Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher
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1 Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher Argentina, Rosario About the artist Personal web: Associate: SADAIC About the piece Title: Composer: Arranger: Licence: Instrumentation: Style: Comment: Eclosion Alexis Perepelycia Alexis Perepelycia Creative Commons Licence Piano, Flute, Percussion Contemporary Eclosión (Upsurge) explores the meaning o the word, within a musical language developed by a small ensemble and the computer. Each acoustic instrument eeds the computer in dierent stages o the piece. The word becomes music when dierent instruments or all together perorms sudden or abrupt strong increase o events. The Piano doubles as a third percussionist while playing thick, either loud or sot clusters, but also it blends into the Flut... (more online) Alexis Perepelycia on ree-scores.com Contact the artist Write eedback comments Share your MP recording Web page access with QR Code : First added the : This work is not Public Domain. You must contact the artist or any use outside the private area. Prohibited distribution on other website. Last update : :6:1
2 Eclosión (or piano, lute, two percussionists & computer) q=0 Relative Time Min : Sec : Dec 0:00:00 Flute Gran Cassa Bongó Crash Cymbal Piccolo Snare Snare Tom-toms Wood Blocks Chinesse Cymbal q=0 Piano I n t r o = C o m p u t e r Alexis Perepelycia A l o n e 0:18: 00 Pre-recorded Piano clusters, Reverse Playback Several Aleatoric Articulations Synthetic Mode or Flute & Piano: B - C - bd - be - ##F - ##G - #A - B Synthetic Mode or Flute & Piano: B - C - bd - be - ##F - ##G - #A - B
3 2 accel. 4 G.C. Bongó Cr. Ch. Tamb. Pic. Tamb. Tom-t. W. Bl. mp cymbals: elt mallets allways exept when indicated snare sticks Tempo 1º molto accel. m cluster = as many notes as possible within this range accel. Tempo 1º : Trigger Sounds molto accel. large bass elt mallet: sot : Samples Piano 6
4 : Increasing Delay Level and Decreasing Delay Time to Piano 6 G.C. Ch. Tamb. Pic. ppp ppp
5 4 q=90 0:8:00 7 G.C. Ch. Tamb. Pic. : Piano = Decreasing Feedback to Non Delayed sound q=90
6 molto rall. Bongó : Sampling Flute 8 elt mallets: stacatto ppp W. Bl. molto rall.
7 6 q= Bongó p mp m q=100
8 7 A : Increase Delay Time and Level on Flute 16 pppp Bongó Tom-t. mp A p
9 8 : Randomly triggered Flute Samples w/ Reversed Pla ppp 18 mp Bongó Tom-t. sz m
10 20 Bongó Tom-t. 9 sz 0 mp m sz
11 10 B : Samples Piano 24 ppp G.C. Ch. B cluster: as many o these notes as possible
12 : R e v e r s e d Damped cluster: less density than previous 27 and P i a n o P l a y b a c k cluster: less density than previous mp Ch. Tamb. Tom-t rimshot (head+rim) pp
13 12 cluster: less density than previous 1 Bongó Cr. Ch. Tamb. Pic. Tamb. W. Bl. elt mallet 0 0 p mp p m w/ tip o wood stick on bell m m
14 : Sampling Flute 7 1 p p mp mp
15 14 40 W. Bl. : Reverse Playback Flute Previous Phrase pppp pppp p : Increase Delay Time and Feedback on Woodblocks p pp ppp pppp
16 46 W. Bl. : Keep Playing Flute Sounds 1
17 16 4 W. Bl. : Gradually Fading Out Wait till the sound disapears
18 : In this Section [C], Random Delay times are Applied to the Percussion when Rolls and Long Values are occur. C molto rall. 62 m Tom-t. p C molto rall. 17 p p
19 18 q=80 6 Tom-t. mp q=80 p m
20 68 Cr. Tom-t. 19 m pppp sz sz pppp
21 20 Wait till delayed sounds stop!! 72 molto accel. G.C. Cr. p pppp molto accel. Wait till delayed sounds stop!! m Wait till delayed sounds stop!! p
22 D molto rit. : Sampling Percussion Short Phrases 7 Bongó 21 Cr.
23 22 : Playback Short Reversed Percussion Sounds Increases and Decreases Density molto rit. 77 Bongó Tamb. Tom-t. elt mallets molto rit. mp m sz
24 2 q=6 80 Tamb. Pic. Tom-t. mp q=6
25 24 E 8 molto accel. : Slowly Increase Reverberation Level and Decay Time on Flute ppp Tamb. Pic. Tom-t. E molto accel.
26 2 88
27 26 89 molto rall. molto rall.
28 q=60 molto rall. : Gradually Apply Reverberation to Piano : Sample Piano Clusters 27 : Playback Damped Piano Clusters Gradually Resducing Loudness q=60 molto rall. 91 cluster: as many o these notes as possible within this spectrum mp
29 28 molto rall. 9 pp molto rall.
30 29 F : Gradually Apply Gently Delays to Piano and Flute till the end o the Section Delay Times and Feedback Time shold blend into the Piano and Flute gestures ppp 97 q=60 molto espressivo pp F q=60 molto espressivo pp
31 0 102 m
32 1 10
33 2 108
34 112 accel. accel.
35 4 G not nessecerely at these tempos, yet a ast accelerando q=70 q=7 q=8 q=80 11 p G.C. Bongó Cr. Ch. Tamb. Pic. mp Tamb. m Tom-t. W. Bl. Gq=70 q=7 q=8 q=80 mp q=90 q=90
36 q=100 q=9 120 G.C. Cr. Ch. Tamb. Pic. Tamb. q=10 sz Tom-t. q=9 q=100 let ring let ring pp sz q=110 q=10 sz ppp q=110 sz sz sz ppp sz
37 H 6 molto rall. : Long Decay, Dark and Thick Reverberation to the Piano Clusters Turn ON the AUTOPAN. I needed, or a better spazialization, you might play with the Pan Speed, to ind the more adecuate option or the space. 127 Bongó Tamb. Very Long Wait!! wood tip sticks ppp H molto rall.
38 7 11 Bongó
39 8 1 Bongó molto rit. 6 pppp wood tip sticks sz mp molto rit. as many notes as possible within this spectrum
40 9 Bongó 1 m m mp p as many notes as possible within this spectrum mp
41 40 17 Bongó p 6 ppp as many notes as possible within this spectrum p
42 41 19 sz m m mp as many notes as possible within this spectrum pp
43 start palying Next Section, or till Reverberation : Sounds continue till Instruments Decay stops!! p pp as many notes as possible within this spectrum p p pp
44 Section Open To Improvisation till the End [+ or - 1 minute] : Preerebly use o Delays and Sampling I 4 w/ Reverse Playback as previously Use any rhythm, dynamic & at any register This Section Play these at any rhythm, dynamic & at any octave Might be 144 Played or Omitted I Play these notes at any rhythm, density, dynamic & at any octave pre. large values as used on clusters.
Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher
Alexis Perepelycia Arranger, Composer, Director, Interpreter, Publisher, Teacher Argentina, Rosario About the artist Personal web: Associate: www.alexisperepelycia.com.ar SADAIC About the piece Title:
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