EMERGING JAZZ SERIES BABY. RYAN MEEBOER
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1 Easy-Medium Duration :20 B1111 BABY EMERGING AZZ SERIES RYAN MEEBOER Bay is a allad that uses a light, shule eel that eatures a and s lead alto sax layer. Written using the standard AABA orm, the chart also highlights the trumet section in the introduction, ridge, and coda sections. In the A REVIEW sections o the iece, the soloist can ornament the iece in several ONLY ays. One ay is to scoo reeated notes, such as in measure 9, here they artistically see it. This exression has delierately een let out to leave it oen or the soloist to decide here it is est to add any scoos. Also, since the chord changes in the A section is airly simle, it makes it easy or the soloist to imrovise y ornamenting the melody a little, including the inal measures o the tune. The iano also lays an imortant role in this chart, as it either suorts the melody, as in the oening and closing o the chart, as ell as creating some dialogue ith the soloist. Although it is ritten to e layed iano rom measures 9-16, the iano can ring out its art a little more, as its o is a little more imortant than the other rhythm section instruments in this section..enmusic.com Instrumentation: *Alto Sax 1 *Alto Sax 2 *Tenor Sax 1 *Tenor Sax 2 tone Sax *Trumet 1 *Trumet 2 *Trumet Trumet *Tromone 1 *Tromone 2 Tromone Tromone Guitar *iano * Guitar *Drum Set * required instrument
2 The Writer Ryan Meeoer is a music educator ho otained his degree through the Ontario Institute or Studies in Education at the niversity o Toronto. As a comoser, he has ritten and arranged many ieces or students in concert and azz ands, and has also comosed and arranged ieces or small university comos. As a erormer, he has had exerience in many grous, including concert and stage ands, chamer choir, vocal azz ensemle, o grous, acoustic duets, and the Hamilton ased sing grou, The Main Sing Connection. Ryan Meeoer egan studying music at the age o seven through rivate guitar lessons. During his years in elementary and secondary school, Ryan gained exerience in several amilies o instruments. Focusing on music education and theory (including comosition and orchestration), he attended McMaster niversity to achieve his honours degree in music. Ryan has een commissioned y several school and community grous throughout Ontario. His orks are oten erormed at estivals and many o his ieces are ound on contest and estival lists. He is equally comortale riting traditional ind music and azz, and this harmonic vocaulary is resent in his original orks. Mr Meeoer continues riting hile teaching elementary school in Burlington, Ontario, Canada. lease contact the comoser i you require any urther inormation aout this iece or his availaility or commissioning ne orks and aearances. ryan.meeoer@enmusic.com REVIEW ONLY Sometimes there may e layers ho ish to oin the and ho do not lay a standard azz and instrument (lute, clarinet, tua, etc). Also, there may e situations hen one o the listed required instruments is not resent. On our esite, under each iece, is a list o alternate and sustitute arts that are availale as a ree donload or use ith the ensemle. Alternate arts There are arts or: Flute, Clarinet, Clarinet, F Horn, tone Trele Cle and Tua. There are sustitute arts or: Alto Sax - lays Tromone 1 art Tenor Sax - lays Tromone 1 art For more inormation on the EMERGING AZZ SERIES - instrument ranges, lots o ree donloadale alternate arts, coies o the guitar/drum sheet, ull length Ms and more, lease visit.enmusic.com/azz.
3 Getting Started Starting a azz and can seem like a huge task. You may or may not have any azz laying exerience and are not quite sure here to start. Here are some general things to think aout: Try to have the minimum instrumentation covered, even i it means that you do not have the instrumentation o a traditional azz and (use alternate arts i necessary). In order to arrange a chart so that it is layale ith minimum instrumentation, sometimes the range o the rd trumet/tromone is higher than the 2nd. I you have a ull and, have a stronger layer on the rd art, rather than the 2nd. Look over the score and select a section in hich all layers lay (esecially a unison section). First, have the rhythm section lay don the groove. Next, have the horn sections sing their rhythms ith articulations. Finally, have the horns lay their arts along ith the rhythm section. Try to get your and to lay ith the correct eel eore trying to conquer the notes o the entire iece. azz Terms reak - A rie solo assage during a cessation o the accomaniment, usually only one or to ars in length. call and resonse - The erormance o musical items in alternation eteen to distinct grous o musicians or eteen a soloist and a grou. coming - to rovide a chordal accomaniment or a soloist. all o - A gliss hich alls rom the end o a chord or note. lay ack - To lay slightly ehind the eat. ri - A short melodic idea hich is reeated as an accomaniment ehind a soloist. Traditional Set- Rhythm Section iano REVIEW ONLY shout chorus - a climactic chorus o a and arrangement. sto time - hen the rhythm section stos laying or art o one or more ars, hile the soloist continues unaccomanied. Kno your layers. Select charts that your students ill e ale to lay successully, ut ill also rovide a challenge so they ill not get ored easily and ill learn something ne. Include dierent styles o azz music in your reertoire. Guitar Trumets 1 Tromones Saxes Alto 1 sing eighths - a trilet sudivision eel here the irst eighth note is held longer than the second (although ritten the same). Suggested Articulations q q. q - DAH - long - DIT - short - TAH - long accent q^ q q q - TT - short accent - DAHT - long-sto - DOO-DAH - sing
