Beethoven, Bach, and Billions of Bytes
|
|
- Kristina Simmons
- 6 years ago
- Views:
Transcription
1 Lecture Music Processing Beethoven, Bach, and Billions of Bytes New Alliances between Music and Computer Science Meinard Müller International Audio Laboratories Erlangen
2 Music
3 Music Processing Sheet Music (Image) CD / MP3 (Audio) MusicXML (Text) Dance / Motion (Mocap) Music MIDI Singing / Voice (Audio) Music Film (Video) Music Literature (Text)
4 Research Goals Music Information Retrieval (MIR) ISMIR Analysis of music signals (harmonic, melodic, rhythmic, motivic aspects) Design of musically relevant audio features Tools for multimodal search and interaction
5 Piano Roll Representation
6 Player Piano (1900)
7 Piano Roll Representation (MIDI) J.S. Bach, C-Major Fuge (Well Tempered Piano, BWV 846) Time Pitch
8 Piano Roll Representation (MIDI) Query: Goal: Find all occurrences of the query
9 Piano Roll Representation (MIDI) Query: Goal: Find all occurrences of the query Matches:
10 Audio Data Various interpretations Beethoven s Fifth Bernstein Karajan Scherbakov (piano) MIDI (piano)
11 Audio Data (Memory Requirements) 1 Bit = 1: on 0: off 1 Byte = 8 Bits 1 Kilobyte (KB) = 1 Thousand Bytes 1 Megabyte (MB) = 1 Million Bytes 1 Gigabyte (GB) = 1 Billion Bytes 1 Terabyte (TB) = 1000 Billion Bytes
12 Audio Data (Memory Requirements) MIDI files < 350 MB One audio CD 650 MB Two audio CDs > 1 Billion Bytes 1000 audio CDs Billions of Bytes
13 Music Synchronization: Audio-Audio Beethoven s Fifth
14 Music Synchronization: Audio-Audio Beethoven s Fifth Orchester (Karajan) Piano (Scherbakov) Time (seconds)
15 Music Synchronization: Audio-Audio Beethoven s Fifth Orchester (Karajan) Piano (Scherbakov) Time (seconds)
16 Application: Interpretation Switcher
17 Music Synchronization: Image-Audio Audio Image
18 Music Synchronization: Image-Audio Audio Image
19 How to make the data comparable? Audio Image
20 How to make the data comparable? Image Processing: Optical Music Recognition Audio Image
21 How to make the data comparable? Image Processing: Optical Music Recognition Audio Image Audio Processing: Fourier Analyse
22 How to make the data comparable? Image Processing: Optical Music Recognition Audio Image Audio Processing: Fourier Analyse
23 Application: Score Viewer
24 Music Processing Coarse Level What do different versions have in common? Fine Level What are the characteristics of a specific version?
25 Music Processing Coarse Level What do different versions have in common? What makes up a piece of music? Fine Level What are the characteristics of a specific version? What makes music come alive?
26 Music Processing Coarse Level What do different versions have in common? What makes up a piece of music? Identify despite of differences Fine Level What are the characteristics of a specific version? What makes music come alive? Identify the differences
27 Music Processing Coarse Level What do different versions have in common? What makes up a piece of music? Identify despite of differences Example tasks: Audio Matching Cover Song Identification Fine Level What are the characteristics of a specific version? What makes music come alive? Identify the differences Example tasks: Tempo Estimation Performance Analysis
28 Performance Analysis Schumann: Träumerei Performance: Time (seconds)
29 Performance Analysis Schumann: Träumerei Score (reference): Performance: Time (seconds)
30 Performance Analysis Schumann: Träumerei Score (reference): Strategy: Compute score-audio synchronization and derive tempo curve Performance: Time (seconds)
31 Performance Analysis Schumann: Träumerei Score (reference): Tempo Curve: Musical tempo (BPM) Musical time (measures)
32 Performance Analysis Schumann: Träumerei Score (reference): Tempo Curves: Musical tempo (BPM) Musical time (measures)
33 Performance Analysis Schumann: Träumerei Score (reference): Tempo Curves: Musical tempo (BPM) Musical time (measures)
34 Performance Analysis Schumann: Träumerei Score (reference): Tempo Curves: Musical tempo (BPM)? Musical time (measures)
35 Performance Analysis Schumann: Träumerei What can be done if no reference is available? Tempo Curves: Musical tempo (BPM) Musical time (measures)
36 Music Processing Relative Given: Several versions Absolute Given: One version
37 Music Processing Relative Given: Several versions Comparison of extracted parameters Absolute Given: One version Direct interpretation of extracted parameters
38 Music Processing Relative Given: Several versions Comparison of extracted parameters Extraction errors have often no consequence on final result Absolute Given: One version Direct interpretation of extracted parameters Extraction errors immediately become evident
39 Music Processing Relative Given: Several versions Comparison of extracted parameters Extraction errors have often no consequence on final result Example tasks: Music Synchronization Genre Classification Absolute Given: One version Direct interpretation of extracted parameters Extraction errors immediately become evident Example tasks: Music Transcription Tempo Estimation
40 Tempo Estimation and Beat Tracking Basic task: Tapping the foot when listening to music
41 Tempo Estimation and Beat Tracking Basic task: Tapping the foot when listening to music Example: Queen Another One Bites The Dust Time (seconds)
42 Tempo Estimation and Beat Tracking Basic task: Tapping the foot when listening to music Example: Queen Another One Bites The Dust Time (seconds)
