Jean Mouton. (before ) Quis dabit oculis? This edition prepared for The Tallis Scholars. Gimell

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1 Jean Mouton (before ) Quis dabit oculis? This edition prepared for The Tallis Scholars Gimell

2 Quis dabit oculis nostris fontem lachrimarum? Et plorabimus die ac nocte coram domino? ritannia, quid ploras? Musica, cur siles? Francia, cur inducta lugubri veste, moerore consumeris? Heu nobis, domine, defecit nna, gaudium cordis nostri. Conversus est in luctum chorus noster, cecidit corona capitis nostri. Ergo ejulate pueri, plorate sacerdotes, ululate senes, lugete cantores, plangite nobiles, et dicite: nna requiescat in pace. men. Who will give to our eyes a well of tears? nd are we to weep, day and night, before the Lord? rittany, why do you lament? Music, why are you silent? France, why do you put on clothes of mourning, and waste away in sorrow? Woe to us, Lord, for nne, the joy of our hearts, is gone. Our song is turned into mourning, and the crown has fallen from our heads. Therefore, cry out in anguish, ye children; weep, ye priests; howl, ye old men; mourn, ye singers; lament, ye noblemen, and say: May nne rest in peace. men. Mouton was associated with the French royal court, where he served Queen nne of rittany, wife of Louis XII. This motet is a lament on her death in Edited by Timothy Symons for Gimell Records COPYRIGHT NOTICE ll rights reserved. Timothy Symons and Gimell Records have agreed to permit others to make printed and digital copies of this document at their own expense for the purposes of performance, research, study, criticism and review free of charge and without specific consent from the copyright owner provided no alteration or addition is made to the original document and that this copyright notice remains displayed on each copy. ny copying of this document for commercial purposes shall require the prior permission of Gimell Records. The music notated in this document may only be performed in public if the owner or occupier of the venue in which the performance shall take place shall have a licence from the Performing Rights Society Ltd (PRS) or, if the performance shall take place outside the United Kingdom, from a society ayliated to the PRS. Permission to make a recording of a performance of the music notated in this document must be obtained from Gimell Records prior to the making of the recording. Gimell Records may be contacted through its website at

3 3 Edited by Timothy Symons Quis dabit oculis? Jean Mouton (before ) Prima pars LTO Quis da bit o cu lis nos TENOR 1 Quis da bit o cu lis nos TENOR 2 SS Quis tris, o cu lis nos tris tris, o cu lis nos tris fon tem Quis da bit o cu lis nos tris fon da bit o cu lis nos tris fon tem 15 fon tem la cri ma rum? la cri ma rum? Et plo ra tem la cri ma rum? Et la cri ma rum? Et plo

4 22 Et plo ra bi mus di e ac noc bi mus, et plo ra bi mus di e plo ra bi mus, et ra bi mus, 29 te, di e ac noc te ac noc te co ram do plo ra bi mus di e ac noc te co et plo ra bi mus di e ac noc 35 co ram do mi no? ri tan mi no? ri ram do mi no? te co ram do mi no? 41 ni a, quid plo ras? Mu si tan ni a, quid plo ras? Mu si ri tan ni a, quid plo ras? ri tan ni a, quid plo ras?

5 47 ca, cur si les? Fran ci a, ca, cur si les? Fran ci a, cur Mu si ca, cur si les? Mu si ca, cur si les? 53 cur in duc ta lu in duc ta lu gu bri Fran ci a, cur in duc ta lu gu bri ves Fran ci a, cur in duc ta lu gu 59 gu bri ves te, me ro re con ves te, me ro re con te, me ro re con bri ves te, me ro re con 65 su me ris, me ro re con su me ris? su me ris, me ro re con su me ris? su me ris, me ro re con su me ris? su me ris, me ro re con su me ris?

6 6 72 Secunda pars Heu no bis, do mi ne, heu no bis, do mi Heu no bis, do mi ne, heu no bis, Heu no bis, do mi ne, 79 Heu no bis, do mi ne, de fe cit n na, de do mi ne, de fe cit n na, de de fe cit n na, de ne, de fe cit n na, de 6 fe cit n na, gau di um cor dis nos fe cit n na, gau di um cor dis nos fe cit n na, gau di um cor dis nos fe cit n na, gau di um cor dis nos 93 tri. Con ver sus est in luc tum cho rus nos tri. Con ver sus est in luc tum tri. Con ver sus est in luc tum, con ver tri. Con ver sus est in luc tum,

7 7 100 ter, con ver sus est in luc tum cho rus nos ter, cho rus nos sus est in luc tum cho rus nos con ver sus est in luc tum cho rus 106 cho rus nos ter, nos ter, ter, ce ci ter, cho rus nos ter, nos ter, ce ci dit co ro 112 ce ci dit co ro na ca pi tis nos dit co ro na ca pi tis nos ce ci dit co ro na ca pi tis nos tri, ca 11 tri, nos tri. tri, nos tri, nos tri. na ca pi tis nos tri. pi tis nos tri.

8 124 Tertia pars Er go e ju la te pu e ri, pu Er go e ju la te pu e ri, Er go Er 131 e ri, plo ra te, sa cer pu e ri, plo ra te e ju la te pu e ri, plo ra go e ju la te pu e ri, 137 do tes, sa cer do tes, sa cer do tes, ul u te sa cer do tes, plo ra te sa cer do tes, ul 143 ul u la la te se nes, ul ul u la te se nes, u la te se nes,

9 149 te se nes, u la te se nes, ul u la ul u la te se nes, lu ge te ul u la te se nes, 154 lu ge te can to te se nes, lu ge te can to res. can to res, lu ge te can to res, plan gi lu ge te can to res, lu ge te can 160 res, plan gi te no bi les, et di plan gi te, plan gi te no bi les, te no bi les, et di to res, plan gi te no bi les, et di 166 ci te: n na, n na et di ci te: n na, n na, ci te: n na, n ci te: n na, n

10 173 re qui es cat in pa n na re qui es cat na re qui es na, n na 179 ce, re qui es cat in pa in pa ce, re qui es cat in pa ce, re qui re qui es cat in pa ce, 15 ce. cat in pa ce, pa ce. es cat in pa ce, in pa re qui es cat in pa ce. 191 men. men. ce. men. men.