Cambridge International Examinations Cambridge International General Certificate of Secondary Education. Published

Size: px
Start display at page:

Download "Cambridge International Examinations Cambridge International General Certificate of Secondary Education. Published"

Transcription

1 Cambridge International Examinations Cambridge International General Certificate of Secondary Education MUSIC 040/ Paper Listening MARK SCHEME Maximum Mark: 70 Published This mark scheme is published as an aid to teachers and candidates, to indicate the requirements of the examination. It shows the basis on which Examiners were instructed to award marks. It does not indicate the details of the discussions that took place at an Examiners meeting before marking began, which would have considered the acceptability of alternative answers. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers. Cambridge will not enter into discussions about these mark schemes. Cambridge is publishing the mark schemes for the series for most Cambridge IGCSE, Cambridge International A and AS Level and Cambridge Pre-U components, and some Cambridge O Level components. IGCSE is a registered trademark. This syllabus is approved for use in England, Wales and Northern Ireland as a Cambridge International Level /Level Certificate. This document consists of 5 printed pages. UCLES 07 [Turn over

2 Music A Crescendo (accept cresc.) Orchestra Steady tempo / steady pulse / march tempo / walking pace etc. [] or 4 time [] (Many) dotted rhythms [] (Prominent) brass [] (Much use of) cymbal / snare drum / percussion [] 4 Homophonic 5(a) Romantic / 9th century (accept 0th century) 5(b) Large orchestra Wind/brass playing melody Use of chromaticism Music A 6 Piano 7 Glissando [] Pedal note [] 8 Whole tone 9(a) Impressionism 9(b) Fluctuating tempo / free rhythm / rubato [] Irregular phrase lengths [] Parallel motion / chords [] Changing metre [] Homophonic texture [] Unresolved dissonances / not traditional harmonic progressions / discords [] Pentatonic scale [] Music B 0 Bandoneon / accordion Chromatic scale (Bars 4 are) staccato / detached [] (Bars 5 8 are) legato / slurred / smooth [] Note: Must be in correct order for marks (a) Argentina / South America / Latin America (b) 4 beats in a bar / syncopation / accented notes / it is a tango UCLES 07 Page of 5

3 Music B 4(a) Ūd / lute 4(b) Heterophony / different versions of the same melody / in octaves 5 Short phrases [] Repetitive [] Narrow range / range of a 5th [] Each phrase falls in pitch [] Moves by step [] Some ornamentation / pitch bending / trills [] Long last note [] Minor (tonality / scale) [] 6 Arab / Middle East / Central Asia (NOT just Asia) Music B (World Focus: Indian Music) 7 There is a tānpurā / tambourā [] playing the drone [] and a violin [] improvising / exploring (the notes of the rāg) [], while another violin plays a short drone []. It is slow [] and unmetred []. 4 8 Ālāp 9 In the second passage there is a mridangam [] playing the tāl / tāla []. The music is metred [] and faster []. The two violins play in octaves []. Passage is pre-composed / not improvised []. 0 The strings are tuned as octave pairs (accept tuned differently / tonic and dominant) [] Accept it is played by being held between the shoulder and the foot / upright / on the floor etc. 4 Section C Perfect [] fourth [] (award mark for perfect only if fourth is correct). (a) Key: E (major) [] Cadence: Perfect [] (b) Dominant Entirely correct: [] bar correct, bar partly correct: [] bar correct, bar incorrect: [] Little accuracy: [0] UCLES 07 Page of 5

4 4 Binary / AB / AA I [] 5(a) Minuet [] 5(b) Triple time / /4 [] Moderate tempo [] 6(a) Baroque 6(b) Harpsichord / (basso) continuo [] Ornaments [] Sequences [] Only string instruments used [] accept string-dominated 7 Sonata [] Music D Vivaldi: Summer from the Four Seasons 8 Adagio [] 9 (Repeated) dotted notes [] to represent flies / blowflies [] 0 Music representing thunder [] It is loud [], played by the orchestra [], it is monophonic / unison / in octaves [], the note G is repeated / repeated notes [], there are no dotted rhythms [] and it is presto/fast []. MAX marks for description of music (a) B flat (major) (b) Relative major [] Music D (a) The cuckoo (b) (Play on the) A string (c) Rapid alternation between a repeated note and changing notes It is shorter 4 One mark per (different) note (E flat and D) 5 st section: Episode () [] nd section: Ritornello () [] UCLES 07 Page 4 of 5

