Music Program ISLOs, PSLOs, CSLOs, Mapping, and Assessment Plan

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1 INSTITUTIONAL STUDNT LARNING OUTCOMS - ISLOs ISLO 1 1A COMMUNICATION Read X X X X 1B Listen X X X X X 1C Write X X X X 1D Dialogue X X X X X ISLO 2 TCHNOLOGY AND INFORMATION COMPTNCY 2A 2B 2C Demonstrate Technical Literacy Apply Technology Access Information X X X X X X 2D valuate and amine Information X X X X X X ISLO 3 CRITICAL AND CRATIV THINKING 3A Inquire X X X X X 3B Analyze X X X X X X 3C Problem Solve X 3D press X X X X X ISLO 4 CITIZNSHIP 4A 4B Diversity X X X X 4C Sustainability/Global Awareness X 4D Personal Responsibility X X X PSLO A PSLO B thics MUSIC PROGRAM OUTCOMS - PSLOs Acquiring Scale Playing Skills: Through the study of scale construction and key signatures, students will be able to be functional in their scale playing of major and minor scales in flat and sharp key signatures, playing scales in two octaves with both hands at a steady tempo. Acquiring Sight-singing: Apply solfege and/or counting techniques to an eample of rhythmic notation in simple and compound meters in all keys and modes. Related ISLOs 1B, 2C, 2D, 3B, 3C, 3D, 4D 1B, 2C, 2D, 3B, 3C, 3D, 4D

2 PSLO C PSLO D PSLO PSLO F PSLO G Take melodic and rhythmic dictation with diatonic melodies that have some altered notes in simple and compound meters. Distinguish intervals, chords and their inversions: Identify various intervals for their qualities (perfect, major, minor, augmented and diminished)in all major and minor keys and modes in notational form as well as their aural form. 1B, 2C, 2D, 3A, 3B, 4B, 4D 1A,1B;2D;3B, 3C,3D;4B,4D Music Comparison: Compare and contrast instrumental and vocal music of the 1A,1B,1C,1D; major music periods from Ancient to 21st Century describing the historical 3A,3B,3C,3D, origins and developments, socio-economic influences and respresentative 4B,4D instruments and musical ensembles. Properties of musical sound: Students will be able to define and identify five properties of music sound: pitch, dynamics, timbre, meter and rhythm. Performance skills: Acquire physical, interpretive, technical skills to perform level appropriate repertoire. MUSIC COURS OUTCOMS - CSLOs MUS 0002: Music Appreciation To correctly identify and describe 4 main properties of musical sound: pitch, dynamics, tone color and duration (rhythm). Analyze style characteristics of each musical era in terms of vocal music, instrumentation of the orchestra. Identify at least one representave work from each of the four musical periods:baroque, Classical, Romantic, 20th Century. 1B,1D;2C,2D; 3B,3C,3D;4D 1B,1D;2C,2D; 3B,3C,3D;4D Related PSLOs F D, MUS 0003A:ar Training I Categorize simple diatonic and chromatic intervals. C Translate audible compound rhythmic patterns using music notation (dictation). G Illustrate an audible melody using music notation (dictation). G MUS 0003B: ar Training II Perform by chant and count comple rhythms in simple meters and compound meters. B, Perform on sight, tonal melodies in treble and bass clef. B,C, Generate and notate eight-measure tonal melodies that apply diatonic intervals. B,,G MUS 0004A: Advanced ar Training I Construct and evaluate in music notation an aural eample featuring two parts heard simultaneously. A,B,G

3 Perform a song at sight using sol-feg syllables, chromatic sol-feg syllables, scale degree numbers, or note frames. Analyze and evaluate chords in a chorale through identification of typical cadence formulas and common harmonic function. A,B,C,,F,G A,B,C,D,F MUS 0004B: Advanced ar Training II Identify orchestral instrumentation upon hearing various audio recorded eamples. Notate selected melodic eamples from audio recordings. B, C, D, Sing at sight songs in major or minor tonalities that may also feature eamples of modulation or modality. B, C, D CSLO 4 Perform melodic eamples that feature atonal pods. B, C, D CSLO 5 Sing one melodic line of music while playing another melodic line on the piano at the same time. B, C, D MUS 0006A : Music Theory I Distinguish major, minor, diminished and augmented simple intervals and their inversions. D Revise rhythmic notation to conform to standard rules of music notation. C, D Illustrate the Dorian, Phrygian, Lydian and Miolydian modes on manuscript paper and by playing them on the piano. A, D MUS 0006B : Music Theory II Identify stylistic voice leading practices of the Baroque era. D Illustrate the four resolutions of a fully diminished seventh chord. C List keys which are closely related to a given tonality. A MUS 0009A : Music Theory III Compare and contrast the three types of augmented sith chords and the Neapolitan 6th chord. C Analyze the use and development of motives in Bach inventions and fugues. C, Identify characteristic Classical harmonic structures in binary and ternary forms. C, D, MUS 0009B:Music Theory IV valuate the function of tonal members and determine if they are "available tensions" such as 9th, 11th and 13ths, or non-harmonic tones. Construct an eample of modulation using the technique of chromatic mediants. C, D C, D

