René Aquarius Frank van den Engel Deckert Distribution Festivali / F IDFA Amsterdam 2017, Netherlands ArtDocFest Moscow 2017, Russia ZagrebDox 2018, Croatia Tempo IDF Stockholm 2018, Sweden, One World HRFF Prague 2018, Czech Republic One World HRFF Bucharest 2018, Romania

57 FRONT PAGE 055 Håvard Bustnes Višestruko nagrađivani reditelj i producent. Diplomirao je televizijsku režiju na Koledžu za film i televiziju u Lilehameru i na NTNU-u u Trondhajmu u Norveškoj. Njegovi najnoviji dokumentarci Two Raging Grannies, Health Factory i Big John putovali su svetom po bioskopskim salama i prikazivani na televiziji i festivalima. A multi-award winning director and producer. He holds a degree in Directing for Television from the College of Film and TV at Lillehammer and NTNU in Trondheim, Norway. His latest documentaries Two Raging Grannies, Health Factory and Big John have travelled around the world in theatres, on TV and in the festival circuit. Håvard Bustnes Norveška, Danska, Finska / Norway, Denmark, Finland, Devojke Zlatne zore Šta se to desilo sa Grčkom? Poslednjih godina imidž zemlje sunčanih plaža i prijateljskih ljudi zasenjen je političkim ideologijama zastrašujuće bliskim nacizmu. Uprkos činjenici da je danas mnogo istaknutih članova krajnje desničarske partije Zlatna zora u zatvoru, ćerka, supruga i majka nastavljaju da propagiraju njenu ideološku poruku a pritom su sve tri isuviše iskusne da bi se izlanule tokom intervjua. Golden Dawn Girls Whatever has happened to Greece? In recent years, its image as a country of sunny beaches and friendly people has been overshadowed by political ideologies that are terrifyingly close to Nazism. With many prominent members of the far-right Golden Dawn party now behind bars, a daughter, a wife and a mother continue to propagate its message and all three of them are seasoned enough to avoid any slips of the tongue during interviews. Reditelj / Director Producent / Producer Muzika / Music Snimatelji / Cinematographers Håvard Bustnes Christian Falch Jonas Colstrup Lars Skree, Viggo Knudsen Festivali i nagrade / F&A IDFA Competition for Feature-Lenght Documentary 2017

58 056 FRONT PAGE Mihai Dragolea Rumunija / Romania, Mihai Dragolea Nakon magistrature iz oblasti savremene video umetnosti, specijalizacije iz dokumentarnog filma, pet godina iskustva u audiovizuelnom sektoru, godine Mihai Dragolea donosi odluku da se prevashodno fokusira na režiju kreativnih dokumentaraca sa međunarodnim potencijalom. With a masters degree on Contemporary Video Art and a specialisation on documentary filmmaking, five years experience in the audiovisual sector, in 2013 Mihai Dragolea took the decision to focus mainly on directing creative documentaries with an international co-production potential. Fenixxx Live chat industrija jedan je od najplodnijih onlajn izvora prihoda u Rumuniji. Više od polovine onlajn modela su iz Rumunije i sama industrija vredna je milione dolara (studiji i devojke koje rade od kuće zajedno zarađuju približno 10 miliona dolara mesečno ). Iz tog razloga veliki broj rumunskih devojaka vidi live chat industriju kao izlaz iz siromaštva i šansu da uspeju u Bukureštu. Zarađujući do dolara mesečno, one pristaju da prilagode svoja tela i svakodnevne živote čežnjama i seksualnim fantazijama nepoznatih ljudi sa interneta. Phoenixxx The live chat industry is one of Romania s most prolific online revenue sources. More than half of the models that are found online come from Romania and the industry is worth millions of dollars (approximately dollars per month for the studios and the home working girls combined). This is why a lot of Romanian girls see the live chat industry as a way out of poverty and a chance to make it big in Bucharest. Earning up to dollars per month they agree to calibrate their body and daily lives to the yearnings and sexual fantasies of strangers on the internet. Reditelj / Director Snimatelj / Cinematographer Montažer / Editor Produkcija / Producer Glavni likovi / Main Characters Mihai Dragolea Mihai Dragolea Mihai Dragolea Vagabond Films, Souns Ina Bozdog Georgiana and Mona Festivali / F Astra International Film Festival 2017, Jihlava International Documentary Festival 2017, Riga kino Bize International Film Festival 2018, Silver Eye Documentary Film festival 2017

59 FRONT PAGE 057 Jan Gebert Diplomirao je istoriju na Karlovom univerzitetu u Pragu. Pored toga, studirao je u Španiji, SAD-u i Meksiku. Radi kao novinar i filmski autor. Njegov srednjometražni dokumentarac Stone Games nagrađen je Specijalnom nagradom žirija na Međunarodnom filmskom festivalu u Jihlavi. Graduated with a degree in history from Charles University in Prague. He also studied in Spain, the US and Mexico. He works as a journalist and a filmmaker. His mid-length documentary film Stone Games (2012) won a Special Jury Prize at the International Film Festival in Jihlava. Jan Gebert Češka Republika, Hrvatska / Czech, Croatia, Kada dođe rat Na prvi pogled Peter vodi život tipičnog evropskog tinejdžera živi sa roditeljima, ima lepu devojku, upisao se na fakultet. Pa ipak, njegov pravi život je negde drugde on je vođa paramilitarne grupe nazvane Slovenskí branci koja regrutuje stotine slovačkih tinejdžera uz prećutno odobravanje vlasti. Cilj grupe je jednostavan da se pripreme za rat i stvore zajednicu koja će služiti kao uzor, zasnovanu na vojnom drilu, poslušnosti i strahu. When the War Comes At first glance Peter lives the life of a typical European teenager he lives with his parents, has a pretty girlfriend, he got into college. However, his real life is elsewhere as the head of a paramilitary group called Slovenskí branci that recruits hundreds of Slovak teenagers with the silent approval of the authorities. The group s goal is simple to prepare for war time and create a model community based on military drill, obedience and fear. Reditelj / Director Producenti / Producers Snimatelj / Cinematographer Montaža / Editor Muzika / Music Jan Gebert Pink Radovan Síbrt, Alžběta Karásková Lukáš Milota Jana Vlčková Johny Poupě Festivali / F Berlinale 2018, Official selection Berlinale 2018

60 058 Dieudo Hamadi DR Kongo, Francuska, Švajcarska, Nemačka, Norveška / DR Congo, FR, CH, DE, NO, Dieudo Hamadi Rođen godine u Kisangani (Demokratska Republika Kongo), gde je od do godine studirao medicinu. Pohađao je nekoliko radionica posvećenih dokumentarnom filmu. Autor je dva kratka dokumentarca Ladies In Waiting i Zero Tolerance koji su privukli pažnju nekoliko festivala u Evropi (Berlin, Pariz, Amsterdam) i Kanadi (Toronto). Dieudo Hamadi was born in Kisangani (Democratic Republic of the Congo) in 1984 and studied Medicine in He then attended several documentary workshops. He is author of two short documentaries Ladies In Waiting and Zero Tolerance that caught the attention of several festivals in Europe (Berlin, Paris, Amsterdam) and Canada (Toronto). FRONT PAGE Kinšasa Makambo Christian, Ben i Jean-Marie bore se za smenu političke vlasti i slobodne izbore u svojoj zemlji, Demokratskoj Republici Kongo. Ali aktuelni predsednik odbija da preda vlast. Kako taj sled događaja može da se promeni? Da li je dijalog još uvek moguć ili moraju da se pomire sa činjenicom da je pobuna neophodna i tako rizikuju krvoproliće. Kinshasa Makambo uranja nas u borbu ove trojice aktivista, koju, čini se, ni meci, ni zatvor, ni egzil ne mogu da zaustave. Kinshasa Makambo Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath? «Kinshasa Makambo» immerses us in the combat these three activists are engaged in, a combat that neither bullets, nor prison, nor exile seem able to stop. Scenario i režija / Written and directed Producenti / Producers Snimatelji / Cinematographers Zvuka / Sound Montaža/ Editor International sales Dieudo Hamadi Quentin Laurent, Frédéric Féraud, Dieudo Hamadi Dieudo Hamadi Christian L.L., Dieudo Hamadi Hélène Ballis Andana Films Festivali / F 68. Berlinale - Panorama

61 FRONT PAGE Elizabeth Mirzaei, Gulistan Mirzaei Reditelj i direktor fotografije. Od godine zajedno sa svojim suprugom Gulistanom Mirzaeim režira kratke dokumentarce za Al-Džazirinu nagrađivanu seriju dokumentarnih filmova Witness. Director and DP. In 2011, she and her husband Gulistan Mirzaei began co-directing short documentaries for Al Jazeera s award winning Witness strand. Elizabeth Mirzaei, Gulistan Mirzaei 059 Kanada, Avganistan / CA, AF, Reditelj rođen u Avganistanu. Gulistan je korežirao tri filma za Al Džaziru i bio menadžer produkcije za Glas Amerike. Director, was born in Afghanistan. Gulistan has co-directed three films for Al Jazeera and was a line producer for Voice of America. Lejla na mostu Film smešten u ambijent rata narkotika u Avganistanu, Laila at the Bridge je priča o Avganistanki koja se, uprkos malim šansama da uspe, brine za hiljade muškaraca i žena heroinskih zavisnika koji žive ispod ozloglašenog mosta u srcu Kabula. Laila at the Bridge Set against the backdrop of the drug war in Afghanistan, Laila at the Bridge is the story of an Afghan woman working against all odds to care for the thousands of men and women addicted to heroin who live under an infamous bridge in the heart of Kabul. Režija / Directed by Produkcija / Produced by Kamera / DoP Montaža / Editing by Muzika / Music Elizabeth & Gulistan Mirzaei Ina Fichman Elizabeth Mirzaei Andrea Henriquez Jessica Moss Festivali / F Denmark- CPH:DOX; Hot Docs Canadian International Documentary Festival Internationella Filmfestival, Göteborg

62 060 FRONT PAGE Stian Indrevoll Moldavija, Norveška / Moldova, Norway, Stian Indrevoll Biolog po obrazovanju (Univerzitet u Vilnusu) Mindaugas ostvaruje uspešnu karijeru kao autor dokumentarnih filmova (reditelj i snimatelj). Godine njegov film The Field of Magic dobio je nacionalnu litvansku filmsku nagradu Silver Crane za najbolji dugometražni dokumentarni film. Sarađuje sa poznatim filmskim rediteljima: Šarunasom Bartasom, Sergeyem Loznitsem, Audriusom Stonysom. Trained as a biologist (Vilnius University), Mindaugas is successfully pursuing his career in documentary filmmaking (film directing and cinematography). In 2012 his film The Field of Magic (Stebuklų laukas) received the national Lithuanian cinema award Silver Crane for the best documentary feature. He has also been collaborating with well-known film directors: Šarunas Bartas, Sergey Loznitsa, Audrius Stonys. Moldavsko čudo Čuda se dešavaju svake godine u ordinaciji u gradu Kišnjevu. Kao jedini optičar u Moldaviji, Hans Bjorn pomaže ljudima da dođu do boljeg vida i novog života. Zajedno sa doktorkom Tatjanom ima ambiciozan cilj: da osnuje centar za ljude sa oštećenim vidom u najsiromašnijoj zemlji Evrope. Ali nekoliko njihovih partnera optuženih za korupciju nalazi se u zatvoru, i njih dvoje se plaše da će revolucija koja je u toku uništiti njihove snove. Moldovan Miracle Synopsis short Miracles happens every day in an office in Chisinau. Serving as the only optometrist in Moldova, Hans Bjorn helps people to get a better vision and a new life. Together with dr.tatiana they have an ambitious goal: To establish a centre for low vision in the poorest country in Europe. But several of their partners are jailed accused for corruption and they fear that an ongoing revolution will ruin their dream. Režija i scenario / Directed and Script by Producent / Producer Kamera / Camera Montaža / Edited by Muzika / Music Stian Indrevoll Magne Holmvåg Arne-Daniel Storevold Haldorsen, John Donica Siv Lamark nfk Olav Røyrhus Øyehaug Festivali / F Bergen International Film, Norway; IDFA International Documentary Festival Amsterdam; Human International Documentary Film Festival Oslo, Norway; One World Prague, Czech Republic; Festival of Tolerance Zagreb, Croatia; The Norwegian Documentary Film Festival Volda, Norway Cronograf Film Festival May Chisinau, Moldova.

63 FRONT PAGE 061 Fernanda Pessoa Fernanda Pessoa Brazil / Brazil, Brazilska filmska autorka i vizuelna umetnica, koja se prevashodno bavi dokumentarnim filmovima i video instalacijama. Živi i radi u Sao Paolu, a živela je i u Arizoni, Buenos Airesu i Parizu, gde je magistrirala filmske studije na univerzitetu Sorbonne Nouvelle. Brazilian filmmaker and visual artist, working primarily on documental cinema and video-installations. She lives and works in São Paulo, and has lived in Arizona, Buenos Aires and Paris, where she got her master s in Film Studies at the Sorbonne Nouvelle. She directed three short films with international screenings and has done solo and group exhibitions. Priče koje naša kinematografija (ni)je ispričala Brazil, sedamdesete godine; zemlja živi pod vojnom diktaturom koja traje od do godine. U tom periodu najčešće snimani i najgledaniji filmovi u Brazilu su pornochanchae - versatilni filmski žanr, u kome je za sve filmove zajedničko prisustvo erotske atmosfere, kao i privlačnost za široku publiku. Stories Our CInema Did (Not) Tell je dokumentarni film koji pravi istorijski osvrt na period vojne diktature u Brazilu isključivo kroz slike i zvuke iz izabranih pornochanchada filmova. Stories Our Cinema Did (Not) Tell Brazil, 1970 s: the country is living under a military dictatorship which lasted from 1964 to At that period, the most produced and seen cinema in Brazil was the pornochanchadas: a very diverse genre that had in common an erotic atmosphere and the popular appeal. Stories Our CInema Did (Not) Tell is a documentary which performs a historical review of the Military dictatorship in Brazil through only the images and sounds from a selection of the pornochanchada films. v Scenario i režija / Screenplay and directed by Producenti / Producers Montaža / Edited by Produkcija / Production Company Fernanda Pessoa Fernanda Pessoa, Julia Borges Araña, Alice Riff Luiz Cruz Pessoa Produções and Studio Riff Festivali / F Mostra de Tiradentes, 2017, 19thThessaloniki Documentary Festival, Cinélatino Rencontres de Toulouse, Festival de CineLima Independiente, Mostra Internacional de Cinema de São Luis, Pirenopólis Doc (National Competition), CineBH International Film Festival, Brasilia Film Festival, 22nd International Film Festival of KeralaInternationella Filmfestival, Göteborg

64 Planet Earth Filmove iz ove selekcije odlikuje posvećen odnos prema prirodi, kao i antropološkim istraživanjima gusto naseljenih i gotovo potpuno nenaseljenih područja širom planete. The films in this selection are characterised by both a committed approach to nature and anthropological research of densely populated and virtually unpopulated areas all around the planet.

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66 064 PLANET EARTH Annika & Jessica Karlsson Švedska / Sweden, Annika and Jessica Karlsson Sestre rođene godine, režirale su i producirale kratki dokumentarni film Taxidancing (2012), prikazan godine. Anika je filmsko obrazovanje stekla na filmskoj školi (Fridhem Film, Švedska), Jessica je pohađala filmske studije na univerzitetima Lund i Kopenhagen. Sisters born in 1984 directed and produced the short documentary Taxidancing (2012), screened at Tempo Film Festival Annika is film educated in a film school (Fridhem Film, Sweden), Jessica has studied Film Science at Lund and Copenhagen University. Brižna Lorna U Balimunu, na periferiji Dablina, oduvek postoji snažna sklonost za uzgajanjem konja. Lorna i njena porodica deo su tog sveta, što im pomaže da prebrode teška vremena. Lorna sanja da postane potkivač i priprema se tokom svog poslednjeg letnjeg raspusta. Pa ipak, stvari možda neće ispasti kao što su zamislili. Ovo je poetski film o odrastanju, priča o preživljavanju, vezama, konjima i snovima. Loving Lorna There s always been a strong horse culture in Ballymun, outside of Dublin. Lorna and her family are a part of it, and it has helped them through though times. Lorna has a dream to become a ferier and she s practising during her last summer holiday. However, things might not turn out as planned. This is a poetic coming of age film, a story of survival, relationships, horses and dreams. Scenario i režija / Screenplay and directed by Montaža / Edited by Kamera / DoP Snimatelj / Cinematographer Produkcija / Production Muzika / Music Annika Karlsson, Jessica Karlsson Annika Karlsson, Jessica Karlsson Kate McCullough Sara Svärdsén Systerskaparna Ab (Annika Karlsson, Jessica Karlsson) Micael Henriquez Festivali / F Festival Cinèma Jeune Public, Lousanne, Exground 30th Filmfest, Weisbaden, Reykjavik International Film Festival, Reykjavik, Irish Screen America, New York, Irish Film Institue Doc Fest, Dublin, DMZ Docs, Goyang, Nordisk Panorama, Malmö, Hot Docs International Film Festival, Toronto, Tempo Dokumentärfestival, Stockholm, Berlin International Film Festival, Berlin, Göteborgs Internationella Filmfestival, Göteborg

67 PLANET EARTH 065 Mindaugas Survila Mindaugas Survila Litvanija / Lithuania, Biolog po obrazovanju (Univerzitet u Vilnusu) Mindaugas ostvaruje uspešnu karijeru kao autor dokumentarnih filmova (reditelj i snimatelj). Godine njegov film The Field of Magic dobio je nacionalnu litvansku filmsku nagradu Silver Crane za najbolji dugometražni dokumentarni film. Sarađuje sa poznatim filmskim rediteljima: Šarunasom Bartasom, Sergeyem Loznitsem, Audriusom Stonysom. Trained as a biologist (Vilnius University), Mindaugas is successfully pursuing his career in documentary filmmaking (film directing and cinematography). In 2012 his film The Field of Magic (Stebuklų laukas) received the national Lithuanian cinema award Silver Crane for the best documentary feature. He has also been collaborating with well-known film directors: Šarunas Bartas, Sergey Loznitsa, Audrius Stonys. Drevna šuma Poetski i atipičan film posvećen prirodi čiji su akteri različiti stanovnici prašume koji žive na zemlji, u vazduhu ili vodi. Bez komentara, samo bogati, gotovo dodirljivi zvuci šume i magične situacije zabeležene kamerom. Film pruža snimke iz bliske perspektive niza stvorenja kao što je insekt koji se pojavljuje iz snega dok se topi, postepeno počinjući da se kreće i čekajući nestrpljivo da oslobodi noge da bi mogao da odleti. Čini se da vreme nije od važnosti u ovom izuzetnom filmskom ostvarenju. The Ancient Woods A poetic and atypical nature film about the various inhabitants of an old-growth forest, on the ground, in the air and in the water. There s no commentary, only the rich, almost palpable sounds of the forest and the magical situations captured by the camera. The film offers a close-up view of a wide range of creatures such as the insect that appears out of the melting snow, gradually begins to move and impatiently waits until all its legs are free so it can fly away. Time doesn t seem to matter in this extraordinary piece of slow cinema. Režija / Directed by Produkcija / Produced by Kamera / Camera Montaža / Edited by Mindaugas Survila Mindaugas Survila for VšĮ Sengirė, Gintė Žulytė for VšĮ Sengirė Mindaugas Survila Danielius Kokanauskis Festivali / F International Documentary Festival Amsterdam, 2017; CPH:DOX, 2018

68 066 PLANET EARTH Julien Temple Velika Britanija / UK, Julien Temple Rođen godine u Londonu, u Engleskoj. Reditelj i pisac, poznat po filmovima Earth Girls Are Easy (1988), Vigo: A Passion for Life (1998) i Aria (1987). Julien Temple was born in 1953 in London, England. He is a director and writer, known for Earth Girls Are Easy (1988), Vigo: A Passion for Life (1998) and Aria (1987). Havanjani Habaneros Koristeći arhivski materijal, animaciju, fragmente filmova i intervjue sa žiteljima Havane, svedocima i stručnjacima, film se osvrće na ključne trenutke moderne istorije grada, od ukidanja ropstva krajem 19. veka do špansko-američkog rata i od diktature generala Batiste do revolucije Fidela Kastra. Film završava pitanjem šta budućnost donosi? Mnogi lokalni stanovnici Havane ohrabreni su Obaminim popuštanjem sankcija, ali još uvek ostaje mnogo neizvesnosti. A brief history of the Cuban capital of Havana, backed by a vibrant soundtrack of son cubano, salsa, jazz, rumba, mambo and hip hop. Drawing on archive footage, animations, movie interviews with Havana residents, eyewitnesses and experts, Habaneros runs through key moments in the city s modern history, from the abolition of slavery at the end of the 19th century to the Spanish American War, and from the dictatorship of General Batista to the revolution of Fidel Castro. The film concludes by wondering what the future holds. Many Havana locals are encouraged by President Obama s relaxation of sanctions, but much uncertainty remains. Režija / Directed by Produkcija / Produced by Kamera / Camera Montaža / Edited by Julien Temple Richard Conway, Andrew J. Curtis Steve Organ Caroline Richards Festivali / F Netherlands, International Documentary Festival Amsterdam