5 Music D Mozart: Symphony No. 4 6 Credit answers which refer to any of the following points: Octaves/unison vs homophonic []. Forte vs piano []. Tutti vs strings []. Grand vs gentle []. Use of silence []. Tonic (C) vs Dominant (G) [] Low vs high [] Accept staccato vs legato / shorter vs longer notes [] 7 Tonic pedal 8 Imperfect 9 The theme is played by violins only [] and is piano, not forte / not played by the whole orchestra (if not already awarded for violins only) []. A (wind) countermelody / its own melody [] has been added, and a broken chord (in the horns) []. 40(a) Transition (accept bridge passage) 40(b) To modulate (to the dominant) Music D4 4(a) E flat (major) 4(b) The second subject (opera buffa theme) 4 One mark per note 4 Candidates may refer to development techniques including: Sequence: e.g. the pattern from bar 0 is played as an ascending sequence by violins and imitated by violas and cellos. From bar 9 it is played in descending sequence by violins with violas and cellos in canon half a bar later. From bar it is again used as a descending sequence which is imitated. Imitation: e.g. In bar 7 the violas and cellos take the pattern from bar 9 which is then imitated by violins. (and other examples above) Modulation: The theme passes through several keys during the extract (e.g. E flat major / G minor / F minor / C minor / E major). Fragmentation e.g. b9 first half of b0 melody A detailed and accurate description; must involve bar numbers [] A few specific examples given [] Award a mark of for correct observations, which do not meet the descriptor above No valid points: [0] 44 False recapitulation / first subject in F major / theme UCLES 07 Page 5 of 5

MARK SCHEME for the May/June 2011 question paper for the guidance of teachers 0410 MUSIC

MARK SCHEME for the May/June 2011 question paper for the guidance of teachers 0410 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the May/June 2011 question paper for the guidance of teachers

More information

Cambridge International Examinations Cambridge International General Certifi cate of Secondary Education

Cambridge International Examinations Cambridge International General Certifi cate of Secondary Education Cambridge International Examinations Cambridge International General Certifi cate of Secondary Education MUSIC 040/0 Paper Listening For examination from 05 MARK SCHEME Maximum Mark: 70 Specimen The syllabus

More information

0410 MUSIC. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers.

0410 MUSIC. Mark schemes should be read in conjunction with the question paper and the Principal Examiner Report for Teachers. CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education MARK SCHEME for the May/June 2014 series 0410 MUSIC 0410/13 Paper 1 (Listening), maximum raw mark 70 This mark

More information

MARK SCHEME for the June 2005 question paper 0410 MUSIC

MARK SCHEME for the June 2005 question paper 0410 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the June 2005 question paper 0410 MUSIC 0410/01 Unprepared

More information

MARK SCHEME for the May/June 2008 question paper 0410 MUSIC

MARK SCHEME for the May/June 2008 question paper 0410 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the May/June 2008 question paper 0410 MUSIC 0410/01 Paper

More information

Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising)

Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising) Vivaldi: Concerto in D minor, Op. 3 No. 11 (for component 3: Appraising) Background information and performance circumstances Antonio Vivaldi (1678 1741) was a leading Italian composer of the Baroque period.

More information

Stylistic features Antonio Vivaldi: Concerto in D minor, Op. 3 No. 11

Stylistic features Antonio Vivaldi: Concerto in D minor, Op. 3 No. 11 Stylistic features Antonio Vivaldi: Concerto in D minor, Op. 3 No. 11 Piece Structure Tonality Organisation of Pitch Antonio Vivaldi 1678-1741 Concerto in D minor, Op. 3 No. 11 See separate table for details

More information

0410 MUSIC 0410/01 Paper 1 (Unprepared Listening), maximum raw mark 60

0410 MUSIC 0410/01 Paper 1 (Unprepared Listening), maximum raw mark 60 UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education MARK SCHEME for the May/June 2009 question paper for the guidance of teachers 0410 MUSIC 0410/01

More information

Haydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces

Haydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces Haydn: Symphony No. 101 second movement, The Clock Listening Exam Section B: Study Pieces AQA Specimen paper: 2 Rhinegold Listening tests book: 4 Renaissance Practice Paper 1: 6 Renaissance Practice Paper

More information

17. Beethoven. Septet in E flat, Op. 20: movement I

17. Beethoven. Septet in E flat, Op. 20: movement I 17. Beethoven Septet in, Op. 20: movement I (For Unit 6: Further Musical understanding) Background information Ludwig van Beethoven was born in 1770 in Bonn, but spent most of his life in Vienna and studied

More information

L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising)

L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising) L van Beethoven: 1st Movement from Piano Sonata no. 8 in C minor Pathétique (for component 3: Appraising) Background information and performance circumstances The composer Ludwig van Beethoven was born

More information

Any valid description of word painting as heard in the excerpt. Must link text with musical feature. e.g

Any valid description of word painting as heard in the excerpt. Must link text with musical feature. e.g LC Music 006 Marking Scheme Listening - Higher level - core A Movement / Tenor aria Tenor Flute; Cello; Organ + + 7 B X = Quaver rest. Y = Crotchet rest. Rests to be inserted on score. Perfect cadence

More information

Handel. And the glory of the lord

Handel. And the glory of the lord Handel And the glory of the lord Schoenberg Peripetie Reich Electric Counterpoint Bernstein Something s Coming Moby Why Does My heart Feel So Bad? Davis All Blues Buckley Grace Capercaillie Skye Waulking

More information

Chapter 13. Key Terms. The Symphony. II Slow Movement. I Opening Movement. Movements of the Symphony. The Symphony