43 Tempo Estimation and Beat Tracking Example: Happy Birthday to you Pulse level: Measure
44 Tempo Estimation and Beat Tracking Example: Happy Birthday to you Pulse level: Tactus (beat)
45 Tempo Estimation and Beat Tracking Example: Happy Birthday to you Pulse level: Tatum (temporal atom)
46 Tempo Estimation and Beat Tracking Example: Chopin Mazurka Op Pulse level: Quarter note Tempo:???
47 Tempo Estimation and Beat Tracking Example: Chopin Mazurka Op Pulse level: Quarter note Tempo: BPM Tempo curve Tempo (BPM) Time (beats)
48 Tempo Estimation and Beat Tracking Which temporal level? Local tempo deviations Sparse information (e.g., only note onsets available) Vague information (e.g., extracted note onsets corrupt)
49 Tempo Estimation and Beat Tracking Spectrogram Steps: 1. Spectrogram Frequency (Hz) Time (seconds)
50 Tempo Estimation and Beat Tracking Compressed Spectrogram Steps: 1. Spectrogram 2. Log Compression Frequency (Hz) Time (seconds)
51 Tempo Estimation and Beat Tracking Difference Spectrogram Steps: 1. Spectrogram 2. Log Compression 3. Differentiation Frequency (Hz) Time (seconds)
52 Tempo Estimation and Beat Tracking Steps: 1. Spectrogram 2. Log Compression 3. Differentiation 4. Accumulation Novelty Curve Time (seconds)
53 Tempo Estimation and Beat Tracking Steps: 1. Spectrogram 2. Log Compression 3. Differentiation 4. Accumulation Novelty Curve Local Average Time (seconds)
54 Tempo Estimation and Beat Tracking Steps: 1. Spectrogram 2. Log Compression 3. Differentiation 4. Accumulation 5. Normalization Novelty Curve Time (seconds)
55 Tempo Estimation and Beat Tracking Tempo (BPM) Intensity
56 Tempo Estimation and Beat Tracking Tempo (BPM) Intensity
57 Tempo Estimation and Beat Tracking Tempo (BPM) Intensity
58 Tempo Estimation and Beat Tracking Tempo (BPM) Intensity
59 Tempo Estimation and Beat Tracking Tempo (BPM) Intensity Time (seconds)
60 Tempo Estimation and Beat Tracking Novelty Curve Predominant Local Pulse (PLP) Time (seconds)
61 Tempo Estimation and Beat Tracking Light effects Music recommendation DJ Audio editing
62 Motivic Similarity Beethoven s Fifth (1st Mov.)
63 Motivic Similarity Beethoven s Fifth (1st Mov.) Beethoven s Fifth (3rd Mov.)
64 Motivic Similarity Beethoven s Fifth (1st Mov.) Beethoven s Fifth (3rd Mov.) Beethoven s Appassionata
65 Motivic Similarity
66 Motivic Similarity B A C H
67 Book Project A First Course on Music Processing Textbook (approx. 500 pages) 1. Music Representations 2. Fourier Analysis of Signals 3. Music Synchronization 4. Music Structure Analysis 5. Chord Recogntion 6. Temo and Beat Tracking 7. Content-based Audio Retrieval 8. Music Transcription To appear (plan): End of 2015
Music Representations. Beethoven, Bach, and Billions of Bytes. Music. Research Goals. Piano Roll Representation. Player Piano (1900)
Music Representations Lecture Music Processing Sheet Music (Image) CD / MP3 (Audio) MusicXML (Text) Beethoven, Bach, and Billions of Bytes New Alliances between Music and Computer Science Dance / Motion
More informationBeethoven, Bach und Billionen Bytes
Meinard Müller Beethoven, Bach und Billionen Bytes Automatisierte Analyse von Musik und Klängen Meinard Müller Lehrerfortbildung in Informatik Dagstuhl, Dezember 2014 2001 PhD, Bonn University 2002/2003
More informationMusic Information Retrieval (MIR)
Ringvorlesung Perspektiven der Informatik Wintersemester 2011/2012 Meinard Müller Universität des Saarlandes und MPI Informatik meinard@mpi-inf.mpg.de Priv.-Doz. Dr. Meinard Müller 2007 Habilitation, Bonn
More informationMusic Processing Introduction Meinard Müller
Lecture Music Processing Introduction Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Music Music Information Retrieval (MIR) Sheet Music (Image) CD / MP3
More informationMusic Information Retrieval (MIR)
Ringvorlesung Perspektiven der Informatik Sommersemester 2010 Meinard Müller Universität des Saarlandes und MPI Informatik meinard@mpi-inf.mpg.de Priv.-Doz. Dr. Meinard Müller 2007 Habilitation, Bonn 2007
More informationAudio. Meinard Müller. Beethoven, Bach, and Billions of Bytes. International Audio Laboratories Erlangen. International Audio Laboratories Erlangen