69 PLANET EARTH 067 Alessandro d Emilia, Nika Šaravanja Alessandro d Emilia, Nika Šaravanja Italija / Italy, Alessandro je rođen godine u Rimu. Svake godine dosta putuje, prateći profesionalne sportiste i ekspedicije širom sveta godine diplomirao je na Zelig školi za dokumentarni film. Biography Alessandro was born in Rome in He is travelling a lot every year, following professional athletes and expedition project all around the world. In 2016 He graduated in photography at Zelig, school of documentary. Nika Šaravanja je hrvatska filmska autorka i vizuelna umetnica. Diplomirala je na Zelig školi za dokumentarne filmove i nove medije na odseku za režiju i njen rad uglavnom čine društveno angažovani i ekološki dokumentarci. Nika Šaravanja is a Croatian documentary filmmaker and visual artistshe graduated on the Zelig school for documentary and new media in directing class and her work consists of mainly social impact & environmental oriented documentaries. Hor sumraka zasnovano na Fragmentima izumiranja Pratite eko-akustičnog kompozitora Davida Monakija u njegovom poduhvatu da neprekidno tokom 24 časa snima 3D zvučni pejzaž u području sa najvećim biodiverzitetom u svetu, u zabačenim šumama Ekvadora. Jedinstveno muzičko iskustvo sačinjeno od fragmenata nestajućeg zvučnog nasleđa stvaranog tokom miliona godina evolucije. Dusk Chorus Based on Fragments of Extinction Follow the eco-acoustic composer David Monacchi on his quest to record pure continuous 24-hour 3D soundscapes in the area with the world s highest biodiversity in Ecuador s remote primary forests. A unique listening experience of fragments of the disappearing sonic heritage of millions of years of evolution. Koncept i scenario / Concept and writer Režija / Directors Kamera / Camera Montaža / Editor David Monacchi Nika Šaravanja & Alessandro d Emilia Alessandro d Emilia Otis Buri Festivali / F Vision du Réel Nyon, Green Film Festival Seoul, Cinemambiente Torino, Durban Film Festival, Imagine Science Film Festival. Best italian doc at cinemaambiente Torino2017 Best international doc at durbanfilmfestival, south Africa

70 068 PLANET EARTH Dirk Manthey Nemačka / Germany Dirk Manthey Obrazovanje: studije društvene antropologije & romanistike; pejzažni arhitekta. Od godine radi kao reditelj i producent. Studies: Social anthropologie & romance studies, Landscape gardener. Since 1996 he works as director and producer. male planete small planets Film o izolovanim mestima i njihovim stanovnicima. Small Planets otkriva udaljena mesta za koja ne biste verovali da uopšte postoje. Nalaze se u Španiji, Italiji, Islandu i Spitsbergenu. Baš u središtu, pa ipak izvan, predstavljaju primer života iza nevidljivih zidova. Rađaju pitanja. Koji zidovi odvajaju jedne od drugih? Kakav uticaj vrše na one iza njih i ko je unutra i ko napolju? A film about isolated places and their inhabitants. small planets is a discovery to remote places, of which you wouldn t believe exist at all. They are located in Spain, Italy, Iceland and Spitsbergen. Right in the middle and yet outside, they are exemplary of a life behind invisible walls. They raise questions. Which walls do separate the ones from the others? What is the impact on those people experiencing it, and who s in and who s out? Reditelj / Director Dirk Manthey Svetska premijera / World premiere

71 PLANET EARTH 069 Evengelia Kranioti Evengelia Kranioti Grčka, Francuska / Greece, France, Rediteljka i vizuelna umetnica poreklom Grčke koja živi u Parizu, gde se bavi filmom, fotografijom i instalacijama. Njen debitantski dugometražni dokumentarni film Exotica, Erotica, Etc. premijeru je doživeo na Berlinale Forumu godine. Evangelia Kranioti is a Greekborn director and visual artist based in Paris, working with film, photography and installations. Her debut documentary feature Exotica, Erotica, Etc. premiered at the Berlinale Forum Obskuro Baroko Obscuro Barroco je dokumentarna fikcija o ošamućujućim visinama roda i metamorfoze. To je i filmski omaž zemlji ekstrema; gradu Rio de Žaneiru u Brazilu. Prateći životni put kultne transrodne figure Lane Muniz ( ), film istražuje različita traganja za samo-identitetom kroz transvestiju, čulnu i političku borbu. Naizmenično, postavlja pitanja o želji za transformacijom tela, kako intimnom, tako i društvenom. Obscuro Barroco A documentary-fiction about the dizzying heights of gender and metamorphosis. It is also a cinematographic hommage to a land of extremes; the city of Rio de Janeiro, Brazil. Following the path of iconic transgender figure Luana Muniz ( ), the film explores different quests for the self through transvestism, carnaval and political struggle. In turn, it asks questions about the desire for transformation of the body, both intimate and social. Režija / Directed by Produkcija / Produced by Kamera / Camera Montaža / Edited by Evengelia Kranioti Tropical Underground Luana Muniz, Fabian McCroskey Yorgos Lamprinos Festivali / F Berlinale, Winner Teddy Jury Award, Thessaloniki Documentary Festival, CineDoc Athens, Lovers Film Festival Torino LGBTQI Visions, Istanbul Film Festival, Hot Docs, TLVFest (Tel Aviv), Docs Against Gravity

72 Fireworks Raznobojne filmske eksplozije sadržane u ovom programu pripovedaju nam o ushićujućim, neverovatnim ili dinamičnim ljudima i događajima, dokazujući da i naizgled male priče mogu u svojoj srži biti veličanstvene. Multi-coloured film explosions that constitute this programme narrate about rapturing, incredible or dynamic people and events, proving that even seemingly small stories can in its essence be magnificent.

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74 072 FIREWORKS Ilija Cvetkovski Makedonija / Macedonia, Ilija Cvetkovski Član Evropske filmske akademije za mlade, Ilija Cvetkovski je filmski režiser i fotograf sa sedam godina neposrednog iskustva u oblasti filma i fotografije godine prekinuo je školovanje u Monpeljeu, gde je studirao arhitekturu da bi nastavio karijeru na filmu. Nakon toga vraća se u Skoplje i upisuje na Evropsku filmsku akademiju (ESRA). A member of the European young film academy, Ilija Cvetkovski is a film director and photographer with 7 years of hands on experience in film and photography. In 2010, he suspended his education in Montpellier, where he was studying architecture, to pursue a career in film. He subsequently relocated to Skopje and enrolled at the european film academy ESRA. Avec L Amour Dionis je nastavnik biologije u penziji. Sa strašću, i snom. Poseduje više od stotinu zarđalih starih automobila od kojih većina nije u voznom stanju, i svake noći spava uz njih, sanjajući o tome da svoju neobičnu kolekciju pretvori u muzej. Ali njegova strast i snovi imaju svoju cenu. Njegova mlada supruga svake noći spava sama u kući, dok danju pravi svadbene i rođendanske torte da bi nekako skrpili kraj sa krajem. Dok sanja o muzeju, okružen svojim raspadajućim automobilima, upravo u tim hrpama rđe Dionis nalazi radost življenja. Avec L Amour Dionis is a retiring biology teacher. With a passion, and a dream. He owns over a hundred rusty old cars, most of which don t even work, and every night he sleeps next to them, dreaming of turning this unusual collection into a museum. But his passion and his dreams come with a price. Every night his younger wife sleeps alone in their home, and by day she makes ends meet by making wedding and birthday cakes. While dreaming of the museum, surrounded by his decaying cars, it is exactly in these piles of rust that Dionis finds the joy of existence. Režija / Director Kamera / Cinematographers Montaža / Editor Ilija Cvetkovski Dragan Pakovski, Samir Ljuma, Ilija Cvetkovski, Sotir Ivanovski, Dimo Popov, Jane Jankov Atanas Georgiev

75 FIREWORKS 073 Chico Pereira Chico Pereira Španija, Nemačka, Velika Britanija / Spain, Germany, UK, Nakon nekoliko nagrađivanih kratkih igranih filmova, Chico Pereira (1979) prešao je na dokumentarce i započeo kreiranje minimalističkih narativa inspirisanih ljudima iz stvarnog života u kojima oni sami glume. Nagrađivan je na festivalima DOK Leipzig, IDFA i Full Frame, a godine otvorio je MoMA Documentary Fortnight u Njujorku. After several award-winning short fiction films, Chico Pereira (born 1979) moved towards documentary by devising minimalist narratives inspired by real-life characters and performed by them. He won awards at DOK Leipzig, IDFA and Full Frame, and opened the 2013 MoMA Documentary Fortnight in NYC. Donkeyote Manolo živi jednostavan život na jugu Španije. Ima dve ljubavi: svoje životinje, posebno magarca Gorriona (Vrabac) i lutanje prirodom. Uprkos savetu lekara, odlučuje da krene na još jedno, poslednje putovanje - treking kroz brutalnu američku milja dugu Stazu suza. Ali ne bez svog magarca. Donkeyote Manolo leads a simple life in Southern Spain. He has two loves: his animals, in particular his donkey Gorrión ( Sparrow ), and wandering through nature. Against the advice of his doctor, he decides to plan one last walk in the US, the brutal 2200 mile Trail of Tears. But not without his donkey. Režija / Director Distribucija / Distributed by Kamera / DoP Montaža / Edited by Producenti / Producers Chico Pereira Blue Penguin Film Julian Schwanitz Nick Gibbons Ingmar Trost, Sonja Henrici Festivali / F World Premiere: International Film Festival Rotterdam, Big Screen Competition (2017) True/False 2017, Festival Malaga 2017 Winner Audience Award, San Francisco Film Festival 2017 (Documentary Competition) Hot Docs 2017, Festival L Europe autour de L Europe (Paris) 2017 Winner Prix Luna & Special Mention Prix Sauvage Documenta Madrid 2017 Winner Best Spanish Director, Edinburgh International Film Festival 2017 Winner Best Documentary

76 074 FIREWORKS Ceyda Torun Nemačka, SAD, Turska / Germany, USA, Turkey, Cejda Torun Ceyda je studirala antropologiju na Univerzitetu u Bostonu, vratila se u Istanbul da asistira režiseru Rehi Erdemu, a potom putuje u London da bi radila uz producenta Krisa Otija. Vraća se u SAD i sa filmskim stvaraocem Čarlijem Vupermanom osniva Termite Films, nakon čega režira svoj prvi dugometražni dokumentarac. Ceyda studied Anthropology at Boston University, returned to Istanbul to assist director Reha Erdem and then off to London to work alongside producer Chris Auty. She returned to the US and co-founded Termite Films with cinematographer Charlie Wuppermann and has since directed her first feature documentary. Kedi Stotine hiljada mačaka nesmetano luta Istanbulom. Hiljadama godine one tumaraju dolazeći i odlazeći iz ljudskih života, i tako postaju nerazdvojiv deo zajednica koje grad čine toliko raznovrsnim. Ne tražeći sebi vlasnika, ove životinje žive između dva sveta, ni potpuno divlje ni potpuno pitome i donose radost i smisao ljudima koji se odluče da ih prihvate. Kedi Hundreds of thousands of cats roam the metropolis of Istanbul freely. For thousands of years they ve wandered in and out of people s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, these animals live between two worlds, neither wild nor tame and they bring joy and purpose to those people they choose to adopt. Režija / Director Produkcija / Production Mačke / Cats Ceyda Torun Ceyda Torun And Charlie Wuppermann Sari, Bengü, Aslan Parçasi, Psikopat, Deniz, Gamsiz, and Duman Festivali / F 2016!f Istanbul Independent Film Festival

77 FIREWORKS 075 Josip Lukić Rođen u Splitu gdje je diplomirao na Ekonomskom fakultetu se odlučuje baviti filmom te se prijavljuje na filmske radionice za građanstvo u Zagrebu, a upisuje režiju na Akademiji dramskih umjetnosti u Zagrebu. Josip Lukic was born in 1984 in Split where he graduated from the Faculty of Economics. Films in which he has participated as a director and actor have been shown at festivals around Croatia and Europe. Since the autumn of 2015 he has become a student of Film and TV Directing at the Zagreb Academy of Dramatic Art. Josip Lukić Hrvatska / Croatia, Majči Momsy Tijekom nekoliko ljetnih dana u Splitu s majkom sam pričao o svemu. Ali baš o svemu. Over the course of several summer days in Split I talked to my mom about everything. I mean, really everything. Režija i scenario / Director and Screenplay Produkcija / Production Direktor fotografije / Dop Montaža / Editor Josip Lukić Akademija dramske umjetnosti Marinko Marinkić Marko Klajić Festivali / F Premijera Zagreb Dox 2018

78 076 FIREWORKS Igor Bezinović Hrvatska / Croatia, Igor Bezinović Rođen u Rijeci godine. Diplomirao je filozofiju, sociologiju i komparativnu književnost na Filozofskom fakultetu u Zagrebu te filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Igor Bezinović (1983, Croatia) studied Philosophy, Sociology and Literature at the University of Zagreb, after which he trained as a director at the Zagreb Academy of the Dramatic Arts. Lavetovi The Lovetts G. i gđa Lavet svoj (seksualni) život vode potpuno javno, pred stalno uključenom web-kamerom koja snima njihov dnevni boravak poput ljudskog akvarijuma. To je sve što saznajemo o njihovom životu, ali sasvim je dovoljno. Taj mladi poduzetnički par očijuka, izvodi striptiz i ševi se iz ljubavi prema snimanju i radi užitka krajnjih potrošača. Mr. and Mrs. Lovett live out their (sex) lives in full public view in front of a permanently connected webcam, which frames their spartan living room like a human aquarium. This is all we see of their lives - but it s not so little after all. The young couple are driven business people, and they flirt, strip and screw for the benefit of the camera and the customers on the receiving end. Režija / Director Montaža / Film Editing by Kamera / DoP Muzika / Music Producenti / Producers Produkcija / Production Igor Bezinović Jan Klemsche Danko Vučinović Mislav Kljenak Igor Bezinović, Bojan Kanjera, Jure Pavlović Sekvenca Festivali / F CPH:DOX World Premiere at CPH:DOX 2018

79 FIREWORKS 077 Eva Mulvad Godine osvojila je prestižnu dansko priznanje Roos Award koja se dodeljuje za celokupan filmski rad. Mulvadova je godine diplomirala na Danskoj filmskoj školi i probija se na međunarodnu scenu sa filmom Enemies of Happiness, koji se fokusira na političku kampanju Malalai Džoje pred prve demokratske izbore u Avganistanu godine. In 2011 won the prestigious, Danish Roos Award granted for her entire body of work. Mulvad graduated fromthe Danish Film School in 2001 and by 2006 she had her internationalbreak-through with Enemies of Happiness, which focused on the femalepolitician Malalai Joya s political campaign ahead of the first democraticelections in Afghanistan Eva Mulvad Danska, Nemačka / Danmark, Germany, Moderni muškarac Mlad, lep, bogat: Charlie Siem je savršen savremeni muškarac. On je Hugo Bosov foto model a pored toga i prvi violinista sa rastućim brojem obožavalaca širom sveta. Ali da li postoji i ljudsko biće ispod savršenog perfekcioniste? U novom filmu Eve Mulvad uspeh ima svoju cenu. Egzistencijalno putovanje u svet očekivanja i izbora. Priča o nama koji naizgled imamo sve, ali uvek tragamo za nečim više. A Modern Man Young, beautiful, rich: Charlie Siem is the perfect modern man. A young, wealthy photo model for Hugo Boss and even a first violinist with a growing crowd of worldwide fans. But is there also a human being behind the perfectionistan existential journey into a world of expectations and choices. A story about us who seem to have it all but are always on the hunt for more. Režija i scenario / Director and Screenplay Uloge / Starring Montaža / Editor Kamera / Camera Produkcija / Production Eva Mulvad Charlie Siem Adam Nielsen Eva Mulvad Danish Documentary

80 078 FIREWORKS Anita Mathal Hopland, Jens Lengerke Danska, Rusija, Ukraina / DK, RU, UA, Anita Mathal Hopland, Jens Lengerke Anita (1981) i Jens (1984) rade kao reditelji za dansku producentsku kuću Larm Film. On the Edge of Freedom je njihov prvi zajednički projekat i Jensov filmski debi. Anita je i autor i reditelj filma Under the Darkness. Anita Mathal Hopland (1981) and Jens Lengerke (1984) work for the Danish production company Larm Film, where they are involved in directing. On the Edge of Freedom is their first joint project and Jens s cinematic debut. Anita is also the author and director of the film Under the Darkness. Na ivici slobode Moskva i Kijev. Angela i Vlad. Dvoje mladih i talentovanih ljudi koje spaja neobična strast za ekstragavantnim i javnim osvajanjima zabranjenih delova grada. Visoke zgrade, podzemni tuneli i putnički vozovi nova su razonoda mlade generacije koja želi da izbegne rutinu, umakne predvidljivoj budućnosti i nađe slavu među svojim vršnjacima snimajući riskantne urbex video klipove. Ovo je film o ljudima koji se kriju iza ekstremnog fenomena. On the Edge of Freedom Moscow and Kyiv. Angela and Vlad. Two young and talented people brought together by an unusual passion for the extravagant and public conquest of forbidden parts of the city. Tall buildings, underground tunnels or freight trains are the new pastimes of a young generation yearning to get out of the rut, escape a predictable future and find fame among their peers through risky urbex videos. This is a portrait of a new generation we rarely hear about. It is a film about the human behind an extreme phenomenon. Režija / Directors Producenti / Producers Muzika / Music by Montaža / Editor Anita Mathal Hopland, Jens Lengerke Anders Bruus, Søren Steen Jespersen Alfred Benedict, Morten Svenstrup Mikael Ebbesen Festivali / F Sheffield Doc/Fest, 2017, Jihlava International Documentary Film Festival, 2017

81 FIREWORKS 079 Grzegorz Szczepaniak Rođen u Lublinu, Poljska, Grzegorz Szczepaniak je po obrazovanju gitarista (diplomirao je na Univerzitetu za muziku Frederik Šopen u Varšavi) i filmski montažer (diplomirao je na Filmskoj školi u Lođu, Poljska). Najružniji auto je njegov prvi dugometražni dokumentarni film. Born in 1984 in Lublin, Poland, Grzegorz Szczepaniak is a guitarist by education (graduate of the F. Chopin University of Music in Warsaw), and a film editor (graduate of the Film School in Łódź, Poland). The Ugliest Car is his first long documentary. Grzegorz Szczepaniak Poljska / Poland, Najružniji auto Najmlađi protagonista ovog dokumentarca je Varburg, automobil star preko 50 godina. Auto je još uvek na drumu, vozi ga Bogdan koji je u njemu sa svojom majkom Kazimierom. Road movie, koji se odigrava između koncentracionog logora Majdanpek u Poljskoj i bivšeg naci radnog logora u Nemačkoj, zapravo je putovanje u prošlost koje evocira sećanja iz rata. The Ugliest Car The youngest protagonist of the documentary is Wartburg, an automobile over 50 years of age. The car is still on the road, driven by Bogdan, who is inside it with his mother Kazimiera. This road movie which takes place between the concentration camp of Majdanek, Poland, and a former Nazi labor factory in Germany is actually a journey into the past, retracing the memories from the war. Režija / Director Kamera / Camera Montaža / Editor Muzika / Music Producenti / Producers Grzegorz Szczepaniak Marek Kozakiewicz Jerzy Zawadzki, Grzegorz Szczepaniak Mikołaj Majkusiak Grzegorz Szczepaniak, Joanna Popowicz Festivali / F Krakow IFF 2017, Poland (Golden Hobby-Horse for Best Polish Film; Student s Jury Award) Gdynia FF 2017, Poland IDFA Amsterdam 2017, Netherlands Watch Docs HRFF Warsaw 2017, Poland (Audience Award) Docpoint IDF Tallinn 2018, Estonia Ljubljana IDF 2018, Slovenia Vilnius IFF 2018, Lithuania

82 080 Arto Koskinen Finska / Finland, Arto Koskinen Rođen godine u Alatorniu, Finska. Reditelj i pisac poznat po filmovima Kahlekuningas (2002), The King Jari Litmanen (2012) i Nokia Mobile We Were Connecting People (2017). Was born in 1962 in Alatornio, Finland. He is a director and writer, known for Kahlekuningas (2002), The King Jari Litmanen (2012) and Nokia Mobile We Were Connecting People (2017). FIREWORKS Nokija povezivali smo ljude Uz pomoć Nokijinih inovacija Finska je izašla iz depresije i zauzela vodeću poziciju u svetu mobilnih telefona. Godine Nokija je prodata Majkrosoftu; koje su to odluke dovele do kraja jedne od najuspešnijih tehnoloških kompanija savremenog doba? Priča ispričana iz perspektive inovatora i inženjera koji su radili u industriji mobilnih telefona tokom perioda njenog vrhunca. Nokia Mobile We Were Connecting People With Nokia s innovations Finland was steered out of depression and into leadership of the cell phone world. In 2013 Nokia s mobile phone business was sold to Microsoft; what were the decisions that led to the demise of one of the most successful technological businesses of modern times? A story told from the perspective of the inventors and engineers who worked in the mobile phone business during it s heyday. Režija / Director Scenario / Script Kamera / Camera Zvuk / Sound Montaža / Editor Muzika / Music Producent / Producer Arto Koskinen Arto Koskinen Pini Hellstedt F.S.C. Kimmo Vänttinen Joona Louhivuori Tapani Rinne Marianne Mäkelä, Jouko Aaltonen

83 FIREWORKS 081 Sonia Kronlund Ćerka Francuskinje i Šveđanina, bivši student prestižne Ecole Normale Supérieure, diplomirani student književnosti, Sonia Kronlund učestvovala je u pisanju brojnih scenarija, režirala dokumentarce i dokumentarne serije za televiziju. Nakon što je kratko vreme pisala za filmski časopis Les Cahiers du Cinéma, godine počela je da radi na francuskoj državnoj radio stanici France Intern. The daughter of a French mother and a Swedish father, a former student of the prestigious Ecole Normale Supérieure and a literature graduate, Sonia Kronlund has taken part in the writing of many scripts, has directed documentaries and run several collections for television. After writing in Les Cahiers du Cinéma for a short time, she started working on French public radio station France Inter in Sonia Kronlund Francuska, Nemačka / France, Germany, Princ od Notingvuda U mesto udaljeno sto kilometara od Kabula dolazi Salim Shaheen, najpopularniji i u isto vreme najplodniji avaganistanski glumac i producent, da prikaže neke od svojih 110 filmova i snimi 111-ti. Sa sobom dovodi svoju stalnu trupu glumaca, ekscentričnih i bizarnih likova. Nothingwood je priča o čoveku koji život posvećuje ostvarivanju svojih dečačkih snova. Prince of Nothingwood About a hundred kilometers away from Kabul, Salim Shaheen, the most popular and prolific actor-director-producer in Afghanistan, comes to show some of his 110 films and to shoot the 111th in the process. He has brought with him his regular troupe of actors, each more eccentric and out of control than the next. Nothingwood is the story of a man who spends his life making his childhood dreams come true. Režija / Director Kamera / Camera Zvuk / Sound Montaža / Editor Producent / Producer Sonia Kronlund Alexander Nanau, Eric Guichard Matthieu Perrot, Hassan Shabankareh Sophie Brunet, George Cragg Laurent Lavolé / Gloria Films Festivali / F Cannes Film Festival 2017

84 082 Meteori / Meteors Kao što meteorske kiše obasjavaju noćno nebo, tako i ovaj odabir radikalnih arthouse dokumentaraca, hibridnih žanrova i dokumentarno-igranih formi predstavlja neku vrstu svetionika koji gledaocu pruža uvid u raznovrsnost i slobodu koju filmski izraz može da poseduje. Just as meteor rains illuminate a night sky, so does this selection of radical arthouse documentaries, hybrid genres and documentaryfictional forms represent some sort of lighthouse that provides the viewer with the insight into diversity and freedom that film expression can possess.