Chapter 13. Key Terms. The Symphony. II Slow Movement. I Opening Movement. Movements of the Symphony. The Symphony Chapter 13 Key Terms The Symphony Symphony Sonata form Exposition First theme Bridge Second group Second theme Cadence theme Development Recapitulation Coda Fragmentation Retransition Theme and variations

More information

3. Berlioz Harold in Italy: movement III (for Unit 3: Developing Musical Understanding)

3. Berlioz Harold in Italy: movement III (for Unit 3: Developing Musical Understanding) 3. Berlioz Harold in Italy: movement III (for Unit 3: Developing Musical Understanding) Background information Biography Berlioz was born in 1803 in La Côte Saint-André, a small town between Lyon and Grenoble

More information

GCE. Music. Mark Scheme for January Advanced Subsidiary GCE Unit G353: Introduction to Historical Study in Music

GCE. Music. Mark Scheme for January Advanced Subsidiary GCE Unit G353: Introduction to Historical Study in Music GCE Music Advanced Subsidiary GCE Unit G353: Introduction to Historical Study in Music Mark Scheme for January 2013 Oxford Cambridge and RSA Examinations OCR (Oxford Cambridge and RSA) is a leading UK

More information

GCSE. Music. CCEA GCSE Specimen Assessment Materials for

GCSE. Music. CCEA GCSE Specimen Assessment Materials for GCSE CCEA GCSE Specimen Assessment Materials for Music For first teaching from September 2017 For first assessment in Summer 2019 For first award in Summer 2019 Subject Code:7010 Foreword CCEA has developed

More information

MARK SCHEME for the May/June 2012 question paper for the guidance of teachers 0410 MUSIC

MARK SCHEME for the May/June 2012 question paper for the guidance of teachers 0410 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the May/June 2012 question paper for the guidance of teachers

More information

Cambridge International General Certificate of Secondary Education 0410 Music June 2013 Principal Examiner Report for Teachers

Cambridge International General Certificate of Secondary Education 0410 Music June 2013 Principal Examiner Report for Teachers MUSIC Cambridge International General Certificate of Secondary Education www.xtremepapers.com Paper 0410/01 Listening Key Messages Answers must always focus on the music, not general features of the style

More information

Music Curriculum Glossary

Music Curriculum Glossary Acappella AB form ABA form Accent Accompaniment Analyze Arrangement Articulation Band Bass clef Beat Body percussion Bordun (drone) Brass family Canon Chant Chart Chord Chord progression Coda Color parts

More information

Cambridge International General Certificate of Secondary Education 0410 Music June 2012 Principal Examiner Report for Teachers

Cambridge International General Certificate of Secondary Education 0410 Music June 2012 Principal Examiner Report for Teachers MUSIC Cambridge International General Certificate of Secondary Education www.xtremepapers.com Paper 0410/01 Listening Key Messages The examination tests listening skills it is important that in questions

More information

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound

Syllabus List. Beaming. Cadences. Chords. Report selections. ( Syllabus: AP* Music Theory ) Acoustic Grand Piano. Acoustic Snare. Metronome beat sound Report selections Syllabus List Syllabus: AP* Music Theory SYLLABUS AP* Music Theory AP is a registered trademark of the College Board, which was not involved in the production of, and does not endorse,

More information

The Classical Period

The Classical Period The Classical Period How to use this presentation Read through all the information on each page. When you see the loudspeaker icon click on it to hear a musical example of the concept described in the

More information

HOW TO STUDY: YEAR 11 MUSIC 1

HOW TO STUDY: YEAR 11 MUSIC 1 HOW TO STUDY: YEAR 11 MUSIC 1 AURAL EXAM EXAMINATION STRUCTURE Length of the exam: 1 hour and 10 minutes You have 5 minutes of reading time before the examination starts you are NOT allowed to do any writing

More information

Chapter 13. The Symphony

Chapter 13. The Symphony Chapter 13 The Symphony!1 Key Terms symphony sonata form exposition first theme bridge second group second theme cadence theme development retransition recapitulation coda fragmentation theme

More information

Simple time Has 2, 3 or 4 as number of beats in a bar (top number of time signature)

Simple time Has 2, 3 or 4 as number of beats in a bar (top number of time signature) AoS Rhythm & Metre Rhythm The combination and pattern of sounds around the beat Metre The pattern of the beats Can be regular, irregular or free Triplets 3 notes played where 2 notes should be. Time signature

More information

MARK SCHEME for the May/June 2008 question paper 0410 MUSIC

MARK SCHEME for the May/June 2008 question paper 0410 MUSIC UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS International General Certificate of Secondary Education www.xtremepapers.com MARK SCHEME for the May/June 2008 question paper 0410 MUSIC 0410/02 Paper

More information

Music Theory. Fine Arts Curriculum Framework. Revised 2008

Music Theory. Fine Arts Curriculum Framework. Revised 2008 Music Theory Fine Arts Curriculum Framework Revised 2008 Course Title: Music Theory Course/Unit Credit: 1 Course Number: Teacher Licensure: Grades: 9-12 Music Theory Music Theory is a two-semester course

