7:43 7:50 Development of theme A strings (sequence of A in low strings) with woodwind interjection

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1 LB-51: First Nights A. Allen, Fall 2006 Hector Berlioz, Symphonie fantastique Listening Guide Recordings refer to John Eliot Gardiner / Orchestre Révolutionnaire et Romantique (Gard.) and Roger Norrington / London Classical Players (Norr.) RN refers to the Rehearsal Numbers found in the score in Sourcebook II ( RN+#mm signifies the number [#] of measures after the RN). RN Gard. Norr. Form Tonality Tempo Meter Orchestration I. Rêveries. Passions. (Arch Form / Modified Sonata Form) 0:00 0:00 Introduction: (section is ABA form) Vague des Passions /intro-a theme minor slow duple soft woodwinds, horns strings with melody 1 1:34 1:30 intro-b theme major faster mostly strings 2 1:56 1:50 from very beginning / intro-a theme minor slowing soft woodwinds, horns, strings 3 2:51 2:41 slow 4 3:50 3:40 major soft flutes, clarinets, low strings horn, violin 1 5 4:34 4:26 Exposition: transition. to theme A (=idée fixe, at 5+11mm) slow very fast 6 5:30 5:24 transitional theme B (at 6+6mm) minor very fast loud tutti woodwinds 7 5:49 5:44 transition 8 6:03 6:00 theme B with bits of idée major woodwinds, strings 8+17mm 6:18 6:17 repeat (back to 5+11mm) 8+17mm (p. 554) woodwinds, horns, strings loud orchestra & timpani entrance flute & violin 7:43 7:50 Development of theme A strings (sequence of A in low strings) with woodwind interjection 9 8:00 8:08 development of theme B strings alone (repeated notes) woodwinds alone strings, etc. 10 8:09 8:18 episode strings alone (rising & falling chromatic line), then woodwind/brass interjections tutti silence 11 8:36 8:50 intro theme A (transposed) and with varied accompaniment horn solo violin 2 strings, winds 12 9:15 9:38 transition woodwinds, low strings (descending chromatic lines) 13 9:29 9:54 strings with woodwind interjection 14 9:47 10:15 development of theme B contrapuntal strings (quasi-fugal) 15 10:02 10:33 recap. & development of transition minor slowing down woodwinds & timpani upper strings 16 10:43 11:10 new theme in oboe major fast oboe solo & strings, clarinets, bassoons 17 11:26 11:57 recapitulation of theme A loud tutti without timpani 18 11:44 12:18 loud tutti with timpani 19 12:01 12:37 theme A minor slowing woodwinds (imitative) 20 12:27 13:00 Coda major fast slowing very slow tutti strings strings, winds Page 1 of 6

2 II. Un Bal (Dance [Waltz+Trio] Form with Coda) 0:00 0:00 intro minor moderate triple string tremolos & harp arpeggios 21 0:29 0:30 fakeout major cornet entrance (Gardiner recording only) 22 0:35 0:36 theme A, Waltz phrase 1 violin 1 with tune, other strings as accompaniment 23 1:06 1:08 sequence woodwinds strings 24 1:19 1:20 phrase 2 woodwinds, strings 25 1:35 1:36 theme A (second time) violin 1 with tune, string and woodwinds as accompaniment 26 1:56 1:58 theme B, Trio (idée fixe) strings + woodwinds (idée fixe) + strings (continue waltz) 27 2:40 2:44 transition strings + woodwinds 28 2:57 2:59 theme A (third time) strings with tune, woodwinds accompaniment, violin 1 filigree 29 3:29 3:27 sequence woodwinds +harps +strings 30 3:35 3:39 phrase 2 strings, woodwinds violin/woodwinds woodwinds pause 31 3:53 3:58 theme A (fourth time) tune in woodwinds with string accompaniment (violin filigree) 32 4:00 4:04 continues slowing tune in harps & woodwinds, lower strings dropout 33 4:27 4:29 faster harp intro material combined with sequence in violins 34 4:40 4:41 orchestral tutti, crescendo :57 idée fixe slowing fast clarinet & horn solos w/ harp interjection loud orchestral tutti waltz with fire 36 5:36 5:28 fast-moving lower strings with held horn notes and harp arpeggios waltz figure repeated statically before final cadence Page 2 of 6

3 III. Scène aux Champs (Theme & Variations) 0:00 0:00 introduction major very slow triple English horn & oboe duet 37 2:08 1:40 theme flute & violin in unison with pizzicato string punctuation 37+14mm 3:10 2:36 variation 1 flute & violins with notes in clarinet, horn 38 4:00 3:22 flutes & violins with winds 38+5mm 4:22 3:41 interlude winds, strings, winds, tutti 39 5:35 4:46 transition min maj strings 39+4mm 5:47 4:59 variation 2 major violin solo alternating with woodwind solos tutti with melody in lower strings 40 6:29 5:39 transition tutti without timpani 41 7:10 6:15 transition speeding up bassoons & strings 41+4mm 7:25 6:27 idée fixe alternating w/ instr. recitative woodwinds / strings 42 8:18 7:10 minor faster slowing to original tempo loud tutti with entrance of one of the timpani 43 9:15 7:55 variation 3 major very slow moving pizzicato middle strings with melody in clarinet & then flute first violin interjections 44 10:15 8:51 variation 4 fast repeated notes in strings, with melody in first violin and responses in woodwinds 45 10:48 9:21 rising sequence in strings with held woodwind & horn chords 46 11:18 9:49 transition rising sequence in strings 47 11:47 10:07 coda with idée fixe combined with fragments of theme 48 13:03 11:05 closing tutti without timpani theme in strings in imitation with the idée fixe alternately played by flute & clarinet in imitation 49 14:04 11:53 return of introduction but altered English horn not answered by oboe but accompanied by 4 timpani final cadence with horn & strings Page 3 of 6