Meinard Müller Beethoven, Bach, and Billions of Bytes When Music meets Computer Science Meinard Müller International Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de School of Mathematics University
More informationMusic Information Retrieval
Music Information Retrieval When Music Meets Computer Science Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Berlin MIR Meetup 20.03.2017 Meinard Müller
More informationMeinard Müller. Beethoven, Bach, und Billionen Bytes. International Audio Laboratories Erlangen. International Audio Laboratories Erlangen
Beethoven, Bach, und Billionen Bytes Musik trifft Informatik Meinard Müller Meinard Müller 2007 Habilitation, Bonn 2007 MPI Informatik, Saarbrücken Senior Researcher Music Processing & Motion Processing
More informationTempo and Beat Tracking
Tutorial Automatisierte Methoden der Musikverarbeitung 47. Jahrestagung der Gesellschaft für Informatik Tempo and Beat Tracking Meinard Müller, Christof Weiss, Stefan Balke International Audio Laboratories
More informationTempo and Beat Analysis
Advanced Course Computer Science Music Processing Summer Term 2010 Meinard Müller, Peter Grosche Saarland University and MPI Informatik meinard@mpi-inf.mpg.de Tempo and Beat Analysis Musical Properties:
More informationMusic Synchronization. Music Synchronization. Music Data. Music Data. General Goals. Music Information Retrieval (MIR)
Advanced Course Computer Science Music Processing Summer Term 2010 Music ata Meinard Müller Saarland University and MPI Informatik meinard@mpi-inf.mpg.de Music Synchronization Music ata Various interpretations
More informationMusic Representations
Lecture Music Processing Music Representations Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Book: Fundamentals of Music Processing Meinard Müller Fundamentals
More informationMusic Representations
Advanced Course Computer Science Music Processing Summer Term 00 Music Representations Meinard Müller Saarland University and MPI Informatik meinard@mpi-inf.mpg.de Music Representations Music Representations
More informationMusic Processing Audio Retrieval Meinard Müller
Lecture Music Processing Audio Retrieval Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Book: Fundamentals of Music Processing Meinard Müller Fundamentals
More informationFurther Topics in MIR
Tutorial Automatisierte Methoden der Musikverarbeitung 47. Jahrestagung der Gesellschaft für Informatik Further Topics in MIR Meinard Müller, Christof Weiss, Stefan Balke International Audio Laboratories
More informationInformed Feature Representations for Music and Motion
Meinard Müller Informed Feature Representations for Music and Motion Meinard Müller 27 Habilitation, Bonn 27 MPI Informatik, Saarbrücken Senior Researcher Music Processing & Motion Processing Lorentz Workshop
More informationBook: Fundamentals of Music Processing. Audio Features. Book: Fundamentals of Music Processing. Book: Fundamentals of Music Processing
Book: Fundamentals of Music Processing Lecture Music Processing Audio Features Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Meinard Müller Fundamentals
More informationIntroductions to Music Information Retrieval
Introductions to Music Information Retrieval ECE 272/472 Audio Signal Processing Bochen Li University of Rochester Wish List For music learners/performers While I play the piano, turn the page for me Tell
More informationAutomatic music transcription
Music transcription 1 Music transcription 2 Automatic music transcription Sources: * Klapuri, Introduction to music transcription, 2006. www.cs.tut.fi/sgn/arg/klap/amt-intro.pdf * Klapuri, Eronen, Astola:
More informationOutline. Why do we classify? Audio Classification
Outline Introduction Music Information Retrieval Classification Process Steps Pitch Histograms Multiple Pitch Detection Algorithm Musical Genre Classification Implementation Future Work Why do we classify
More informationA MID-LEVEL REPRESENTATION FOR CAPTURING DOMINANT TEMPO AND PULSE INFORMATION IN MUSIC RECORDINGS
th International Society for Music Information Retrieval Conference (ISMIR 9) A MID-LEVEL REPRESENTATION FOR CAPTURING DOMINANT TEMPO AND PULSE INFORMATION IN MUSIC RECORDINGS Peter Grosche and Meinard
More informationCSC475 Music Information Retrieval