More information

Final. Mark Scheme. Music. (Specification 4270) Unit 1:Listening to and Appraising Music. General Certificate of Secondary Education June 2011

Final. Mark Scheme. Music. (Specification 4270) Unit 1:Listening to and Appraising Music. General Certificate of Secondary Education June 2011 Version 3.0 General Certificate of Secondary Education June 2011 Music 42701 (Specification 4270) Unit 1:Listening to and Appraising Music Final Mark Scheme Mark schemes are prepared by the Principal Examiner

More information

AoS1 set works Handel: And the Glory of the Lord Mozart: 1 st movement (sonata) from Symphony No.40 in Gminor Chopin: Raindrop Prelude

AoS1 set works Handel: And the Glory of the Lord Mozart: 1 st movement (sonata) from Symphony No.40 in Gminor Chopin: Raindrop Prelude The KING S Medium Term Plan - Music Y10 LC4 Programme out-going GCSE Module Area of Study 1 Analysing three additional set works. Learners will be required to focus their skills on a more formal style

More information

Ragtime wordsearch. Activity SYNCOPATED B T S A D E T N E C C A G E M F AMERICA Y N O M R A H T N A N I M O D Z SCOTT JOPLIN

Ragtime wordsearch. Activity SYNCOPATED B T S A D E T N E C C A G E M F AMERICA Y N O M R A H T N A N I M O D Z SCOTT JOPLIN page 9 Activity Ragtime wordsearch SYNCOPATED AMERICA SCOTT JOPLIN THEMES RECAPITULATION TONIC HARMONY DOMINANT HARMONY ACCENTED ACCOMPANIMENT THE ENTERTAINER MAPLE LEAF B T S A D E T N E C C A G E M F

More information

General Certificate of Secondary Education Music. Part 2 Listening and Appraising (Optional Areas of Study) [G9704] MONDAY 2 JUNE, AFTERNOON

General Certificate of Secondary Education Music. Part 2 Listening and Appraising (Optional Areas of Study) [G9704] MONDAY 2 JUNE, AFTERNOON General Certificate of Secondary Education 2014 Music Part 2 Listening and Appraising (Optional Areas of Study) [G9704] MONDAY 2 JUNE, AFTERNOON MARK SCHEME General Marking Instructions Introduction Mark

More information

LISTENING GUIDE. p) serve to increase the intensity and drive. The overall effect is one of great power and compression.

LISTENING GUIDE. p) serve to increase the intensity and drive. The overall effect is one of great power and compression. LISTENING GUIDE LUDWIG VAN BEETHOVEN (1770 1827) Symphony No. 5 in C Minor Date of composition: 1807 8 Orchestration: two flutes, two oboes, two clarinets, two horns, two trumpets, timpani, strings Duration:

More information

Stephen Schwartz Defying Gravity (from Wicked) Name: PLC. score

Stephen Schwartz Defying Gravity (from Wicked) Name: PLC. score Stephen Schwartz Defying Gravity (from Wicked) I know the plot of Wicked and how the song fits into the musical I can describe the setting of the words, and understand vocables I can identify how the voices

More information

Assessment Schedule 2017 Music: Demonstrate knowledge of conventions in a range of music scores (91276)

Assessment Schedule 2017 Music: Demonstrate knowledge of conventions in a range of music scores (91276) NCEA Level 2 Music (91276) 2017 page 1 of 8 Assessment Schedule 2017 Music: Demonstrate knowledge of conventions in a range of music scores (91276) Assessment Criteria Demonstrating knowledge of conventions

More information

Beethoven: Pathétique Sonata

Beethoven: Pathétique Sonata Beethoven: Pathétique Sonata Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Beethoven Score write each

More information

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276)

Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276) NCEA Level 2 Music (91276) 2016 page 1 of 7 Assessment Schedule 2016 Music: Demonstrate knowledge of conventions in a range of music scores (91276) Assessment Criteria with Demonstrating knowledge of conventions

More information

The Baroque Period: The Romantic Era: th & 21st Century Classical Music: 1900-Present day. Course work and revision materials

The Baroque Period: The Romantic Era: th & 21st Century Classical Music: 1900-Present day. Course work and revision materials Course work and revision materials The Baroque Period:1600-1750 The Romantic Era: 1810-1900 20th & 21st Century Classical Music: 1900-Present day www.creativeartsmusic.wordpress.com Name:... Class:...

More information

INSTRUCTIONS TO CANDIDATES

INSTRUCTIONS TO CANDIDATES Oxford Cambridge and RSA Friday 5 June 2015 Morning GCSE MUSIC B354/01 Listening *4843816264* Candidates answer on the Question Paper. OCR supplied materials: CD Other materials required: None Duration:

More information

Version 1.0. General Certificate of Secondary Education June GCSE Music Listening to and Appraising Music Unit 1. Final.

