2018 ENSEMBLE CONNECT LIVE AUDITIONS
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1 2018 ENSEMBLE CONNECT LIVE AUDITIONS LIVE AUDITIONS WILL TAKE PLACE IN NEW YORK CITY AS FOLLOWS: Monday, March 5, 2018, 9 AM 8 PM at Carnegie Hall Tuesday, March 6, 2018, 9 AM 8 PM at Carnegie Hall Wednesday, March 7, 2018, 9 AM 8 PM at Carnegie Hall Thursday, March 8, 2018, 9 AM 8 PM at Carnegie Hall Friday, March 9, 2018, 9 AM 8 PM at Carnegie Hall Percussion Auditions to take place at The Juilliard School LIVE AUDITION REPERTOIRE REQUIREMENTS STRINGS Violin 1. Two contrasting movements from an unaccompanied Bach sonata or partita 2. A complete sonata by Beethoven, Brahms, Debussy, Fauré (A major), Franck, Mozart, Ravel, or Schubert Viola 1. Two contrasting movements from a Bach suite, sonata, or partita 2. A complete sonata by Brahms, Hindemith, or Schubert, or an equivalent work such as Bloch Suite, Rebecca Clarke Sonata or Schumann Märchenbilder Cello 1. Two contracting movements from a Bach suite 2. A complete sonata by Beethoven, Brahms, Chopin, Debussy, Rachmaninoff, or Shostakovich String audition repertoire continued next page
2 CALLBACKS FOR VIOLIN, VIOLA, CELLO: Violin, Viola, and Cello applicants who are invited to the callback round will be expected to perform the following pieces. Brahms Piano Quartet No. 3 in C Minor, Op Mvt s 1, 2, and 3 AND Mozart Divertimento for String Trio in E-Flat Major K Mvt s 1, 2, 4, and 6 regarding Double Bass 1. Three movements of contrasting character from the following selections by J.S. Bach: a. Orchestral Suite No. 2, BWV 1067: V. Polonaise-Double, VI. Menuet, OR VII. Badinerie b. Violin Concerto in E Major, BWV 1042: II. Adagio c. St. Matthew Passion, BWV 244: Vivace from Nr. 33 Arie Sind Blitze, sind Donner OR Nr. 78 Chor Wir setzen uns mit Tranen nieder 2. Two works of different periods and contrasting character 4. Mozart Divertimento in F Major, K. 138/125c (ensemble CALLBACKS FOR DOUBLE BASS: Double bass applicants who are invited to the callback round will be expected to perform the following pieces. Mozart Divertimento in F Major, K. 138/125c (ensemble regarding WOODWINDS and BRASS Flute 1. Two contrasting movements from a Bach suite, sonata, or partita 2. A Mozart concerto (complete)
3 Oboe, Clarinet, Bassoon 1. A Mozart concerto (complete) 2. At least one major solo piece of the applicant s choice (complete) Horn 1. Two standard etudes 2. Mozart Concerto No. 2, 3, or 4 (complete) Trumpet, Trombone, Bass Trombone 1. Two standard etudes (on fast, one slow) 2. At least one major solo piece of the applicant s choice PERCUSSION 1. A multiple percussion piece of the applicants choice (A specific list of instruments must be provided. Some pieces may not be possible.) Mallets 1. Two mallet Bach solo of your choice 2. Contemporary four-mallet solo of your choice Snare Drum 1. One etude from Cirone Portraits in Rhythm OR Delecluse 12 Etudes OR the equivalent 2. Two standard orchestral excerpts of your choice Timpani 1. One movement of your choice from Elliott Carter 8 Pieces for Timpani 2. Two standard excerpts of your choice
4 PIANO 1. Bach (no transcriptions permitted). 2. One of the following: a. An entire sonata by Beethoven (excluding Op. 14, 49, and 79), or b. One of the following complete sonatas by Haydn: B Minor H. 16/32; C-sharp Minor H. 16/36; E-flat Major H. 16/49; C Major H. 16/50; E-flat Major H. 16/52; or c. An entire sonata by Mozart from K. 310 to K. 576 (excluding K. 311 and K. 545) or d. One of the following Schubert sonatas: G Major Op. 78; A Minor Op. 143 (D784); A Minor Op. 42 (D845); D Major Op. 53 (D850); or one of the three posthumous sonatas (D ); or the Wanderer Fantasie 3. A substantial composition by Berg, Brahms, Chopin, Debussy, Janáček, Liszt, Mendelssohn, Prokofiev, Rachmaninoff, Ravel, or Schumann. (Etudes, nocturnes, short dances, waltzes, or comparable pieces are not acceptable) 4. A movement from a work composed post Brahms Piano Quartet No. 3 in C Minor, Op Mvt s 1, 2, and 3 (ensemble 6. Mozart Piano Quartet in G Minor, K. 478 (ensemble CALLBACKS FOR PIANO: Piano applicants who are invited to the callback round will be expected to perform the following pieces. Brahms Piano Quartet No. 3 in C Minor, Op. 60 Mvt s 1, 2, and 3 AND Mozart Piano Quartet in G Minor, K complete regarding ENSEMBLE CONNECT INTERVIEWS Those who advance to the final round will be asked to participate in an interview with Ensemble Connect staff and representatives from partner organizations. Interviews will last approximately 20 minutes. The goal of the interview is to get to know you better as a musician, leader, educator, and learner. The panel will want to hear about your motivations for applying to the program, people or experiences that have inspired you, and areas within Ensemble Connect that most interest you. To begin, applicants will be asked to introduce and perform a 3 minute piece/excerpt of music that has particular personal significance. The introduction should affect how the panel hears and experiences the piece of music. Possible topics include but are not limited to:
5 Does this piece remind you of a significant person/place/time in your life? Did this piece play a role in discovering your passion for your instrument? Was there a moment when you witnessed the power of music that this piece invokes? This presentation should be no longer than 5 minutes total. We suggest approximately two minutes of speaking and three minutes of playing. Percussionists will have access to a marimba and are welcome to bring small hand percussion.
2018 ENSEMBLE CONNECT LIVE AUDITIONS
2018 ENSEMBLE CONNECT LIVE AUDITIONS LIVE AUDITIONS WILL TAKE PLACE IN NEW YORK CITY AS FOLLOWS: Monday, March 5, 2018, 9 AM 8 PM: WOODWINDS Tuesday, March 6, 2018, 9 AM 8 PM: WOODWINDS, BRASS, and PERCUSSION
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