CSC475 Music Information Retrieval Symbolic Music Representations George Tzanetakis University of Victoria 2014 G. Tzanetakis 1 / 30 Table of Contents I 1 Western Common Music Notation 2 Digital Formats
More informationTopic 11. Score-Informed Source Separation. (chroma slides adapted from Meinard Mueller)
Topic 11 Score-Informed Source Separation (chroma slides adapted from Meinard Mueller) Why Score-informed Source Separation? Audio source separation is useful Music transcription, remixing, search Non-satisfying
More informationSemi-automated extraction of expressive performance information from acoustic recordings of piano music. Andrew Earis
Semi-automated extraction of expressive performance information from acoustic recordings of piano music Andrew Earis Outline Parameters of expressive piano performance Scientific techniques: Fourier transform
More informationAUTOMATIC MAPPING OF SCANNED SHEET MUSIC TO AUDIO RECORDINGS
AUTOMATIC MAPPING OF SCANNED SHEET MUSIC TO AUDIO RECORDINGS Christian Fremerey, Meinard Müller,Frank Kurth, Michael Clausen Computer Science III University of Bonn Bonn, Germany Max-Planck-Institut (MPI)
More informationData Driven Music Understanding
Data Driven Music Understanding Dan Ellis Laboratory for Recognition and Organization of Speech and Audio Dept. Electrical Engineering, Columbia University, NY USA http://labrosa.ee.columbia.edu/ 1. Motivation:
More informationMusic Structure Analysis
Lecture Music Processing Music Structure Analysis Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Book: Fundamentals of Music Processing Meinard Müller Fundamentals
More informationMUSIC is a ubiquitous and vital part of the lives of billions
1088 IEEE JOURNAL OF SELECTED TOPICS IN SIGNAL PROCESSING, VOL. 5, NO. 6, OCTOBER 2011 Signal Processing for Music Analysis Meinard Müller, Member, IEEE, Daniel P. W. Ellis, Senior Member, IEEE, Anssi
More informationMusic Information Retrieval. Juan Pablo Bello MPATE-GE 2623 Music Information Retrieval New York University
Music Information Retrieval Juan Pablo Bello MPATE-GE 2623 Music Information Retrieval New York University 1 Juan Pablo Bello Office: Room 626, 6th floor, 35 W 4th Street (ext. 85736) Office Hours: Wednesdays
More informationComposer Identification of Digital Audio Modeling Content Specific Features Through Markov Models
Composer Identification of Digital Audio Modeling Content Specific Features Through Markov Models Aric Bartle (abartle@stanford.edu) December 14, 2012 1 Background The field of composer recognition has
More informationMusic Information Retrieval
CTP 431 Music and Audio Computing Music Information Retrieval Graduate School of Culture Technology (GSCT) Juhan Nam 1 Introduction ü Instrument: Piano ü Composer: Chopin ü Key: E-minor ü Melody - ELO
More informationData-Driven Solo Voice Enhancement for Jazz Music Retrieval
Data-Driven Solo Voice Enhancement for Jazz Music Retrieval Stefan Balke1, Christian Dittmar1, Jakob Abeßer2, Meinard Müller1 1International Audio Laboratories Erlangen 2Fraunhofer Institute for Digital
More informationgresearch Focus Cognitive Sciences
Learning about Music Cognition by Asking MIR Questions Sebastian Stober August 12, 2016 CogMIR, New York City sstober@uni-potsdam.de http://www.uni-potsdam.de/mlcog/ MLC g Machine Learning in Cognitive
More informationMusic Similarity and Cover Song Identification: The Case of Jazz
Music Similarity and Cover Song Identification: The Case of Jazz Simon Dixon and Peter Foster s.e.dixon@qmul.ac.uk Centre for Digital Music School of Electronic Engineering and Computer Science Queen Mary
More informationRobert Alexandru Dobre, Cristian Negrescu
ECAI 2016 - International Conference 8th Edition Electronics, Computers and Artificial Intelligence 30 June -02 July, 2016, Ploiesti, ROMÂNIA Automatic Music Transcription Software Based on Constant Q
More informationAUDIO MATCHING VIA CHROMA-BASED STATISTICAL FEATURES
AUDIO MATCHING VIA CHROMA-BASED STATISTICAL FEATURES Meinard Müller Frank Kurth Michael Clausen Universität Bonn, Institut für Informatik III Römerstr. 64, D-537 Bonn, Germany {meinard, frank, clausen}@cs.uni-bonn.de
More informationDAY 1. Intelligent Audio Systems: A review of the foundations and applications of semantic audio analysis and music information retrieval