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87 METEORI / METEORS João Pedro Rodrigues Portugalski filmski reditelj, smatra se pripadnikom 'Reiske filmske škole'. Njegovu estetiku karakteriše istraživanje ljudskih strasti na oniričan način kroz konstantno mešanje sna i jave, kao i preispitivanje seksualnosti i odnosa prema hrišćanstvu, duboko usađenom u portugalsko i evropsko društvo. Njegovi filmovi 'Fantom', 'Umreti kao muškarac' i 'Ornitolog' imali su uspeha na filmskim festivalima širom sveta, prikazivani na Kanskom festivalu u Lokarnu i u Veneciji. Gde si sada, Žoao Pedro Rodrigeš? A Portuguese film director. He is considered to be part of The School of Reis film family. His aesthetics is characterized by the exploration of human passions in an eternal way through the constant mixing of sleep and reality, as well as the reexamination of sexuality and attitude towards Christianity, deeply embedded in Portuguese and European society. His films 'Phantom', 'To Die Lika a Man' and 'Ornithologist' had success at film festivals around the world, screened at the Cannes Festival in Locarno and Venice. João Pedro Rodrigues 085 Portugal, Francuska / Portugal, France, Where Do You Stand Now, João Pedro Rodrigues? Nakon što je nedavno napunio 50 godina i dostigao, takoreći, sredinu života, João Pedro Rodrigues osvrće se na život koji je protekao. Portugalski filmski autor promišlja o tome šta ga je dovelo tu gde danas jeste i koji su to ljudi i iskustva koji su oblikovali njegovu viziju i način rada. Saznajemo o počecima njegove karijere, o njemu kao jednom od prvih portugalskih reditelja koji je otvoreno priznao da je gej i o njegovoj vezi sa scenaristom iz Mozambika Joãom Rui Guerra da Mataom. U ovom lirskom autoportretu Rodrigues kombinuje fragmente iz svojih filmova i impresionističke slike praćene asocijativnim tokom ideja. Having recently passed the age of 50, media vita so to speak, João Pedro Rodrigues looks back over his life up to now. The Portuguese filmmaker reflects on what has brought him where he is today and what people and experiences have shaped his vision and way of working. We hear about his early career as one of the first openly gay directors in his country, and about his relationship with the Mozambican screenwriter João Rui Guerra da Mata. In this lyrical self-portrait, Rodrigues mixes home movies with excerpts from his own films and impressionist images accompanied by an associative flow of ideas. Režija / Director Produkcija / Production Kamera / Camera Montaža / Editors João Pedro Rodrigues João Pedro Rodrigues for Centre Pompidou João Pedro Rodrigues, Jacob Wiener, José Magro, João Rui Guerra da Mata, Amândio Coroado João Pedro Rodrigues, Tomás Paula Marques Festivali / F IDFA 2017, Mar Del Plata IFF 2017

88 086 METEORI / METEORS Violaine de Villers, Jean-Pierre Outers Belgija / Belgium, Violaine de Villers, Jean-Pierre Outers Rođena godine u Briselu. Od piše i stvara političke dokumentarce i umetničke video radove. Born in Brussels in Since 1981, she writes and realizes political documentaries and art videos. Jean-Pierre Outers rođen je godine pored Liježa. Trideset godina radio je u različitim delovima sveta u okviru programa razvojne saradnje. 20 godina je boravio je u Aziji, a sada živi u Briselu. Jean-Pierre Outers was born near Liège in During around thirty years, he worked in various regions of the world within the framework of the cooperation on the development. He is installed in Asia since 20 years and now lives in Brussels. Kina 87. Ostali Oslobođeni vremenske, kao i bilo kakve istorijske ili političke perspektive, suočavamo se sa različitošću kineske kulture. Ovaj film vidimo kao suprotnost piktoresnom delić svakodnevnog života koji je možda banalan, ali nas uprkos tome fascinira. China, 87. The Others Freed from time and any historical or political perspective, we are confronted with the Otherness of Chinese culture. We see in this film the opposite of the picturesque a slice of quotidian life that may be banal, but fascinates us all the same. Scenario i režija / Script and directed Kamera / Image Montaža / Editor Produkcija / Production Violaine de Villers, Jean-Pierre Outers Jean-Pierre Outers Sébastien Demeffe Dérives Festivali / F Jihlava IDFF

89 METEORI / METEORS 087 James Benning James Benning SAD / USA, Rođen u SAD-u. Jedan je od najvećih nezavisnih i eksperimentalnih autora na svetu. Tokom svoje duge karijere, snimio je preko dvadeset pet dugometražnih filmova u kojima je vrlo uspešno testirao granice filmskog jezika. Njegova estetika se oslanja na velike eksperimentalne autore 60ih godina kao što su Stan Brackhage, Michael Snow, Andy Warhol i drugi. James Benning was born in the USA in He is one of the world greatest independent and experimental authors. During his long career, he has made over twenty-five feature-length films in which he has successfully tested the boundaries of film language. His esthetics relies on great experimental authors of 1960 s, such as Stan Brackhage, Michael Snow, Andy Warhol and others.. L. Koen Pogled na jednu farmu u Oregonu (SAD), tokom pomračenja sunca, uz muziku Leonarda Koena. L. Cohen A view of an Oregon farm (USA) during a solar eclipse, accompanied by Leonard Cohen s music. Reditelji / Directors Direktori fotografije / DoP Producenti / Producers Montažer / Editor Produkcija / Production Jaak Kilmi, Lennart Laberenz Lennart Laberenz, Mart Taniel Katrin Kissa, Jaak Kilmi Liis Nimik Homeless Bob Production Festivali / F Berlinale, Cinema du reel, Museum of Moving Image

90 088 METEORI / METEORS Jean Marie Straub Švajcarska / CH, Jean-Marie Straub Rođen je u Mecu, godinu dana nakon što je Hitler došao na vlast. Vodi kino-klub The Dark Room i pohađa studije književnosti u Strazburu godine u Parizu sreće Danièle Huillet. Ona sarađuje sa njim više od 50 godina, sve do njegove smrti godine. Snimio 47 filmova. Born in Metz the year Hitler came to power. He animates the cinema-club The dark room and does literary studies in Strasbourg. In 1954, he meets Danièle Huillet in Paris. She worked with him for more than 50 years until his death in Made 47 films. Ljudi pored jezera Muškarac se priseća svoje mladosti, odrastanja u ribarskoj porodici na obali Ženevskog jezera, dešavanja na jezeru tokom Drugog svetskog rata i političkih previranja odmah nakon završetka rata. People of the Lake A man remembers his youth in a fishing family on the Lake Geneva Vaudoise coast, traffic on the lake during the Second World War and political upheavals in the immediate aftermath of the war. Režija / Directed by Uloge / Cast Kamera / Photography Montaža / Editor Produkcija / Production Jean-Marie Straub Christophe Clavert, Giorgio Passerone Renato Berta Christophe Clavert Barbara Ulrich - Belva Film Festivali / F Cinéma du Réel 2018 (Paris), Special mention for best International short film

91 METEORI / METEORS 089 Dane Komljen Dane Komljen Serbia / Serbia, Rođen godine u Banja Luci. Završio je osnovne studije filmske režije na FDU, dok je master studije pohadjao na akademiji za savremenu umetnost Le Fresnoy u Francuskoj. Njegov kratki film Ja već jesam sve ono što želim da imam je premijerno prikazan na kanskom festivalu godine. Njegov prvi dugometražni film Svi severni gradovi je imao premijeru na Lokarno film festivalu godine. Živi i radi u Berlinu. Dane Komljen was born in Banja Luka in He graduated from the Faculty of Dramatic Arts at the Film Directing Department and pursued his master studies at the Le Fresnoy Academy for Contemporary Art in France. His short film I already am everything I want to have had its premiere at the Cannes Film Festival in His first feature-length film All the Cities of the North had its premiere at the Locarno Film Festival. He is based in Berlin. Mjesta na kojima nisam bio Sastavljen od arhivskih snimaka putovanja svojih prijatelja, reditelj kreira poseban pogled na prostore koje nije fizički posetio. Places I Haven t Been to Made entirely from archive material recorded on trips made by his friends, the author creates a specific view of the spaces he has never physically visited. Režija / Director Kamera / Camera Montaža / Editor Dane Komljen Dario Pikulić, Ana Djurović, Luka Katić, Renata i Dalija Dozet, Jelena Maksimović Jelena Maksimović Svetska premijera / World premiere

92 090 METEORI / METEORS Miguel Gomes Portugal / Portugal, Miguel Gomes Rođen u Lisabonu. Započeo je karijeru kao filmski kritičar i teoretičar. Njegov dugometražni film Tabu osvojio je nagradu Alfred Bauer za najinovativniji pristup na Berlinalu godine. Njegov stil odlikuje slobodan pristup formama, bez žanrovskih ograničavanja, kao i kolažni pristup u sastavljanju narativa. Born in Lisbon in He started his career as a film critic and theoretician. His feature film Taboo was awarded the Alfred Bauer prize for the most innovative approach at Berlinale in His style is characterised by an unrestrained approach to forms, with no genre limitations and a collage-style approach in creating narratives. Naš dragi mesec avgust Igrano-dokumentarni hibridni prikaz života u zabačenom selu u portugalskim planinama tokom avgusta. Stanovništvo se veseli, slavi život, ali i bori protiv požara, lovi divlje svinje, pije i ogranizuje karaoke. Etnografski presek jednog mesta se postepeno pretvara u meta film, prateći reditelja i filmsku ekipu u svojim impresijama tog područja, međusobnim svađama, prepirkama i strepnjama. Our Beloved Month of August A fictional-documentary hybrid depiction of life in a remote village in the Portuguese mountains during the month of August. Local inhabitants are busy merrymaking, glorifying life, but also fighting fire, hunting wild boars, drinking and organising karaoke. An ethnographic cross-section of a place, which gradually turns into a meta-film, following the director and the film crew in their impressions of the area, mutual quarrels, arguments and anxieties. Režija / Director Kamera / Camera Montaža / Editor Produkcija / Production Miguel Gomes Rui Pocas Telmo Churro, Miguel Gomes O som e a furia / Luis Urbano, Sandro Aguillar Festivali / F Cannes film festival, CPH:DOX, San Francisco Film Festival

93 METEORI / METEORS 091 Aleksandre Koberidze Rođen u Tbilisiju, Gruzija. Od do studirao je filmsku produkciju na Univerzitetu za film i pozorište u Tbilisiju. Od godine studira režuju na Nemačkoj filmskoj i televizijskoj akademiji Berlin (DFFB). Aleksandre Koberidze Gruzija / Georgia, Born in 1984 in Tbilisi, Georgia. From 2001 to 2005 he was studying Film producing at Film and Theater University in Tbilisi. Since 2009 he studies directing at German Film and Television Academy Berlin (DFFB). Neka leto više nikad ne dođe Mladić iz sela dolazi u grad na audiciju za plesnu grupu. Za novac učestvuje u ilegalnim uličnim borbama. Za novac spava sa muškarcima. Zaljubljuje se u muškarca. Počinje da nastupa u plesnoj grupi. Muškarac koga voli ide u rat. Film se bavi ovom pričom, ali ništa manje (a ako ne i više) i stvarima koje se događaju oko nje. Let the Summer Never Come Again A young man comes to the city from a village to audition for a dance company. He takes part in ilegal, Underground street fights for money. He sleeps with men for money. He falls in love with a man. He starts to dance in a company. The man he loves goes to the war; The Film is interested in this story, but not less (if not more) in things happening around. Autor, Reditelj, Direktor fotografije, Producent, Montaža / Author, Director, DoP, Production, Editor Uloge / Cast Producenti / Production Alexandre Koberidze Mate Kevlishvili, Giorgi Bochorishvili Nutsa Tsikaridze, Keti Kipiani Festivali / F FID Marseille International Film Festival - Grand Prix of the festival

94 092 João Pedro Rodrigues, João Rui Guerra da Mata Portugal, Francuska, Makao / PT, FR, MO, João Pedro Rodrigues & João Rui Guerra da Mata Portugalski filmski reditelj. Smatra se pripadnikom Reiske filmske škole. A Portuguese film director. He is considered to be part of The School of Reis film family. METEORI / METEORS João Rui Guerra da Mata rođen je u Lorenso Markesu, Mozambik. Od do godine predavao je na Lisabonskoj filmskoj školi na odseku za scenografiju. Njegove filmove je producirala i realizovala producentska kuća Rosa Filmes. Born in Lourenço Marques, Mozambique. He teached Art Direction at the Lisbon Film School from 2004 to His features have been produced and released by the production company Rosa Filmes. Poslednji put kada sam video Makao Dva filmska autora odlaze u Makao u avanturu otkrivanja grada-lavirinta, multikulturalnog i misterioznog, u kome sećanja iz detinjstva vode dijalog - građen uz pomoć filmskih i literarnih kodova - sa sećanjima Istoka, stvarajući svedočenje koje pokušava da skine veo sa prošlosti i sadašnjosti. Lični album fizičke i emocionalne geografije, struktuiran kao istraživanje, kamufliran kao triler, u kome mozaik istorije dovodi u pitanje realnost. The Last Time I Saw Macao Two filmmakers leave to Macao in an adventure of discovery of a city-labyrinth, multicultural and mysterious, where the memories of the childhood - featured memories by the lived reality in Macao - have a dialog with the memories of the East built by the codes of the cinema and the literature - memories lived on a featured reality-, creating a testimony which tries to raise the veil on the past and the present time. A personal album of physical and emotional geography, structured as an investigation disguised as a thriller, where the puzzle of the history challenges the reality. Režija / Directors Scenario / Screenplay Produkcija / Production Montaža / Editors João Pedro Rodrigues, João Rui Guerra da Mata João Pedro Rodrigues, João Rui Guerra da Mata Daniel Chabannes de Sars, Corentin Dong-Jin Sénéchal, João Figueiras João Rui Guerra da Mata, Raphaël Lefèvre Festivali / F Locarno Film Festival, 2012; New York Film Festival, 2012; La Roche-sur-Yon International Film Festival, 2012; CPH:DOX, 2012; Thessaloniki International Film Festival, 2012; Arras Film Festival, 2012; Göteborg International Film Festival, 2013; Villeurbanne Festival Reflets du cinéma ibérique et latino-américain, 2013; Jerusalem Film Festival, 2013; New York City, New York, 2013

95 METEORI / METEORS 093 Ala Eddine Slim, Ismaël Chebbi, Youssef Chebbi Ala Eddine Slim, Ismaël & Youssef Chebbi Tunis / Tunisia, Rođen godine Ala Eddine Slim diplomirao je na Visokom institutu za multimedijalne umetnosti u Manoubi. Born in 1982, Ala Eddine Slim graduated from the Higher Institute of Multimedia Arts of Manouba. Rođen godine u Tunisu, Ismaël je filmski autor, vizuelni umetnik i pisac. Born in 1981 in Tunis, Ismaël is a tunisian filmmaker, visual artist and writer born in Filmski autor i muzičar, studirao je film na Univerzitetu u Parizu. Filmmaker and musician, he studied film at the University of Paris 8. Vavilon Na devičanski netaknutu pustinjsku teritoriju dolaze ljudi. Ubrzo, ni iz čega podiže se grad. Naseljevaju ga stanovnici raznih nacionalnosti koji govore različitim jezicima. Ovaj novi Vavilon, okružen drvećem i životinjama, ubrzo dobija obrise grada koji je u isto vreme i običan i izuzetan. Babylon On a virgin territory in the wilderness, people arrive. Soon, a city is built out of nowhere. Being inhabited by several nationalities, its people speak different languages. This new Babylon, surrounded by trees and animals, is rapidly taking the form of a city at once ordinary and extraordinary. Koncept, kamera, zvuk, režija / Conception, image, sound, direction Montaža / Edited by Producenti / Producers Ismaël & Youssef Chebbi, Ala Eddine Slim Ismaël Chebbi, Ala Eddine Slim Chawki Knis, Ali Hassouna, Ala Eddine Slim Festivali / F Grand prix International Film Festival Fidmarseille 2012, University Prize International Film Festival, doclisboa 2012, Best Feature Film Tunisian Filmmakers Meeting 2013, special mention Rome Med Film Festival 2013, Special Prize Tripoli International Film Festival 2013

96 094 Retrospektiva Ulrih Zajdl Retrospective Ulrich Seidl

97 095 Zajdl se u svom stvaralaštvu prevashodno bavi ljudima na margini i, kroz njihove pojedinačne priče, govori o mnoštvu. U okviru njegove retrospektive biće prikazano šest filmova, a sam autor uveličaće ovaj program svojim ličnim prisustvom. In his work, Seidl is predominantly focused on people on the edge of society and through their individual stories he speaks about the many. The retrospective includes six films, while the author himself will honour the programme with his presence. Rođen godine u Beču (Austrija), Ulrich Seidl je reditelj, autor i producent. Svoju karijeru počeo je nagrađivanim dokumentarcima, među kojima su Dobre vesti (1990), Životinjska ljubav (1995) i Modeli (1998). Njegov prvi igrani film Pasji dani (2001) osvojio je Specijalnu nagradu žirija na filmskom festivalu u Veneciji godine. Import Export (2007), prvi film koji je producirala njegova sopstvena producentska kuća, izabran je u takmičarsku selekciju na filmskom festivalu u Kanu. Nakon toga, tri filma njegove uspešne i višestruko nagrađivane trilogije Raj (2012) doživela su premijeru na najvažnijim filmskim festivalima u svetu - u Kanu, Veneciji i Berlinu. Usledili su U podrumu (2014) i Safari (2016). Ulrich Seidl, born 1952 in Vienna (Austria), is a director, author and producer Ulrich Seidl started his career with award-winning documentaries such as Good News (1990), Animal Love (1995) and Models (1998). Seidl s first feature fiction film Dog Days (2001) won the Special Jury Prize at the Venice Film Festival in Import Export (2007), the first film to be produced by his own production company, was invited to Cannes competition. Subsequently, the three films of his successful and multiple-award-winning PARADISE Trilogy (2012) had their premiere in the competitions of the world s most important film festivals in Cannes, Venice and Berlin. This was followed by In the Basement (2014) and Safari (2016).

98 096 ULRICH SEIDL Urlich Seidl Austrija / Austria, Dobre vesti: Kolporter, mrtvi psi i drugi ljudi iz Beča Good News je film o modernim robovima i modernim nadzornicima, o malim životinjama, malim stanovima, malim ljudima i malim pričama. O neuračunljivosti normalnosti u Austriji. Good News je prvi dugometražni dokumentarni film Ulricha Seidla, koji je konačno mogao da ga snimi tek sedam godina nakon što je napustio Bečku filmsku akademiju. Snimanje radne verzije filma izazvalo je žestoke kontraverze i film nikada ne bi bio završen bez pomoći Vernera Hercoga. Samo jedna kopija filma, prikazivana u jednom bioskopu uspela je da privuče 20,000 gledalaca. Senzacija, posebno za dokumentarni film u to vreme. Još uvek na listi deset najboljih Vernera Hercoga. Good News: Newspaper Salesman, Dead Dogs and Other People from Vienna Good News is a film about modern slaves and modern overseers, about small animals, small apartments, small people and small stories. About the insanity of normalcy in Austria. Good News is Ulrich Seidl s first feature film, which he was finally able to make seven years after leaving the Vienna Film Academy. The screening of a rough cut of the film led to a fierce controversy, and it could never have been completed without the help of Werner Herzog. A single print of the film, shown in a single cinema, managed to draw 20,000 viewers. A sensation, especially for a documentary movie at the time. Werner Herzog still lists it on his documentary top ten. Režija / Director Scenario / Screenplay Kamera / Camera Montaža / Editor Producent / Producer Produkcija / Production Ulrich Seidl Ulrich Seidl Hans Selikovsky Peter Zeitlinger Hans Selikovsky Filmproduktion Mag. Hans Selikovsky Festivali / F World premiere: Locarno Film Festival 1990 Locarno IFF, Chicago IFF, Montréal, Hofer Filmtage, Festival dei Popoli Florence, Duisburger Filmwoche, Rotterdam IFF, Strasbourg IFF, Sydney FF, São Paulo IFF, Cinema du Réel/Paris

99 ULRICH SEIDL 097 Urlich Seidl Austrija / Austria, Gubici su očekivani Zima Udovac Sepp Paur živi u malom austrijskom selu na granici sa Češkom. Hrana koju je frižideru ostavila njegova pokojna supruga polako nestaje. Vreme je da Sep počne da traži novu ženu... Gubici su očekivani mnogi smatraju jednim od najnežnijih filmova Ulricha Seidla. Razvio se iz istraživačkog poduhvata Michaela Glawoggera, dugo pripremanog projekta o vođi drumskih bandita Johannu Georgu Graselu, koji je svoja zlodela vršio u austrijskoj oblasti Valdvirtel i Češkoj. Losses to Be Expected Winter 1992 The widower Sepp Paur lives in a small Austrian village on the border to Czechia. The meals that his late wife has left in the freezer are slowly running out. It s time for Sepp to look around for a new spouse... Losses to Be Expected is seen by many as one of Ulrich Seidl s most tender films. It developed out of a research foray Michael Glawogger, for his long-cherished project about the robber chief Johann Georg Grasel, who carried out his nefarious deeds in the Austrian Waldviertel region and Czechia. Režija / Director Kamera / Camera Montaža / Editor Umetnički saradnik / Artistic collaborator Produkcija / Production Ulrich Seidl Peter Zeitlinger Christof Schertenleib Michael Glawogger LOTUS FILM GesmbH Festivali / F World premiere: Berlin, Forum des jungen Films 1992 The Institut of International Studies of the Charles University in Prague - seminar, Kulturforum/Bucharest, Cineteca Nacional/Mexico, Motovun FF, Thessaloniki IFF, New Horizons IFF, IDFA, Jenjou IFF/ Seoul, Deutsches Filminstitut, Austrian FF, MECEFF 7+1/Romania, Minneapolis, Munich, Wels, Yamagata, Laibach, Florence, Duisburger Filmwoche, Amsterdam, Toronto IFF, Diagonale, Strasbourg, Jerusalem, Augsburg

100 098 ULRICH SEIDL Ulrich Seidl Austrija / Austria, Isus, znaš U formalno rigoroznim kadrovima Ulrich Seidl predstavlja fragmentarne portrete vernika koji postavljaju pitanja, traže odgovore i otvaraju svoja srca Isusu. Svaka od ovih priča otvara prostor, intimnost, pogled na ono što možemo da nazovemo bogom. Novinar Vol Strit Džurnala Džon Voters nazvao je Isus, znaš najboljim stranim filmom godine. Bio je jedini gledalac u bioskopu, priznaje, ali uprkos tome Isus, znaš bio je sjajan film. Jesus, You Know In formally rigorous shots Ulrich Seidl presents six fragmentary portraits of believers who ask questions, look for answers and spill their hearts out to Jesus. Each of these stories opens a space, an intimacy, a view of what one might call God. In The Wall Street Journal, John Waters named Jesus, You Know the best foreign film of He was the only spectator in the theater, he conceded, but Jesus, You Know was nonetheless a great movie. Režija / Director Scenario / Screenplay Kamera / Camera Montaža / Editors Produkcija / Production World sales Ulrich Seidl Ulrich Seidl, Veronika Franz Wolfgang Thaler, Jerzy Palacz Andrea Wagner, Christof Schertenleib MMKmedia Coproduction Office Festivali / F World premiere: 38th Karlovy Vary International Film Festival, 2003 San Sebastian IFF, Kulturforum/Bucharest, Cineteca Nacional/ Mexico, Motovun FF, Thessaloniki IFF, New Horizons IFF, Indielisboa, Deutsches Filminstitut, Austrian Cultural Forum.

