Danza Africana. Preview Only VICTOR LÓPEZ (ASCAP) INSTRUMENTATION

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1 VERY BEGINNING BAND Grade ½ 1 Conductor 10 lute 2 Oboe 10 B Clarinet 2 B Bass Clarinet 6 E Alto Saxohone B Tenor Saxohone 2 E Baritone Saxohone 8 B Trumet Horn 6 Trombone/Baritone/Bassoon Danza Aricana VICTOR LEZ (ASCA) INSTRMENTATION 2 Baritone Treble Cle (World art Trombone in B Treble Cle) 1 Mallet ercussion (Xylohone or Otional Bells) 1 Otional Timani (Tune: C) 2 ercussion 1 (Bongos or Otional Concert Toms [2], Bass Drum) ercussion 2 (Wind Chimes/Tom-Tom [Med], Susended Cymbal/Claves and/or Woodblock) WORLD ARTS Available or donload rom alredcom/orldarts Horn in E Trombone/Baritone in B Bass Cle in E Bass Cle in E Treble Cle in B Bass Cle in B Treble Cle revie Only Legal se Requires urchase lease note: Our band and orchestra music is no being collated by an automatic high-seed system The enclosed arts are no sorted by age count, rather than score order

2 ROGRAM NOTES The traditional dance in Arica oten exresses the lie o the community The dance is characterized by the Arican olyrhythm but is closely connected ith the music and its simlest orm, the singing The rhythmic variety tyical o Arican music exresses itsel in the body that is able to erorm dierent sequences simultaneously The movements are comlex and oten executed on the sot Danza Aricana is an original comosition by Victor Lóez building on the musical concets o these dances NOTES TO THE CONDCTOR The oening statement is to be layed sloly and legato There are no slurs in this comosition and every note is to be layed long unless otherise indicated Make certain that the dynamics are olloed closely At rehearsal number 9, the ercussion introduces the rhythmic sequence that gives this iece its Arican lavor The bongos and concert toms should be tuned roerly Although tuning the bongos is largely a matter o ersonal reerence, it is suggested that the small drum be tuned high (do not over-tighten) and the large drum a ourth belo or this comosition, the layer may ant to use regular drumsticks or hard elt tis Exeriment ith the dierent sounds Additionally, hen available, Arican drums may be used to roduce a more authentic sound Hoever, the additional layers should not lay ad libitum and maintain the ritten rhythmic atterns or added lexibility, at times, the timani art has been cued in the tuba art At rehearsal number 13, the trumet and clarinets have the melody, hich is layed against the ersistent rhythmic attern At measure 21, the ercussion instruments should not overoer the ensemble or better sonority, make certain that the oen ith intervals in the lo brass and oodinds are in tune and that the staccatos are roerly articulated Measures 29 through 32 restate the initial melodic motive, but this time in the lo brass and oodinds At measures 35 and 36, make certain that the unison line is balanced and that everyone can hear the loest instrument in each section and ultimately in the ensemble The ercussion section should not lay measures 37 to 0 overly loud, but rather ith much intensity To acilitate the music rehearsal and establish a smooth transition beteen sections, take time to study and identiy here the reeat signs are located This comosition has been ritten ith the very young layer in mind and should be accessible or those students ho have had at least 3 or months o beginning band exerience It is easy to learn, exciting, layable, and ill deinitely kee the ercussionists on the alert revie Only Musically yours, Legal se Requires urchase

3 LL SCORE Arox Duration - 2:00 lute Oboe Bb Clarinet Bb Bass Clarinet Eb Alto Saxohone Bb Tenor Saxohone Eb Baritone Saxohone Bb Trumet Horn Trombone/Baritone/ Bassoon Mallet ercussion (Xylohone or Otional Bells) Otional Timani ercussion 1 (Bongos or Otional Concert Toms [2], Bass Drum) ercussion 2 (Wind Chimes/Tom-Tom [Med], Susended Cymbal/ Claves and/or Woodblock) 3252S b b b b b b b Sloly = 72 (Hn) 1 Sloly = 72 Tune: C Wind Chimes ~~~~~~~~~~~~~~~~~~ Danza Aricana ~~~~~~~~~~~~~~~~~~ 2 ~~~~~~~~~~~~~~~~~~~~ Susended Cymbal 3 æ ~~~~~~~~~~~~~~ By Victor Lóez (ASCA) A bit aster = 78 lay A bit aster = 78 revie Only Legal se Requires urchase 2010 BELWIN-MILLS BLISHING COR (ASCA), a division o ALRED MSIC BLISHING CO, INC All Rights Reserved including ublic erormance j J 5

4 l Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc S b b b b b b b Bongos (Ot 2 Concert Toms) Lo (large drum) Med Tom 9 9 (Tim) Moderately = 128 Moderately = 128 revie Only High (small drum) j > BD on drum shell > Claves and/or Woodblock 9 j > Legal se Requires urchase simile 10 j > simile

5 5 l b b 13 Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc 2 b b b b b j > > j > > 13 j > > j > > revie Only j > Legal se Requires urchase > 3252S

6 6 l b b Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc 2 b b b b b j > > j > > j > > revie Only j > > j > > Legal se Requires urchase 3252S

7 7 l 21 b % b Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc 2 b b 21 % b b b lay Xylohone (Ot Bells) j > > j > > j > > j > > revie Only j > Legal se Requires urchase > 3252S

8 8 l b b To Coda ˇ 29 Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc 2 b b b b b j > > j > > To Coda ˇ 29 revie Only Legal se Requires urchase 3252S

9 9 l Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc S b b b b b b b 31 Sus Cym æ J 3 revie Only Legal se Requires urchase 35

10 10 l b b 37 DS al Coda Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc S b b b b b 36 (Tim) 37 j > > 37 j > > 38 j > > 39 DS al Coda revie Only j > Legal se Requires urchase > 0

11 l Ob Cl B Cl A Sax T Sax Bar Sax Tt Hn Tbn/Bar/ Bsn Mlt erc Tim erc 1 erc S i Coda b b b b i Coda b (Tim) b b j > > 1 j > j> 2 lay j > > 3 j > > j > > 5 revie Only Legal se Requires urchase 6 11

12 revie Only Legal se Requires urchase