4 Create a 12-tone row and assemble a complete matri for that row; label transpositions of the row plus inversions, retrograde and retrograde inversions. C, D MUS 0010 : Music Fundamentals Sight-sing various melodies with solfege syllables. B Create and/or identify major, minor augmented and diminished intervals. C, D Analyze a musical eample for the chord tones and non-chord tones in the melody. A MUS 0011 Introduction and History of Jazz Demonstrate the ability to articulate an understanding of the socio-economic factors that helped contribute to the creation and development of jazz in the United States in the 19th and 20th centuries. Analyze the influence of social, political, and ethnic issues on Jazz, and conversely, discuss the influences of Jazz artists on these issues. Distinguish and analyze the influences of various world cultures including Afro- Caribbean, South American, Middle astern, African, and uropean on Jazz and discuss how Jazz influenced music in these cultures,f,f,f MUS 0012A Survey of Music History and Literature to 1750 Analyze the Doctrine of thos as it relates to music in the culture of ancient Greece. D, Compare and contrast eamples of musical instrumentation used in A) ancient Greece; B) the middle ages; C) the Renaissance; D) the Baroque era. D, Critique and evaluate a recitative with an aria in Baroque opera, cantata and/or oratio. D, MUS 0012B Survey of Music History and Literature from 1750 to Present Identify, analyze and critique the musical forms used by Mozart, Haydn and Beethoven. Compare and contrast the operas of Mozart with the "Music Dramas" of Wagner and the grand operas of Verdi. Compare and contrast the early 20th century music of Copland, lgar, and Satie with their contemporary eperimental composers Stravinsky, Berg, Stockhausen and Cage. D, D, D, MUS 0013 Introduction to Music: History of Rock and Roll Demonstrate the ability to articulate an understanding of the socio-economic factors and music history that contributed to the creation and development of Rock and Roll in the United States in the 20th century

5 Analyze the influences of social, political, ethnic, and gender issues on Rock and Roll and Rock and Roll's influence on those issues. Recognize and distinguish the influence of the world cultures (i.e., Britain, Africa, Middle ast, the Caribbean, and Central and South America) on Rock and Roll and how Rock and Roll influence music in those cultures. MUS 0014 Introduction to Commercial Music Production Demonstrate the ability ti differentiate between different acoustic and electric audio signal levels and determine appropriate audio capture devices (DI interface, microphones, etc.) for different scenarios. F Recognize different types of electrical signal path interference and specify viable abatement techniques. Demonstrate awareness of currently available choices for equipping an independent recording facility or small venue sound reinforcement system. D MUS 0015 Audio Recording Demonstrate the ability to implement appropriate audio capture devices (DI interface, microphones, etc.) for different input sources. F Demonstrate the ability to capture, route, and combine audio signals on a multiinput recording system. Formulate a plan addressing the needs of a musical act to be implemented in a multitrack recording session Introduction to Music Business Perform critucal analysis of a music publishing contract and create a hypothetical music publishing contract. Construct a basic hypothetical live performance schedule and contract. Demonstrate an awareness of the basic fundamentals of copyright law. MUS 0039A Beginning Voice (Formerly MUS 39) Breath Management: Demonstrate free, coordinated tone supported by efficient diaphragmatic-costal breath management. F, G Phonation: Demonstrate a coordinated tone, pure vowels and accurate intonation by singing a slow scale. F, G Diction: Perform a set of vocalizations demonstrating relaed articulation of pure Italian vowels and selected consonants. F, G MUS 0039B Intermediate Voice Breath Management: Demonstrate a free, coordinated tone and dynamic range supported by efficient -costal breath management. F, G

6 Phonation: Demonstrate a coordinated tone and legato vocal technique utilizing proper attack and release of pure tones, correct intonation, changing pitch, volume, and timbre by singing a simple song. F, G Diction: Perform a simple melody demonstrating relaed articulation and modification of Italian and nglish vowels and selected consonants. F, G MUS 0039C Advanced Voice I Breath Management: Demonstrate progress in development of a free, coordinated tone, dynamic and vocal range and increased resonance supported by efficient diaphragmatic-costal breath management. F, G Phonation: Demonstrate continued progress in the elements of legato vocal technique utilizing proper attack and release of pure tones, correct intonation, changing pitch, volume, and timbre by performing an art song. F, G Diction: Perform a solo classical or Broadway song demonstrating relaed articulation and modification of Italian and/or nglish vowels and consonants. F, G MUS 0039D Advanced Voice II Breath Management: Demonstrate proficiency in the development of a free, coordinated tone, dynamic and vocal range, resonance and phrasing supported by efficient diaphragmatic-costal breath management. F, G Phonation: Demonstrate continued progress in the elements of legato vocal technique utilizing proper attack and release of pure tones, correct intonation, changing pitch, volume, and timbre and fleibility and agility by performing varied styles of music. F, G Diction: Apply the use of the International Phonetic Alphabet (IPA) to translate and correctly pronaounce lyrics of an Italian art song in solo performance. F, G MUS 0040A Beginning Piano I Students will be able to accurately read musical notation at the beginning level and perform simple pieces with correct notes and rhythms. A Apply thumb-underscales: C, G, F majors two octaves both hands with proper hand position. A Demonstrate critical thinking skills through reflection and discussion on progress in practicing and performing scales and repertoire. A MUS 0040B Beginning Piano II Select appropriate primary chords to harmonize a diatonic melody. A