4 IV. Marche au Supplice (March or Scherzo+Trio / Modified Sonata Form) 0:00 0:00 introduction minor medium fast duple timpani & pizzicato strings with soft French horns 50 0:24 0:25 theme A ( ~ a descending scale) tutti chord very loud lower strings tune again + bassoon on countermelody then + low strings countermelody 51 1:03 1:09 theme A with countermelody theme A in upper strings, countermelody in lower strings, timpani returns as in the introduction 52 1:18 1:25 theme A inverted with second countermelody theme A in lower strings, theme upside down in upper strings (both pizzicato), new countermelody played by bassoons 53 1:35 1:46 theme B (=trio) major loud tutti with prominent low trombone notes 2:00 2:13 repeat from beginning 53+17mm 4:00 4:26 development minor brass alternating with strings & winds theme A divided between different instruments 54 4:15 4:45 development of theme B in new key tutti (prominent brass) with counterpoint in strings 55 4:40 5:12 return of opening developmental material 56 4:54 5:27 development of theme A recapitulation brass (now with timpani) alternating with strings & winds theme A divided between different instruments theme in bassoons & low brass rising in sequence, rising sequences in strings & winds, building to climax of recap. then getting softer 57 5:18 5:55 inversion of theme A transition major sudden very loud tutti (almost completely in unison) strings with brass and wind punctuations 58 5:50 6:32 closing material maj/min alternation of major chord in woodwinds & brass with minor chord in strings gets softer then loud again just before :05 6:50 idée fixe decapit[ul]ation conclusion major clarinet solo loud tutti chord pizzicato in low strings loud tutti final brass/wind chords with snare drum roll Page 4 of 6

5 V. Song d une nuit du Sabbat (Modified Sonata Form) 0:00 0:00 Introduction : spooky material minor slow duple 6 part violins with cellos, basses & timpani + woodwinds 60 0:26 0:22 horns, bassoons, trombones woodwinds, one-note solo fanfare horn one-note solo fanfare 61 0:47 0:42 repeat of opening spooky material 6 part violins with cellos, basses & timpani + woodwinds 62 1:14 1:07 horns, bassoons, trombones woodwinds, one-note solo fanfare horn one-note solo fanfare 62+5mm 1:29 1:24 parody of idée fixe major fast faster triple/d uple clarinet solo with timpani loud tutti 63 1:47 1:42 continuation of idée fixe minor fast woodwinds (esp. E Clarinet) 64 2:11 2:09 continuation of idée fixe minor fast woodwinds, horns, strings loud tutti 65 2:36 2:35 after bells, intro Round Dance rising string figure bassoon, cellos, & basses in unison bells 66 3:15 3:20 Exposition : intro Dies Irae, then Dies Irae followed by two repeats w/ successively shorter rhythms long notes in bells 1. bassoons & tubas in unison (low and slow) 2. brass (higher, faster) 3. woodwinds & strings (highest, fastest) 67 3:58 4:05 more Dies Irae 1. long notes in bassoons, brass & bells with pizzicato in lower strings 2. brass 3. woodwinds & strings 68 4:23 4:32 more Dies Irae 1. long notes in bassoons & brass with arco in lower strings + bass drum (syncopated) 2. brass 3. woodwinds & strings 69 4:56 5:10 Transition : introduction to Witches Round Dance major strings alternating with horns & bassoons 70 5:14 5:25 Round Dance (exposition of fugue) slightly slower strings with brass & woodwinds interjections 71 5:25 5:43 strings with tune, more winds adding, eventually taking tune 72 5:42 5:59 fugal episode loud tutti 73 5:57 6:15 partial counter exposition 74 6:09 6:30 Development (still fuguing ) tutti alternating with upper woodwinds & upper strings 75 6:32 6:57 upper woodwinds & upper strings, trill in first violin 76 6:42 7:06 tune in plucked lower strings & bassoons, tremolo in upper strings 77 6:58 7:25 remembrances of Dies Irae and Round Dance Dies Irae in horns, bassoons, & cellos Round Dance in violas Dies Irae in horns and basses 78 7:14 7:43 more imitation of Round Dance tune starts very softly in cellos, then crescendos as more strings are added; also, timpani roll has crescendo 79 7:25 8:01 continuation lower strings with timpani + woodwinds 80 7:43 8:18 loud tutti Page 5 of 6

6 81 7:54 8:32 Recapitulation / Climax : Round Dance & Dies Irae combined maj/min 82 8:21 9:03 transition minor strings 83 8:30 9:13 Round Dance tune is augmented (=slowed down) 84 8:50 9:39 loud tutti Witches Dance in lower strings + Dies Irae in woodwinds & brass strings play col legno (with the wood) tune in woodwinds & horns woodwind interlude 85 9:07 9:57 Dies Irae / Coda getting aster tremolo in strings with tune in tubas & bassoons tutti 86 9:28 10:21 final fanfares and cadences major tutti Page 6 of 6

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