Class 12, Fri. 2/10 Objectives: Increase speed and accuracy of melodic, rhythmic, and

Size: px
Start display at page:

Download "Class 12, Fri. 2/10 Objectives: Increase speed and accuracy of melodic, rhythmic, and"

Transcription

1 Syllabus: Advanced Solfege II Advanced Solfege II, , Spring :30 A.M., Room 102 C.F.A. Class 1, Mon.1/16 World drumming - ensembles and improvisation Complete student information forms. Objectives: Sing four-part chorales as a class and in quartets. Assignment: ATD, Section 1A, #1, p. 10 & 11 odd numbers Class 2, Wed. 1/18 Objectives: Review intervals, scales M & m, Dorian and Mixolydian and Lydian modes Identify and notate patterns of double melodic intervals, ascending and descending. Dictation ATD, p.10 & 11 even numbers. Notate a familiar melody from memory Class 3, Fri. 1/20 Objectives: The students should detect melodic errors in notated patterns. The students will notate dictated melodic, rhythmic, and harmonic patterns. Procedure: Recall do. Warm up in the Keys of C and Eb. Listen to melodic patterns and sing them in the Key of Eb. Using dictation text, find the melodic and harmonic errors. Notate rhythmic, melodic, and harmonic patterns. Improvise vocally in Major or in any of the three minors Class 4, Mon. 1/23 Objectives: Students should identify and sing ascending and descending intervals within the octave. Introduce Major and minor 9ths Sing decorative chromaticism, pp Assignment for Wed. 1/19, Sing for a grade, pp Class 5, Wed. 1/25 Sing for a grade: pp text Practice dictation Class 6, Fri. 1/27 Quiz l: Dictation: melodic, rhythmic and harmonic. Treble, bass, alto and tenor clef. Class 7, Mon. 1/30

2 Objectives: Melodic error identification and correction. Identify and describe construction of Dorian, Mixolydian, Lydian and Phrygian modes. (Refer to pp. 268 in text) Sight sing from text pp Improvise in Pentatonic, Major and minor and Dorian mode. Assignment: ATD Section 1B, p. 12 & 13 odd numbers. Class 8, Wed. 2/1 Objectives: Sight sing from text: pp (top) Dictation: ATD, p. 12 & 13 even numbers. Vocal Improvisation in modes Continue Harmonic dictation Class 9, Fri. 2/3 Quiz 2: Identify three forms of minor scales, Dorian, Mixolydian, Lydian and Phrygian modes Identify melodic and rhythmic errors Notate minor melodies, melodies with chromatic alterations and complete two or three parts of four part chorales. Assignment for Mon. 2/6 Write a melody in either Dorian, Mixolydian, Lydian or Phrygian mode (Do not share with classmates prior to class. Class 10, Mon. 2/6) Class 10, Mon. 2/6 Play melody that you have written in either Dorian, Mixolydian, Lydian or Phrygian. Class will identify aurally. Be prepared to write the melody on the board if necessary. The students will notate two part, polyphonic dictation. (Ottman 4th ed. p. 197 #665, p 312 #1006 or pp ) Assignment: ATD, Section 2A, pp. 22 odd numbers Class 11, Wed. 2/8 Objectives: The students should sing and aurally identify the three forms of minor scales. Dictation: ATD, P. 22, even numbers Bring instruments to class on Fri. for dictation practice. harmonic dictation. (Ottman, p. 315 #1017, p. 316 #1020 and/or Durhan) Class 12, Fri. 2/10 Objectives: Increase speed and accuracy of melodic, rhythmic, and

3 Students should take dictation from a variety of sound sources. Assignment: ATD, Section 2A, p. 23 odd numbers Class 13: Mon. 2/13 Objectives: Write and sing i, iv, V7 patterns, harmonic minor Sight-sing from Melodia, p. 105 #26, p. 106 #27, 28, 29,p. 116 #59 and #61. Do two part, polyphonic dictation, self-correcting from text, p. 133 #1, and p. 159 #3. Students shouldl sing Major and minor chords in any inversion. Assignment: ATD, Section 2B #1-6, p. 24 odd numbers Class 14: Wed. 2/15 Objectives: Introduce M & m 10ths. The students should increase their speed in aurally identifying the intervals within the octave and 9th and 10ths. The students should sing the intervals within the octave and 9ths and 10ths, ascending or descending. Dictatiion ATD, p. 24 even numbers Sight-sing from Melodia, p.112--, sing in duets, quartets and as a full class. Others in class will be designated to identify errors. Assignment: ATD, Section 2A #7-12, p. 25 odd numbers Class 15: Fri. 2/17 Practice dictation: compound meter Sight-Sing from text, pp Harmonic dictation: ATD, Section 3A, #1-6, p. 34 & 35 odd numbers Class 16: Mon. 2/20 Practice dictation: tonal and atonal Assignment: Sing for a grade 2/22, Text, Exercises pp (middle) Class 17: Wed. 2/22 Sing for a grade, Text, Exercises pp (middle) Objectives: Sing chords in any inversion, any key. Identify inversion of chord being played. Assignment: ATD, Section 3A, #7-12, p. 35 odd numbers - selected Class 18: Fri. 2/24