101 ULRICH SEIDL Urlich Seidl Austrija / Austria, Matura Ovaj kratki film vodi nas u Horn, grad u donjoj Austriji u kome je Ulrich Seidl odrastao. Tamo godinama postoji tradicija da srednjoškolci organizuju matursko veče. To nije samo jedan od najvažnijih društvenih događaja u gradu, već i vrhunac karnevala. Ulrich Seidl je izjavio: Matura je razlog zbog koga sam izbačen sa Filmske akademije. Profesorima se nije sviđala njegova struktura i montaža i smatrali su da će narušiti ugled Akademije. The Prom This short film takes us to Horn, a town in Lower Austria where Ulrich Seidl grew up. For years it has been a tradition that high school students organize the graduation prom. This isn t only one of the town s most important social events, but also the culmination of Carnival. Ulrich Seidl: The Prom was the reason I was kicked out of the Film Academy. The teachers didn t like its structure or editing, and thought that the film would hurt the Academy s reputation. Režija / Director Scenario / Screenplay Kamera / Camera Montaža / Editor Produkcija / Production Ulrich Seidl Ulrich Seidl Susanne Meitz and Hermann Dunzendorfer Angela Kauf Wiener Filmakademie Festivali / F Munich Film Festival, Germany, New Horizons Film Festival, Poland

102 100 ULRICH SEIDL Ulrich Seidl Austrija / Austria, U podrumu Podrum je u Austriji mesto za slobodno vreme i privatni život. Brojni Austrijanci onde provode više vremena nego u dnevnoj sobi, koja često postoji samo za pokazivanje. U podrumu uživaju u svojim potrebama, hobijima, strastima i opsesijama. Ovo je film o opsesijama, limenoj muzici i operskim arijama, o skupom nameštaju i jeftinim muškim vicevima, o seksualnosti i snimanju, fitnesu i fašizmu, bičevima i lutkama. In the Basement The basement in Austria is a place of free time and the private sphere. Many Austrians spend more time in the basement of their home than in their living room, which often is only for show. In the basement they actually indulge their needs, their hobbies, passions and obsessions. The film is about obsessions, about brass-band music and opera arias, about expensive furniture and cheap male jokes, about sexuality and shooting, fitness and fascism, whips and dolls. Režija / Director Scenario / Screenplay Kamera / Camera Producenti / Producers Production company Ulrich Seidl Ulrich Seidl, Veronika Franz Martin Gschlacht Ulrich Seidl,Antonin Svoboda, Martin Gschlacht, Bruno Wagner Ulrich Seidl Film Produktion with coop99 filmproduktion

103 ULRICH SEIDL Urlich Seidl Austrija / Austria, Životinjska ljubav Ljudi u velikom gradu. Ljudi u Beču. Usamljeni ljudi. Ljudi čiji psi, pacovi, zečevi i ostali ljubimci služe kao sagovornici, životni partneri, objekti za maženje sa kojima se deli krevet godine Ulrich Seidlov treći dugometražni dokumentarac izazvao je skandal u Austriji i dobio loše kritike, ali u inostranstvu je izuzetno primljen i postao kultni film. Čak i danas Animal Love smatra se za jedan od najuznemirujućih filmova iz Seidlovog opusa. Nikada u filmovima nisam tako izravno gledao u pakao, bio je komentar je Vernera Hercoga nakon što je video film. Animal Love People in a big city. People in Vienna. Lonely people. People whose dogs, rats, rabbits and other pets serve as conversation partners, life partners, objects to be petted and bedmates. In 1994 Ulrich Seidl s third feature sparked a scandal in Austria and garnered bad reviews, but abroad it became an acclaimed cult film. Even today Animal Love is seen as one of the most disturbing films in the Seidl universe. Never in the movies have I looked so directly into hell, commented Werner Herzog upon viewing the film. Režija / Director Scenario / Screenplay Kamera / Camera Zvuk / Sound Montaža / Editor Produkcija / Production Ulrich Seidl Ulrich Seidl Peter Zeitlinger Michael Glawogger Ekkehart Baumung LOTUS FILM GesmbH Festivali / F World Premiere: Diagonale, Salzburg 1995 Kommunalkino Bremen, Munich International Filmwoche, 25th Unabhängiges FilmFest Osnabrück, Taipei Film House - Les spectacles du réel, Kulturforum/Bucharest, Cineteca Nacional/ Mexico, Motovun FF, Thessaloniki IFF, New Horizons IFF, Indielisboa, Jenjou IFF/Seoul, Deutsches Filminstitut, Taipei FF, Diagonale, Saarbrücken, Rotterdam, Selb, Nyon, Potsdam, San Sebastian, Paris, London, Oslo, Florence, Dublin, Toronto IFF Awards, Best Documentary, Potsdam, 1996

104 102 Retrospektiva Vlado Škafar Retrospective Vlado Škafar

105 103 Kao jedan od najbitnijih autora sa prostora bivše Jugoslavije, Škafar svojim meditativnim i suptilnim nenarativnim filmova kroji svet u kojem je laž osudjena na propast. Reditelj sa dubokim osećajem za humanost ulazi u psihologizaciju likova i čak i reči postaju slike. Vlado Škafar je koosnivač i od do direktor programa slovenačke Kinoteke. Godine osnovao je filmski festival Izola. Kao konsultant za scenario sarađivao je sa Igorom Šterkom (Express, Express, Ljubljana), Hanom A. V. Slak (Blind Spot) i drugima godine snimio je svoj prvi kratki film The Old Bridge. As one of the most important authors from former Yugoslavia, Škafar with his meditative and subtle non-narrative films shapes the world in which lie is doomed to fail. The director with the deep sense of humanity enters into psychological characterisation and even words become images. Vlado Škafar was co-founder and head of program of Slovenian Cinematheque from 1993 to In 2004 he started Isola Cinema Film Festival. He collaborated as script consultant with Igor Šterk (Express, Express, Ljubljana), Hanna A. W. Slak (Blind Spot) etc. In 1998 he made his first short film The Old Bridge.

106 104 VLADO ŠKAFAR Vlado Škafar Slovenija / Slovenia, Deca Istina je jedino ono što osećamo u srcu. Film Deca spaja intimne razgovore sa potpunim strancima i privatna pisma koja promišljaju deliće života, prikupljena i upućena detetu. U seriji vođenih monologa, ljudi od dece iz obdaništa do onih u jeseni života promišljaju i ponovo proživljavaju svoje živote. Kada zaborave na kameru i oči usmere ka sebi, film počinje. Pred nama su sami sa sobom, a potom smo mi sami sa sobom, našim životom, davno prošlim, veoma prisutnim. U pozadini, kroz ceo film, intimni dnevnici ćutke iscrtavaju sliku ljudskog života u poslednjih sto godina. U prvom planu, ona dobija sve brojnije perspektive i postaje sve prepoznatljivija. Letter to a Child Only what we feel in our heart is the truth. Letter to a Child combines intimate conversations with perfect strangers and personal letters contemplating bits and pieces of life, collected and addressed to a child. In a series of guided monologues people - from kindergarten children to the vintage ages - are contemplating and re-living their lives. When they forget about the camera and they turn their eyes inside, the film starts. They are alone with themselves in front of us and then we are alone with ourselves, with our life, long passed, very present. Through the film the intimate diaries are silently drawing in the back a picture of human life of the last hundred years. In the front, the picture of a man s life gets more and more perspective and becomes more and more familiar. Autor / Author Kamera / Camera Producent / Producer Produkcija / Production Vlado Škafar Aleš Belak Petra Vidmar Gustav Film Film je podržao Slovenački filmski fond / The film was supported by Slovenian Film Fund. Festivali / F Rotterdam film festival

107 VLADO ŠKAFAR 105 Vlado Škafart Slovenija / Slovenia, Devojka i drvo... šta se desilo devojčici koja je želela bicikl crveni sa tri točka; želela da joj Deda Mraz donese tople rukavice iste kao što ima Polonika: sive sa belom trakom i bućkama? Filmska poezija za dve duše. Možda meditacija. Staza do tišine. Mislio sam da pravimo film o prolaznom. Sada vidim da smo napravili film o onom što preostaje. A Girl and a Tree... whatever happened to that girl who wanted a bicycle a red one with three wheels; wanted Saint-Nicholas to bring her warm gloves the same as Polonica has: grey with a white ribbon and bells? Film poem for two souls. Meditation maybe. Pathway to silence. I thought we were making a film about passing. Now I see we made a film of what remains. Režija / Director Kamera / Camera Uloge / Cast Producent / Producer Produkcija / Production Vlado Škafar Marko Brdar, Jure Černec Štefka Drolc, Ivanka Mežan, Helena Koder, Joni Frenk Celarc Gustav Film, 100 Festivali / F FID Marseille

108 106 VLADO ŠKAFAR Vlado Škafar Slovenija / Slovenia, Noćni razgovori s Mojcom Prvo je bilo osam godina beleženja glasova na radiju. Glasovi koji žive samo noću donose nam priče iz svakodnevnog života. Možda nisu ništa posebno, ali žele da budu podeljene sa drugima. Kada to nisu, po danu i sa ljudima koje bi trebalo da bude briga, budu odbačene u noć. I bilo je beleženja slika svakodnevnog života super osmicom. Dnevnih slika. Jedna slika, jedna rolna. Slike ljudi, slike bez glasa. Na kraju, glasovi beleže slike, slike glasove. Meditacija ljudskog postojanja, igra sa vremenom. Omaž Žan-Klod Rusou. Nighttime with Mojca First there was eight years of catching the voices on the radio. The voices that live only in the night are telling the stories of daily life. They are maybe nothing special, but they want to be shared. When they are not shared during the day and with people that should care, they are thrown into the night. And there was catching the images of daily life with Super 8 camera. Daytime images. One image one reel. Images with people, images without voice. At the end, voices are catching the images, images voices. A meditation of human being, a play with time. Hommage to Jean-Claude Rousseau. Autor / Author Radio voditelj / Radio host Super 8 transfer Izvršni producent / Executive producer Produkcija / Production Koprodukcija / Co-production Vlado Škafar Mojca Blažej Cirej Borko Radešček Petra Vidmar Vlado Škafar Gustav Film, 100 Festivali / F FID Marseille, 2009

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110 108 Biografski dokumentarci Istinite filmske priče o savremenim ili istorijskim ličnostima koje su oblikovale, ili i dalje oblikuju naše društvo.

111 109 Biographical documentaries Cinematic stories about contemporary or historically significant people who shaped our society.

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113 BIOGRAFSKI / BIOGRAPHY 111 Stephane Kaas Diplomirao je na Holandskoj filmskoj akademiji godine. Nakon toga napravio je nekoliko kratkih filmova i kratkih dokumentaraca koji su ušli u selekcije filmskih festivala širom sveta i osvojili brojne nagrade. Takođe je napravio mnoštvo video radova za popularni satirični magazin De Speld, svirao u rokenrol bandu i održao TedxTalk prezentaciju o čudima world-wide web sveta. Stephane Kaas Izrael, Holandija / Izrael, Netherland, Graduated from the Netherlands Film Academy in Afterwards he made several short films and short documentaries, which were selected for filmfestivals around the world and won a number of prizes. He also made many videos for popular satirical magazine De Speld, played in a rock and roll band and did a TedxTalk on the wonders of the world wide web. Etgar Keret: Po istinitoj priči Ljudi širom sveta zavoleli su izraelskog pisca Etgara Kereta zbog njegovih nadrealnih kratkih priča i urnebesnih živih nastupa. Kao što Gardijan piše. Provesti vreme sa njim je kao zakoračiti u svet njegovih priča: odjednom, sve izgleda pomalo iskrivljeno, puno komičnog potencijala. Kako je Keret postao tako sjajan pripovedač? Etgar Keret: Based on a True Story People from all over the world have come to love Israeli writer Etgar Keret for his surreal short stories and his hilarious live performances. As The Guardian wrote: Spending time with him is like entering the world of his stories: suddenly, everything seems slightly off-kilter, full of comic potential. Both Keret s short stories and the anecdotes from his own life, share the fact that they are very relatable despite their incredible absurdities. How did Keret become such an amazing storyteller? Režija / Director Kamera / Camera Montaža / Editors Intervjui / Interviews Stephane Kaas Diderik Evers Ruben van der Hammen, Mieneke Kramer Nina Gantz & Digna van der Put Rutger Lemm Festivali / F Nederlands Film Festival, the Netherlands, HAIFA Film Festival, Jewish International Film Festival, Singapore Writers Festival, Fipa, Biarritz, France,!f Istanbul Independent Film Festival, Copenhagen Jewish Film Festival, Denemarken, Chiayi International Art Documentary Film Festival, Taiwan, DOCVILLE, Belgium, Master of Art Film Festival, Bulgaria, Krakow Film Festival, Poland

114 112 Danilo Lola Ilić Hrvatska / Croatia, Danilo Lola Ilić Danilo Lola Ilić rođen je u Vranju godine. Završio je filmsku i TV montažu na Akademiji Umetnosti u Beogradu godine, u klasi profesora Andrije Zafranovića godine magistrira filmsku režiju (MFA) na filmskoj školi Ohio Univerziteta. Napisao je, režirao i montirao sve svoje filmove. Danilo Lola Ilić was born in Vranje, Srbija in He earned his BFA degree in Film and TV Editing from the Academy of Arts in Belgrade, Serbia in His mentor was Andrija Zafranović. A year after finishing his undergraduate studies he went to pursue his MFA in Film Directing at Ohio University s School Of Film and graduated in He has written, directed and edited all of his films. BIOGRAFSKI / BIOGRAPHY Mapa puna snova Dokumentarni film o eminentnom grafičkom dizajneru i likovnom umetniku Predragu Spasojeviću ( ), koji je ostavio osebujan trag na kulturnoj i društvenoj sceni Pule, Istre i šire. O njemu i njegovim delima govore kolege, prijatelji, suradnici i klijenti s različitih područja delovanja te se zajedno s snimljenim i arhivskim materijalom i animacijom, stvara priča o njegovoj istinskoj veličini. Art Folder Full of Dreams A documentary about the renowned graphic designer and artist Predrag Spasojević ( ) from Pula, who left a distinctive mark on the cultural and social scene in Pula, Istria and beyond. His friends,associates and clients from various professional fields, talk about his life and his work and together with archival material and animation, create a story about his true grandeur. Režija, kamera, montaža / Directed, Camera and Editor Producent / Producer Originalna muzika / Music Produkcija /Production Danilo Lola Ilić Biserka Vranić Elis Lovrić MEDIT d.o.o. Pula, 2017 Festivali / F Cannes film festival, CPH:DOX, San francisco film festival

115 BIOGRAFSKI / BIOGRAPHY Leo Gabriadze Filmski reditelj koji živi u Rusiji. Od godine radi za Timur Bekmambetovu produkcijsku kuću Bazelevs, u kojoj kreira više od 100 reklamnih filmova, od kojih su mnogi nagrađivani. Leo poslednjih petnaest godina radi kao producent u pozorištu Gabriadze. Leo Gabriadze is a Russiabased movie and commercial director. Since 1995, he has worked at the Timur Bekmambetov s production company Bazelevs and has made more than 100 commercials, many of them gained awards. Leo has been involved in the Gabriadze Theatre as a producer for the past 15 years. Leo Cabriadze 113 Gruzija, Rusija / Georgia, Russia, Rezo Rezo Autobiografski animirani dokumentarac koji preispituje ideje dubokog humanizma, dobrote i topline u nesigurnim vremenima nakon Drugog svetskog rata. Živa sećanja usamljenog i stidljivog dečaka Reza sučeljavaju se sa snovima u kojima se u školi susreće sa Staljinom i Lenjinom, žabe ga uče da puši, a Tolstoj čuva u biblioteci. Ključni momenat njegove priče o odrastanju biće susret i prijateljstvo sa zarobljenim nemačkim vojnikom. The movie is an autobiographical animated documentary questioning ideas of deep humanity, kindness and heartiness during uneasy times after the 2nd World War. Vivid memories of lonely and shy little boy Rezo confront his dreams where Stalin and Lenin meet him at school, frogs teach him to smoke and Leo Tolstoi guards him at the library. Crucial moment in his coming of age story will be meeting and befriending captive German soldier at his grandparents house. Režija / Director Scenario / Script Produkcija / Production Levan Gabriadze Revaz Gabriadze Bazelevs

116 114 Ruth Beckermann Austrija / Austria, Ruth Beckermann Rođena u Beču gde je provela i detinjstvo. Nakon studija žurnalistike i istorije umetnosti u Beču, Tel Avivu i Njujorku, godine završava doktorske studije na Univerzitetu u Beču. Od tada kao novinar sarađuje sa nekoliko austrijskih i švajcarskih časopisa. Od godine radi kao pisac i filmski stvaralac. Born in Vienna where she also spent her childhood. After her studies in journalism and history of art in Vienna, Tel Aviv and New York, she took her degree as Dr.phil in 1977 at the University of Vienna. She since contributed as a journalist to several Austrian and Swiss magazines. Since 1985 she works as a writer and filmmaker. BIOGRAFSKI / BIOGRAPHY Valdhajmov valcer Film o istini i lažima ili alternativnim činjenicama. Waldheim ne, Waldheim ne uzvikuje gomila u centru Beča godine. Ruth Beckermann bila je jedna od aktivista koji su pokušavali da spreče izbor Kurta Valdhajma i svojom kamerom zabeležila je tadašnje političke događaje. Više od 30 godina kasnije vraća se svojoj arhivi i koristi dodatni međunarodni televizijski materijal da bi analizirala ovu prelomnu tačku austrijske političke kulture. The Waldheim Waltz Film about truth and lies or alternative facts. Waldheim no, Waldheim no shouts a crowd in the center of Vienna in Ruth Beckermann was one of the activists trying to prevent the election of Kurt Waldheim and documented the political events with her camera. More than 30 years later she goes back into her own archive and additionally uses international TV-material to analyse this turning point in Austrian political culture. Režija i scenario / Director and Screenplay Montaža / Editor Zvuk / Sound Distribucija / Distribution Ruth Beckermann Kurt Hennrich Manuel Grandpierre, Rudi Pototschnig AUSTRIA Filmladen Filmverleih Festivali / F Berlin International Film Festival, The winner of the Glashütte Original Documentary Award- Berlin International Film Festival 2018

117 BIOGRAFSKI / BIOGRAPHY Kaspar Astrup Schröder Samouki filmski režiser, koji se pored toga bavi i grafičkim dizajnom, umetnošću i fotografijom. Njegovi filmovi distribuirani su u inostranstvu i doživeli premijere na nekim od najvećih svetskih festivala, kao što su IDFA, Planete Doc, True/False, Full Frame, Silverdocs, It s All True, Hot Docs, SFIFF and CPH:DOX. Kaspar is an autodidact film director, who also works in the areas of graphic design, art and photography. His films have been distributed internationally and premiered at some of the world s biggest festivals such as IDFA, Planete Doc, True/False, Full Frame, Silverdocs, It s All True, Hot Docs, SFIFF and CPH:DOX. Kaspar Astrup Schröder 115 Danska / Denmark, Velika zverka Big Time Bjarke Ingels započeo je karijeru kao mladić koji sanja o snimanju animiranih filmova. Danas ga Vol Strit Žurnal naziva jednom od velikih zvezda arhitekture. Velika zverka prati Bjarkea tokom pet godina ( ) u kojima se bori da završi svoj do tada najveći projekat. Film nam daje uvid u Bjarkeov kreativni proces, kao i u bezbrojne kompromise koje njegov rad neizbežno uključuje, i čini da saosećamo sa njim u trenutku kada i privatni život počinje da ga pritiska. Bjarke Ingels started out as a young man dreaming of creating cartoons. Now, he has been named one of architecture s biggest stars by The Wall Street Journal. BIG TIME follows Bjarke during th course of 5 years ( ), while he struggles to finish his biggest project so far. We are let into Bjarke s creative processes as well as the endless compromises that his work entails, and we are on the side when his personal life starts putting pressure on him, too. Režija / Director Producent / Producer Montaža / Editors Snimatelji / Cinematographers Produkcija / Production Kaspar Astrup Schröder Sara Stockmann Bobbie Esra G. Pertan, Cathrine Ambus, Kaspar Astrup Schröder René Johannesen, Boris B. Betram, Henrik Bohn Ipsen Sonntag Pictures, Good Company Pictures, AVROTROS, SVT, YLE Coproductions