DAY 1 Intelligent Audio Systems: A review of the foundations and applications of semantic audio analysis and music information retrieval Jay LeBoeuf Imagine Research jay{at}imagine-research.com Kyogu Lee
More informationSTOCHASTIC MODELING OF A MUSICAL PERFORMANCE WITH EXPRESSIVE REPRESENTATIONS FROM THE MUSICAL SCORE
12th International Society for Music Information Retrieval Conference (ISMIR 2011) STOCHASTIC MODELING OF A MUSICAL PERFORMANCE WITH EXPRESSIVE REPRESENTATIONS FROM THE MUSICAL SCORE Kenta Okumura, Shinji
More informationMusic Radar: A Web-based Query by Humming System
Music Radar: A Web-based Query by Humming System Lianjie Cao, Peng Hao, Chunmeng Zhou Computer Science Department, Purdue University, 305 N. University Street West Lafayette, IN 47907-2107 {cao62, pengh,
More informationAudio Structure Analysis
Tutorial T3 A Basic Introduction to Audio-Related Music Information Retrieval Audio Structure Analysis Meinard Müller, Christof Weiß International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de,
More informationjsymbolic and ELVIS Cory McKay Marianopolis College Montreal, Canada
jsymbolic and ELVIS Cory McKay Marianopolis College Montreal, Canada What is jsymbolic? Software that extracts statistical descriptors (called features ) from symbolic music files Can read: MIDI MEI (soon)
More information2 2. Melody description The MPEG-7 standard distinguishes three types of attributes related to melody: the fundamental frequency LLD associated to a t
MPEG-7 FOR CONTENT-BASED MUSIC PROCESSING Λ Emilia GÓMEZ, Fabien GOUYON, Perfecto HERRERA and Xavier AMATRIAIN Music Technology Group, Universitat Pompeu Fabra, Barcelona, SPAIN http://www.iua.upf.es/mtg
More informationSHEET MUSIC-AUDIO IDENTIFICATION
SHEET MUSIC-AUDIO IDENTIFICATION Christian Fremerey, Michael Clausen, Sebastian Ewert Bonn University, Computer Science III Bonn, Germany {fremerey,clausen,ewerts}@cs.uni-bonn.de Meinard Müller Saarland
More informationjsymbolic 2: New Developments and Research Opportunities
jsymbolic 2: New Developments and Research Opportunities Cory McKay Marianopolis College and CIRMMT Montreal, Canada 2 / 30 Topics Introduction to features (from a machine learning perspective) And how
More informationMusic Structure Analysis
Overview Tutorial Music Structure Analysis Part I: Principles & Techniques (Meinard Müller) Coffee Break Meinard Müller International Audio Laboratories Erlangen Universität Erlangen-Nürnberg meinard.mueller@audiolabs-erlangen.de
More informationTool-based Identification of Melodic Patterns in MusicXML Documents
Tool-based Identification of Melodic Patterns in MusicXML Documents Manuel Burghardt (manuel.burghardt@ur.de), Lukas Lamm (lukas.lamm@stud.uni-regensburg.de), David Lechler (david.lechler@stud.uni-regensburg.de),
More informationPOST-PROCESSING FIDDLE : A REAL-TIME MULTI-PITCH TRACKING TECHNIQUE USING HARMONIC PARTIAL SUBTRACTION FOR USE WITHIN LIVE PERFORMANCE SYSTEMS
POST-PROCESSING FIDDLE : A REAL-TIME MULTI-PITCH TRACKING TECHNIQUE USING HARMONIC PARTIAL SUBTRACTION FOR USE WITHIN LIVE PERFORMANCE SYSTEMS Andrew N. Robertson, Mark D. Plumbley Centre for Digital Music
More informationCharacteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals
Characteristics of Polyphonic Music Style and Markov Model of Pitch-Class Intervals Eita Nakamura and Shinji Takaki National Institute of Informatics, Tokyo 101-8430, Japan eita.nakamura@gmail.com, takaki@nii.ac.jp
More informationTOWARDS AUTOMATED EXTRACTION OF TEMPO PARAMETERS FROM EXPRESSIVE MUSIC RECORDINGS
th International Society for Music Information Retrieval Conference (ISMIR 9) TOWARDS AUTOMATED EXTRACTION OF TEMPO PARAMETERS FROM EXPRESSIVE MUSIC RECORDINGS Meinard Müller, Verena Konz, Andi Scharfstein
More informationCHAPTER 6. Music Retrieval by Melody Style
CHAPTER 6 Music Retrieval by Melody Style 6.1 Introduction Content-based music retrieval (CBMR) has become an increasingly important field of research in recent years. The CBMR system allows user to query
More informationAspects of Music. Chord Recognition. Musical Chords. Harmony: The Basis of Music. Musical Chords. Musical Chords. Piece of music. Rhythm.