4 Objectives: The students should sight sing from text pp Students will identify errors and rehearse ensembles of classmates. Assignment: ATD, Section 3B, #1-6, p. 36 & 37, odd numbers Class 19: Mon. 2/27 Guest presentation: Dr. Lewis Strouse & students Class 20: Wed, 2/29 Quiz 3 taken as a review for the midterm - graded only for your benefit: one and two part, melodic and rhythmic, Major and minor and modal dictation You are responsible for identifying any interval within the octave plus 9ths and 10ths. Class 21: Fri. 3/2 WRITTEN MIDTERM TEST All intervals within the octave. Three forms of minor and four modes One, two or four-part dictation. Treble, Bass and Alto and Tenor clefs. Class 22: Mon. 3/5 Review for sight singing midterm. Intervals, scales/modes and melodic exercises Wednesday, March 7: NO CLASS Individual sight singing midterm tests in R. 110 on Tuesday and Wednesday. 3/6 & 3/7 Friday, March : NO CLASS - Mid-semester Break SPRING BREAK, MARCH Class 23: Mon. 3/19 Objectives: Review material on midterm test Students should sing all major scales (flat keys) from do-do. Define Secondary Dominants ( ) The students should sight sing from pp (top). The students wi take dictation using Secondary Dominants (text p. 171). Class 24: Wed. 3/21 Sight-sing real music. Assignment: Sing for a grade, 3/18: Music provided Class 25: Fri. 3/23 TBA Class 26: Mon. 3/26 Sing for a grade: Dalcroze Chants Objectives: Vocal improvisation Assignment: ATD Section 5, #1, p. 51

5 Class 27: Wed. 3/28 Objectives: Practice dictation: limited repetitions, atonal patterns ATD, Section 5 #2, p. 53 Class 28: Fri. 3/30 Quiz IV: Limited number of repetitions, rhythmic, harmonic, melodic- tonal and atonal patterns. Practice - NO GRADE! NO CLASS Mon. 4/2 - Carnegie Hall Concert Class 29: Wed. 4/4: Students should improvise accompaniments to melodies. Music provided. The students should sight-sing from text pp (top). Assignment for Fri.4/6: pp (top), sing one part and play the other. Class 30: Fri. 4/6 Objectives: Sing one part and play the other pp Sing and analyze examples pp , modulating melodies Take dictation with modulations. IF YOU WILL BE ABESENT FOR REGLIGIOUS REASONS, PLEASE NOTIFY ME PRIOR TO CLASS Class 31: Mon. 4/9 Dictation Quiz V: Melodic, rhythmic and harmonic dictation. Identification of 3 forms of minor scales, all intervals within the octave plus 9ths and 10ths, Dorian, Mixolydian, Lydian, and Phrygian modes and inversions of I and V7 chords. Students will perform rhythmic exercises pp Assignment: ATD Section 5, p. 55 Sing and play for a grade. Text p.196 or 197. If you do not have the piano technique to play this, simplify the piano part i.e. bass only. Class 32: Wed. 4/11 Objectives: Students will complete harmonic dictations. ATD p. 55 Assignment: Sing and Play for a grade, text pp.196 or 197. If you do not have the piano technique to play this, simplify the piano part i.e. bass only. Class 33: Fri. 4/13 Objectives: Sight sing from Melodia Practice two-part and atonal dictation Assignment: Write a two-part composition in Dorian, Lydian or Phrygian mode. Be prepared to sing one part and play the other for 4/12.

6 Class 34: Mon. 4/16 Objectives: Perform a two-part composition which you have written in Dorian, Mixolydian, Lydian or Phrygian mode. Sing one part and play the other. Students will sight sing from text pp Assignment: Sing for a grade on Wed. 4/13, text pp Class 35: Wed. 4/18 Objectives: Students will sing for a grade, text pp April 20, Spring Carnival, NO CLASS Class 36: Mon. 4/23 Objective: Students will increase speed and accuracy in melodic and harmonic dictation using a variety of sound sources and requiring transposition. Class 37: Wed. 4/25 Objectives: Students will sight sing from text, pp Dictation: ATD, Section 5 #4, p.57 Identify Locrian Mode aurally and by whole and half step pattern. Use Locrian Mode in dictation and improvisation. Assignment: ATD Section 6, p.63 Class 38: Fri. 4/27 Dictation Quiz VI, limited number of repetitions, melodic, rhythmic and harmonic. Class 39: Mon. 4/30 Objectives: Increase dictation speed Dictation: ATD, Section 7, p.77 Review for written final Sign up for individual sight singing finals Rhythmic exercises pp & in text. Sing from text pp (selected) Class 40: Wed. 5/2 WRITTEN FINAL: Identify and/or write all intervals within the octave plus 9ths and 10ths, all forms of minor scales, Dorian, Lydian, Mixolydian and Phrygian modes, chord inversions and notate melodic, rhythmic and harmonic dictation--treble, alto, tenor or bass clef; single line melody, two part and four part dictation. Sight singing finals: Thursday & Friday, 5/3 & 5/5. Syllabus is subject to change when it seems appropriate.

7 Course description, Objectives, Assessment Objectives and Assessments Objectives: The student will aurally and visually identify all major, minor and perfect intervals within the octave. The student will identify, notate or sing from notation all major, minor and perfect intervals within the octave. The student will sing with correct syllable names (fixed do) any ascending or descending interval within the octave from a given pitch. The student will aurally and visually identify and write correctly all forms of major and minor scales and Dorian, Lydian, Mixolydian, Phrygian and Locrian modes. The student will sing at sight melodies in soprano, alto, tenor and bass clefs. The students in groups will sing one, two, three and four part music in any key using fixed do syllables. The objectives for individual classes indicate the daily process involved in reaching these overall objectives. Assessment: The student will aurally and visually identify all major, minor and perfect intervals within the octave in written quizzes. The student will use all major, minor and perfect intervals within the octave to notate one and two part melodies in all major and minor keys and the Dorian and Mixolydian modes in any regular simple or compound meter. The student will use all major, minor and perfect intervals in prepared and sight singing. Grading system: Singing for a grade begins with 10 points, subtract a point for each pitch error. Dictation, 1 point for rhythm and 1 for pitch in each measure. Any error in the measure leads to the loss of the point. Points accumulate for the entire semester. The final grade is based on: 100%-90% A, 89%-80% B, 79%-70% C, 69%-60% D, below 60% R.