118 116 Lorna Tuker Velika Britanija / UK, Lorna Tucker Kalila se radeći iza kamere i uskačući u autobuse koji su je vodili na turneje sa rok bendovima poput Lupe Fiasco, The Cult i Queens of The Stone Age, snimajući video zapise sa turneja i promotivne materijale. Prelazi na duži format priča i režira dokumentarce, piše scenarije i stvara eksperimentalne umetničke video projekte za klijente poput Alexandera McQueena, Vivienne Westwood, Nike, Redbull i ShowStudio. Lorna Tucker cut her teeth working behind the camera and jumping on tour buses with rock bands such as Unkle, Lupe Fiasco, The Cult and Queens of The Stone Age creating tour videos and music promos. She moved into longer format storytelling, directing documentaries, writing scripts and creating more experimental video art projects for the likes of Alexander McQueen, Vivienne Westwood, Nike, Redbull and ShowStudio. BIOGRAFSKI / BIOGRAPHY Vestvud: Pank, ikona, aktivistinja Vivienne Westwood je velika dama pank roka. Bila je provokatorka koja je dovodila u pitanje prihvaćene vrednosti, doajen britanske mode, jedna od najuticajnijih začetnica trendova u novijoj istoriji. Film istražuje njenu uzlaznu karijeru, detaljno ispitujući njene umetničke kvalitete, aktivizam i kulturnu relevantnost. Kombinujući kultni arhivski i novosnimljeni materijal, ova intimna priča o počecima koji su definisali jednu eru ispričana je kroz reči same Vivijen i dirljive intervjue sa ljudima iz užeg kruga njene porodice, njenim prijateljima i saradnicima. Westwood: Punk, Icon, Activist Dame Vivienne Westwood is Punk Rock s Grande Dame. One time agent provocateur, the doyenne of British fashion, an ecoconscious Boudicca and one of the most influential originators in recent history. The film explores her uphill struggle to success, looking closely at her artistry, her activism and her cultural significance. Blending iconic archive and newly shot observational footage, this era defining, intimate origins story will be told in Vivienne s own words, and through touching interviews with her inner circle of family, friends and collaborators. Režija / Director Lorna Tucker Producent / Producer Eleanor Emptage, Shirine Best, Nicole Stott, John Battsek Montaža / Editor Paul Carlin Festivali / F World Premiere-Sundance Film Festival 2018

119 BIOGRAFSKI / BIOGRAPHY 117 Robert Adanto Školovani glumac i filmski stvaralac, Robert Adanto magistrirao je glumu na njujorškoj Tisch School of the Arts. Svoj režiserski debi imao je sa dugometražnim dokumentarnim filmom The Rising Tide (2008). A classically-trained actor and documentary filmmaker, Robert Adanto earned his MFA in Acting at NYU Tisch School of the Arts. He made his directorial debut with The Rising Tide (2008), a feature-length documentary. Robert Adanto SAD / USA, Upravo rođena Born Just Now Upravo rođena nudi intiman uvid u život Marte Jovanović, beogradske umetnice koja se bori da prebrodi posledice nasilja koje je okončalo njen osmogodišnji brak. Usudivši se da živi po sopstvenim pravilima, Jovanovićeva je izabrala umetnost i umetničko stvaranje napuštajući bračni život i zlostavljanje. Ovaj lični portet dirljiva je meditacija o tome šta znači biti odvažan ženski umetnik u 21.veku. Born just know offers an intimate look at Marta Jovanović, a Belgrade-based artist struggling to cope with the violence that has ended an eight-year marriage. Daring to live on her own terms, Jovanović has chosen art and art-making over marriage and abuse. This personal portrait is a moving meditation on what it means to be a fearless female artist living in the 21st century. Režija / Director Kamera / Cinematography Montaža / Editors Robert Adanto Lazar Bogdanović Michael Gonzales

120 118 Muzičko-plesni dokumentarci Selekcija obuhvata širok spektar žanrovski različitih muzičara i performera, od savremene pop kulture do eksperimentalnog noise-a.

121 119 Music Documentaries The selection includes a broad spectrum of different musicians and performers, ranging from modern pop artists to experimental noise.

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123 MUZIČKO-PLESNI DOKUMENTARCI / MUSIC DOCUMENTARIES 121 Elvira Lind Elvira Lind Danska, Švedska / Denmark, Sweden, Rođena godine u Kopenhagenu, Elvira Lind diplomirala je na City Varsity Školi za medije i kreativne umetnosti u Kejptaunu godine, na smeru za dokumentarni film. Od tada radi u ovoj oblasti, režirajući i snimajući na četiri kontinenta dokumentarne filmove. Born in 1981 in Copenhagen, Elvira Lind graduated from City Varsity -School of Media and Creative Arts in Cape Town in 2006 majoring in documentary film. She has worked within that field since directing and shooting documentaries of various lengths for TV, cinema and web on 4 different continents Bobi Džin Bobi Džin je film o naporima jedne Amerikanke da ostvari kreativnu nezavisnost u trenutku kada se bori da sa svojom umetnošću postigne uspeh u ekstremno kompetitivnom svetu igre. Film nas vodi kroz buran period njenog života u kome se trudi da uskladi svoju strasnu ljubav prema mladom Izraelcu sa posledicama napuštanja sigurne karijere u jednoj od svetski vodećih plesnih trupa. Bobbi Jene Bobbi Jene is a a film about an American woman s fight for creative independence as she strives to succeed with her own art in the extremely competitive world of dance. The film takes us through a tumultuous time in Bobbi s life, as she juggles her fiery love for a young Israeli man with the consequences of leaving a safe career at one of the world s leading dance companies. Režija / Director Producent / Producer Montaža / Editor Kamera / Cinematographer Produkcija / Production Elvira Lind Julie Leerskov & Sara Stockmann Adam Nielsen Elvira Lind Sonntag Pictures APS Festivali / F Tribeca, 2017

124 122 MUZIČKO-PLESNI DOKUMENTARCI / MUSIC DOCUMENTARIES Tomasz Wolski, Anna Gawlita Poljska / Poland, Tomasz Wolski, Anna Gawlita Reditelj, direktor fotografije, montažer, producent, pisac scenarija, snimatelj i montažer. Bio je učesnik radionica Berlinale Talent Campus i Berlin Today Award. Director, script, DOP, editor Director, producer, screenwriter, cinematographer and editor. He participated in Berlinale Talent Campus and Berlin Today Award workshops. Filmska rediteljka, producentkinja i predsednica upravnog odbora Kijora Filma. Radila je kao menadžer produkcije za brojne dokumentarce. Script writer, producer, film director and chairman of the board of the Kijora Film. Production manager ofnumerous documentaries. Festival Festiwal Za muzičare sa apsolutnim sluhom i senzitivnošću iznad prosečne, svaki nastup pred publikom je lekcija i pokušaj da se suoči sa velikim prethodnicima i samim sobom. Na 12. Međunarodnom muzičkom festivalu Šopen i njegova Evropa posmatramo umetnike tokom njihovih priprema za nastup. Postajemo deo probe u kojoj se muzičari približavaju umetničkom savršenstvu, uživajući u svakoj muzičkoj frazi koju izvode. For musician with absolute hearing and above average sensitivity, each performance in front of the audience is a lesson and an attempt to confront the great predecessors and themselves. At the 12th International Music Festival Chopin and his Europe we look at artists during their preparations for the performances. Režija / Director Scenario / Scriptwriter Kamera / Camera Montaža / Editor Produkcija / Production Tomasz Wolski, Anna Gawlita Tomasz Wolski, Anna Gawlita Tomasz Wolski Tomasz Wolski Kijora Films Festivali / F 57th Krakow FF, Poland 2017; Seeyousound FF, Italy 2018; Jecheon International Music & Film Festival, South Korea 2018

125 MUZIČKO-PLESNI DOKUMENTARCI / MUSIC DOCUMENTARIES Jorge Itapuã Majstor kapoere i snimatelj dokumentarnih filmova, Jorge Itapuã tokom 15 godina kamerom beleži svetsku ekspanziju kapoere. Itapuã je producirao i režirao preko 150 video klipova za svoj onlajn kanal, tri web-serije i dva srednjemetražna dokumentarca. Capoeira Master and documentary filmmaker, Jorge Itapuã has been shooting the expansion of capoeira throughout the world for over 15 years. Itapuã has produced and directed over 150 videos for his online channel, three web series and two midlength documentaries. Jorge Itapuã 123 Brazil / Brazil, Kapuera Dva putujuća igrača kapoere, Jorge Itapuã i Ella (Isabél Zuaa), učitelj i učenik, kreću na putovanje koje ima za cilj da ih upozna sa kapoera pokretom u drugim zemaljama. Putovanje budi snažna osećanja koja transformišu njihov odnos za ceo život. Capoeira, Inside the Game Two travelling capoeira players, Jorge Itapuã and Ella (Isabél Zuaa) master and disciple, go on a journey to meet capoeira movement of other countries, which awakens strong feelings that transform their relationship for life. Režija / Director Montaža / Editors Producenti / Producers Produkcija / Production Jorge Itapuã Jorge Itapuã, Rodrigo Savastano, Yan Motta Carol Benjamin, Jorge Itapuã, Leandra Leal and Rita Toledo Daza Filmes Festivali / F Festival Internacional del Nuevo Cine Latinoamericano La Habana, Mostra Internacional de Cinema de São Paulo São Paulo, Festival Guarnicê Maranhã, Brazil, Maranhão na Tela Maranhão, San Diego Latino Film Festival Evropska premijera / European premiere

126 124 MUZIČKO-PLESNI DOKUMENTARCI / MUSIC DOCUMENTARIES Reto Caduff, Stephan Plank Nemačka / Germany, Reto Caduff, Stephan Plank Rođen godine u Cirihu, studirao je grafičke umetnosti i tipografiju u Arau, Švajcarska. Za svoj debitantski film Krokus As Long as We Live (2005), Caduff je nagrađen Ciriškom filmskom nagradom godine nominovan je za nagradu Grimme za svoju televizijsku seriju Playlist (Tele 5). Rođen je godine u Volperatu, pored Nojnkiršena u predgrađu Kelna. Od završetka srednje škole do godine Plank vodio muzički studio svog oca. Conny Plank The Potential of Noise njegov je rediteljski debi. Born in Zurich in 1967, studied graphic arts and typography in Aarau, Switzerland. For his debut film Krokus As Long as We Live (2005), Caduff was awarded the Zurich Film Prize. He was nominated for the Grimme Award in 2014 for the TV series Playlist (Tele 5). Born in 1974 in Wolperath, near Neunkirchen on the outskirts of Cologne. After graduating high school, Plank managed his father s old sound studio until Conny Plank The Potential of Noise is his directorial debut. Koni Plank - potencijal buke Konrad Koni Plank ( ) bio je jedan od najinovativnijih dizajnera zvuka i muzičkih producenata svog vremena. Muzički zapisi koje je snimio u svom čuvenom studiju u Volperatu u Kelnu uneli su revoluciju u muzički svet. Privatni i većinom do sada neprikazivan arhivski materijal izmešan je sa ličnim intervijuima sa muzičarima da bi se omogućio uvid u Konijev krajnje studiozan i senzitivan način rada. Emocionalni portret legendarnog Koni Planka tako postaje i fascinantno putovanje kroz istoriju nemačke i svetske pop muzike 70-tih i 80-tih. Conny Plank The Potential of Noise Konrad Conny Plank ( ) was one of the most innovative sound designers and music producers of his time. The recordings he made at his storied studio in Wolperath, in the environs of Cologne, revolutionized the music world. Private and for the most part never-before-seen archival footage is interspersed with personal interviews in which musicians provide insight into Conny s meticulous and highly sensitive manner of working. The emotional portrait of the legendary Conny Plank thus also becomes a fascinating journey through the history of German and international pop music in the 1970s ad 1980s. Režija / Director Reto Caduff, Stephan Plank Kamera / Camera Frank Griebe, Roman Schauerte Montaža / Editor Maxine Goedicke Festivali / F Film Festival Cologne, 2017

127 MUZIČKO-PLESNI DOKUMENTARCI / MUSIC DOCUMENTARIES Steve Loveridge Digitalni umetnik i filmski autor iz Londona. MATANGI / MAYA / M.I.A. je njegov prvi dugometražni dokumentarac. Steve Loveridge is digital artist and filmmaker from London. MATANGI / MAYA / M.I.A. is his debut feature-length documentary. Steve Loveridge 125 Velika Britanija, SAD / Sri Lanka, UK, USA, MATANGI / MAYA / M.I.A. MATANGI / MAYA / M.I.A. je film sačinjen od ličnih video zapisa koje su Maya Arulpragasm i njeni najbliži prijatelji snimali tokom proteklih dvadeset godina, beležeći njen izuzetni životni put od londonskog tinejdžera-imigranta do svetske pop-zvezde M.I.A. Ne praveći kompromise, Maja je bez prekida snimala tokom bitki koje je vodila sa muzičkom industrijom i mejnstrim medijima, dok su njen uspeh i slava rasli pretvorivši je u jednu od najprovokativnijih i najkontroverznijih umetnica u popularnoj muzici danas. MATANGI / MAYA / M.I.A. MATANGI / MAYA / M.I.A. is drawn from a cache of personal tapes shot by Maya Arulpragasm and her closest friends over the last 22 years, capturing her remarkable journey from immigrant teenager in London, to the international popstar M.I.A. Never compromising, Maya kept her camera rolling through her battles with the music industry and mainstream media as her success and fame grew and she rose to become one of the most provocative and divisive artists working in music today. Režija i produkcija / Director & Producer Muzika / Score by Steve Loveridge Dhani Harrison & Paul Hicks Festivali / F World Cinema Documentary- Special Jury Award-Sundance Film Festival 2018

128 126 Fokus na Baltik Povodom stogodišnjice prve nezavisnosti Baltičkih zemalja biće prikazano šest filmova koji predstavljaju vrh moderne dokumentaristike Litvanije, Letonije i Estonije.

129 127 Focus on Baltic Six new documentaries from Lithuania, Latvia and Estonia will be shown in the Focus Selection, marking 100th anniversary of the first independence of the Baltic states.

130 128 FOKUS NA BALTIK / FOCUS ON BALTIC Matīss Kaza Letonija, SAD / Latvia, USA, Matīss Kaza Rođen godine u Štokholmu, Švedska, filmski je autor koji trenutno živi u Njujorku. Odrastao u Rigi, Letonija, fasciniran fimom od malih nogu, Kaza je kao pisac radio na nekoliko dugometražnih dokumentaraca. Kao autor dokumentarnih filmova, zanima se za priče o ličnostima, mestima i problemima koji su zanemereni od strane širokih slojeva društva. One ticket please je Matissov rediteljski debi. Born in 1995, in Stockholm, Sweden, is a filmmaker currently based in New York City. Matiss Kaza grew up in Riga, Latvia. Fascinated with film from an early age, Kaza has worked on several feature-length documentaries as a writer. As a documentarian, he is interested in telling stories about personalities, places and issues which are overlooked by the general society. One Ticket Please is his debut in documentary directing. Jednu kartu, molim Niki Kohrejn, 78-godišnja Indijka iz Njujorka, najstrastveniji je posetilac pozorišta na svetu. Već dvadeset pet godina gleda bar jednu predstavu dnevno. Razvila je niz dovitljivih tehnika da dobije besplatne karte za većinu njujorških pozorišta. Kada čavrljanje sa menadžerima ne pomogne, Niki stoji ispred ulaza u pozorište noseći plakat sa natpisom Jednu kartu, molim, nadajući se da će neko imati jednu kartu viška koja mu ne treba. One Ticket, Please A 78-year-old Indian woman in New York is the world s most passionate theatergoer. Nicki Cochrane been going to at least one play every day for more than 25 years. Always taking along her large bags, Nicki is ready to fight for a free seat at any show that s worth her time. When small talk with the box office managers doesn t get her a free ticket, Nicki stands outside the theater entrance, holding a sign which says One Ticket Please hoping that a stranger will have an extra ticket to spare. Režija / Director Uloge / Cast Producenti / Producer Montaža / Editor Matiss Kaza Una Celma, Reid Hannaford, Matiss Kaza, David Scherker Gunta Ikere Festivali / F Latvian National Film Award Lielais Kristaps for FIPRESCI International Federation of Film Critics Latvian Branch Special Award, Göteborg Film Festival, 2017; Latvia, 2017; Krakow Film Festival, 2017

131 FOKUS NA BALTIK / FOCUS ON BALTIC 129 Albina Griniute Albina Griniute Litvanija, Finska / Lithuania, Finland, Albina Griniute rođena je godine u Vilnusu, Litvanija. Studirala je na Baltičkoj školi za film i medije (Estonija) i na univerzitetu Anadolu (Turska). Njen debitantski dugometražni dokumentarac Paradise Gowns nagrađivan je na festivalima u svetu i osvojio je nagradu Litvanski filmski autor godine. Albina Griniute was born in Vilnius, Lithuania, in She studied in the Baltic Film and Media School (Estonia) and Anadolu University (Turkey). Her debut feature documentary Paradise Gowns has received awards internationally and won the Lithuanian Cinematographer of the Year award. Rajske odore Prostrani finski arhipelag čine hiljade stenovitih ostrva. To je mesto gde vreme teče na drugi način, um ima prostora da luta, a čak i najmanje svakodnevne stvare mogu da budu izvor beskrajne fascinacije. Film predstavlja pet ostrvljana koji nam otkrivaju, svako iz svog ugla, različite strane arhipelaga i ljudskog duha. Paradise Gowns The vast Finnish archipelago consists of thousands of rocky islands. It s a place where time passes differently, the mind has space to wander and even the smallest everyday things can be a source of endless fascination. The film introduces five islanders who, each in their own way, reveal different sides of the archipelago and of the human spirit. Režija / Director Producenti / Producer Montaža / Editor Kamera / Camera Albina Griniute Liisa Juntunen, Gajane Kalatshjan, Vygantas Kirejevas Vygantas Kirejevas Saulius Lukosevicius

132 130 FOKUS NA BALTIK / FOCUS ON BALTIC Kiur Aarma, Raimo Jõerand Estonija, Finska / Estonia, Finland, Kiur Aarma, Raimo Jõerand Kiur je rođen u Talinu, Estonija. Filmski producent i scenarista. Kiur je studirao semiotiku i kulturnu teoriju na univerzitetu Tartu i scenario na master tečaju na Baltičkoj školi za film i medije. Kiur Aarma was born in Tallinn, Estonia. Film producer and screenwriter. Kiur has studied semiotics and cultural theory in Tartu University and script-writing at Baltic Film and Media School master class. Raimo Jõerand rođen je u Talinu. On je frilans scenarista i filmski režiser, predavač nekoliko predmeta posvećenih dokumentarnom filmu, filmskoj montaži i pisanju scenarija na Estonskom univerzitetu. Raimo Jõerand was born in 1972 in Tallinn. Freelance scriptwriter and film director, lecturer of several courses about documentary, film editing and scriptwriting in Estonian universities. Rodeo Godina je i, na iznenađenje svih, prvi slobodni izbori održani u Estoniji nakon Drugog svetskog rata na vlast su doveli mlade i idealističke političke snage. Njih vodi 32-godišnji Martin Laar, najmlađi premijer u Evropi, kome je u zadatak dato da zemlju izvede iz haosa. Iz današnje perspektive, novo oslobođena Estonija divlja je i nepredvidljiva. Uključuje rusku vojsku, neobuzdani kriminal i mafijaške bande koje ratuju na ulicama. Rodeo It is 1992 and the first free elections held in Estonia since World War II have to the surprise of all brought to power young and idealistic political forces. They are led by 32-year-old Mart Laar, Europe s youngest prime minister, who is charged with crafting a country out of chaos. From today s perspective, newly fee Estonia is wild and volatile. It includes the Russian military, rampant crime and mafia gangs battling in the streets. Režija / Director Montaža / Editor Kamera / Camera Muzika / Music Producenti / Producer Raimo Jõerand & Kiur Aarma Matti Näränen Additional, Raimo Jõerand Manfred Vainokivi Ardo Ran Varres Kiur Aarma, Ari Matikainen

133 FOKUS NA BALTIK / FOCUS ON BALTIC 131 Terje Toomistu Terje Toomistu Estonija, Nemačka, Finska / Estonia, Germany, Finland, Estonska autorka dokumentarnih filmova, po obrazovanju antropolog. Njen rad često je inspirisan različitim interkulturalnim procesima, iskrivljenim realnostima i kulturnim pamćenjem. Poseduje dve magistarske titule - jednu iz etnologije i jednu iz oblasti medija i komunikacije sa Univerziteta u Tartu, gde trenutno priprema svoj doktorat iz antropologije. Estonian documentary filmmaker with a background in anthropology. Her work often draws from various cross-cultural processes, queer realities and cultural memory. She holds double MA degrees in Ethnology and in Media and Communication from University of Tartu, where she is currently pursuing a PhD degree in anthropology. Sovjetski hipici U potrazi za slobodom i srećom, živopisna grupa umetnika, muzičara, osobenjaka, lutalica i ostalih dugokosih frikova stvorila je svoj sistem u Sovjetskom Savezu. Godinama kasnije, grupa ekscentričnih hipija odlazi na putovanje u Moskvu gde se ljudi još uvek okupljaju svake godine 1. juna da bi obeležili tragične događaje iz godine, kada je KGB uhapsio na hiljade hipija. Soviet Hippies In search of freedom and happiness under the thumb of the strict political regime a colorful crowd of artists, musicians, freaks, vagabonds and other long-haired drop-outs created their own System in the Soviet Union. Years later, a group of eccentric hippies take a road journey to Moscow where people still gather annually on the 1st of June to commemorate a tragic event in 1971, when thousands of hippies were arrested by the KGB. Scenario i režija / Script and directed by Zvuk / Sound Montaža / Edited by Kamera / Camera Terje Toomistu Seppo Vanhatalo Martin Männik Taavi Arus

