Day 1 Thursday, November 22 nd
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- Egbert Briggs
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2 Day 1 Thursday, November 22 nd Haus der Universität (HdU), Schadowplatz 14, Düsseldorf Locations: Lecture Hall and Foyer (Ground Floor) Welcome & Registration Conference Opening Susan Winnett (Heinrich-Heine-University Düsseldorf, Germany) Thomas Gurke (University of Koblenz-Landau, Germany) Introduction Keynote Chair: Emily Petermann Nassim Balestrini (University of Graz, Austria) To Hip or Not to Hop: Popularity, Crossover, and Competing Publics Concert by Patty Gurdy Wine Reception
3 Patty Gurdy Songwriter, hurdy gurdist and singer Her songs sound like a fusion of dark, misty folk tunes and modern, but elaborated songwriter-pop. Patty s strong lead vocals combine perfectly with the rare strung instrument her unique green hurdy-gurdy. While located in Ratingen, Germany, she has proven her skills to several million of viewers worldwide through her YouTube Channel. The young musician is one of a few to play whole concerts using only the hurdy-gurdy and the voice and keep the suspense level up. She includes the whole audience to back up her music by creating atmospheric sounds and singing old and new folk melodies together.
4 Day 2 Friday, November 23 rd Haus der Universität, Schadowplatz 14, Düsseldorf Panel Locations: 3 rd Floor, Room Music and the Popular I Chair: Marija Grujić Per Bäckström (Karlstad University, Sweden) The Anti-Aesthetics of Rock from Iggy Pop to Joy Division: The Popular as Negotiation of Cultural Values Tom Smith (University of St. Andrews, Scotland) Against the Mainstream: Authenticity, Popularity and Literary Performance in Germany s Teschno Scene Coffee (3rd Floor) Lost Voices Chair: Susan Winnett Jennifer Knox (Sam Houston State University, USA) Young Woman s Blues : The Influence of Blues Imagery in Hurston s Their Eyes Were Watching God Alexandra Reznik (Duquesne University, USA) the world wanted to bleed all the sass out my name : Interrogating the Popularity of Words and Music in Tyehimba Jess s Olio Lunch (3 rd Floor)
5 Music, Identity and Place Chair: Thomas Gurke Iryna Paliy (Kharkiv University of Arts, Ukraine) The Principles of Global Village in the Musicological Field Jan Czarnecki (University of Cologne, Germany) Mickiewicz Stasiuk Haydamaki: A Melopoetic Travel between East and West Saša Vekić (Independent Scholar, Serbia) Spaces of Difference: Popular Music and Subcultures in British Contemporary Prose Coffee (3 rd Floor) Socio-Political Pop Chair: Samuel Wee Lea Wierød Borčak (Linnaeus University, Sweden) Transmedia Performance in Communal Singing Events Juliana Matasova (Taras Shevchenko National University of Kyiv, Ukraine) Post-Soviet Women Singer-Songwriters / Post-Soviet Audience: An Exercise in Resistance (1990s) Marija Grujić (Institute for Literature and Art, Serbia) The Gendered Visual Aesthetics and Verbal Messages of Hip-Hop and Country Music Incorporated in Serbian Popular Music Conference Dinner Zur Uel, Ratinger Straße 16, Düsseldorf (see map on the back)
6 Day 3 Saturday, November 24th Haus der Universität, Schadowplatz 14, Düsseldorf Location: 3 rd Floor, Room Music and the Popular II Chair: Alexandra Reznik Allison Bumsted (Liverpool Hope University, UK) Which side are you on, McCartney? : A Reassessment of Rock Criticism, the Rock-Pop-Divide, and Wings within the Popular Music Press Felix Leidner (University of Rostock, Germany) Let England Shake! : How PJ Harvey s Songs Challenge English (or British?) Identity Coffee (3 rd Floor) Popularity in/of Opera & Film Chair: Emily Petermann Giedrė Smolskaitė (Vilnius University, Lithuania) When Music Becomes the Main Narrator Nathan Neeley (University of Cincinnati, USA) Musical Quotation in Recent Disney Movies Christian Dammann (Folkwang University of the Arts, Germany) The Popularity of Parisian Parodies of Lohengrin and Otello
7 Lunch (3 rd Floor) Pop, Folklore and the Unpopular Chair: Tom Smith Samuel Caleb Wee (University of British Columbia, Canada) Play it Fuckin Loud : Dylan, Adorno, and the Aesthetics of Contemporary Popular Music Yke Schotanus (Utrecht University, Netherlands) Experiencing Dylan: the Effect of Formal Structure and Performance on the Interpretation of a Dylan Song Ivan Delazari (National Research University Higher School of Economics, Russia) William H. Gass, The Music of Prose, and How to Stay Away from the Popular Concluding Discussion & Official End of Conference
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