Version 1.0. General Certificate of Secondary Education June GCSE Music Listening to and Appraising Music Unit 1. Final. Version 1.0 General Certificate of Secondary Education June 2013 GCSE Music 42701 Listening to and Appraising Music Unit 1 Final Mark Scheme Mark schemes are prepared by the Principal Examiner and considered,

More information

3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo

3 against 2. Acciaccatura. Added 6th. Augmentation. Basso continuo 3 against 2 Acciaccatura One line of music may be playing quavers in groups of two whilst at the same time another line of music will be playing triplets. Other note values can be similarly used. An ornament

More information

2016 Music. Advanced Higher. Finalised Marking Instructions

2016 Music. Advanced Higher. Finalised Marking Instructions National Qualifications 2016 2016 Music Advanced Higher Finalised ing Instructions Scottish Qualifications Authority 2016 The information in this publication may be reproduced to support SQA qualifications

More information

La Salle University MUS 150 Art of Listening Final Exam Name

La Salle University MUS 150 Art of Listening Final Exam Name La Salle University MUS 150 Art of Listening Final Exam Name I. Listening Skill For each excerpt, answer the following questions. Excerpt One: - Vivaldi "Spring" First Movement 1. Regarding the element

More information

NATIONAL 5 Revision Booklet

NATIONAL 5 Revision Booklet Understanding Music NATIONAL 5 Revision Booklet Helpful Websites Type the following into Google and click the first result: NQMusic Also try Learn Listening Online and Music Listening Revision Important

More information

Berlioz: Symphonie Fantastique: Movement, I (for component 3: Appraising)

Berlioz: Symphonie Fantastique: Movement, I (for component 3: Appraising) Berlioz: Symphonie Fantastique: Movement, I (for component 3: Appraising) Background information and performance circumstances Hector Berlioz (1803 69) was a French composer who was highly influential

More information

Acknowledgements... ii Preface... iii CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 6...

Acknowledgements... ii Preface... iii CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 6... Contents Acknowledgements... ii Preface... iii CHAPTER 1... 1 Theory of music... 1 CHAPTER 2... 27 Harmony... 27 CHAPTER 3... 52 Non-chordal notes and ornaments... 52 CHAPTER 4... 68 Secondary dominants

More information

Year 9 SOW MUSIC Spring Objectives/ PLC Activities Assessment Resources Key words / Questions

Year 9 SOW MUSIC Spring Objectives/ PLC Activities Assessment Resources Key words / Questions Week. Lesson Week 1 Theory Week 1 course work Year 9 SOW MUSIC Spring Objectives/ PLC Activities Assessment Resources Key words / Questions to know the dates Starter: quiz Powerpoint Baroque of the Baroque

More information

Sgoil Lionacleit. Advanced Higher Music Revision

Sgoil Lionacleit. Advanced Higher Music Revision Sgoil Lionacleit Advanced Higher Music Revision Useful links: http://www.dunblanehsmusic.co.uk/sqa-past-papers.html http://www.educationscotland.gov.uk/nqmusic/advancedhigher/allconcepts.as p HIGHER http://files.snacktools.com/iframes/files.edu.flipsnack.com/iframe/embed.html?hash=fzk52nj1&wmode=opaque&forcewidget=1&t=1457730457

More information

GRATTON, Hector CHANSON ECOSSAISE. Instrumentation: Violin, piano. Duration: 2'30" Publisher: Berandol Music. Level: Difficult

GRATTON, Hector CHANSON ECOSSAISE. Instrumentation: Violin, piano. Duration: 2'30 Publisher: Berandol Music. Level: Difficult GRATTON, Hector CHANSON ECOSSAISE Instrumentation: Violin, piano Duration: 2'30" Publisher: Berandol Music Level: Difficult Musical Characteristics: This piece features a lyrical melodic line. The feeling

More information

Tonality Tonality is how the piece sounds. The most common types of tonality are major & minor these are tonal and have a the sense of a fixed key.

Tonality Tonality is how the piece sounds. The most common types of tonality are major & minor these are tonal and have a the sense of a fixed key. Name: Class: Ostinato An ostinato is a repeated pattern of notes or phrased used within classical music. It can be a repeated melodic phrase or rhythmic pattern. Look below at the musical example below

More information

44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding)

44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding) 44. Jerry Goldsmith Planet of the Apes: The Hunt (opening) (for Unit 6: Further Musical Understanding) Background information and performance circumstances Biography Jerry Goldsmith was born in 1929. Goldsmith

More information

abc GCE 2004 June Series Mark Scheme Music (MUS )

abc GCE 2004 June Series Mark Scheme Music (MUS ) GCE 2004 June Series abc Mark Scheme Music (MUS4 6271 ) Mark schemes are prepared by the Principal Examiner and considered, together with the relevant questions, by a panel of subject teachers. This mark

More information

Haydn: London Symphony, No.104

Haydn: London Symphony, No.104 MOVEMENT 2 During the Classical era in music, second movements in a symphony were the slow movements, generally labelled Adagio, Largo or Andante. They would be in a key other than the tonic, so as to

More information

Piano Syllabus. London College of Music Examinations

Piano Syllabus. London College of Music Examinations London College of Music Examinations Piano Syllabus Qualification specifications for: Steps, Grades, Recital Grades, Leisure Play, Performance Awards, Piano Duet, Piano Accompaniment Valid from: 2018 2020

More information

GCE. Music. Copyright 2003 AQA and its licensors. All rights reserved.