8 Introduction ADVANCED SOLFEGE II, Sprinng 2012 Dr. Natalie L. Ozeas Office: College of Fine Arts, Room 110 turn left Office hours: by appointment, or drop in Office telephone: , Home telephone: Text: Music for Sight Singing by Benjamin, Horvit and Nelson (4th edition) Advanced Tonal Dictation by Thomas L. Durham Work will be done in class from Melodia by Samuel W. Cole and Leo R. Lewis. (It is not necessary for you to purchase this. It will be provided. Attendance Policy Since this course is based on participatory learning and involves the improvement of neuromuscular skills, regular attendance is essential. More than three unexcused absences may affect the final grade. More than five absences will result in failure. Excuses must be presented to the instructor during the class period following the absence. If a student arrives after roll has been taken, it is his/her responsibility to notify the instructor at the end of the class. Grading Policy Attendance affects grades: See above! There will be prepared sight-singing tests that will be graded. There will be unannounced sight-singing tests that will be graded. There will be dictation tests that will be graded. Arrangements to make up missed tests must be completed within one week of the scheduled test date. There will be written and individual sight singing mid-term and final tests. A student must score at least 65% on the final examination in order to pass the course. No Ds will be given as final grades. (The skills developed in this course are absolutely necessary for success in Advanced Solfege II. A D grade does not represent a satisfactory mastery of the material.) Grading Scale: percentages

9 A B C D Below 59...R Course Description: This course is designed to improve the student s ability to analyze music aurally and to sing at sight music in traditional meters, major and minor keys, modes, written in treble, bass, alto and tenor clefs, and to notate rhythmic, melodic and harmonic patterns. The fixed do system of sol fa is used. The faculty at Carnegie Mellon University is convinced that it essential for you to be able to aurally analyze music, to sing at sight, and to notate what you have heard. I am committed to finding the best way to help you develop these skills. If you are experiencing difficulties in this class, with listening skills in your private lessons, or in learning your music for choir, orchestra or wind ensemble, I will be willing to help you assess your problems and find ways to develop the necessary skills. Please ask for help as soon as you realize that you are having problems. DO NOT WAIT!

AP Music Theory Syllabus

AP Music Theory Syllabus AP Music Theory 2017 2018 Syllabus Instructor: Patrick McCarty Hour: 7 Location: Band Room - 605 Contact: pmmccarty@olatheschools.org 913-780-7034 Course Overview AP Music Theory is a rigorous course designed

More information

Aural Skills I (MUSI 1170), Fall 2006 Professor: Andrew Davis ( )

Aural Skills I (MUSI 1170), Fall 2006 Professor: Andrew Davis ( ) Page 1 of 8 Aural Skills I (MUSI 1170), Fall 2006 Professor: Andrew Davis (email) Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep the link

More information

AP Music Theory Syllabus

AP Music Theory Syllabus AP Music Theory Syllabus Instructor: T h a o P h a m Class period: 8 E-Mail: tpham1@houstonisd.org Instructor s Office Hours: M/W 1:50-3:20; T/Th 12:15-1:45 Tutorial: M/W 3:30-4:30 COURSE DESCRIPTION:

More information

AP Music Theory Course Syllabus Mr. Don Leonard

AP Music Theory Course Syllabus Mr. Don Leonard 2013-14 AP Music Theory Course Syllabus Mr. Don Leonard dleonard@.spotsylvania.k12.va.us COURSE OVERVIEW PRIMARY TEXTS Horvit, Michael, Koozin, Timothy and Nelson, Robert. Music for :. 4 th Ed. California:

More information

Course Objectives The objectives for this course have been adapted and expanded from the 2010 AP Music Theory Course Description from:

Course Objectives The objectives for this course have been adapted and expanded from the 2010 AP Music Theory Course Description from: Course Overview AP Music Theory is rigorous course that expands upon the skills learned in the Music Theory Fundamentals course. The ultimate goal of the AP Music Theory course is to develop a student

More information

A.P. Music Theory Class Expectations and Syllabus Pd. 1; Days 1-6 Room 630 Mr. Showalter

A.P. Music Theory Class Expectations and Syllabus Pd. 1; Days 1-6 Room 630 Mr. Showalter Course Description: A.P. Music Theory Class Expectations and Syllabus Pd. 1; Days 1-6 Room 630 Mr. Showalter This course is designed to give you a deep understanding of all compositional aspects of vocal

More information

Syllabus: AP Music Theory Yorktown High School Teacher: Matthew Rinker Location: (Room #188/Choir Room)

Syllabus: AP Music Theory Yorktown High School Teacher: Matthew Rinker Location: (Room #188/Choir Room) Syllabus: AP Music Theory Yorktown High School Teacher: Matthew Rinker Location: (Room #188/Choir Room) Contact Information: Phone/voicemail = (703) 228-2800 Mailbox #98275 APS email = matthew.rinker@apsva.us

More information

Aural Skills II (MUSI 1171), Spring 2007 Professor: Andrew Davis ( )

Aural Skills II (MUSI 1171), Spring 2007 Professor: Andrew Davis ( ) Page 1 of 10 Aural Skills II (MUSI 1171), Spring 2007 Professor: Andrew Davis (email) Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep the

