Forebyggelse af høretab ved brug af PMP er
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1 Forebyggelse af høretab ved brug af PMP er Thomas Lund TC Electronic A/S Denmark Dansk Standard København 2/9-2014
2 23rd of September, 2008 The best estimate from the limited data we have available suggests that this maybe between 2.5 and 10 million people in EU. Those are the individuals listening to music over 1 hour a day at high volume control setting.
3 4.5 Summary Amongst all tested PMP s there is only one sample that does not exceed the sound pressure level of 85 db(a) and the output voltage of 27 mv. Although the sample not necessarily needs one of the additional user protections it has a warning text and label. From those PMP s that exceed the 85 db(a) and 27 mv only 12 fulfill all additional user protections and hence fulfill the standard requirements. 18 out of 31 PMP s do not fulfill the standard requirements completely. Although 14 PMP s do not exceed 100 db(a) and 150 mv some of the other additional user protections are still missing. Four PMP s produce a output voltage above 150 mv. Two of those lack any other additional user protection. Given the results it can be remarked that most PMP s carry a risk even though their maximum sound pressure level and maximum output voltage is between 85 db(a) / 27mV and 100 db(a) /150 mv respectively. For these particular samples prolonged listening still can cause hearing damage. For those PMP s that do not fulfill the requirements for additional user protection the user is not protected and warned insufficiently for that risk PMP s produce a maximum output voltage above 150mV. Their maximum sound pressure remains below 100 db(a). At one PMP s in particular even below 85 db(a). The package it self may considered as safe. However, when the PMP is used with an other headphone, sold separately and with other electric properties than the headphone in the package, it can occur that the sound pressure level exceeds 100 db(a).
4 Before EBU R128
5 Peak Level Metering Bad for Broadcast Bad for Music
6 Before EBU R128
7 PLR [db] most popular music tracks UK, US, Germany Ortner, 2012 True-peak to Loudness Ratio in Pop Music Year
8 LRA PLR Michael Jackson Beat It Original + Re-masters
9 Program Loudness [LUFS] 0 WG3 phase EN reference noise Equivalent to fairly loud (squashed) music
10 Program Loudness [LUFS] 0 Phase 2 rules cause false negative and false positive warnings Peak [dbtp] db soft 3 db loud 12 db soft 7 db loud
11 Beskyttelse af ører og beskyttelse af musik går hånd i hånd
12 EN50332 without dose measurement => False negative warnings: Risk of HL False positive warnings: Normal tracks inaudible Fuels the Loudness Wars in music which destroys cultural heritage Dose measurements are required. To protect listeners and to protect music heritage
13 From Bob Ludwig Mastering for Paul McCartney, Bruce Springsteen, David Bowie, Queen, Stones, Dire Straits, Madonna, Frank Sinatra, The Police, Roxy Music, Eric Clapton, U2, AC/DC, Coldplay and many more. Greetings esteemed members of the Parliament. The art of music is one of the highest expressions of intelligence devised by human beings. With the introduction of a global loudness standard, we now have the tools in our hands to broadcast programs in a manner that allows the listener to hear closer to the artist's original intent. The new standard frees the broadcasters from having to needlessly squash the literal life-giving qualities out of the music and programs.
14 1. Danish Dylan 2. Max Nilfisk 3. Kelly Clarkson 4. Metallica 5. Pink Noise (FS)
15 1. Danish Dylan 2. Max Nilfisk 3. Kelly Clarkson 4. Metallica 5. Pink Noise (FS)
16 Sausage Tracks from the Stone Age LUFS PROGRAM LOUDNESS 1. Danish Dylan 2. Max Nilfisk 3. Kelly Clarkson 4. Metallica 5. Pink Noise (FS) LUFS PROGRAM LOUDNESS It s futile to go higher than -16 LUFS
17 Mark Knopfler British Grove, London
18 References European Commission, SCENIHR. Potential health risks from exposure to noise from personal music players Gissel S, Mortensen JT, Juul S. Evaluation of hearing ability in Danish children at the time of school start and at the end of school. Int J Adolesc Med Health 2002 CENELEC EN EBU R128, Tech 3341
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