GCE. Music. Copyright 2003 AQA and its licensors. All rights reserved. Mark scheme June 2003 GCE Music Copyright 2003 AQA and its licensors. All rights reserved. The Assessment and Qualifications Alliance (AQA) is a company limited by guarantee registered in England and Wales

More information

Leaving Certificate 2013

Leaving Certificate 2013 Coimisiún na Scrúduithe Stáit State Examinations Commission Leaving Certificate 03 Marking Scheme Music Higher Level Note to teachers and students on the use of published marking schemes Marking schemes

More information

Largo Adagio Andante Moderato Allegro Presto Beats per minute

Largo Adagio Andante Moderato Allegro Presto Beats per minute RHYTHM Rhythm is the element of "TIME" in music. When you tap your foot to the music, you are "keeping the beat" or following the structural rhythmic pulse of the music. There are several important aspects

More information

Brahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding)

Brahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding) Brahms Piano Quintet in F minor - 3 rd Movement (For Unit 3: Developing Musical Understanding) Background information and performance circumstances Biography Johannes Brahms was born in Hamburg, Germany

More information

2 3 Bourée from Old Music for Viola Editio Musica Budapest/Boosey and Hawkes 4 5 6 7 8 Component 4 - Sight Reading Component 5 - Aural Tests 9 10 Component 4 - Sight Reading Component 5 - Aural Tests 11

More information

GCSE Music. Mark Scheme for June Unit B354: Listening. General Certificate of Secondary Education. Oxford Cambridge and RSA Examinations

GCSE Music. Mark Scheme for June Unit B354: Listening. General Certificate of Secondary Education. Oxford Cambridge and RSA Examinations GCSE Music Unit B354: Listening General Certificate of Secondary Education Mark Scheme for June 2016 Oxford Cambridge and RSA Examinations OCR (Oxford Cambridge and RSA) is a leading UK awarding body,

More information

Elements of Music - 2

Elements of Music - 2 Elements of Music - 2 A series of single tones that add up to a recognizable whole. - Steps small intervals - Leaps Larger intervals The specific order of steps and leaps, short notes and long notes, is

More information

7:43 7:50 Development of theme A strings (sequence of A in low strings) with woodwind interjection

7:43 7:50 Development of theme A strings (sequence of A in low strings) with woodwind interjection LB-51: First Nights A. Allen, Fall 2006 Hector Berlioz, Symphonie fantastique Listening Guide Recordings refer to John Eliot Gardiner / Orchestre Révolutionnaire et Romantique (Gard.) and Roger Norrington

More information

Year 11 Music Revision Guidance

Year 11 Music Revision Guidance Year 11 Music Revision Guidance Name the musical instrument In the exam you will be asked to name different instruments that you can hear playing. If you do not play one of these instruments it can sometimes

More information

Year 7 revision booklet 2017

Year 7 revision booklet 2017 Year 7 revision booklet 2017 Woodkirk Academy Music Department Name Form Dynamics How loud or quiet the music is Key Word Symbol Definition Pianissimo PP Very Quiet Piano P Quiet Forte F Loud Fortissimo

More information

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS WSMTA Music Literacy Program Curriculum Guide modified for STRINGS Level One - Clap or tap a rhythm pattern, counting aloud, with a metronome tempo of 72 for the quarter beat - The student may use any

More information

Tempo this means the speed of the music, how fast (Presto) or slow (Lento) it is.

Tempo this means the speed of the music, how fast (Presto) or slow (Lento) it is. Year 8 - Revision Elements of Music The most important elements of music are dynamics, tempo, pitch, timbre, duration, texture and structure. These elements help us to create contrast in our music so that

More information

NATIONAL 5 Revision Booklet

NATIONAL 5 Revision Booklet Understanding Music NATIONAL 5 Revision Booklet Helpful Websites Type the following into Google and click the first result: NQMusic Also try Learn Listening Online and Music Listening Revision All prezis

More information

2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 Notes: 1. GRADE 1 TEST 1(b); GRADE 3 TEST 2(b): where a candidate wishes to respond to either of these tests in the alternative manner as specified, the examiner

More information

The Elements of Music. A. Gabriele

The Elements of Music. A. Gabriele The Elements of Music A. Gabriele Rhythm Melody Harmony Texture Timbre Dynamics Form The 7 Elements Rhythm Rhythm represents the element of time in music. When you tap your foot, you are moving to the

More information

ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music. Ephesians 5:19-20

ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music. Ephesians 5:19-20 ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music [Speak] to one another with psalms, hymns, and songs from the Spirit. Sing and make music from your heart to the Lord, always giving thanks to

More information

The Classical Period-Notes

The Classical Period-Notes The Classical Period-Notes The Classical period lasted from approximately 1750 1810. This was a fairly brief period but contains the work of three of the greatest composers of all time. They were... Joseph

More information

Active learning will develop attitudes, knowledge, and performance skills which help students perceive and respond to the power of music as an art.