134 132 Marianna Auliciema, Brigita Tamuža, Bruno Aščuks Letonija / Latvia, Marianna Auliciema (Auliciems), Brigita Tamuža, Bruno Aščuks Vodi muzej i istraživački centar Letonci u inostranstvu u Rigi, Letonija. Lead the Latvians Abroad museum and research centre in Rīga, Latvia. FOKUS NA BALTIK / FOCUS ON BALTIC Diplomirala je na Fakultetu za istoriju i filozofiju na Univerzitetu u Letoniji. Graduated from the Faculty of History and Philosophy of the University of Latvia. Letonski filmski kritičar, teoretičar i filmski autor. Latvian film critic, theorist, producer and filmmaker. Varpa obećana zemlja Proroci su Brazil proglasili obećanom zemljom, u kojoj je nekolicina izabranih, nakon očišćenja od ovozemaljskih grehova, trebala da bude uznesena na nebo. Kada se to nije dogodilo, najekstremniji vernici osnovali su hrišćansku zajednicu koja je praktikovala asketski i pobožan život. Film koristi svedočenja očevidaca da bi otkrio priču o prilagođavanju na novi život u stranoj zemlji, u kojoj je više od 200 ljudi izgubilo život u nekoliko prvih godina po dolasku. Vārpa - The Promised Land Prophets had proclaimed Brazil as the Promised Land, where, after cleansing themselves of worldly sins, the chosen few would be taken up to heaven. When this did not happen, the most extreme believers established a Christian commune with an ascetic and pious lifestyle. This film uses eyewitness accounts from the first colonists and interviews with their descendants to reveal the complex and harrowing acclimatization to new life in a foreign land, where more than 200 people died in the first years. Autori / Authors Kamera / Camera Montaža / Editor Producenti / Producers Marianna Auliciema, Brigita Tamuža, Bruno Aščuks Valdis Celmiņš Bruno Aščuksi Marianna Auliciema, Bruno Aščuks Svetska premijera / World premiere

135 FOKUS NA BALTIK / FOCUS ON BALTIC 133 Arunas Matelis Arunas Matelis Estonija, Nemačka, Finska / Estonia, Germany, Finland, Rođen godine in Kaunasu, SSSR/sada Litvanija. Nakon što je režirao 10 kratkih dokumentaraca, prvi srednjometražni dokumentarac Before Flying Back To The Earth dobio je više od 10 nagrada, uključujuću nagradu Američkog udruženja filmskih režisera, nagradu na IDFA festivalu u Amsterdamu, DOK Leipzig, kao i nominaciju za Evropsku filmsku nagradu. Born in 1961 in Kaunas, USSR/ now Lithuania. After directing 10 creative documentary shorts, Arunas Matelis first medium length documentary Before Flying Back To The Earth received more than 10 awards, including Directors Guild of America (DGA) Award, awards at IDFA Amsterdam, DOK Leipzig, and a nomination for the European Film Award. Veličanstveni gubitnici: Drugačiji svet Za većinu od nas, biciklisti koji voze na začelju trke jednostavno su gubitnici. Arunas Matelis pratio je ove Sanče Panse profesionalnog biciklizma tokom sedam godina prestižne trke Giro d Italia i prikazao nevidljivi svet ovih divnih gubitnika profesionalnog biciklizma iz ugla lekarskog tima. Naši biciklistički heroji padaju, ustaju - i ponovo voze. Wonderful Losers: A Different World For most of us, those cyclists running at the back of the race are simply the losers. Arunas Matelis followed these Sancho Panzas of professional cycling for 7 years during the prestigious Giro d Italia and reveals the unseen world of these wonderful losers of professional cycling from the point of view of the doctors team. Our bike heroes crash, rise - and race again. Režija / Director Kamera / Camera Montaža / Editors Producenti / Producers Arunas Matelis Mark Olexa, Ivars Zviedris, Simone Rivoire, Giordano Bianchi, Valdis Celmins, Andrius Kemežys, Giacomo Becherini, Paolo Beniti, Vincent O Callaghan, Arunas Matelis, Martin Männik,Taavi Arus Mirjam Jegorov, Gatis Belogrudovs Arunas Matelis & lgimantė atelienė (Studio Nominum / Lithuania) Festivali / F Warsaw IFF 2017, Poland (Best Documentary Award) Listapad IFF Minsk 2017, Belarus (Grand Prix for Best Documentary Film as well as Audience Award), Black Nights FF Tallinn 2017, Estonia Alpe Adria Cinema FF Trieste 2018, Italy (Alpe Adria Cinema Award for Best Documentary) ZagrebDox 2018, Croatia, Dublin IFF 2018, Ireland, Sofia IFF 2018, Bulgaria, DocuDays IFF Kyiv 2018, Ukraine, Let s Cee FF Vienna 2018, Austria, Moscow IFF 2018, Russia, Trento IFF 2018, Italy Award of the Lithuanian Filmmakers Union for Best Lithuanian Film of 2017

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137 135 Specijalne projekcije U okviru specijalnih projekcija osvrćemo se pretežno na aktuelne teme filmove iz bivših jugoslovenskih republika. Special Screenings Within special screenings, we focus mainly on films with current topics from the former Yugoslav republics.

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139 SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS Blok 70 Zhi Wang Programski direktor, planer i direktor fotografije za Kineski međunarodni radio; član Komiteta za umetnički pregled Kineske televizije. Prethodno je je radio kao producent, programski direktor i direktor fotografije za televizijski centar Kineskog međunarodnog radija. Od do godine bio je producent, direktor i fotograf dokumentarnog programa Kina u očima stranaca, koji je ko-produciran od strane Kineske centralne televizije i Kineskog međunarodnog radija. Program director, planner and photography director at China Radio International; a member of the China Television Arts Review Committee; He once worked as the producer, program director and photography director of the CRI Television Center. From 1991 to 1998, he was the producer, director and photographer of China in Foreigners Eyes, a documentary co-produced by China Central Television and China Radio International. Devedesetih godina prošlog veka, veliki broj Kineza došao je u Srbiju. Većina nih, započela je život u Beogradu prodajući jeftine proizvode u bloku 70. Dvadesetak godina kasnije, blok 70 postao je čuven kao kineska pijaca ili srpski Čajnataun, kako ga lokalci zovu. Dokumentarni film Blok 70 beleži snove i ambicije ovih sitnih riba, te kroz njihove priče slika portret kinesih iseljenika u Srbiji. Ovaj film zajednički su pomogle ambasada Narodne republike Kine u Srbiji, Radio Televizija Srbije i Kineski međunarodni radio. Zhi Wang Blok Kina, Srbija / China, Serbia, During the last decade of the last century many Chinese ended up in Serbia. Most of them started their new lives in Belgrade, selling cheap household trinkets at the market in Block 70 in New Belgrade. Two decades later Block 70 is already known as the Chinese Market or the Serbian Chinatown, as the locals call it. Block 70 documentary is about the ambitions of this Chinese small fish and paints the portrait of the average Chinese expat in Serbia. The film was jointly supported by the Embassy of the People s Republic of China in Serbia, Radio Television of Serbia and China Radio International. Režija / Directory Kamera / Camera Montaža / Editor Producenti / Producers Muzika / Music Zhi Wang Zhi Wang, Milan Stanić Hui Luan Ping Wang, Hongchao Zhao Yun Ling Svetska premijera / World premiere

140 138 Miroslav Sikavica Hrvatska / Croatia, Miroslav Sikavica Hrvatski filmski i televizijski reditelj i scenarista. Rođen u Zagrebu. Diplomirao je na dodiplomskom studiju filmske i televizijske režije na Akademiji dramske umjetnosti (ADU) u Zagrebu. Autor je mnogobrojnih dokumentarnih filmova (Oblak, Od 6 mjeseci do 3 godine, Čardak ni na nebu ni na zemlji, C2H5OH, Kako miriše nebo...), koji su osvojili niz festivalskih nagrada i priznanja. SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS A Croatian film and TV director and scriptwriter. Born in 1975 in Zagreb. Graduated from the Zagreb s Academy of Dramatic Arts (ADU), at the Film and TV Directing Department. He is an author of numerous documentary films (Cloud, From 6 months to 3 years, Castles in the Air, C2H5OH, The Scent of the Sky), which received a number of festival awards. Glasnije od oružja Avioni, tenkovi, bombe, automatske puške, mediji i propaganda bili su oružje po izboru domovinskog rata. Pa ipak, najglasnije bile su pesme. Nacionalne televizijske kuće smatrale su muziku značajnim oblikom političke borbe, pa su je naručivali, finansirali, snimali i intenzivno emitovali. I dvadeset godina nakon domovinskog rata, domoljubne pesme još uvek privlače pažnju i bude emocije. Louder than Guns Aircrafts, tanks, bombs, automatic rifles, media and propaganda were the Homeland War weaponry of choice. Nevertheless, the loudest were the songs. The national TV broadcaster considered music an important form of political fight, so they commissioned, financed, recorded and intensely broadcasted it. Even twenty years after the end of the Homeland War, its soundtrack still attracts attention and sparks emotions. Scenario i režija / Script and directed by Montaža / Editor Direktor fotografije / DoP Producent / Producer Produkcija / Production Miroslav Sikavica Miran Miošić Hrvoje Franjić Nenad Puhovski Factum

141 SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS 139 Nicolas Wagnières Nicolas Wagnières Švajcarska / CH, Rođen je godine u Lozani u Švajcarskoj. Često sarađuje kao videografer sa pozorišnim rediteljima i koreografima u Ženevi (Foofwa d Imobilité, Noemi Lapzeson, Jérôme Richer i drugi), dok radi na dokumentarnim projektima. Hotel Jugoslavija njegov je prvi dugometražni dokumentarni film. Nicolas Wagnières was born in Lausanne, Switzerland in He frequently collaborates as a Videographer with stage directors and choreographers in Geneva (Foofwa d Imobilité, Noemi Lapzeson, Jérôme Richer and others) while working on documentary projects. Hotel Jugoslavija is his first feature film. Hotel Jugoslavija Podignut godine na Novom Beogradu, hotel Jugoslavija predstavljao je mitsko mesto. Bio je kako simbol, tako i svedok različitih trenutaka koji su oblikovali bivšu Jugoslaviju: od Tita do Miloševića; od socijalizma do nacionalizma, od NATO bombardovanja do korumpiranog ekonomskog liberalizma. Danas još uvek predstavlja mučan deo beogradskog pejzaža, kao odraz srpskog društva u potrazi za novim prekretnicama. Hotel Jugoslavija Erected in Novi Belgrade in 1969, the Hotel Jugoslavija was a mythical place. It was both a symbol and a witness to the various moments that shaped former Yugoslavia: From Tito to Milosevic; from Socialism to Nationalism; from NATO s bombings to corrupted economic liberalism. Today it is still haunting Belgrade s landscape, as a reflection of a Serbian society in search of new milestones. Režija / Director Producent / Producer Kamera / Camera Zvuk / Sound Montaža / Editor Nicolas Wagnières Benjamin Poumey Denis Jutzeler, Benoit Peverelli Masaki Hatsui Damián Plandolit Festivali / F European premiere on 68th International Filmfestival Berlin, Panorama Dokumente

142 140 Irena Škorić Hrvatska / Croatia, Irena Škorić Diplomirala je i magistrirala filmsku i TV režiju na Akademiji dramske umjetnosti u Zagrebu. Doktorirala je na Fakultetu dramskih umetnosti u Beogradu. Sudjelovala je na mnogim domaćim i inozemnim filmskim festivalima gdje je osvojila 50 nagrada. Režirala je preko 30 filmova. SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS Graduated film and TV directing at the Academy of Dramatic Art in Zagreb. She obtained her Ph.D. at the Faculty of Dramatic Arts in Belgrade. Her films have participated in numerous local and international festivals and won 60 prizes. She is the author of the book Eros on film. Hram cvijeća Snimljen povodom 150. godišnjice završetka gradnje srpske pravoslavne crkve Preobraženja Gospodnjega u Zagrebu na Cvjetnom trgu, najpoznatijem u Zagrebu. Na afirmativan i edukativan način u film se nastoji prikazati istorijat izgradnje i opremanja kako ove građevine tako i njene prethodnice, prve zagrebačke pravoslavne crkve, odnosno stare katoličke kapele svete Margarete koju je pravoslavna zajednica kupila godine. Temple of Flowers Created on the occasion of the 150th anniversary of the completion of the Serbian Orthodox Church of the Transfiguration of the Lord in Zagreb at Cvjetni (Flower) Square, the most famous Zagreb square. In an affirmative and educative way, film is trying to present the history of construction and furnishing of both this building and its forerunners, the first Orthodox Church in Croatia, and the old Catholic Chapel of St. Margaret bought by the Orthodox community in Režija / Director Scenaristi / Script Glume / Cast Direktor fotografije / DoP Montaža / Editor Producent / Production Irena Škorić Dragan Damjanović, Irena Škorić, Slobodan Uzelac Bogdan Diklić, Đorđe Kukuljica, Dušan Gojić, Ozren Opačić, Nikša Kušelj, Jelena Jokić Robert Krivec Silvije Magdić Srpska pravoslavna crkva, Mitropolija zagrebačko-ljubljanska, Crkvena općina Zagreb Svetska premijera / World premiere

143 SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS 141 Maxim Pozdorovkin Režirao je četiri dokumentarna filma i mnoštvo kratkih. Njegova filmografija uključuje: Pussy Riot: A Punk Prayer (Nagrada žirija na Sandens festivalu 2013) i The Notorious Mr.Bout (Sandens 2014). Maksim je doktorirao na Harvardu sa disertacijom na temu rane propagande. Is the director of four documentaries and multiple shorts. His films include Pussy Riot: A Punk Prayer (Sundance 2013 Jury Prize) and The Notorious Mr.Bout (Sundance 2014). Maxim holds a PhD from Harvard University for a dissertation about early propaganda. Maxim Pozdorovkin USA, Rusija / SAD, Russia, Naš novi predsednik Sve počinje sa Hilari Klinton i kletvom sibirske princeze mumije... Putovanje u lavirint lažnih vesti, Naš novi predsednik je satira o ruskim medijima i njihovom viđenju američke politike. Krećući se između vesti kontrolisanih od strane medija i njihove živopisne reinterpretacije od strane ruskih građana, film opisuje Trampov izbor za predsednika koristeći materijale koje je producirala Putinova propagandna mašina. Our New President It all begins with Hillary Clinton and the curse of the Siberian mummy princess. A trip down the rabbit hole of fake news, Our New President is a satire about the Russian media and its take on American politics. Moving between Kremlin-controlled network news and colorful reinterpretations of this news diet by average Russians, the film charts Trump s election using footage produced by Putin s propaganda machine. Režija / Directed Producenti / Producers Montaža / Editors Muzika / Composer Maxim Pozdorovkin Joe Bender, Maxim Pozdorovkin, Charlotte Cook Maxim Pozdorovkin, Matvey Kulakov Ivan Markovsky Festivali / F Sundance Film Festival, CPH: DOX, Miami Film Festival, True/False Film Festival, Big Sky Documentary Festival, Sundance Film Festival 2018 Special Jury Award for Editing Berlin, Panorama Dokumente

144 142 Dmitrii Kalashnikov Belorusija, Rusija, Srbija, BiH, Hrvatska / BY, RU, RS, BIH, Dmitrii Kalashnikov Rođen u Arhangesku godine. Njegov multimedijalni projekat Maljevič na trgu, predstavljen je na 3. Moskovskom međunarodnom bijenalu za umetnost mladih (Rusija), kao i na izložbi mladih savremenih ruskih umetnika Ja sam ja u galeriji Kunst im Tunnel (Dizeldorf, Nemačka). Diplomirao na IDFA Akademiji u Amsterdamu godine. SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS Born in Archangelsk,1986. In 2012 created multimedia project Malevich in the Square, which was presented at the 3rd Moscow International Biennale for Young Art (Russia) and at the exhibition of young Russian contemporary artists I am who I am in Kunst im Tunnel (Dusseldorf, Germany). Graduated from IDFA Academy, Amsterdam in The Road Movie Ovaj fascinantni mozaik asfaltnih avantura i pejzažne fotografije, u kojoj video snimci brojnih automobilskih kamera predstavljaju apsurdnu i zastrašujuću prirodu Rusije. Pored serije bizarnih auto nezgoda na lokalnom putu, automobilske kamere kroz šoferšajbnu beleže i druge prizore, kao što su histerični gosti na venčanju, zbunjeni muškarac i konjske saonice. The Road Movie This fascinating mosaic of asphalt adventures and landscape photography, in which video footage from a variety of dashboard cameras presents the absurd and frightening nature of Russia. Alongside a series of bizarre car accidents on the country s roads, the dashboard cameras also capture other spectacles through the windshield, such as a hysterical wedding guest, a confused man and a horsedrawn sleigh. Režija / Directed by Producent / Producer Produkcija / Production Dmitrii Kalashnikov Volia Chajkouskaya Volia Films Co-production companies: Eight and A Half Studio, Novi Film, Light Cone Pictures Festivali / F International Documentary Festival Amsterdam, 2016, Nashville Film Festival, 2017, True/False Film Festival, 2017, Docs Against Gravity Film Festival, 2017, Sheffield Doc/Fest, 2017, Sarajevo Film Festival, 2017, Helsinki International Film Festival, 2017, Zurich Film Festival, 2017, Denver International Film Festival, 2017, Cucalorus Film Festival 2017

145 SPECIJALNE PROJEKCIJE / SPECIAL SCREENINGS 143 Mustafa Mustafić Mustafa Mustafić Bosna i Hercegovina / Bosnia and Herzegovina, Rođen u Sarajevu. Završio je Prvu sarajevsku gimnaziju, studirao na AKFU u Zagrebu. Od radi kao profesionalni filmski snimatelj igranih, kratkih igranih i dokumentarnih filmova, te TV filmova i serija. Predsjednik je Asocijacije snimatelja u BiH. Born in Sarajevo, in He has graduated from Prva gimnazija Sarajevo and studied at AKFU in Zagreb. Since 1965., he has been working as a professional cinematographer for feature and short movies as well as the documentaries, TV movies and series. He is the President of the Association of Cinematographers in BiH. Saraj vo Saraj vo najbolje opisuje veličinu glavnog grada Bosne i Hercegovine, njegov zavodljivi duh i sveobuhvatnost mikrokosmosa koji omeđuje. Mustafa Mustafić, legendarni snimatelj, snimio je posvetu gradu u kojem je proveo svoj život. Saraj vo sumira sve što jedna iznimno neobična sredina, zajedno s njegovim stanovnicima, gostima i turistima, čini gradom. Saraj vo Saraj vo describes the real scale of the capital of Bosnia and Herzegovina, its seductive spirit and the scope of the microcosm that it borders. Mustafa Mustafić, the legendary cameraman, filmed this dedication to the city where he spent his life. Saraj vo sums up everything about this very unusual environment, together with its inhabitants, guests and tourists. Režija / Directeor Producent / Producer Produkcija / Production Direktor fotografije / DoP Montaža / Editor Mustafa Mustafić Amra Bakšić Čamo SCCA / pro.ba Mustafa Mustafić, Almir Đikoli, Faris Dobraca Miralem Zubčević

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148 146 Beldocs Teen Dubravka Radusinović i Inja Korać Autorke Beldocs Teen programa Beldocs već drugu godinu za redom organizuje filmski program usmeren na tinejdzere i u njemu predstavlja dokumentarne filmove koji tematizuju i osvešćuju mnoge zahtevne promene s kojima se susreću oni koji su na putu prema odrastanju. Pored projekcija odabranih dokumentarnih filmova program uključuje radionice, predavanja i on-line priručnike namenjene mladima i svima koji rade sa mladima - nastavnicima, pedagozima, psiholozima, ali i roditeljima. Učenicima osnovnih i srednjih škola se kroz ovaj program pruža prilika da na kreativan način uče, otvaraju nove perspektive, izraze svoje stavove i steknu uvide u domete društvenog aktivizma, a podstice ih na dijalog i aktivno razvijanje sopstvenih ideja i realizaciju istih u svojim zajednicama. Poseban akcenat je na kritickoj analizi vizuelnih sadržaja u obrazovanju, jer su mladi njima dominantno okruženi. Korišćenje jezika filmske slike danas više nije potreba niti privilegija profesionalaca. Digitalne tehnologije, svima dostupne video kamere i internet revolucija učinile su da se sve više govori pokrenim slikama, a sve manje rečima. Elementarna medijska pismenost postaje deo masovnog obrazovanja, potreba svih, a važnost interpretiranja video komunikacije u budućnosti će samo rasti. Generacija današnje školske dece koristiće video jezik jednako učestalo kao što danas koriste verbalnu komunikaciju pa im je pomoć oko dešifriranja filmskog jezika neizmerno važna ne samo kako bi se kroz filmske priče lakše nosili s izazovima koje im nosi odrastanje nego i kako bi što potpunije funkcionisali u savremenom društvu ali i na tržištu rada. Prateći ovogodišnju ponudu dokumentarnih filmova usmerenih tinejdzerima odabrali smo četiri filma za koja smatramo da na adekvatan i mladima interesantan način pristupaju važnim temama odrastanja. Film Zovi me Toni bavi se pitanjem uspeha i procesom odrastanja u kojem moramo zrelo prihvatiti i povreme neuspehe. Film u Beograd dolazi nakon mnogih važnih svetskih filmskih festivala uključujući Dok Leipzig u Nemačkoj i IDFA u Holandiji. Majstorica dokumentarizma Claire Simon režirala je film Mladi kadrovi u kojem na realističan i nimalo dramatičan način razgovara s mladima o njihovim porodičnim situacijama. Film nudi prekrasnu mogućnost da uprkos najrazličitijim, ponekad teškim životnim prilikama pozitivno gledamo u budućnost uz veru da je ona u našimrukama. Film je imao svetsku premijeru na filmskom festivalu u Berlinu. Treći naslov Devojke iz Ouage govori o devojkama iz Burkine Faso čiji su životni uslovi, uslovi obrazovanja i budućnost mnogo zahtevniji nego što smo mi u zemljama Europe navikli. Naročito je zanimljiva njihova hrabrost i rešenost da u zemlji u kojoj je nezaposlenost 50% a pozicija žena prilično neazividna odaberu jedan muški poziv kao što je auto mehaničarski. Na kraju, donosimo autobiografski film o planetarno popularnoj ali kontraverznoj reperki MATANGI / MAYA / M.I.A.o čijem opusu naša mlada publika sasvim sigurno zna mnogo. Ipak, manje im je poznata pozadina odrastanja ove umetnice priča devojke koja je u London stigla kao imigrant iz Sri Lanke sa zahtjevnim porodičnim prilikama. Njena priča sažima mnogo o društvu u kojem živimo, od globalizacijite o današnjim zahttevnim uslovima odrastanja. Film je imao svetsku premijeru na filmskom festivalu u Sundanceu a europsku premijeru na festivalu u Berlinu.

