DISTRICT 228 INSTRUMENTAL MUSIC SCOPE AND SEQUENCE OF EXPECTED LEARNER OUTCOMES

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Samuel Watts
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1 DISTRICT 228 INSTRUMENTAL MUSIC SCOPE AND SEQUENCE OF EXPECTED LEARNER OUTCOMES = Skill Introduced NOTE: All skills are continuously developed throughout each grade level after being introduced. LEARNING STANDARDS DESCRIPTOR BEG. BAND BAND 1 INTER. BAND BAND 2 CON. BAND BAND 3 SYMPH. BAND BAND 4 JAZZ ENSEM 25A - Students who meet the standard understand the sensory elements, organizational principles, and expressive qualities of the arts. Describe the tempo(s) and dynamic level(s) in a complex aural musical example. Identify the tone color(s) [timbre(s)] of the instruments and/or voices in an aural musical example. Distinguish between the beat and the rhythm(s) of a given musical example.

2 Con. Distinguish major and minor tonalities in aural musical examples. Describe melodic movement (e.g. upward, downward, steps, skips, repeated notes) in an aural example Distinguish between a melody with harmony and a melody without harmony. Identify simple music forms (e.g. imitation, theme, variation) when presented aurally.

3 Con. Justify the selection of organizational and sensory elements to express a particular mood, emotion, or idea in an original composition with environmental sounds, body sounds, or classroom instruments. Translate common Italian tempo(s) (e.g., andante, presto), dynamic (e.g., piano, forte), and articulation(s) (e.g., staccato, legato) markings into English. Distinguish between the beat and the rhythm(s) of a given musical example Identify the meter in a musical example.

4 Con. Distinguish major and minor tonalities in aural musical examples. Identify the texture (e.g., polyphonic, homophonic, monophonic) in a given aural example. Analyze the form of a simple musical composition. Compare and contrast the use of expressive qualities in two performances of the same musical example. Describe tempo(s), dynamic(s), and articulation(s) in an aural example using appropriate terminology.

5 Con. Replicate the beat and rhythms of a given musical example. Distinguish between duple and triple meter in a musical example. Identify major and minor tonalites in an aural musical example Identify intervals in an aural example. Describe the texture and harmony of a given aural example.

6 Con. Define large musical forms (e.g., symphony, cantata). Critique the appropriate use of organizational and sensory elements to create a mood, emotion, or idea in music of their own and that of others. Analyze changes in tempo(s), dynamic(s), and articulation(s) in an aural example using appropriate terminology (e.g., ritardando, accelerando, fermata, crescendo, sforzando, accent). Analyze the basic components of tonality, intervals, beat, rhythms, chords, and harmonic progressions in a musical composition.

7 Con. Explain how sensory elements, organizational principles, and expressive qualities are combined to produce unity/variety, tension/release, and balance in a musical performance Analyze and evaluate the use of sensory elements in a musical composition. Explain how sensory elements, organizational principles, and expressive qualities are combined to produce unity/variety, tension/release, and balance in a musical performance. Develop aesthetic criteria for evaluating one's own musical performances/compositions and those of others.

8 Con. Interpret how aesthetic qualities (e.g., interrelationship of elements and principles; performance venue, practice/ preparation, instrumentation) communicate ideas and/or meaning in student and professional performances/ compositions. Critique the quality and effectiveness of artists' performances/compositions. 25B - Students who meet the standard understand the similarities, distinctions, and connections in and among the arts. Explain how elements, principles, and tools are combined to express an idea in a work of art. Explain why specific elements, principles, and tools were used in a work of art created by the student or another artist.

9 Con. Analyze how the artistic components (i.e., elements, principles, expressive ideas; tools, processes, technologies; creative processes) are combined within a work of art. Compare and contrast two works in one art form that share similar themes or subject matter examining artistic components (i.e., elements, principles, expressive ideas; tools, processes, technologies; creative processes). Compare and contrast works of art in two or more art forms that share similar artistic components, themes or subject matter (e.g., self-portrait to monologue or solo) using the appropriate artistic component (i.e., elements, principles, expressive ideas; tools, processes, technologies; creative processes) vocabulary Analyze the dominant artistic components (i.e., elements, principles, expressive ideas; processes, technologies; creative processes) using appropriate vocabulary in all the arts.

10 Con. Compare and contrast similar and distinctive artistic components (i.e., elements, principles, expressive ideas; processes, technologies; creative processes) across art forms. Select works from each art form that share similar theme/subject matter and justify selection. Critique the dominant artistic components (i.e., elements, principles, expressive ideas; processes, technologies; creative processes) using appropriate vocabulary in all the arts. Evaluate the use of similar and distinctive artistic components across art forms.