Active learning will develop attitudes, knowledge, and performance skills which help students perceive and respond to the power of music as an art. Music Music education is an integral part of aesthetic experiences and, by its very nature, an interdisciplinary study which enables students to develop sensitivities to life and culture. Active learning

More information

Unit Outcome Assessment Standards 1.1 & 1.3

Unit Outcome Assessment Standards 1.1 & 1.3 Understanding Music Unit Outcome Assessment Standards 1.1 & 1.3 By the end of this unit you will be able to recognise and identify musical concepts and styles from The Classical Era. Learning Intention

More information

This is the most clearly defined presentation of the ritornello

This is the most clearly defined presentation of the ritornello Analysis Brandenburg Concerto no. 2 1 st Movement As discussed in previous sections, Bach s structure for the Brandenburg concertos is not as evident as the archetype used by Vivaldi. This is especially

More information

Babar the Little Elephant

Babar the Little Elephant Babar the Elephant Babar the Little Elephant Music Composed by Francis Poulenc Original story composed by Jean de Brunhoff Babar the Little Elephant is a story published in France in 1931 by French author

More information

California Subject Examinations for Teachers

California Subject Examinations for Teachers California Subject Examinations for Teachers TEST GUIDE MUSIC SUBTEST I Sample Questions and Responses and Scoring Information Copyright 2015 Pearson Education, Inc. or its affiliate(s). All rights reserved.

More information

What a Classic! Listening Resource Booklet. Name

What a Classic! Listening Resource Booklet. Name What a Classic! Listening Resource Booklet Name The Baroque Era (1600 1750) The music, art, architecture and literature of the 17 th and early 18 th centuries is usually referred to as baroque, a term

More information

Music theory B-examination 1

Music theory B-examination 1 Music theory B-examination 1 1. Metre, rhythm 1.1. Accents in the bar 1.2. Syncopation 1.3. Triplet 1.4. Swing 2. Pitch (scales) 2.1. Building/recognizing a major scale on a different tonic (starting note)

More information

GCSE Music. Revision Guide

GCSE Music. Revision Guide GCSE Music Revision Guide Useful Links for Examples http://gfs-music.com - Useful hints and tips on exam techniques http://gcse-music.co.uk - Lots of hints, tips and audio examples that you can practice

More information

Brandenburg Concerto No. 5 Mvmt 3

Brandenburg Concerto No. 5 Mvmt 3 Brandenburg Concerto No. 5 Mvmt 3 Key words 1) Instrumentation and Sonority 2) Structure 3) Tonality 4) Harmony 5) Rhythm, Metre and Tempo 6) Melody 7) Texture At the top of your Bach Score write each

More information

NCEA Level 2 Music (91275) 2012 page 1 of 6. Assessment Schedule 2012 Music: Demonstrate aural understanding through written representation (91275)

NCEA Level 2 Music (91275) 2012 page 1 of 6. Assessment Schedule 2012 Music: Demonstrate aural understanding through written representation (91275) NCEA Level 2 Music (91275) 2012 page 1 of 6 Assessment Schedule 2012 Music: Demonstrate aural understanding through written representation (91275) Evidence Statement Question with Merit with Excellence

More information

MELODIC NOTATION UNIT TWO

MELODIC NOTATION UNIT TWO MELODIC NOTATION UNIT TWO This is the equivalence between Latin and English notation: Music is written in a graph of five lines and four spaces called a staff: 2 Notes that extend above or below the staff

More information

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Music

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Music Syllabus Snapshot by Amazing Brains Exam Body: CCEA Level: GCSE Subject: Music 2 Specification at a Glance The table below summarises the structure of this GCSE course. Assessment Weightings Availability

More information

GCSE MUSIC REVISION GUIDE

GCSE MUSIC REVISION GUIDE GCSE MUSIC REVISION GUIDE J Williams: Main title/rebel blockade runner (from the soundtrack to Star Wars: Episode IV: A New Hope) (for component 3: Appraising) Background information and performance circumstances

More information

GCSE MUSIC UNIT 3 APPRAISING. Mock Assessment Materials NOVEMBER hour approximately

GCSE MUSIC UNIT 3 APPRAISING. Mock Assessment Materials NOVEMBER hour approximately Candidate Name Centre Number Candidate Number GCSE MUSIC UNIT 3 APPRAISING Mock Assessment Materials NOVEMBER 2017 1 hour approximately Examiners Use Only Question Max Mark 1 9 2 9 3 9 4 9 5 9 6 9 7 9

More information

GCSE Music (Edexcel) Revision and Preparation Advice

GCSE Music (Edexcel) Revision and Preparation Advice GCSE Music (Edexcel) Revision and Preparation Advice Performance SOLO = a piece that you perform on your own you may have an accompaniment OR backing track playing IF the pieces is written with that requirement.