7 Perform C, G, D, A,, B, F, scales with appropriate fingerings, two octaves with both hands. A Analyze the inversions of primary triads in a given piece. C MUS 0040C Intermediate Piano I Students will be able to accurately read musical notation at the intermediate level and perform simple pieces with correct notes and rhythms. A Apply thumb-under scales: C, G, D, A,, B, F majors and relative harmonic minors two octaves both hands with proper hand position. A Demonstrate critical thinking skills through reflection and discussion on progress in practicing and performing scales and repertoire. C MUS 0040D Intermediate Piano II Play major and minor scales in all keys hands together for three octaves at a steady tempo; demonstrate knowledge of primary chords in these keys. Identify meters and demonstrate rhythm patterns including syncopation, doubledotted notes, siteenths, and dotted eighth-siteenth pattern. Sight-reading two-part and four-part teture. MUS 0042 Chamber Singers valuate various musical styles in order to interpret a specific part while blending with other singers. D,,F, G Demonstrate the issue of vocal projection as it relates to the differences between solo singing and ensemble singing, emphasizing the variables of tone production and holding pitch at various tempi as the music requires. D,,F,G Research and analyze one of the songs or composers being studied and share findings with the class in an oral presentation. D,,F,G MUS 0046 Jazz nsemble Identify, assess and distinguish various rhythmic figures associated with the jazz idiom and perform them correctly on their instrument. A,D,, F, G Apply knowledge of appropriate stylistic performance practices as it relates to jazz ensemble literature., F, G Perform at sight in an appropriate jazz style., F, G MUS 0047 Vocal Jazz nsemble Demonstrate and evaluate theoretical and conceptual understanding of vocal jazz literature through rehearsal and performance., F, G

8 Differentiate and demonstrate a basic understanding of dynamic shading, accidentals, tempos, note names and values, key and time signatures, intervallic relationships, and epressive markings through rehearsal and performance. C,,F, G Demonstrate and support appropriate stylistic approach in the performance of time keeping, interpretation of rhythmic figures, phrasing, and articulation in swing and various Afro-Caribbean vocal jazz idioms. D,,F, G MUS 0048 Concert Choir valuate the basic notational elements of choral music. B,F, G Analyze and assess choral literature from at least two periods of music history per semester, increasing in ability to differentiate stylistic characteristics of these periods with each successive repetition of the course. C,D,,F Practice and create the basic notational elements of choral music. F MUS 0049 Jazz Improvisation and Performance Practice Assemble and define a basic vocabulary for the study and understanding of jazz improvisation. A,F Demonstrate a basic knowledge of typical harmonic forms in standard jazz literature. F Identify, distinguish and perform various rhythmic figures associated with the jazz idiom and perform them correctly on their instrument.,f MUS 0050 Wind nsemble Demonstrate a basic level of competence in skills required to perform with other musicians in a small ensemble setting, including matched tone and style, intonation, balance, and blend. Demonstrate on a band instrument the ability to perform grade three literature at sight. Analyze and distinguish technique appropriate to the style of selected wind ensemble literature.,f MUS 0054 Symphonic Band Demonstrate a basic level of competence in skills required to perform with other musicians in a large ensemble setting, including matched tone and style, intonation, balance and blend. Demonstrate the ability to respond to non-verbal performance instruction from the conductor. Analyze and distinguish technique appropriate to selected symphonic band literature.,f MUS 0057A Beginning Guitar

9 Demonstrate critical thinking skills through reflection on progress in practicing note reading. Prepare and perform various strumming and finger picking styles. F Critique student performances. F MUS 0057B Beginning Guitar Identify the difference between major and minor scales construction. A Understand chord playing and note reading in first through fourth position. A,C Identify various chord inversions and chord simplifications in music. A,C MUS 0058A Intermediate Guitar Demonstrate left hand techniques (vibrato, portamento, slide in different styles). F Identify various chord etensions (9th, 11th, 13th) in reading lead sheets. A, Play standard chord progressions in all major and minor keys. A,G MUS 0058B Intermediate Guitar Demonstrate left hand techniques (vibrato, portamento, slide in different styles). F Identify various chord etensions (9th, 11th, 14th) in reading lead sheets. C,,F Distinguish the difference between portamento, slide and vibrato. F