Aspects of Music Lecture Music Processing Piece of music hord Recognition Meinard Müller International Audio Laboratories rlangen meinard.mueller@audiolabs-erlangen.de Melody Rhythm Harmony Harmony: The
More informationWriting Assignment #1 Due Today. Lab#1 is tomorrow (8am) Analog vs. digital information. Digitization
Overview of Computer Science CSC 101 Summer 2011 Analog, Binary and Digital Concepts Digitization iti Lecture 4 July 11, 2011 Announcements Writing Assignment #1 Due Today. Hand it to me after class if
More informationLab 2 Part 1 assigned for lab sessions this week
CSE 111 Fall 2010 September 20 24 ANNOUNCEMENTS Lab 2 Part 1 assigned for lab sessions this week Turn it in via UBLearns Lab 2 Part 2 next week Exam 1 Monday, October 4 th in lecture 1 STORING IMAGE INFORMATION
More informationDAY 1. Intelligent Audio Systems: A review of the foundations and applications of semantic audio analysis and music information retrieval
DAY 1 Intelligent Audio Systems: A review of the foundations and applications of semantic audio analysis and music information retrieval Jay LeBoeuf Imagine Research jay{at}imagine-research.com Rebecca
More informationThe Effect of DJs Social Network on Music Popularity
The Effect of DJs Social Network on Music Popularity Hyeongseok Wi Kyung hoon Hyun Jongpil Lee Wonjae Lee Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute Korea Advanced Institute
More informationAPPLICATIONS OF A SEMI-AUTOMATIC MELODY EXTRACTION INTERFACE FOR INDIAN MUSIC
APPLICATIONS OF A SEMI-AUTOMATIC MELODY EXTRACTION INTERFACE FOR INDIAN MUSIC Vishweshwara Rao, Sachin Pant, Madhumita Bhaskar and Preeti Rao Department of Electrical Engineering, IIT Bombay {vishu, sachinp,
More informationAutomatic Labelling of tabla signals
ISMIR 2003 Oct. 27th 30th 2003 Baltimore (USA) Automatic Labelling of tabla signals Olivier K. GILLET, Gaël RICHARD Introduction Exponential growth of available digital information need for Indexing and
More informationMusic Information Retrieval. Juan P Bello
Music Information Retrieval Juan P Bello What is MIR? Imagine a world where you walk up to a computer and sing the song fragment that has been plaguing you since breakfast. The computer accepts your off-key
More informationTHE importance of music content analysis for musical
IEEE TRANSACTIONS ON AUDIO, SPEECH, AND LANGUAGE PROCESSING, VOL. 15, NO. 1, JANUARY 2007 333 Drum Sound Recognition for Polyphonic Audio Signals by Adaptation and Matching of Spectrogram Templates With
More informationA Multimodal Way of Experiencing and Exploring Music
, 138 53 A Multimodal Way of Experiencing and Exploring Music Meinard Müller and Verena Konz Saarland University and MPI Informatik, Saarbrücken, Germany Michael Clausen, Sebastian Ewert and Christian
More informationRepresenting, comparing and evaluating of music files
Representing, comparing and evaluating of music files Nikoleta Hrušková, Juraj Hvolka Abstract: Comparing strings is mostly used in text search and text retrieval. We used comparing of strings for music
More informationMusic Information Retrieval Using Audio Input
Music Information Retrieval Using Audio Input Lloyd A. Smith, Rodger J. McNab and Ian H. Witten Department of Computer Science University of Waikato Private Bag 35 Hamilton, New Zealand {las, rjmcnab,
More informationMusic Information Retrieval
Music Information Retrieval Informative Experiences in Computation and the Archive David De Roure @dder David De Roure @dder Four quadrants Big Data Scientific Computing Machine Learning Automation More
More informationBRAIN BEATS: TEMPO EXTRACTION FROM EEG DATA
BRAIN BEATS: TEMPO EXTRACTION FROM EEG DATA Sebastian Stober 1 Thomas Prätzlich 2 Meinard Müller 2 1 Research Focus Cognititive Sciences, University of Potsdam, Germany 2 International Audio Laboratories
More informationFrom quantitative empirï to musical performology: Experience in performance measurements and analyses
International Symposium on Performance Science ISBN 978-90-9022484-8 The Author 2007, Published by the AEC All rights reserved From quantitative empirï to musical performology: Experience in performance
More informationLEARNING AUDIO SHEET MUSIC CORRESPONDENCES. Matthias Dorfer Department of Computational Perception
LEARNING AUDIO SHEET MUSIC CORRESPONDENCES Matthias Dorfer Department of Computational Perception Short Introduction... I am a PhD Candidate in the Department of Computational Perception at Johannes Kepler
More informationSearching for Similar Phrases in Music Audio
Searching for Similar Phrases in Music udio an Ellis Laboratory for Recognition and Organization of Speech and udio ept. Electrical Engineering, olumbia University, NY US http://labrosa.ee.columbia.edu/
More informationChord Recognition. Aspects of Music. Musical Chords. Harmony: The Basis of Music. Musical Chords. Musical Chords. Music Processing.