4 Role o the Rhythm Section azz Styles The rhythm section (drums, ass, iano and otional guitar) is key. These layers kee the time, rovide the harmony and create the groove or each iece. TIME - keeing the time steady; creating the ulse GROOVE - roviding the su-division or the style; creating rhythmic interaction ith the and HARMONY - roviding the harmonic rogression or the melody or imrovisation suly the stylistic oundation lock in the groove ith the ass emellish the rhythm ith the guitar and iano REVIEW Mamo ONLY Aro-Cuan style ith stress on the and o 2 straight-eighth sudivision creates the groove ith the drums rovides the harmonic rogression Guitar creates a harmonic groove y roviding the rogression, hile laying a rhythmic groove has a delicate relationshi ith the iano iano creates harmonic groove ith the guitar, ut the to should not conlict ith each other uses coming rhythms Sing characterized y a trilet sudivision and uses uneven eighth notes sutle stress o eats 2 and Rock relies on a solid ackeat (emhasis on eats 2 and ) straight eighth sudivision reeated atterns Shule a cross eteen sing and rock styles y stressing the ackeat and using the trilet sudivision groove rimarily created y ass and drums Sama a light, Brazilian-ased style ith stress is ON eat relies on straight-eighth sudivision and a artito alto (chordal) rhythm Funk sixteenth note sudivision and syncoation, articularly in the ass eats 2 and rominent in snare drum oten comlex, unison lines erormed y horns Ballad a slo temo, azz allad los seamlessly through various sudivisions (straight-eighth, trilet, or doule time) needs sace; laid ack eel
5 E Alto Sax 1 Shule Ballad q=66 q q = q e BABY Ryan Meeoer E Alto Sax 2 B Tenor Sax 1 n n B Tenor Sax 2 n E tone Sax B Trumet 1,2 B Trumet, Tromone 1,2 Tromone, a2 k F.. REVIEW ONLY n n k. n Guitar g E m7( 5) A 1 B Û - 7 A 7 E m7( 5) A 1 iano Guitar Drum Set k F. Closed Hi-Hat EIGHTH NOTE BLICATIONS.enmusic.com k n. n 5 6
6 solo throughout F Tt 1,2.. Tt,. Trn 1,2 Trn, REVIEW ONLY N.. iano B Û - 7 A Û - 7. k Dm7.. n. g n E m7( 5) A 1 Dm9 n B 7 A 7 n BABY g. 2 n 7 8 Ride Rim Shot Hi-Hat ith Foot
7 n. Tt 1,2 n n.. n.. Tt, Trn 1,2 Trn, REVIEW n ONLY.. E m7( 5) A 1 Dm9 B Û - 7 A Û - 7 D m7 g. g E m7( 5) A 1 B 7 A 7 iano n.. n BABY g
8 . n n n ṗ.. n n ~ ~ n ~ ~ n ṗ.. n Tt 1,2 Tt, Trn 1,2 Trn,.. a2 k n REVIEW ONLY k a2 n Dm9 E m7( 5) A 1 B Û - 7 A Û - 7 D m7 g Û. Û F6 F dim7 G m7 C 7 F 6 F dim7 iano n n n. n. n n n n BABY g Closed Hi-Hat On Head
9 Tt 1,2 Tt, Trn 1,2 Trn, iano G m7 C 7 n n n n. REVIEW ONLY n.. ṗ F6 F dim7 ~ ~ G m7 G dim7 n n n.. n... A m7 B 7 n A 7 Û Û Û Û Û Û Û -. n n N D m7 n n BABY g n Ride
10 Tt 1,2 Tt, Trn 1,2 Trn, iano E m7( 5) A 7 a2 n REVIEW a2 ONLY n a2 D m7 n n n B 7 A 7 n. Dm7 n n E m7( 5) A 7 N D m7 B 7 A 7 n BABY g. 6 n 6 n 7 8 n 9
11 Tt 1,2 Tt, Trn 1,2 Trn, a2 kf D m7 Û - Û n. Dm9 g E m7( 5) A 1. n k n REVIEW ONLY n B Û - 7 A 7 n. n n E m7( 5) A 1 iano BABY g. 7. n. k 0 k F n. Closed Hi-Hat 1 2. k n. n 5 6
12 F n n.. n.. Sloer q=52 n Freely - ad li..... Tt 1,2.. ẇ. Tt, Trn 1,2 Trn, iano BABY g. 8. ẇ. REVIEW ONLY N.... B Û - 7 A Û - 7. k n 7 Dm7 g Û.. n. Û 8 E m7( 5) A 1 9 Dm7 g Û... Û 50 E m7( 5) A 1 g Õ 51 ( ma7) 52 Brushes Õ æ 5
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Grade Level: (Medium) Instrumentation Conductor Score 5 st lute iccolo 5 nd lute Ooe Bassoon st B Clarinet nd B Clarinet rd B Clarinet B Bass Clarinet st E Alto Saxohone nd E Alto Saxohone B Tenor Saxohone
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GRADE Duration: :0 STRING ORCHESTRA The Dragon King W IEW RIEW I.enmusic.com STR18 David Marlatt INSTRUMENTATION ull Score 1 Violin I 8 Violin II 8 Violin III (Viola T.C.) 5 Viola 5 Cello 5 ass 5 W IEW
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Grade Level: STRNG ORCHESTRA NTERMEDATE LEVEL To beethovian sketches Ludig van eethoven Anton diabelli Setting by ROERT. Smith (asca) NSTRMENTATON Conductor 8 st Violin 8 2nd Violin 5 rd Violin (Viola
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Grade Level: ½ (Easy) Ghosts in the Graveyard Conductor Score 0 lute Ooe 6 st B Clarinet 6 nd B Clarinet E Alto Clarinet B Bass Clarinet st E Alto Saxohone nd E Alto Saxohone B Tenor Saxohone E Baritone
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TRADITION O EXCELLENCE EXCELLENCE IN ERORMANCE KJOS CONCERT BAND GRADE $7.00 BRCE EARSON rom ancient times Correlated ith TRADITION O EXCELLENCE Book age 7 NEIL A. KJOS MSIC COMANY BLISHER Aout the Comoser
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