More information

HYDE MUSIC DEPARTMENT. KS3 Theory Booklet

HYDE MUSIC DEPARTMENT. KS3 Theory Booklet HYDE MUSIC DEPARTMENT KS Theory Booklet The Elements of Music Question Answer Question Answer What is the word given to the element of music meaning speed? Pitch / Dynamics Duration / Tempo Timbre / Texture

More information

Music Curriculum Map Year 5

Music Curriculum Map Year 5 Music Curriculum Map Year 5 At all times pupils will be encouraged to perform using their own instruments if they have them. Topic 1 10 weeks Topic 2 10 weeks Topics 3 10 weeks Topic 4 10 weeks Title:

More information

Assessment Schedule 2017 Music: Demonstrate aural understanding through written representation (91275)

Assessment Schedule 2017 Music: Demonstrate aural understanding through written representation (91275) NC Level 2 Music (91275) 2017 page 1 of 7 ssessment Schedule 2017 Music: emonstrate aural understanding through written representation (91275) ssessment Criteria with with emonstrating aural understanding

More information

Mark schemes should be applied positively. Students must be rewarded for what they have shown they can do rather than penalized for omissions.

Mark schemes should be applied positively. Students must be rewarded for what they have shown they can do rather than penalized for omissions. Marking Guidance General Guidance The mark scheme specifies the number of marks available for each question, and teachers should be prepared equally to offer zero marks or full marks as appropriate. In

More information

Music Study Guide. Moore Public Schools. Definitions of Musical Terms

Music Study Guide. Moore Public Schools. Definitions of Musical Terms Music Study Guide Moore Public Schools Definitions of Musical Terms 1. Elements of Music: the basic building blocks of music 2. Rhythm: comprised of the interplay of beat, duration, and tempo 3. Beat:

More information

SAMPLE ASSESSMENT TASKS MUSIC WESTERN ART MUSIC ATAR YEAR 11

SAMPLE ASSESSMENT TASKS MUSIC WESTERN ART MUSIC ATAR YEAR 11 SAMPLE ASSESSMENT TASKS MUSIC WESTERN ART MUSIC ATAR YEAR 11 Copyright School Curriculum and Standards Authority, 2014 This document apart from any third party copyright material contained in it may be

More information

Assessment Schedule 2013 Making Music: Integrate aural skills into written representation (91420)

Assessment Schedule 2013 Making Music: Integrate aural skills into written representation (91420) NCEA Level 3 Making Music (91420) 2013 page 1 of 6 Assessment Schedule 2013 Making Music: Integrate aural skills into written representation (91420) Evidence Statement ONE (a) (i) (iii) Shenandoah Identifies

More information

GCSE. Music. Mark Scheme for June General Certificate of Secondary Education Unit B354: Listening. Oxford Cambridge and RSA Examinations

GCSE. Music. Mark Scheme for June General Certificate of Secondary Education Unit B354: Listening. Oxford Cambridge and RSA Examinations GCSE Music General Certificate of Secondary Education Unit B354: Listening Mark Scheme for June 2013 Oxford Cambridge and RSA Examinations OCR (Oxford Cambridge and RSA) is a leading UK awarding body,

More information

MUSIC PROGRESSIONS. Curriculum Guide

MUSIC PROGRESSIONS. Curriculum Guide MUSIC PROGRESSIONS A Comprehensive Musicianship Program Curriculum Guide Fifth edition 2006 2009 Corrections Kansas Music Teachers Association Kansas Music Teachers Association s MUSIC PROGRESSIONS A Comprehensive

More information

Elements of Music. How can we tell music from other sounds?

Elements of Music. How can we tell music from other sounds? Elements of Music How can we tell music from other sounds? Sound begins with the vibration of an object. The vibrations are transmitted to our ears by a medium usually air. As a result of the vibrations,

More information

2 3 4 Grades Recital Grades Leisure Play Performance Awards Technical Work Performance 3 pieces 4 (or 5) pieces, all selected from repertoire list 4 pieces (3 selected from grade list, plus 1 own choice)

More information

7. Stravinsky. Pulcinella Suite: Sinfonia, Gavotta and Vivo

7. Stravinsky. Pulcinella Suite: Sinfonia, Gavotta and Vivo 7. Stravinsky Pulcinella Suite: Sinfonia, Gavotta and Vivo (For Unit 6: Further Musical Understanding) Background information and performance circumstances The Russian composer, Igor Stravinsky wrote the

More information

WESTERN CLASSICAL MUSIC, Western Classical Music,

WESTERN CLASSICAL MUSIC, Western Classical Music, FACTFILE: GCSE MUSIC WESTERN Western Classical Music, 1600 1910 Baroque Period 1600 1750 Features of the Style Long melodies are based on triads, scales and arpeggios. Ornamentation: trills are often found

More information

8663 and 9703 MUSIC 8663/01 and 9703/01 Paper 1 (Listening), maximum raw mark 100

8663 and 9703 MUSIC 8663/01 and 9703/01 Paper 1 (Listening), maximum raw mark 100 UNIVERSITY OF CAMBRIDGE INTERNATIONAL EXAMINATIONS GCE Advanced Subsidiary Level and GCE Advanced Level MARK SCHEME for the May/June 2009 question paper for the guidance of teachers 8663 and 9703 MUSIC

More information