149 147 Beldocs Teen Dubravka Radusinović & Inja Korać Beldocs Teen program Authors For already two years in a row, Beldocs has been organising a teenage-focused film programme, which presents documentary films that thematise or raise awareness of many demanding changes faced by those who are on the path to adulthood. Today, the use of a film-image language is no longer a need or a privilege of professionals, since digital technologies, widely-available video cameras and internet revolution have created communication that is increasingly more relying on moving images and less on words. Elementary media literacy is becoming a part of primary education and a common need, while the importance of interpreting video communication will only increase in future. The present generation of school children will use the video language equally often as we use verbal communication today; therefore, the assistance in deciphering a film language is tremendously important, not only to help them respond to challenges that growing up brings, but also to help them do well in a contemporary society and labour market. After examining this year s offer of documentary films focused on teenagers, we have selected four films for which we think that adequately, and in a manner appealing to young people, approach the important issues related to growing-up. The film Call me Toni deals with the issue of success and the process of growing-up in which we have to accept occasional failures in a mature way. The film is coming to Belgrade after many important international film festivals, including Dok Leipzig in Germany and IDFA in the Netherlands. The master of documentary film Clair Simon directed the film Young Solitude in which she talks to young people, in a realistic and not in the least dramatic way, about their family situations. The film offers a beautiful opportunity for taking a positive view of the future, despite difficult life circumstances, and believing that our future lies in our hands. The film had its premiere at the Berlin Film Festival. The third film in this selection, Ouaga Girls speaks about girls from Burkina Faso whose living conditions, education conditions and the future are far more demanding than ours. What is particularly interesting is their courage and resolution to choose, in a country with the 50% unemployment rate and an unenviable position of women, a profession that is undeniably male - that of a car mechanic. Finally, we present a biographical film about a planetary popular, but also controversial rap singer MATANGI / MAYA / M.I.A, whose music career is probably well-known to our young audience. However, what is less known about her is the background story of her growing up a girl who came to London as an immigrant from Sri Lanka with demanding family circumstances. Her story epitomises many aspects of the society in which we live in, globalisation and contemporary conditions for growing up. The film had its world premiere at the Sundance Film Festival and a European debut at the Berlin Festival.

150 148 EDUKATIVNI PROGRAM / EDUCATIONAL PROGRAMME Steve Loveridge Velika Britanija, SAD / Sri Lanka, UK, USA, Steve Loveridge Digitalni umetnik i filmski autor iz Londona. MATANGI / MAYA / M.I.A. je njegov prvi dugometražni dokumentarac. Steve Loveridge is digital artist and filmmaker from London. MATANGI / MAYA / M.I.A. is his debut feature-length documentary. MATANGI / MAYA / M.I.A. MATANGI / MAYA / M.I.A. je film sačinjen od ličnih video zapisa koje su Maya Arulpragasm i njeni najbliži prijatelji snimali tokom proteklih dvadeset godina, beležeći njen izuzetni životni put od londonskog tinejdžera-imigranta do svetske pop-zvezde M.I.A. Ne praveći kompromise, Maja je bez prekida snimala tokom bitki koje je vodila sa muzičkom industrijom i mejnstrim medijima, dok su njen uspeh i slava rasli pretvorivši je u jednu od najprovokativnijih i najkontroverznijih umetnica u popularnoj muzici danas. MATANGI / MAYA / M.I.A. MATANGI / MAYA / M.I.A. is drawn from a cache of personal tapes shot by Maya Arulpragasm and her closest friends over the last 22 years, capturing her remarkable journey from immigrant teenager in London, to the international popstar M.I.A. Never compromising, Maya kept her camera rolling through her battles with the music industry and mainstream media as her success and fame grew and she rose to become one of the most provocative and divisive artists working in music today. Režija i produkcija / Directed & Produced by Muzika / Music Steve Loveridge Dhani Harrison & Paul Hicks Festivali / F World Cinema Documentary - Special Jury Award - Sundance Film Festival 2018

151 EDUKATIVNI PROGRAM / EDUCATIONAL PROGRAMME 149 Theresa Traore Dahlberg Theresa Traore Dahlberg Švedska, Burkina Faso, Francuska i Katar / SE, BF, FR, QA, Rođena je godine. Odrasla je na švedskom ostrvu Öland i u Burkini Faso, a sada živi u Štokholmu. Nakon nekoliko godina koje je provela u Njujorku radeći kao asistent reditelja, fotografa i menadžera produkcije studirala je filmsku produkciju, prvo na New School u Njujorku, a zatim na Akademiji za dramske umetnosti u Štokholmu. Director Theresa Traore Dahlberg was born in She grew up on the Swedish island of Öland and in Burkina Faso, and is now based in Stockholm. After a few years in New York assisting directors, photographers, and production managers she studied film production first at the New School in New York and then at the Stockholm Academy of Dramatic Arts. Devojke iz Ouage U zemlji u kojoj nezaposlenost među mladima iznosi 52 procenta, poslovi su goruća tema. Mlade devojke u školi za mehaničare u glavnom gradu Burkine Faso, Uagadugu, nalaze se na prelomnoj tački u životu kada se njihovi snovi, nade i hrabrost suočavaju sa sudovima, strahovima i očekivanjima društva o ulozi žene. Ouaga Girls In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society s expectations of what a woman should be. Režija / Director Producent / Producer Kamera / Cinematography Montaža / Editor Theresa Traore Dahlberg David Herdies/Momento Film Iga Mikler, Sophie Winquist Alexandra Strauss, Margareta Lagerqvist Festivali / F Dragon Award Nominee- Goteborg Film Festival; Fespaco Pan-African Film Festival, Tempo - Official Selection Tempo Documentary Award

152 150 EDUKATIVNI PROGRAM / EDUCATIONAL PROGRAMME Claire Simon Francuska / France, Claire Simon Rođena u Londonu, Claire Simon je francuska scenaristkinja, glumica, snimateljka, montažerka i rediteljka. Netipičan talenat u svetu francuskog filma, Claire Simon već više od dve decenije neprekidno i uspešno beleži suštinu realnosti, režirajući igrane i dokumentarne fimove, koji ulaze u selekcije glavnih filmskih festivala širom sveta. Born in London, Claire Simon is a French scriptwriter, actress, cinematographer, editor and director. An atypical talent in the French movie world, Claire Simon has been capturing for more than two decades - ceaselessly and successfully - the essence of reality directing both feature films and documentaries, selected in major festivals around the world. Mladi kadrovi Vezuju patike, stavljaju slušalice u uši i koračaju, gotovo lebdeći ispred objektiva, prema mogućnosti koja je van domašaja. Na kraju ove vazdušaste početne sekvence, opet se pojavljuju, stižu u srednju školu u Ivriju u totalno drugačiju situaciju, na još jedan školski odmor, jer više nisu deca. Ovde se radi o savlađivanju teškog prelaza u odraslo doba uz nelagodu u stomaku koju izaziva pomisao na budućnost. Young Solitude They tie their trainers, ram earphones in their ears and walk, almost floating in front of the lens, towards a possibility, which is out of shot. At the end of this opening aerial sequence, here they are, landing in a high school in Ivry for a completely different game, another playtime, as they are no longer children. This is about negotiating the difficult passage towards adulthood, with jitters about the future in their stomachs. Scenario i režija / Screenplay and directed by Producenti / Producer Kamera / Cinematography Montaža / Editor Muzika / Music Claire Simon Michel Zana, Sophie Dulac SOPHIE DULAC PRODUCTIONS Claire Simon Claire Simon, Luc Forveille, Léa Masson Club Cheval, Stromae Festivali / F Berlin International Film Festival, 2018; Hong Kong International Film Festival, 2018

153 EDUKATIVNI PROGRAM / EDUCATIONAL PROGRAMME 151 Klaudiusz Chrostowski Klaudiusz Chrostowski Poljska / Poland, Klaudiuš je diplomirao na Univerzitetu za umetnost u Londonu, na Katedri za film i video. Nakon studija počeo je da se bavi filmskom režijom na Filmskoj školi u Lođu, gde je režirao igrane i dokumentarne filmove. Klaudiusz graduated from the University of the Arts London with a BA in Film and Video. After UAL he started Film Directing in the Łódź Film School where he directed both fiction and documentary films. Zovi me Toni Konrad, 18-godišnji bodi-bilder koji želi da postane glumac očajnički se bori da zadobije pažnju odsutnog oca. Konrad živi u malom rudarskom gradu na jugu Poljske. U svojim naporima da bude primećen ugleda se na omiljene heroje akcionih filmova, provodi sate u teretani i prijavljuje sa za takmičenje u bodi-bildingu. Unutrašnji konflikt između onoga što jeste i onoga što misli da treba da bude da bi zadobio poštovanje drugih vodi ga u depresiju. Call Me Tony Konrad, an 18-year-old bodybuilder who wants to be an actor desperately fights for his absent father s attention. Konrad lives in a small mining town in southern Poland. In his attempts to get noticed he looks up to his favorite action movie heroes, spends hours on the gym and signs up for a body building competition. An inner conflict between who he is and who he thinks he should be to get people s acceptance soon leads to a depression. Režija / Directed by Scenario / Scriptwriter Kamera / Cinematography Montaža / Editor Muzika / Music Produkcija / Production Kontakt / Contact Klaudiusz Chrostowski Klaudiusz Chrostowski Michał Łuka by Sebastian Mialik Wojciech Frycz, Mateusz Hulbój Michał Łuka, Klaudiusz Chrostowski KFF Sales & Promotion Festivali / F DOK Leipzig, Germany, 2017; IDFA, The Netherlands, 2017; ZagrebDOX, Croatia, 2018; 20th Tel Aviv International Documentary Film Festival, Israel, 2018; Moscow International Documentary Film Festival DOKer, Russia, 2018

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156 154 Clément Léotard, Philippe Collin Francuska / France, VR CINEMA Kinoscope Kinoscope je virtuelno iskustvo koje u potpunosti unosi posmatrača u intenzivan i živopisan svet da bi otkrio istoriju filma vođen glasom holivudske legende Dina Tavularisa, dizajnera produkcije čija se ostvarenja pojavljuju u brojnim filmskim hitovima poput The Godfather, Apocalypse Now, The Brink s Job, One from the Heart i Bonnie and Clyde. Kinoscope Kinoscope is a VR experience immersing the spectator into a lively and colorful universe to discover the history of cinema lead by the voice of the Hollywood legend Dean Tavoularis, motion picture production designer whose work appeared in numerous box office hits such as The Godfather films, Apocalypse Now, The Brink s Job, One from the Heart and Bonnie and Clyde. Režija / Director Produkcija / Production Clément Léotard, Philippe Collin Ex Nihilo i Novelab, u saradnji sa Francuskom kinotekom in association with the French Cinemathèque Festivali / F Tv5 Monde Prize, Paris Virtual 2017, Vr Arles Official Selection Colcoa 2017, International Film Festival Busan 2017

157 VR CINEMA Momoko Seto 155 Francuska / France, Planet Infinite U razorenom svetu, samo pečurke i buđ rastu usred osušenih tela ogromnih insekata. Kada se dogode vremenske promene, kiše navodnjavaju sasušenu planetu i polako je poplavljuju. U vodi se rađa ekosistem, naseljen džinovskim punoglavcima-mesožderima. Planet Infinite In a world in ruins, only fungi and mold grow in the middle of gigantic dried insects bodies. When a weather change occurs, rain irrigates the arid planet and floods it gradually. In the water springs an ecosystem, populated by giant carnivorous tadpoles. Režija / Director Produkcija / Production Momoko Seto Barberousse Films, Arte, Awkeye Festivali / F Official Selection Sheffield 2017, Official Selection Fnc 2017, Vr Arles 2017, Melbourne 2017, International Film Festival Busan 2017, Next Cannes 2017, Locarno Rotonda 2017, International Film Festival São Paulo 2017

158 156 François Vautier Francuska / France, VR CINEMA I Saw The Future Putovanje u 3D prostor odražava futuristička predviđanja pisca-vizionara Artura Klarka. Njegovi igrani filmovi ubrzano se dematerijalizuju u mnoštvo svetlucavih piksela, stvarajući prostor koji nas obavija i unosi u sebe i iz koga se rađaju misli proslavljenog autora Svemirske odiseje U srcu ovog spektralnog okruženja i sa magnetskim glasom koji nas vraća u vreme katodnih cevi i zlatno doba televizijskih prenosa, Artur Klark nam govori o dolasku digitalne revolucije, decenijama ispred svog vremena. I Saw The Future A journey in a 3D space reflecting visionary writer Arthur C. Clarke s futuristic predictions. His features quickly dematerialize into a multitude of shimmering pixels, creating an enveloping and immersive space out of which the thoughts of the famed author of 2001: A Space Odyssey emerge. At the heart of this spectral environment, and with a magnetic voice sending us back to the time of cathode ray tubes and the golden age of television broadcasting, Arthur C. Clarke tells us about the arrival of the digital revolution, decades ahead of his time. Režija / Director Produkcija / Production François Vautier Da Prod Festivali / F In Competition Venice Vr 2017, International Film Festival São Paulo 2017, Official Selection Sitges 2017, Official Selection Doc Storie

159 VR CINEMA DIGITALMIND 157 Serbija / Serbia, 2016 Doživeti Nikolu Teslu VR muzej Nikola Tesla je bio sve samo ne običan čovek. Vizionar, neprevaziđeni genij, kreator 21. veka to su samo neki od epiteta koji se koriste da opišu život i rad verovatno najvećeg naučnika svih vremena. Naš izazov: dočarati ličnost i rad najvećeg naučnika svih vremena i predstaviti priču na način dostojan njenog junaka, ostati dosledan Teslinoj filozofiji i zakoračiti korak ispred svega što je do sada viđeno. Nakon upoznavanja sa Teslom, posetioci će biti sigurni da ovo predstavlja novi pristup oživljavanju istorijskih ličnosti. Naš cilj bio je da na inovativan način predstavimo svet najvećeg pronalazača, pružimo iskustvo dostojno ličnosti i čoveka koji je kreirao budućnost i damo publici priliku da sazna iz prve ruke sve o životu i radu Nikole Tesle. Nikola Tesla Experience VR museum Nikola Tesla was far from an ordinary man. A visionary, unsurpassed genius, creator of the 21st century these are just some of the epithets that are used to depict the life and work of, probably, the greatest scientist of all time. Our challenge: Conjure up the personality and work of the greatest scientist of all time and present the story in a manner worthy of the hero, stay true to Tesla s philosophy and make a step forward from anything seen before. After meeting Tesla, visitors will be confident that this is the new way of reviving historical figures. Our goal was to use innovation and introduce the world to the greatest inventor, provide an experience worthy of the personality and work of the man who created the future and give people the opportunity to learn everything about the life and work of Nikola Tesla at first hand. Realizacija i produkcija / Realized and produced by DIGITALMIND

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162 160 Beldocs Human Rights Panel diskusije Kolarčev Narodni Univerzitet Beograd, Studentski trg 5 Sreda / Četvrtak / Genocid nad Jermenima - U potrazi za istinom ili osvetom Trgovina ljudima Ne budi i ti deo statistike! Učesnici panela Moderator Tema za razgovor Predrag Marković, istoričar; Prof. dr Ratko Božović, Zoran Živković, političar; Ljubica Miletić, član saveza pisaca Jermenije i član izvršnog odbora Jermenske zajednice; Anica Melikijan Šolaja, potomak žrtava genocida Dragan Popović, Centar za praktičnu politiku Koliko genocid utiče na kolektivno pamćenje naroda? Kakve su posledice istorijskog pamćenja tako krupnog i traumatičnog događaja? Odnos prema Jermenima u Srbiji. Važnost simboličkog čina priznanja genocida od strane drugih država, pa i Srbije. Uticaj genocida na formiranje i razvoj jermenske zajednice u Srbiji. Učesnici panela Moderator Tema za razgovor Mitar Đuršković, MUP R. Srbije; Katarina Ivanović, NGO Astra; Danijela Barjaktarović, Centar za zaštitu žrtava trgovine ljudima; Jane Wells, autor filma Tricked; Giuseppe Carrieri, autor filma Hanaa; Danilo Marunović, autor filma Mirsada Miša Stojiljković Koliko i šta konkretno je Srbija kao država uradila do sada na planu suzbijanja trgovine ljudima i koji su planovi u narednom periodu? Koliko je žrtava do sada identifikovano u procesu rada Centra za zaštitu žrtava trgovine ljudima i kakve su tendencije - koliko je domaćih državljana u odnosu na strane, koliko punoletnih, a koliko maloletnih? Kakva su iskustva Astre u radu njihovog SOS telefona? Kakve pravne usluge pružaju građanima? Jedinstveni evropski broj za prijavljivanje nestanaka dece. Petak / Smrtna kazna - Konačna presuda ili pravo na pokajanje Učesnici panela Moderator Tema za razgovor Toma Fila, advokat; Mark Pizzey, autor filma The Penalty; Biljana Lajović, zamenica Ministra prosvete Miša Stojiljković Zašto je u SAD to još uvek izvor velikih diskusija i zašto više od pola saveznih država nije ukinulo smrtnu kaznu? Šta psiholozi misle o smrtnoj kazni i kakva je uopšte uloga kazne u (pre)vaspitavanju? Šta pravna struka kaže o ovoj temi i zašto je u skoro celoj Evropi smrtna kazna ukinuta? Kakvo je mišljenje o povremenim debatama i kod nas i u drugim zemljama da bi trebalo ponovo uvesti smrtnu kaznu za određene zločine (za ubistvo dece, okrutne zločine i slično)?

163 Beldocs Human Rights Moderated Discussions Kolarčev Narodni Univerzitet Beograd, Studentski trg Wednesday, May 9th 2018 / Thursday, May 10th 2018 / Armenian Genocide In search for the Truth or Revenge Human Trafficking Don t be a Part of the Statistics! Panelists Moderator Predrag Marković (historian), Prof. dr Ratko Božović, Zoran Živković (politician), Ljubica Miletić (a member of the Writers Association of Armenia and member of the Executive Board of the Armenian community), Anica Melikijan Šolaja (descendant of Armenian victims) Dragan Popović, Policy Center How does the genocide affects the collective memory of a nation? What are the consequences of such a huge and traumatic event? The attitude towards Armenians in Serbia. The importance of the symbolic act of recognition of the genocide by other countries, including Serbia. Influence the genocide had on forming and development of the Armenian community in Serbia Panelists Moderator Mitar Đuršković (MUP R.Serbia), Katarina Ivanović (NGO Astra), Danijela Barjaktarović (Center for the protection of victims of trafficking), Jane Wells (author of the film Tricked), Giuseppe Carrieri, author of the film Hana; Danilo Marunović author of the film Mirsada Miša Stojiljković What has Serbia specifically done as a country in the field of fighting against the human trafficking and what are the plans for the future period? How many victims are identified so far in the work of the Center for the Protection of Victims of Human Trafficking and what are the trends what is the number of local citizens in comparison to the foreign ones, what is the number of adults and what of the minors? What are the experiences of the Astra with their SOS open line? What kind of legal services are provided to the citizens? Unique European number for reporting disappearances of the children. Friday, May 11th 2018 / Death Penalty A Final Judgement Or A True Repentance Panelists Moderator Toma Fila, lawyer; Biljana Lajović, Deputy Minister of Education; Mark Pizzey, author of the film The Penalty Miša Stojiljković Why is this subject still raising a huge discussions in USA and why more than a half of the federal states still has a death penalty? What do psychologists think about a death penalty and what in general is the role of penalty in a process of correction? What is the attitude of the legal profession towards the subject and why is a death penalty abolished in almost all European Countries? What is the general opinion about the occasional debates about the possibility to re-implement a death penalty for certain crimes in Serbia and other.

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166 164 Industry Program Jugoslovenska kinoteka, Uzun Mirkova maj maj 11. maj Multimedia Room Masterklas: Boris Mitić Kako snimiti Ništa Multimedia Room Masterklas: Rut Bekerman Moderator Mila Turajlić 09. maj Multimedia Room Masterklas: Žoao Pedro Rodrigeš, Između fikcije i dokumentaristike Moderator Petar Mitrić Multimedia Room 12. maj HBO Evropa Studija slučaja Druga strana svega Hanka Kastelicova and Mila Turajlić Multimedia Room Masterklas: Ejbel Ferara Režirati sebe samog: kako održati karijeru filmskog autora Moderator Nikolina Barić Multimedia Room Masterklas: Ulrih Zajdl Moderator Petar Mitrić 10. maj Multimedia Room Masterklas: Gurcan Keltek Dokumentovanje i zapisivanje lično-političkih sećanja Moderator Cem Oztufekci

167 165 Industry Programme Yugoslav Film Archive, Uzun Mirkova 1 May May 8 May Multimedia Room Master class: Boris Mitić How to Film Nothing Multimedia Room Master class: Ruth Beckerman Moderator Mila Turajlić May Multimedia Room Master class: Joao Pedro Rodrigues, Between Fiction and Documentary Moderator Petar Mitrić Multimedia Room May 12 HBO Europe case study on The Other Side of Everything Hanka Kastelicova and Mila Turajlić Multimedia Room Master class: Abel Ferrara Directing Oneself: How to Maintain an Auteur Film Career? Moderator Nikolina Barić Multimedia Room Master class: Ulrich Seidl Moderator Petar Mitrić May Multimedia Room Master class: Gurcan Keltek Documenting and Writing Political Memory Moderator Cem Oztufekci

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169 167 Masterklas: Boris Mitić Kako snimiti Ništa Master class: Boris Mitić How to Film Nothing Inspirativni pregled prepreka i rešenja u izradi filma Slatko od Ništa, utešne dokumentarne parodije o Ništa Borisa Mitića. Film je nastao iz dokoličarske retoričke provokacije, da bi se tokom 8 godina probijao kroz brda i dolove međunarodnog finansiranja i stranica najraznovrsnije bibliografije, destilovane naposletku u stihove koje kazuje Iggy Pop, a koje ilustruju desetine snimatelja u 70 zemalja. A quirky overview of the creative and production challenges in the making of In Praise of Nothing, a whistle-blowing documentary parody that started in bankrupt Serbia as a pure rhetorical provocation and took 8 years to make, shuffling its way through pages of a most eclectic bibliography, a crew of 62 cinematographers in 70 countries and a narration in simple childlike verse by Iggy Pop. Boris Mitić je rođen godine u Leskovcu. Živeo na nekoliko kontinenata, radio nekoliko godina za najveće svjetske medije, shvatio nekoliko stvari i posvetio ostatak života kreativnom roditeljstvu, kreativnom fudbalu i kreativnim dokumentarcima. 4 filma, 200 festivala, 18 nagrada, 20 televizija. Predaje personalizovanu dokumentaristiku širom sveta i igra brzopotezni šah za pare, koje potom troši na doručak. Boris Mitić was born in 1977 in Leskovac, southern Serbia. Lived on a few continents, worked for a few years for the most prestigious global media, understood a few things and dedicated the rest of his life to creative parenting, creative football and creative documentaries. Four films, 200+ festivals, 20 awards, 18 broadcasters, global lecturing track record. Plays blitz-chess for money, which he then spends on breakfast.