dvanced ourse omputer Science Music Processing Summer Term 2 Meinard Müller, Verena Konz Saarland University and MPI Informatik meinard@mpi-inf.mpg.de hord Recognition spects of Music Melody Piece of music
More informationANALYZING MEASURE ANNOTATIONS FOR WESTERN CLASSICAL MUSIC RECORDINGS
ANALYZING MEASURE ANNOTATIONS FOR WESTERN CLASSICAL MUSIC RECORDINGS Christof Weiß 1 Vlora Arifi-Müller 1 Thomas Prätzlich 1 Rainer Kleinertz 2 Meinard Müller 1 1 International Audio Laboratories Erlangen,
More informationVoice & Music Pattern Extraction: A Review
Voice & Music Pattern Extraction: A Review 1 Pooja Gautam 1 and B S Kaushik 2 Electronics & Telecommunication Department RCET, Bhilai, Bhilai (C.G.) India pooja0309pari@gmail.com 2 Electrical & Instrumentation
More informationTOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC
TOWARD AN INTELLIGENT EDITOR FOR JAZZ MUSIC G.TZANETAKIS, N.HU, AND R.B. DANNENBERG Computer Science Department, Carnegie Mellon University 5000 Forbes Avenue, Pittsburgh, PA 15213, USA E-mail: gtzan@cs.cmu.edu
More informationHidden Markov Model based dance recognition
Hidden Markov Model based dance recognition Dragutin Hrenek, Nenad Mikša, Robert Perica, Pavle Prentašić and Boris Trubić University of Zagreb, Faculty of Electrical Engineering and Computing Unska 3,
More informationWHO IS WHO IN THE END? RECOGNIZING PIANISTS BY THEIR FINAL RITARDANDI
WHO IS WHO IN THE END? RECOGNIZING PIANISTS BY THEIR FINAL RITARDANDI Maarten Grachten Dept. of Computational Perception Johannes Kepler University, Linz, Austria maarten.grachten@jku.at Gerhard Widmer
More informationDISCOVERING MORPHOLOGICAL SIMILARITY IN TRADITIONAL FORMS OF MUSIC. Andre Holzapfel
DISCOVERING MORPHOLOGICAL SIMILARITY IN TRADITIONAL FORMS OF MUSIC Andre Holzapfel Institute of Computer Science, FORTH, Greece, and Multimedia Informatics Lab, Computer Science Department, University
More informationMusic Information Retrieval Community
Music Information Retrieval Community What: Developing systems that retrieve music When: Late 1990 s to Present Where: ISMIR - conference started in 2000 Why: lots of digital music, lots of music lovers,
More informationAudio Structure Analysis
Lecture Music Processing Audio Structure Analysis Meinard Müller International Audio Laboratories Erlangen meinard.mueller@audiolabs-erlangen.de Music Structure Analysis Music segmentation pitch content
More informationComputer Coordination With Popular Music: A New Research Agenda 1
Computer Coordination With Popular Music: A New Research Agenda 1 Roger B. Dannenberg roger.dannenberg@cs.cmu.edu http://www.cs.cmu.edu/~rbd School of Computer Science Carnegie Mellon University Pittsburgh,
More informationHUMAN PERCEPTION AND COMPUTER EXTRACTION OF MUSICAL BEAT STRENGTH
Proc. of the th Int. Conference on Digital Audio Effects (DAFx-), Hamburg, Germany, September -8, HUMAN PERCEPTION AND COMPUTER EXTRACTION OF MUSICAL BEAT STRENGTH George Tzanetakis, Georg Essl Computer
More informationMATCHING MUSICAL THEMES BASED ON NOISY OCR AND OMR INPUT. Stefan Balke, Sanu Pulimootil Achankunju, Meinard Müller
MATCHING MUSICAL THEMES BASED ON NOISY OCR AND OMR INPUT Stefan Balke, Sanu Pulimootil Achankunju, Meinard Müller International Audio Laboratories Erlangen, Friedrich-Alexander-Universität (FAU), Germany
More informationAnalysing Musical Pieces Using harmony-analyser.org Tools
Analysing Musical Pieces Using harmony-analyser.org Tools Ladislav Maršík Dept. of Software Engineering, Faculty of Mathematics and Physics Charles University, Malostranské nám. 25, 118 00 Prague 1, Czech
More informationSinger Traits Identification using Deep Neural Network
Singer Traits Identification using Deep Neural Network Zhengshan Shi Center for Computer Research in Music and Acoustics Stanford University kittyshi@stanford.edu Abstract The author investigates automatic
More informationExample 1 (W.A. Mozart, Piano Trio, K. 542/iii, mm ):
Lesson MMM: The Neapolitan Chord Introduction: In the lesson on mixture (Lesson LLL) we introduced the Neapolitan chord: a type of chromatic chord that is notated as a major triad built on the lowered
More informationCONSTRUCTING PEDB 2nd EDITION: A MUSIC PERFORMANCE DATABASE WITH PHRASE INFORMATION
CONSTRUCTING PEDB 2nd EDITION: A MUSIC PERFORMANCE DATABASE WITH PHRASE INFORMATION Mitsuyo Hashida Soai University hashida@soai.ac.jp Eita Nakamura Kyoto University enakamura@sap.ist.i.kyoto-u.ac.jp Haruhiro
More informationThe Pines of the Appian Way from Respighi s Pines of Rome. Ottorino Respighi was an Italian composer from the early 20 th century who wrote
The Pines of the Appian Way from Respighi s Pines of Rome Jordan Jenkins Ottorino Respighi was an Italian composer from the early 20 th century who wrote many tone poems works that describe a physical
More informationThe Million Song Dataset
The Million Song Dataset AUDIO FEATURES The Million Song Dataset There is no data like more data Bob Mercer of IBM (1985). T. Bertin-Mahieux, D.P.W. Ellis, B. Whitman, P. Lamere, The Million Song Dataset,
More informationPitfalls and Windfalls in Corpus Studies of Pop/Rock Music
Introduction Hello, my talk today is about corpus studies of pop/rock music specifically, the benefits or windfalls of this type of work as well as some of the problems. I call these problems pitfalls
More informationA Study of Synchronization of Audio Data with Symbolic Data. Music254 Project Report Spring 2007 SongHui Chon
A Study of Synchronization of Audio Data with Symbolic Data Music254 Project Report Spring 2007 SongHui Chon Abstract This paper provides an overview of the problem of audio and symbolic synchronization.