More information

COURSE SYLLABUS Fall 2018

COURSE SYLLABUS Fall 2018 MUT 1121: Music Theory and Musicianship I Department of Music College of Arts and Humanities, University of Central Florida COURSE SYLLABUS Fall 2018 Lecture Instructor: Bob Thornton Lecture Meeting Times:

More information

Syllabus for Fundamentals of Music (MUSI 1313 section 001) UT Dallas Fall 2011 Hours: p.m. JO

Syllabus for Fundamentals of Music (MUSI 1313 section 001) UT Dallas Fall 2011 Hours: p.m. JO Syllabus for Fundamentals of Music (MUSI 1313 section 001) UT Dallas Fall 2011 Hours: 2. 30 3. 45 p.m. JO. 2. 504 Professor Contact Information Dr. Jamila Javadova-Spitzberg, DMA Arts and Humanities JO

More information

Course Syllabus Phone: (770)

Course Syllabus Phone: (770) Alexander High School Teacher: Andy Daniel AP Music Theory E-mail: andy.daniel@douglas.k12.ga.us Course Syllabus 2017-2018 Phone: (770) 651-6152 Course Overview/Objectives: This course is designed to develop

More information

MUSIC THEORY CURRICULUM STANDARDS GRADES Students will sing, alone and with others, a varied repertoire of music.

MUSIC THEORY CURRICULUM STANDARDS GRADES Students will sing, alone and with others, a varied repertoire of music. MUSIC THEORY CURRICULUM STANDARDS GRADES 9-12 Content Standard 1.0 Singing Students will sing, alone and with others, a varied repertoire of music. The student will 1.1 Sing simple tonal melodies representing

More information

AP Music Theory Course Planner

AP Music Theory Course Planner AP Music Theory Course Planner This course planner is approximate, subject to schedule changes for a myriad of reasons. The course meets every day, on a six day cycle, for 52 minutes. Written skills notes:

More information

AP Music Theory South Carroll High School

AP Music Theory South Carroll High School Instructor: Mr. Stevenson Office: Band Room Office Hours: By Appointment Office Phone: 410-751-3575 E-Mail: JRSteve@carrollk12.org AP Music Theory South Carroll High School 2018 2019 COURSE DESCRIPTION:

More information

AP Music Theory Course Syllabus Brainerd High School Chris Fogderud, Instructor (218)

AP Music Theory Course Syllabus Brainerd High School Chris Fogderud, Instructor (218) AP Music Theory 2013-14 Course Syllabus Brainerd High School Chris Fogderud, Instructor (218) 454-6253 chris.fogderud@isd181.org Course Overview This course is designed to prepare students for success

More information

AP Music Theory Syllabus

AP Music Theory Syllabus AP Music Theory Syllabus Course Overview This course is designed to provide primary instruction for students in Music Theory as well as develop strong fundamentals of understanding of music equivalent

More information

Music Theory. Fine Arts Curriculum Framework. Revised 2008

Music Theory. Fine Arts Curriculum Framework. Revised 2008 Music Theory Fine Arts Curriculum Framework Revised 2008 Course Title: Music Theory Course/Unit Credit: 1 Course Number: Teacher Licensure: Grades: 9-12 Music Theory Music Theory is a two-semester course

More information

MUS305: AP Music Theory. Hamilton High School

MUS305: AP Music Theory. Hamilton High School MUS305: AP Music Theory Hamilton High School 2016-2017 Instructor: Julie Trent Email: Trent.Julie@cusd80.com Website: http://mychandlerschools.org/domain/8212 Office: H124A (classroom: H124) Course description:

More information

Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I

Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I Curriculum Development In the Fairfield Public Schools FAIRFIELD PUBLIC SCHOOLS FAIRFIELD, CONNECTICUT MUSIC THEORY I Board of Education Approved 04/24/2007 MUSIC THEORY I Statement of Purpose Music is

More information

STRATFORD PUBLIC SCHOOLS Music Department AP Music Theory

STRATFORD PUBLIC SCHOOLS Music Department AP Music Theory HIGH SCHOOL Rhythm/Meter Major Scales/Key Signatures Intervals Minor Scales/Key Signatures Triads, Chord Inversions and Chord Symbols STRATFORD PUBLIC SCHOOLS Perform rhythmic patterns and phrases. Compose

More information

MUS100: Introduction to Music Theory. Hamilton High School

MUS100: Introduction to Music Theory. Hamilton High School MUS100: Introduction to Music Theory Hamilton High School 2016-2017 Instructor: Julie Trent Email: Trent.Julie@cusd80.com Website: http://mychandlerschools.org/domain/8212 Office: H124A (classroom: H124)

More information

AP Music Theory

AP Music Theory AP Music Theory 2016-2017 Course Overview: The AP Music Theory course corresponds to two semesters of a typical introductory college music theory course that covers topics such as musicianship, theory,

More information

Theory of Music 4/MUT 2127 Dr. Leslie Odom School of Music University of Florida Spring, 2017

Theory of Music 4/MUT 2127 Dr. Leslie Odom School of Music University of Florida Spring, 2017 Theory of Music 4/MUT 2127 Dr. Leslie Odom School of Music University of Florida Spring, 2017 e-mail address: lodom@arts.ufl.edu listserv address: odomtheory-l@lists.ufl.edu Required Texts Benward, Bruce

More information

Music 110: Introduction to the Elements of Music Fall 2008 Syllabus

Music 110: Introduction to the Elements of Music Fall 2008 Syllabus Music 110: Introduction to the Elements of Music Fall 2008 Syllabus Instructor: Colleen Potter Monday and Wednesday, 9am to 10:15am Email: colleen.potter@yale.edu WLH 210 Mailbox: 143 Elm Street Office