170 168 Masterklas: Ejbel Ferara Režirati sebe samog: kako održati karijeru filmskog autora Moderator Nikolina Barić Master class: Abel Ferrara Directing Oneself: How to Maintain an Auteur Film Career? Moderator Nikolina Barić Ejbel Ferara je jedan od poslednjih filmskih pobunjenika na svetu. Uspeo je da se preseli iz jednog žanra u drugi, zadržavajući svoju umetničku slobodu. Kako se ovo postiže i koje su veštine koje nezavisni filmejker treba da stekne, otkrićemo od samog umetnika, gospodina Ejbela Ferare. Abel Ferrara is one the world s last film rebel. He managed to move from one genre to another always preserving his artistic freedom. How is this achieved and what are the skills an independent filmmaker needs to obtain, we shall discover from the artist himself, Mr. Abel Ferrara.

171 169 Masterklas: Žoao Pedro Rodrigeš Između fikcije i dokumentaristike Moderator Petar Mitrić Master class: João Pedro Rodrigues Between Fiction and Documentary Moderator Petar Mitrić Bez sumnje jedan od vodećih savremenih reditelja, autor filmova Fantom i Ornitolog, prvi put dolazi u Beograd. Razgovaramo o granicama stvarnosti i fikcije, mitovima i religiji, seksualnosti, savremenoj etnologiji, lutanju, Lisabonu, umetnosti i životu. Zamišljen u formi razgovora sa publikom, masterklas ima za cilj da predstavi metode rada ovog vanrednog umetnika. Without a doubt, one of the leading contemporary directors, the author of the films Fantom and Ornithologist, is coming to Belgrade for the first time. We talk about the boundaries of reality and fiction, myths and religion, sexuality, contemporary ethnology, wandering, Lisbon, art and life. Conceived in the form of a conversation with the audience, the masterclass aims to present the methods of work of this extraordinary artist. Reditelj i scenarista Žoao Pedro Rodrigeš publici se predstavio kratkim filmom Srećan Rođendan! (1997) nagrađenim u Veneciji da bi se nedugo zatim pojavio na istom festivalu u trci za Zlatnog lava, sada već kultnim filmom Fantom (2000). Slavljen kao novi glas tada gotovo nevidljive portugalske kinematografije u narednim godinama snima Odet i Umreti kao čovek koje prikazuje na festivalu u Kanu, kao i nekoliko dokumentarnih i kratkih eksperimentalnih filmova. Za poslednji dugometražni igrani film Ornitolog (2016) nagrađen je Zlatnim leopardom za najbolju režiju u Lokarnu. The director and screenwriter João Pedro Rodrigues presented the audience with a short film Happy Birthday! (1997) awarded at Venice film Festival, to appear shortly on the same festival in the Golden Lion competition, now a cult movie Fantom (2000). Celebrated as a new voice then the almost invisible Portuguese cinematography in the coming years records Odet and Die as a man who shows at the Cannes Festival as well as several documentary and short experimental films. For the last feature feature film Ornithologist (2016) he was awarded the Golden Lepard for Best Director at Locarno.

172 170 Masterklas: Gurcan Keltek Dokumentovanje i zapisivanje lično-političkih sećanja Moderator Cem Öztüfekçi Master class: Gürcan Keltek Documenting and Writing Personal-Political Memory on Meteors Moderator Cem Öztüfekçi Keltek će govoriti o kreativnom procesu u svom filmu koji predstavlja estetsku reakciju na političke sukobe u Istanbulu, Kipru i kurdskoj oblasti Anatolija uz prikazivanje isečaka iz filmova Meteors (2017), Colony (2015) i Overtime (2012). Keltek will talk about the creation processes of his films as aesthetical reactions to political conflicts in Istanbul, Cyprus and the Kurdish region in Anatolia by showing excerpts from Meteors (2017), Colony (2015) and Overtime (2012). Gurcan Keltek je rođen godine u Turskoj. Studirao je fim na Fakultetu za likovne umetnosti Univerziteta Dokuz Eylül. Njegov kratki film Overtime (2012) izabran je u selekciju nekoliko festivala, među kojima su Vision Du Réel i DOK Leipzig. Nakon toga, snima srednjemetražni film Colony (2015), koji je premijerno prikazan na festivalu FiDMarseille. Njegov prvi dugometražni film Meteors (2017) premijeru je imao na filmskom festivalu u Lokarnu. Gürcan Keltek was born in 1973 in Turkey. He studied Film at Dokuz Eylül Üniversitesi, faculty of Fine Arts. His short film Overtime (2012) was selected at several festivals, including Vision Du Réel and DOK Leipzig. He then made a medium-length film, Colony (2015), which premiered at FiDMarseille. Keltek s first feature film Meteors (2017) had its world premiere at the film festival of Locarno.

173 171 Masterklas: Ulrih Zajdl Moderator Petar Mitrić Master class: Ulrich Seidl Moderator Petar Mitrić Iako sebe ne smatra dokumentaristom, Zajdl je filmskoj javnosti poznat po jedinstvenom izrazu na maglovitoj granici između dokumentarnog i igranog filma. Uvek aktuelan i savremen, kroz priče o svakodnevici malih junaka, Zajdl pred publiku postavlja ogledalo u kojem se ogleda stanje savremenog društva. Masterklas u prostoru Jugoslovenske kinoteke uvešće nas u poetiku kontroverznog austrijskog reditelja koji je obeležio evropsku kinematografiju 21. veka. Although he does not consider himself a documentary filmmaker, Seidl is known to the film public about a unique expression on the foggy border between documentary and feature film. Always up-to-date and contemporary, through the stories of the everyday life of small heroes, Seidl puts a mirror in front of the audience to reflect the state of modern society. The Master class in the Film Archive will introduce us to the poetry of the controversial Austrian director who marked the European cinema of the 21st century. Nakon nekoliko uspešnih netipičnih dokumentaraca među kojima su Životinjska ljubav (1996) i Modeli (1999), Ulrih Zajdl predstavlja svoj prvi igrani film Pasji dani (2001) nagrađen Specijalnom nagradom žirija u Veneciji. Slede filmovi autentičnog autorskog pečata Uvoz-Izvoz (2007) i trilogija Raj: Ljubav (2012), Vera (2012) i Nada (2013) premijerno prikazani na festivalima u Kanu, Veneciji i Berlinu. Odan matičnoj zemlji, ovaj autor u Austriji i njenim stanovnicima pronalazi večnu inspiraciju za svoja nekonvencionalna dela. Poslednji dugometražni film Safar (2016) premijerno je prikazan u Veneciji. After several successful atypical documentaries including Animal Love (1996) and Models (1999), Ulrich Seidl presents his first feature film Dog Days (2001), awarded with the Special Jury Award in Venice. Following are the films of the authentic authorial seal Export-Import (2007) and the trilogy Paradise: Love (2012), Feith (2012) and Hope (2013) premiered at festivals in Cannes, Venice and Berlin. Loyal to the home country, this author in Austria and its inhabitants finds an eternal inspiration for his unconventional works. The last feature film Safari (2016) is premiered in Venice.

174 172 Masterklas: Rut Bekerman Rekonstrukcija istorije sa slikama iz sadašnjosti u filmu Valdhajmov valcer Moderator Mila Turajlić Master class: Ruth Beckermann Re-Constructing the History with Present Images on The Waldheims Walzer Moderator Mila Turajlić Bekermanova je posećivala fotografske arhive i koristila lične snimke da bi obelodanila istinu o prošlosti uz slike iz sadašnjosti, sa ciljem da ljude suoči sa fašizmom i totalitarizmom koji se još uvek konstantno i iznova javljaju uz pomoć zvanične istorije. Beckermann visited the public archive images and her personal footage in order to reveal the truth of the past with present images today for people to face the fascism and totalitarianism that is still being constantly re-created by using the official history. She will share insights about her point of view and on how to construct the truth. Rut Bekerman već preko 40 godina stvara esejističke filmove i dokumentarce. Većina njenih filmova premijerno je prikazana na Berlinaleu ili festivalu Cinema du Reel. Predavala je na univerzitetima u Beču, Salcburgu i Čikagu. Koosnivač je austrijskog dokumentarnog udruženja Interessensgemeinschaft Österreichischer Dokumentarfilm (predsednica ). Frilens autor i filmski stvaralac, živi u Beču i Ageju. Ruth Beckermann has been creating essay films and documentaries for 40 years. Most of her films premiered at Berlinale or Cinema du Reel. She has taught at universities in Vienna, Salzburg and Chicago. Co-founder of Austria s documentary association Interessensgemeinschaft Österreichischer Dokumentarfilm(dok.at, chairwoman ). Freelance author and filmmaker, lives in Vienna and Agay.

175 173 Masterklas HBO Evropa Studija slučaja Druga strana svega Učestvuju Hanka Kastelicova i Mila Turajlić Master class HBO Europe Case study on The Other Side of Everything With Hanka Kastelicova and Mila Turajlić Studija slučaja HBO Evropa Druga strana svega: sa Hankom Kastelicovom (naručilac programa i producent za HBO Evropa) i Milom Turajlić (filmski autor). Kastelicova će predstaviti pristup HBO Evrope radu na koprodukciji, a Turajlić će govoriti o svom kreativnom procesu tokom produkcije filma, kao i o kreativnoj saradnji sa kućom HBO Evropa. Kastelicová will present the working approach of HBO Europe on co-productions and Turajlić will talk about her creative process during production of the film and her creative collaboration with HBO Europe. Kao izvršni producent, Hanka Kastelicova je odgovorna za razvoj i produkciju dokumentarnih filmova u HBO Evropa. Magistrirala je na Odseku za dokumentaristiku na Fakultetu za film i televiziju praške Akademije za dramske umetnosti. Nastavila je profesionalnu karijeru u Sloveniji, gde je više od 25 godina radila kao reditelj i producent dokumentarnih filmova. Mila Turajlić je autorka dokumentarnih filmova iz Srbije. Njen film Druga strana svega (2017) dobio je 14 nagrada, među kojima je i nagrada za najbolji dokumentarni film na Međunarodnom festivalu dokumentarnog filma u Amsterdamu. Ovaj film prva je HBO-ova koprodukcija sa Srbijom. Njen prvi dugometražni film Cinema Komunisto prikazan je na preko 80 festivala (Tribeca, IDFA, Hot Docs) i osvojio 16 nagrada, među kojima je i Gold Hugo na Međunarodnom filmskom festivalu u Čikagu. Hanka Kastelicová is responsible for the development and production of HBO Europe s documentary films as the executive producer. She earned a Master of Arts degree from the Faculty of Film and TV Documentary Department at the Academy of Performing Arts in Prague. She continued with her professional career in Slovenia, where she worked for more than 25 years as a documentary director and producer. Mila Turajlić is a Serbian documentary filmmaker. Her film The Other Side of Everything (2017) received 14 awards including IDFA Award for Best Documentary Film. The film is HBO Europe s first co-production with Serbia. Her first feature doc, Cinema Komunisto played at over 80 festivals (Tribeca, IDFA, Hot Docs) and won 16 awards including the Gold Hugo at Chicago International Film Festival.

176 174 Indeks filmova na srpskom / Serbian Title Index # A B C Č D 14 jabuka 4 godine u 10 minuta Avec L amur Blok 70 Bobi Džin Boli Bana Bregzitanija Brižna Lorna Crvena duša Čarobnjak iz Mutnja Deca Devojka i drvo Devojke iz Ouage Devojke Zlatne zore Dobre vesti: Kolporter, mrtvi psi i drugi ljudi iz Beča Doći će žuti ljudi sa istoka i piće vodu sa Morave E F G Donkeyote Doživeti Nikolu Teslu Drevna šuma Etgar Keret: Po istinitoj priči Fenixxx Festival Gde si sada, Žoao Pedro Rodrigeš Glasnije od oružja

177 175 H I J K L Lj M Gubici su očekivani 097 Hanaa 044 Havanjani 066 Hor sumraka - zasnovano na,,fragmentima Izumiranja 067 Hotel Jugoslavija 139 Hram cvijeća 140 I Saw the Future 156 Isus, znaš 098 Jednu kartu, molim 128 Kad dođu svinje 017 Kad dođe rat 057 Kapuera 123 Kazna 043 Kedi 074 Kina, 87. Ostali 086 Kinoscope 154 Kinšasa Makambo 058 Koni Plank: Potencijal buke 124 L. Koen 087 Lavetovi 076 Lejla na mostu 059 Lica mesta 029 Lovci na zločin 045 Ljudi pored jezera 088 Ljudski tok 030 Majči 075 N O P male planete 068 Mapa puna snova 112 MATANGI / MAYA / M.I.A. 125, 148 Matura 099 Meteori 031 Mirsada 046 Mjesta na kojima nisam bio 089 Mladi kadrovi 150 Moderni muškarac 077 Moldavsko čudo 060 Na ivici slobode 078 Najružniji auto 079 Napalm 032 Naš drag messes avgust 090 Naš novi predsednik 141 Nek leto više nikad ne dodje 091 Noćni razgovori s Mojcom 106 Nokija - povezivali smo ljude 080 O očevima i sinovima 033 Obskuro Baroko 069 Okupirani bioskop 018 Planet Infinte 155 Podvedene 047 Poslednja avantura Kaktus Bate 020 Poslednji put kada sam video Makao 092 Priče koje naša kinematografija (ni)je ispričala 061 R S T U V Z Ž Princ od Notingvuda Pustinjske neveste Rajske odore Rezo Rodeo S namerom da uništi Saraj vo Slatko od Ništa Sovjetski hipici Srećna zima Sumpor I slava The Road Movie Trg Vitorio U podrumu Udaljeno sazveždje Upravo rođena Valdhajmov valcer Varpa - obećana zemlja Vavilon Veličanstveni gubitnici: Drugačiji svet Velika zverka Vestvud: Pank, ikona, aktivistkinja Vodič kroz crnu rupu Zovi me Toni Živeli bogati Životinjska ljubav

178 176 Indeks filmova na engleskom / English Title Index # A B C D E F 14 Apples 4 Years in 10 minutes A Girl and a Tree A Modern Man Animal Love Art Folder Full of Dreams Avec L amur Babylon Big Time Blok 70 Bobbi Jene Boli Bana Born Just Now Brexitannia Brimstone & Glory Call me Tony Capoeira, Inside the Game China, 87. The Others Conny Plank: The Potential of Noise Crime Hunters Desert Brides Distant Constellation Donkeyote Dusk Chorus - Based on Fragments of Extinction Etgar Keret: Based on a True Story Faces Places

179 177 G H I J K L M Festiwal Golden Dawn Girls Good News: Newspaper Salesman, DeadDogs and Other People from Vienna Guidance Through the Black Hole Habaneros Hanaa Happy Winter Hotel Jugoslavija Human Flow I Saw the Future In Praise of Nothing In the Basement Intent to Destroy: Death, Denial & Depiction Jesus, You Know Kedi Kinoscope Kinshasa Makambo L. Cohen Laila at the Bridge Let The Summer Never Come Again Letter to a Child Losses to Be Expected Louder then Guns Loving Lorna MATANGI / MAYA / M.I.A ,148 N O P R S Meteors Mirsada Moldovan Miracle Momsy Napalm Nighttime with Mojca Nikola Tesla Experience VR Museum Nokia Mobile - We Were Connecting People Obscuro Barroco Occupied Cinema Of Fathers and Sons On the edge of Freedom One Ticket, Please Ouaga Girls Our Beloved Month of August Our New President Paradise Gowns People by the Lake Phoenixxx Piazza Vittorio Places I Haven t Been To Planet Infinite Prince of Nothingwood Rezo Rodeo Saraj vo T V W Y Small planets Soviet Hippies Stories Our Cinema Did (Not) Tell Temple of Flowers The Ancient Woods The Chinese Will Come The Final Adventure of Kaktus Kid The Last Time I Saw Macao The Lovetts The Penalty The Prom The Red Soul The Road Movie The Ugliest Car The Waldheims Walzer Tricked Varpa - The Promised Land Vivre Riche Westwood: Punk, Icon, Activist When Pigs Come When the War Comes Where Do You Stand Now, Joao Pedro Rodrigues Wizard from Mutanj Wonderful Losers: A Different World Young Solitude

180 178 Indeks režisera / Index of Directors A B C D F Adanto Robert Aščuks Bruno Akafou Joël Richmond Mathieu Aarma Kiur Auliciema Marianna Bustnes Håvard Brzaković Tanja Benning James Bezinović Igor Berlinger Joe Beckermann Ruth Caduff Reto Chebbi Youssef Chebbi Ismaël Clément Léotard Cvetkovski Ilija Carrieri Giuseppe Chrostowski Klaudiusz Dragolea Mihai Gavril d Emilia Alessandro de Villers Violaine Derki Talal DIGITALMIND Domanović Senka Damata Joao Rui Guerra Dahlberg Theresa Traore Francome Will François Vautier Ferrara Abel

181 179 G Gorter Jessica 054 L Lind Elvira 121 Survila Mindaugas 065 Gawlita Anna 122 Lazić Branko 015 Sikavica Miroslav 138 Gebert Jan 057 Lozano Juan Jose 045 Straub Jean Marie 088 Gomes Miguel 090 Lukić Josip 075 Szczepaniak Grzegorz 079 Griniute Albina 129 Lengerke Jens 078 Slim Ala Eddine 093 Gillard Simon 027 Loveridge Steve 125, 148 Schröder Kaspar Astrup 115 Gabriadze Leo 113 Lanzmann Claude 032 Simon Claire 150 Guerra da Mata João Rui 092 M Mizrahi Shevaun 028 Š Škafar Vlado H Hamadi Dieudo 058 Mirzaei Gulistan 059 Šaravanja Nika 067 Hopland Anita Mathal 078 Mirzaei Elizabeth 059 Škorić Irena 140 I Itapuã Jorge 123 Manthey Dirk 068 T Tamuža Brigita 132 Ilić Danilo Lola 112 Mulvad Eva 077 Temple Julien 066 Indrevoll Stian 060 Marković Đorđe 020 Tutorov Biljana 017 J JR 029 Mitić Boris 021 Toomistu Terje 131 Jakovleski Viktor 035 Momoko Seto 155 Totaro Giovanni 034 Jõerand Raimo 130 Matelis Arunas 133 Tucker Lorna 116 K Kovačević Mladen 014 Marunović Danilo 046 Torun Ceyda 074 Kelly Timothy George Karlsson Annika Karlsson Jessica Kaas Stephane N O P Mustafić Mustafa Nikolić Aleksandar Outers Jean-Pierre Philippe Collin U V W Ushpiz Ada Varda Agnès Wang Zhi Wolski Tomasz Kaza Matiss 128 Plank Stephan 124 Weiwei Ai 030 Keltek Gürcan 031 Pizzey Mark 043 Wadimoff Nicolas 045 Komljen Dane 089 Pozdorovkin Maxim 141 Wasson John-Keith 047 Koberidze Aleksandre 091 Pessoa Fernanda 061 Wells Jane 047 Koskinen Arto 080 Pranjić Zlatko 019 Wagnières Nicolas 139 Kranioti Evangelia 069 Pereira Chico 073 Z Z Midi 026 Kronlund Sonia Kalashnikov Dmitrii R S Rodrigues João Pedro Seidl Ulrich 085,

182 Sponzori / Sponsors

183 Support for Audiovisual Sector

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187 U EKONOMETRU I BIZNIS MAGAZINU: 185 TEME PROCENE KOMENTARI INTERVJUI REPORTAŽE ISTRAŽIVANJA KONSALTING LIFE STYLE PLANETA BIZNIS MENADŽERSKA GALAKSIJA BIZNIS FELJTONI...

188 Holandski filmovi na Beldocsu Crvena duša The Red Soul Daleko sazvežđe Distant Constellation / Muzej jugoslovenske kinoteke, Kosovska / Dom omladine Beograda Etgar Keret: Po istinitoj priči Etgar Keret: Based on a true story / Dom omladine Beograda Meteori Meteors / Dom omladine Beograda

189 Shoot a film in the Balkans! BorderPass is a series of free film workshops for young people between 15 and 19 with or without migration background. It s a collaboration of: Swiss Youth Film Festival (Zurich, Switzerland), Dokufest (Prizren, Kosovo), Pravo Ljudski Film Festival (Sarajevo, Bosnia and Herzegovina) andbeldocs (Belgrade, Serbia) For more info write on education@beldocs.rs Border Napravi film na Balkanu! BorderPass je serija filmskih radionica namenjena mladima uzrasta godina koji jesu ili nisu migrirali tokom života. Pass Projekat predstavlja saradnju festivala: Swiss Youth Film Festival (Cirih, Švajcarska), Dokufest (Prizren,Kosovo), Pravo Ljudski (Sarajevo, Bosna i Hercegovina) i Beldocs (Beograd, Srbija). Za više informacija piši na education@beldocs.rs

190 Festival je realizovan uz podršku Embassy of Israel BELGRADE Sponzori Partneri 1876