11 Con. Analyze how different art forms combine to create an interdisciplinary work (e.g., ballet, musical theatre, opera, cinematography, music videos). 26A - Students who meet the standard understand processes, traditional tools, and modern technologies used in the arts. Classify singers according to their vocal range. xxxxxx xxxxxxx xxxxxxx xxxxxxx x Classify instruments according to how their sounds are produced (e.g., string, wind, percussion). Demonstrate basic vocal and/or instrumental production techniques (e.g., breath support, posture, bowing).

12 Con. Write accurately melodies with rhythm patterns in whole, half, quarter, eighth, and dotted notes and rests in 2/4, 3/4, 4/4, 6/8, 3/8 meter signatures. Sing or play accurately simple rhythmic and melodic patterns from a written score. Classify musical groups according to their instruments/voice (e.g., quartet, solo, band, orchestra). Describe basic sound production theory (electronic & acoustic). Demonstrate basic vocal and/or instrumental production techniques (e.g., breath support, posture, and bowing).

13 Con. Sing or play melodies accurately and expressively from a written score in at least one clef. Identify and accurately interpret symbols for dynamics, tempo, expression, and articulation. Describe the role of composers. conductors in a performance and singers or instrumentalists in a performance. Use standard notation to record one's own and other's musical ideas.

14 Con. Explain the process that at least one composer uses(d) to create music, and explain the interaction of performers and conductors Demonstrate or describe efficient practice/rehearsal procedures. Analyze the sound sources of a given recorded example. Demonstrate basic vocal and/or instrumental production techniques (e.g., breath support, posture, bowing).

15 Con. Use standard notation to record one's own and other's musical ideas. Sing and play accurately and with expression from standard notation symbols for pitch, rhythm, dynamics, tempo, articulation, and expression. Critique the effectiveness (e.g., style, interpretation, instrumentation) of a performer or conductor. Demonstrate or describe the relationship of practice/rehearsal techniques to performance. Demonstrate or describe cooperative interaction in ensemble performance.

16 Con. Compare and contrast sound production of instruments from various cultures. Demonstrate basic vocal and/or instrumental production techniques (e.g., breath support, posture, bowing). Sight-read an instrumental or vocal score of up to four staves, demonstrating accuracy in reading symbols for pitch, rhythm, expressive qualities, and articulation/diction. Demonstrate the ability to read written notation for a vocal or instrumental part. Analyze the way in which performers or conductors interpret the intent of the composer in a recorded or live performance.

17 Con. Demonstrate basic vocal and/or instrumental production techniques (e.g., breath support, posture, bowing). Sight-read an instrumental or vocal score of up to four staves, demonstrating accuracy in reading symbols for pitch, rhythm, expressive qualities, and articulation/diction. Critique the effectiveness (e.g. style, interpretation, instrumentation) of a performer or conductor. Analyze the way in which performers or conductors interpret the intent of the composer in a recorded or live performance.

18 Con. 26B - Students who meet the standard can apply skills and knowledge necessary to create and perform in one or more of the arts. Sing or play music that has a difficulty level of 2 (on a scale of 1 to 6) on pitch; in rhythm; with appropriate timbre; with a steady tempo; with good breath, bow, mallet or fingering control; and with clear articulation/diction. Improvise simple harmonic accompaniments using a variety of sound sources. Create or arrange short songs or instrumental pieces within specified guidelines. Improvise rhythmic and melodic variations on given melodies.

19 Con. Improvise harmonizing parts in a variety of styles. Improvise original melodies in a variety of styles over given chord progressions, each in a consistent style, meter, and tonality. Compose or arrange music demonstrating imagination and technical skill in applying the principles of composition. 27A - Students who meet the standard can analyze how the arts function in history, society and everyday life Evaluate audience behaviors of self and others.

20 Con. Explain how works of art relate to the environment where they are performed or displayed and how the space affects the art works (e.g., outdoor sculpture, murals, theatre in the round, dancing in a parade vs. on a stage). Describe how the site (e.g., outdoor art fair vs. museum, half-time show at a sporting event vs. symphony hall) influences who the audience is and the way the audience responds. Explain ways dance, drama, music, and visual art play a part in everyday life (e.g. education, architecture, landscape design, political cartoons, fashion design, background music, television). Analyze how the arts are used in commercial applications (e.g., posters, TV commercials, package design, industrial design).

21 Con. Categorize types of artists with their art and art related products or performances (e.g., commercial artist, artistic directors). Demonstrate good audience behavior and evaluate the behavior of self and others. Describe how audience behavior changes a product or performance. Compare and contrast how the arts function in two different types of ceremonies (e.g., parades, weddings, graduations, sporting events). Give examples in which various arts are used to persuade and promote ideas.