More informationSample assessment task. Task details. Content description. Task preparation. Year level 9
Sample assessment task Year level 9 Learning area Subject Title of task Task details Description of task Type of assessment Purpose of assessment Assessment strategy Evidence to be collected Suggested
More informationShort Set. The following musical variables are indicated in individual staves in the score:
Short Set Short Set is a scored improvisation for two performers. One performer will use a computer DJing software such as Native Instruments Traktor. The second performer will use other instruments. The
More informationMusic Database Retrieval Based on Spectral Similarity
Music Database Retrieval Based on Spectral Similarity Cheng Yang Department of Computer Science Stanford University yangc@cs.stanford.edu Abstract We present an efficient algorithm to retrieve similar
More informationIMPROVING RHYTHMIC SIMILARITY COMPUTATION BY BEAT HISTOGRAM TRANSFORMATIONS
1th International Society for Music Information Retrieval Conference (ISMIR 29) IMPROVING RHYTHMIC SIMILARITY COMPUTATION BY BEAT HISTOGRAM TRANSFORMATIONS Matthias Gruhne Bach Technology AS ghe@bachtechnology.com
More informationMusic Fundamentals. All the Technical Stuff
Music Fundamentals All the Technical Stuff Pitch Highness or lowness of a sound Acousticians call it frequency Musicians call it pitch The example moves from low, to medium, to high pitch. Dynamics The
More informationAUTOMASHUPPER: AN AUTOMATIC MULTI-SONG MASHUP SYSTEM
AUTOMASHUPPER: AN AUTOMATIC MULTI-SONG MASHUP SYSTEM Matthew E. P. Davies, Philippe Hamel, Kazuyoshi Yoshii and Masataka Goto National Institute of Advanced Industrial Science and Technology (AIST), Japan
More informationChapter 1: Data Storage. Copyright 2015 Pearson Education, Inc.
Chapter 1: Data Storage Chapter 1: Data Storage 1.1 Bits and Their Storage 1.2 Main Memory 1.3 Mass Storage 1.4 Representing Information as Bit Patterns 1.5 The Binary System 1-2 Chapter 1: Data Storage
More informationDECODING TEMPO AND TIMING VARIATIONS IN MUSIC RECORDINGS FROM BEAT ANNOTATIONS
DECODING TEMPO AND TIMING VARIATIONS IN MUSIC RECORDINGS FROM BEAT ANNOTATIONS Andrew Robertson School of Electronic Engineering and Computer Science andrew.robertson@eecs.qmul.ac.uk ABSTRACT This paper
More informationThe MAMI Query-By-Voice Experiment Collecting and annotating vocal queries for music information retrieval
The MAMI Query-By-Voice Experiment Collecting and annotating vocal queries for music information retrieval IPEM, Dept. of musicology, Ghent University, Belgium Outline About the MAMI project Aim of the
More informationMusic Information Retrieval: An Inspirational Guide to Transfer from Related Disciplines
Music Information Retrieval: An Inspirational Guide to Transfer from Related Disciplines Felix Weninger, Björn Schuller, Cynthia C. S. Liem 2, Frank Kurth 3, and Alan Hanjalic 2 Technische Universität
More informationMelodic Outline Extraction Method for Non-note-level Melody Editing
Melodic Outline Extraction Method for Non-note-level Melody Editing Yuichi Tsuchiya Nihon University tsuchiya@kthrlab.jp Tetsuro Kitahara Nihon University kitahara@kthrlab.jp ABSTRACT In this paper, we
More informationAutomatic Classification of Instrumental Music & Human Voice Using Formant Analysis
Automatic Classification of Instrumental Music & Human Voice Using Formant Analysis I Diksha Raina, II Sangita Chakraborty, III M.R Velankar I,II Dept. of Information Technology, Cummins College of Engineering,
More informationLyndhurst High School Music Appreciation
1.1.12.B.1, 1.3.12.B.3, 1.3.12.B.4, 1.4.12.B.3 What is? What is beat? What is rhythm? Emotional Connection Note duration, rest duration, time signatures, bar lines, measures, tempo connection of emotion
More information