The Lisbon Carol A/D. œ œ œ œ. J œ œ œ. the of gi ing cre. an kings, from Star. cient yet the and tion - - œ œ œ œ œ. œ œ œ œ œ œ.

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Charles Merritt
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1 Craig Ksbury, riend colleague Piano? 3 4 5? Soprano Al INTRO/INTERLE With oy (h = ca 56)? 5 ß com born gold Rose praise VERSES Lo! K Ma Morn o save rank o Shar Tri o gi cre an ks, rom Star a cient yet Em in on, une man cense pure Ma u el ni verse myrrh seet, es ty, 5 ß seers child East Light Word Pas An o a ore ld o Mar be s o lo heav y, ry, ens In car sion, death gels in er r, Son nate his Edi Text music 00, Published by OCP, 5536 NE Hassalo, Portl, OR 973 rights reserved

2 3? Tenor?? or Res 3 high 4 sa 5 Ho RERAIN Soprano Al Bass?? sal va ur rec est heav cred Bod ly Spir ens y, it, comes soon spread ood rapped ill or in you, break nes all i O through ho vine Is dread out glad In ra el! ul curse! earth ly eat! an cy au de te! au de te! Chri stus est na tus & p p p (or tacet) ex Ma ri a! ex Ma ri a Vir gi Em7 A/B * Em7 A/B n n Am? 5 / / n ne! C Interlude (last time inal End) C Interlude (last time inal End) 5 ß *Cue notes are opal descant ater verses 35

3 4 INAL ENIN?? 5 5 rit Ó P u

4 Composer Notes 5 as ritten or oyous season o Christmastide It as my desire that this carol retain sense o a rustic olk song, hile lavored rhythmically ith early Iberian Renaissance pulses This piece can be used as a Prelude Liturgy, dur Communion procession or as a hymn o Thanksgiv (due its Eucharistic Easter reerences) I have been asked many times Why is it called? My anser is alays same: It ust sounded right

5 6 (uitar/vocal) VERSES Lo! K Ma Morn Word Pas 3 An 4 o 5 a RERAIN INTRO/INTERLE With oy (h = ca 56) (Kbd) o gi cre an ks, rom Star a cient yet In sion, gels er r, car death in Son nate his seers child East Light au de te! Em7 A/B ore ld o Mar y, be s o lo ry, heav ens com born gold Rose praise or sal va comes Res ur rec soon high est heav ens spread sa cred Bod y, ood Ho ly Spir it, rapped p (or tacet) o Em o save rank Shar Tri une in on, ill or in au de te! you, break nes all i O through ho vine n n ex Ma ri a! INAL ENIN Em7 A/B ex Ma ri a 5 Am man cense pure Ma Is dread out glad In 5 5 u el ni verse myrrh seet, es ty, 5 ra el! ul curse! earth ly eat! an cy / / Chri stus est na tus Vir gi 5 rit C Interlude (last time inal End) 5 ne! Text music 00, Published by OCP, 5536 NE Hassalo, Portl, OR 973 rights reserved *Cue notes are opal descant ater verses 35

6 TAMBORINE 7 INTRO/INTERLE With oy (h = ca 56) 3 VERSES RERAIN 3 Ó INAL ENIN 5 P 00, Published by OCP, 5536 NE Hassalo, Portl, OR 973 rights reserved g 9\d 3 a\d OR a\d 5 ( d5 OR d5 4 ( C Interlude Last time inal End a\b

7 8 Assembly Edi THE LISBON CAROL Verses Lo! K Ma Morn an cient seers ore ld com o ks, yet child o Mar y, born gi rom East be s gold Star Light o lo ry, Rose cre a heav ens praise o Em man u el Word In car save ni verse Pas sion, death rank in cense myrrh An gels in Shar on, pure seet, o er Tri une Ma es ty, a r, Son or Res high sa Ho Rerain Text music 00, Published by OCP, 5536 NE Hassalo, Portl, OR 973 rights reserved o nate his sal va comes you, O Is ra el! ur rec soon ill break dread ul curse! est heav ens spread nes through out earth cred Bod y, ood or all ho glad ly eat! ly Spir it, rapped in i vine In an cy Choir au de te! au de te! Chri stus est na tus ex Ma ri a! ex Ma ri a Vir gi n or reprint permissions, please visit OneLicensenet or contact us at ne!

None of these pages may be reproduced in any way without written permission from the publisher.

None of these pages may be reproduced in any way without written permission from the publisher. aelic Mass Keyboard/Choral Edition Christopher Walker 2017 OC 5536 NE Hassalo ortland OR 97213 (503) 2811191 liturgy@ocporg ocporg SAMLE Excerpts from the English translation of The Roman Missal 2010 International