More information

Sample Syllabus Course Title Semester 20XX

Sample Syllabus Course Title Semester 20XX Sample Syllabus Course Title Semester 20XX Semester Hours: Instructor: Phone: E-Mail: Office: Office Hours: A. COURSE DESCRIPTION The course begins with a review of elements of pitch, elements of rhythm,

More information

Honors Music Theory South Carroll High School : Fall Semester

Honors Music Theory South Carroll High School : Fall Semester Instructor: Mr. Stevenson Office: Band Room Office Hours: By Appointment Office Phone: 410-751-3575 E-Mail: JRSteve@carrollk12.org Honors Music Theory South Carroll High School 2015 2016: Fall Semester

More information

Sightsinging and Ear Training I (MUSI 1170) Professor: Andrew Davis

Sightsinging and Ear Training I (MUSI 1170) Professor: Andrew Davis Page 1 of 7 Sightsinging and Ear Training I (MUSI 1170) Professor: Andrew Davis Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep the link updated).

More information

AP Music Theory Syllabus Music Theory I Syllabus Cypress Lake Center for the Arts Gary Stroh, instructor School Year

AP Music Theory Syllabus Music Theory I Syllabus Cypress Lake Center for the Arts Gary Stroh, instructor School Year AP Music Theory Syllabus Music Theory I Syllabus Cypress Lake Center for the Arts Gary Stroh, instructor 2015-2016 School Year Course Overview AP Music Theory is a course designed to develop student skills

More information

TEST SUMMARY AND FRAMEWORK TEST SUMMARY

TEST SUMMARY AND FRAMEWORK TEST SUMMARY Washington Educator Skills Tests Endorsements (WEST E) TEST SUMMARY AND FRAMEWORK TEST SUMMARY MUSIC: INSTRUMENTAL Copyright 2016 by the Washington Professional Educator Standards Board 1 Washington Educator

More information

To be prepared in advance.

To be prepared in advance. Ohio Northern University Department of Music MUSL 2041: Piano Proficiency Exam Requirements Bachelor of Music Education Bachelor of Music Vocal and/or Instrumental Performance Revised August 2016 This

More information

Theory of Music 3/MUT Dr. Leslie Odom School of Music University of Florida Fall, 2017

Theory of Music 3/MUT Dr. Leslie Odom School of Music University of Florida Fall, 2017 Theory of Music 3/MUT 2126 Dr. Leslie Odom School of Music University of Florida Fall, 2017 e-mail address: lodom@arts.ufl.edu listserv address: odomtheory-l@lists.ufl.edu Required Texts - Benward, Bruce

More information

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music. 2. The student

More information

Course Overview. At the end of the course, students should be able to:

Course Overview. At the end of the course, students should be able to: AP MUSIC THEORY COURSE SYLLABUS Mr. Mixon, Instructor wmixon@bcbe.org 1 Course Overview AP Music Theory will cover the content of a college freshman theory course. It includes written and aural music theory

More information

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music through essays

More information

SAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 12

SAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 12 SAMPLE COURSE OUTLINE MUSIC WESTERN ART MUSIC ATAR YEAR 12 Copyright School Curriculum and Standards Authority, 2015 This document apart from any third party copyright material contained in it may be freely

More information

Sight Singing and Ear Training II (MUSI 1171) Professor: Andrew Davis ( )

Sight Singing and Ear Training II (MUSI 1171) Professor: Andrew Davis ( ) Page 1 of 11 Sight Singing and Ear Training II (MUSI 1171) Professor: Andrew Davis (email) Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep

More information

Renaissance Polyphony: Theory and Performance

Renaissance Polyphony: Theory and Performance Renaissance Polyphony: Theory and Performance Integrating musicianship, composition, conducting Tanmoy Laskar Designing the course of the Future (2014) "When choirs sing, many hearts beat as one" NPR blog,

More information

AP/MUSIC THEORY Syllabus

AP/MUSIC THEORY Syllabus AP/MUSIC THEORY Syllabus 2017-2018 Course Overview AP Music Theory meets 8 th period every day, thru the entire school year. This course is designed to prepare students for the annual AP Music Theory exam.

More information

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music.

Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. Curriculum Standard One: The student will listen to and analyze music critically, using the vocabulary and language of music. 1. The student will develop a technical vocabulary of music through essays

More information

Alma High School AP Music Theory Syllabus

Alma High School AP Music Theory Syllabus Alma High School AP Music Theory Syllabus Mr. Kent Myers-Instructor (479) 632-2128 kmyers@almasd.net Primary Text Theory: Clendinning, Jane Piper, and Elizabeth West Marvin. 2005 The Musician's Guide to

More information

Music Theory Syllabus Course Information: Name: Music Theory (AP) School Year Time: 1:25 pm-2:55 pm (Block 4) Location: Band Room

Music Theory Syllabus Course Information: Name: Music Theory (AP) School Year Time: 1:25 pm-2:55 pm (Block 4) Location: Band Room Music Theory Syllabus Course Information: Name: Music Theory (AP) Year: 2017-2018 School Year Time: 1:25 pm-2:55 pm (Block 4) Location: Band Room Instructor Information: Instructor(s): Mr. Hayslette Room

More information

Syllabus for MUS 201 Harmony, Sight Singing, and Ear Training III Fall 1999

Syllabus for MUS 201 Harmony, Sight Singing, and Ear Training III Fall 1999 I. COURSE DESCRIPTION Syllabus for MUS 201 Harmony, Sight Singing, and Ear Training III Fall 1999 Harmony III will employ lecture, discussion, demonstration, compositional and analytical assignments, and