22 Con. List technology used in the arts (e.g., cameras, synthesizers, computers, printing press). Categorize types of artists with their art and art related products or performances (e.g., designers create packages, composers write advertising jingles, architects design buildings. Compare and contrast the function of the arts in two similar types of ceremonies (e.g., parades - Thanksgiving Day Parade and Mardi Gras; Opening Ceremony - Super Bowl and World Series). Explain the way the various arts are used to persuade and promote ideas in advertising.

23 Con. Explain the ways technology is used to communicate in each of the arts. Describe in each art form at least two artists' roles and how those roles contribute to the world of work. Demonstrate good audience behavior and evaluate the behavior of self and others. Describe how audience behavior changes a product or performance. Analyze how the arts function in ceremonies (e.g., Olympics, political conventions).

24 Con. Analyze how various arts are used to persuade and promote ideas (e.g., political conventions, campaigns, advertising). Analyze how the artist in each of the arts uses technology creatively. Investigate occupations that are related to the arts industry (e.g., record producers, museum lecturers, gallery owners, box office administrators, wardrobe designers). Analyze how the arts function in historical, societal, economic, and personal contexts (e.g. economic trends, creative thinking, intra/inter communication, adornment, environments, entertainment, historical record, jobs).

25 Con. Analyze how the arts inform and persuade through movement, sound, and image. Examine the purposes and effects of various media (e.g., film, print, multimedia presentations) in terms of informing, entertaining, and persuading the public. Justify an opinion about the purposes and effects of various media in terms of informing and persuading the public. Evaluate the function of the arts in historical, societal, economic, and personal contexts (e.g. careers, aesthetics, commentary or criticism, predictor of or catalyst for change, tools for learning, economic contribution, therapy, propaganda/ advertising, making the invisible visible, cross disciplinary synthesis).

26 Con. Evaluate the ways the arts are used to inform and persuade through traditional and contemporary art forms. Examine the purposes and effects of various media (e.g. film, print, multimedia presentations) in terms of informing, entertaining, and persuading the public. Hypothesize how the arts will function in the future as a result of changes in traditional and contemporary media. 27B - Students who meet the standard understand how the arts shape and reflect history, society and everyday life. Describe how the same idea is expressed in works of art (e.g., portraits, wedding dances, national anthems) from different cultures, times, or places. Compare the ways different cultures, times, or places use materials to produce works of art (e.g., musical instruments, masks, puppets, pottery, textiles).

27 Con. List artists who have made significant contributions and describe their ideas. Investigate how the arts reflect different cultures, times, and places. Compare how different art forms express aspects of the same culture, time, or place. Compare and contrast the contribution of individual artists on movements, trends, or periods. Determine the reasons why certain artists or works of art reflect culture (e.g. totems, ritual).

28 Con. Connect artists or their works with the trends and/or influences they create(d). Analyze how a particular art work (e.g., social dance, political cartoons, protest songs, films) influenced society in a given time period. Analyze how the works of a particular artist (e.g., playwright, composer, computer artist, choreographer) shape or reflect a given time period or event. Describe the influences of at least two artists (dance, drama, music or visual art) on their times. Classify selected works of art by style, periods, or cultures (e.g., Classical, Renaissance, Romanticism, Pan-Asian, Native American).

29 Con. Analyze selected historical and contemporary works of art for distinguishing characteristics of style, period, or culture. Trace how artistic styles have changed in response to cultural, historical, and technological events (e.g., inventions, transportation, economics, wars). Connect the artists/works with the trends and/or influences of others (e.g. Picasso's "Guernica"; Stravinsky's "Firebird", Rodgers & Hammerstein's Oklahoma). Analyze the impact of political actions, current events, and natural phenomena (e.g., wars, civil unrest, disasters, economic prosperity, discovery, technology, legislation) on the development and production of art.

30 Con. Cite examples of where the arts shaped aspects of a culture (e.g., Dionysian theatre festival, Renaissance church art and music, cinema and the Depression). Analyze how historical and cultural contexts influence arts processes and products (e.g., Reformation, patronage system, invention of microphone, camera, and printing press, WPA). The sequence of learner outcomes is designed to introduce specific instrumental music skills at a particular performance level. The outcomes are all considered continuous developmental skills, and therefore should be developed throughout the entire scope of the curriculum. Units of instruction have been designed to assist teachers with specific instructional criteria.

Grade Level 5-12 Subject Area: Vocal and Instrumental Music

1 Grade Level 5-12 Subject Area: Vocal and Instrumental Music Standard 1 - Sings alone and with others, a varied repertoire of music The student will be able to. 1. Sings ostinatos (repetition of a short