More information

Advanced Placement Music Theory Course Syllabus Joli Brooks, Jacksonville High School,

Advanced Placement Music Theory Course Syllabus Joli Brooks, Jacksonville High School, Joli Brooks, Jacksonville High School, joli.brooks@onslow.k12.nc.us Primary Text Spencer, Peter. 2012. The Practice of Harmony, 6 th ed. Upper Saddle River, NJ: Prentice Hall Course Overview AP Music Theory

More information

AP Music Theory COURSE OBJECTIVES STUDENT EXPECTATIONS TEXTBOOKS AND OTHER MATERIALS

AP Music Theory COURSE OBJECTIVES STUDENT EXPECTATIONS TEXTBOOKS AND OTHER MATERIALS AP Music Theory on- campus section COURSE OBJECTIVES The ultimate goal of this AP Music Theory course is to develop each student

More information

GRADUATE/ transfer THEORY PLACEMENT EXAM guide. Texas woman s university

GRADUATE/ transfer THEORY PLACEMENT EXAM guide. Texas woman s university 2016-17 GRADUATE/ transfer THEORY PLACEMENT EXAM guide Texas woman s university 1 2016-17 GRADUATE/transferTHEORY PLACEMENTEXAMguide This guide is meant to help graduate and transfer students prepare for

More information

At the end of the nine weeks, we will take the combination of the grades of each section to form your Quarter Grade.

At the end of the nine weeks, we will take the combination of the grades of each section to form your Quarter Grade. Welcome to AP Music Theory! The goal of this course is to improve musicianship through a workable knowledge of Music Theory. The concepts covered are very similar to a freshman music theory class at the

More information

FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT MUSIC THEORY 1. Grade Level: 9-12.

FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT MUSIC THEORY 1. Grade Level: 9-12. FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT MUSIC THEORY 1 Grade Level: 9-12 Credits: 5 BOARD OF EDUCATION ADOPTION DATE: AUGUST 30, 2010 SUPPORTING RESOURCES

More information

Aural Skills IV (MUSI 2171), Spring 2008 Professor: Andrew Davis ( )

Aural Skills IV (MUSI 2171), Spring 2008 Professor: Andrew Davis ( ) Page 1 of 9 Aural Skills IV (MUSI 2171), Spring 2008 Professor: Andrew Davis (email) Home page and syllabus Daily schedule Daily schedule Shortcut to the current week (assuming I remember to keep the link

More information

Course Schedule 1 DATE TOPICS AND READING ASSIGNMENTS THEORY ASSIGNMENTS DUE

Course Schedule 1 DATE TOPICS AND READING ASSIGNMENTS THEORY ASSIGNMENTS DUE Course Schedule 1 Jan. 3 Jan. 5 Jan. 8 Jan. 10 Introduction to Syllabus and Course Requirements & Chapter 12 Tonic Confirmation o Preliminaries Chord Name and Qualities o The Cadence The Cadential 6 4

More information

MUSIC INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM

MUSIC INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM MUSIC 200 - INTRODUCTION TO MUSIC THEORY COURSE OUTLINE Section #1240 Monday and Wednesday 8:30-11:00AM Instructor: Chauncey Maddren (telephone (818) 947-2774, email: maddrecm@lavc.edu) Office Hours: For

More information

AP MUSIC THEORY. Course Syllabus

AP MUSIC THEORY. Course Syllabus AP MUSIC THEORY Course Syllabus Course Resources and Texts Kostka and Payne. 2004. Tonal Harmony with and Introduction to Twentieth Century Music, 5 th ed. New York: McGraw Hill. Benjamin, Horvit, and

More information

AP Music Theory Policies and Procedures

AP Music Theory Policies and Procedures 7/20/18 To 2018-19 Mountain View H.S. A.P. Music Theory Students and Parents: Welcome back from your summer break! I hope you ve enjoyed your time away working, playing, and spending time with your families.

More information

Perry High School Bands

Perry High School Bands Perry High School Bands AP Music Theory Syllabus Full Year 2015-16 Brandon Kiesgen, Director of Bands kiesgen.brandon@cusd80.com 480-224-2960 www.perrybands.com Course Description: Advanced Placement Programs

More information

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS EAR TRAINING III MUS Class Hours: 1.0 Credit Hours: 1.0

PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS EAR TRAINING III MUS Class Hours: 1.0 Credit Hours: 1.0 PELLISSIPPI STATE COMMUNITY COLLEGE MASTER SYLLABUS EAR TRAINING III MUS 2300 Class Hours: 1.0 Credit Hours: 1.0 Laboratory Hours: 1.0 Revised: Fall 2016 Catalog Course Description Development of skill

More information

Legacy High School A Global Studies School

Legacy High School A Global Studies School Legacy High School A Global Studies School Course Expectations 2017-2018 AP Music Theory Instructor: Dr. Curtis Melton Room 204 Phone: (702) 799-1777, ext. 4040 Email: cmelton@interact.ccsd.net Course

More information

The Practice Room. Learn to Sight Sing. Level 2. Rhythmic Reading Sight Singing Two Part Reading. 60 Examples

The Practice Room. Learn to Sight Sing. Level 2. Rhythmic Reading Sight Singing Two Part Reading. 60 Examples 1 The Practice Room Learn to Sight Sing. Level 2 Rhythmic Reading Sight Singing Two Part Reading 60 Examples Copyright 2009-2012 The Practice Room http://thepracticeroom.net 2 Rhythmic Reading Two 20 Exercises

More information

AP Music Theory Syllabus CHS Fine Arts Department

AP Music Theory Syllabus CHS Fine Arts Department 1 AP Music Theory Syllabus CHS Fine Arts Department Contact Information: Parents may contact me by phone, email or visiting the school. Teacher: Karen Moore Email Address: KarenL.Moore@ccsd.us Phone Number:

More information

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One I. COURSE DESCRIPTION Division: Humanities Department: Speech and Performing Arts Course ID: MUS 201 Course Title: Music Theory III: Basic Harmony Units: 3 Lecture: 3 Hours Laboratory: None Prerequisite:

More information

CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 9...

CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER CHAPTER 9... Contents Acknowledgements...ii Preface... iii CHAPTER 1... 1 Clefs, pitches and note values... 1 CHAPTER 2... 8 Time signatures... 8 CHAPTER 3... 15 Grouping... 15 CHAPTER 4... 28 Keys and key signatures...

More information

NOT USE INK IN THIS CLASS!! A

NOT USE INK IN THIS CLASS!! A AP Music Theory Objectives: 1. To learn basic musical language and grammar including note reading, musical notation, harmonic analysis, and part writing which will lead to a thorough understanding of music

More information

Notes for Instructors Using MacGAMUT with The Musician s Guide Series (MGS)

Notes for Instructors Using MacGAMUT with The Musician s Guide Series (MGS) Notes for Instructors Using MacGAMUT with The Musician s Guide Series (MGS) The Musician s Guide to Theory and Analysis, third edition by Jane Piper Clendinning and Elizabeth West Marvin, and The Musician

More information

ILLINOIS LICENSURE TESTING SYSTEM

ILLINOIS LICENSURE TESTING SYSTEM ILLINOIS LICENSURE TESTING SYSTEM FIELD 212: MUSIC January 2017 Effective beginning September 3, 2018 ILLINOIS LICENSURE TESTING SYSTEM FIELD 212: MUSIC January 2017 Subarea Range of Objectives I. Responding:

More information

Week. Intervals Major, Minor, Augmented, Diminished 4 Articulation, Dynamics, and Accidentals 14 Triads Major & Minor. 17 Triad Inversions

Week. Intervals Major, Minor, Augmented, Diminished 4 Articulation, Dynamics, and Accidentals 14 Triads Major & Minor. 17 Triad Inversions Week Marking Period 1 Week Marking Period 3 1 Intro.,, Theory 11 Intervals Major & Minor 2 Intro.,, Theory 12 Intervals Major, Minor, & Augmented 3 Music Theory meter, dots, mapping, etc. 13 Intervals

More information

SCOPE & SEQUENCE Concert Choir High School

SCOPE & SEQUENCE Concert Choir High School TEXTBOOK No textbook is used in this course. MUSIC STANDARD 1: Singing 1.1 Sing independently, maintaining accurate innation, steady tempo, rhythmic accuracy, appropriately-produced sound (timbre), clear

More information

AP Music Theory at the Career Center Chris Garmon, Instructor

AP Music Theory at the Career Center Chris Garmon, Instructor Some people say music theory is like dissecting a frog: you learn a lot, but you kill the frog. I like to think of it more like exploratory surgery Text: Tonal Harmony, 6 th Ed. Kostka and Payne (provided)

More information

MUSC 103 Materials and Design Wesleyan University Fall 2012, T/R 9:00 10:20

MUSC 103 Materials and Design Wesleyan University Fall 2012, T/R 9:00 10:20 MUSC 103 Materials and Design Wesleyan University Fall 2012, T/R 9:00 10:20 Professor: Yi-Cheng Daniel Wu Email: ywu@wesleyan.edu Office: Music Studios 307 Office Hours: Wednesday 1:00 3:00 TAs: Sean Sonderegger

More information

TEST SUMMARY AND FRAMEWORK TEST SUMMARY

TEST SUMMARY AND FRAMEWORK TEST SUMMARY Washington Educator Skills Tests Endorsements (WEST E) TEST SUMMARY AND FRAMEWORK TEST SUMMARY MUSIC: CHORAL Copyright 2016 by the Washington Professional Educator Standards Board 1 Washington Educator

More information

Florida Performing Fine Arts Assessment Item Specifications for Benchmarks in Course: Chorus 2

Florida Performing Fine Arts Assessment Item Specifications for Benchmarks in Course: Chorus 2 Task A/B/C/D Item Type Florida Performing Fine Arts Assessment Course Title: Chorus 2 Course Number: 1303310 Abbreviated Title: CHORUS 2 Course Length: Year Course Level: 2 Credit: 1.0 Graduation Requirements:

More information

Florida Performing Fine Arts Assessment Item Specifications for Benchmarks in Course: Chorus 5 Honors

Florida Performing Fine Arts Assessment Item Specifications for Benchmarks in Course: Chorus 5 Honors Task A/B/C/D Item Type Florida Performing Fine Arts Assessment Course Title: Chorus 5 Honors Course Number: 1303340 Abbreviated Title: CHORUS 5 HON Course Length: Year Course Level: 2 Credit: 1.0 Graduation

More information

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One.

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One. I. COURSE DESCRIPTION: A. Division: Humanities Department: Speech & Performing Arts Course ID: MUS 202L Course Title: Musicianship IV Units: 1 Lecture: None Laboratory: 3 hours Prerequisite Music 201 and

More information

Prince George s County Public Schools 1 st Grade Vocal and General Music Course Syllabus

Prince George s County Public Schools 1 st Grade Vocal and General Music Course Syllabus Prince George s County Public Schools 1 st Grade Vocal and General Music Course Syllabus Prerequisites: Kindergarten Vocal General Music Course Description: The Vocal General Music program of instruction

More information

PASADENA INDEPENDENT SCHOOL DISTRICT Fine Arts Teaching Strategies

PASADENA INDEPENDENT SCHOOL DISTRICT Fine Arts Teaching Strategies Throughout the year, students will master certain skills that are important to a student's understanding of Fine Arts concepts and demonstrated throughout all objectives. TEKS (1) THE STUDENT DESCRIBES

More information

ILLINOIS LICENSURE TESTING SYSTEM

ILLINOIS LICENSURE TESTING SYSTEM ILLINOIS LICENSURE TESTING SYSTEM FIELD 143: MUSIC November 2003 Illinois Licensure Testing System FIELD 143: MUSIC November 2003 Subarea Range of Objectives I. Listening Skills 01 05 II. Music Theory

More information

Advanced Placement Music Theory

Advanced Placement Music Theory Page 1 of 12 Unit: Composing, Analyzing, Arranging Advanced Placement Music Theory Framew Standard Learning Objectives/ Content Outcomes 2.10 Demonstrate the ability to read an instrumental or vocal score

More information

CHOIR Grade 6. Benchmark 4: Students sing music written in two and three parts.

CHOIR Grade 6. Benchmark 4: Students sing music written in two and three parts. CHOIR Grade 6 Unit of Credit: One Year P rerequisite: None Course Overview: The 6 th grade Choir class provides instruction in creating, performing, listening to, and analyzing music with a specific focus

More information

Student Performance Q&A:

Student Performance Q&A: Student Performance Q&A: 2002 AP Music Theory Free-Response Questions The following comments are provided by the Chief Reader about the 2002 free-response questions for AP Music Theory. They are intended

More information

ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music. Ephesians 5:19-20

ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music. Ephesians 5:19-20 ST. JOHN S EVANGELICAL LUTHERAN SCHOOL Curriculum in Music [Speak] to one another with psalms, hymns, and songs from the Spirit. Sing and make music from your heart to the Lord, always giving thanks to

More information

AP Music Theory Curriculum

AP Music Theory Curriculum AP Music Theory Curriculum Course Overview: The AP Theory Class is a continuation of the Fundamentals of Music Theory course and will be offered on a bi-yearly basis. Student s interested in enrolling

More information

Content Area Course: Chorus Grade Level: Eighth 8th Grade Chorus

Content Area Course: Chorus Grade Level: Eighth 8th Grade Chorus Content Area Course: Chorus Grade Level: Eighth 8th Grade Chorus R14 The Seven Cs of Learning Collaboration Character Communication Citizenship Critical Thinking Creativity Curiosity Unit Titles Vocal

More information

Spring 2017 courses. Muel 1081 Basic Music Theory (for non-majors) Instructor: Sean Winters Tues/Thurs 11:00 a.m. 12:15 p.m. C-191

Spring 2017 courses. Muel 1081 Basic Music Theory (for non-majors) Instructor: Sean Winters Tues/Thurs 11:00 a.m. 12:15 p.m. C-191 Spring 2017 courses Muel 1081 Basic Music Theory (for non-majors) Instructor: Sean Winters Tues/Thurs 11:00 a.m. 12:15 p.m. C-191 Description: Introduction to music notation, meter and rhythm, scales,

More information

Chapter 5. Parallel Keys: Shared Tonic. Compare the two examples below and their pentachords (first five notes of the scale).

Chapter 5. Parallel Keys: Shared Tonic. Compare the two examples below and their pentachords (first five notes of the scale). Chapter 5 Minor Keys and the Diatonic Modes Parallel Keys: Shared Tonic Compare the two examples below and their pentachords (first five notes of the scale). The two passages are written in parallel keys

More information

Los Angeles Valley College MUS 200: INTRO TO MUSIC THEORY

Los Angeles Valley College MUS 200: INTRO TO MUSIC THEORY Los Angeles Valley College MUS 200: INTRO TO MUSIC THEORY FALL 2016 Tuesday/Thursday, 8:15am - 10:40am, M112 Timothy Herscovitch, professor E-mail and Phone: herscota@gmail.com / (818) 947-2346 (office)

More information

BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory

BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory BLUE VALLEY DISTRICT CURRICULUM & INSTRUCTION Music 9-12/Honors Music Theory ORGANIZING THEME/TOPIC FOCUS STANDARDS FOCUS SKILLS UNIT 1: MUSICIANSHIP Time Frame: 2-3 Weeks STANDARDS Share music through

More information

MUSIC100 Rudiments of Music

MUSIC100 Rudiments of Music MUSIC100 Rudiments of Music 3 Credits Instructor: Kimberley Drury Phone: Original Developer: Rudy Rozanski Current Developer: Kimberley Drury Reviewer: Mark Cryderman Created: 9/1/1991 Revised: 9/8/2015

More information

Curriculum Mapping Piano and Electronic Keyboard (L) Semester class (18 weeks)

Curriculum Mapping Piano and Electronic Keyboard (L) Semester class (18 weeks) Curriculum Mapping Piano and Electronic Keyboard (L) 4204 1-Semester class (18 weeks) Week Week 15 Standar d Skills Resources Vocabulary Assessments Students sing using computer-assisted instruction and

More information

Advanced Placement (AP) Music Theory

Advanced Placement (AP) Music Theory Advanced Placement (AP) Music Theory 2018-2019 Burlington High School 1st Period, Room #160 Mr. Sean Buchsbaum sbuchsbaum@bpsk12.org, Office: (781) 273-7669 I. Course Overview Advanced Placement (AP) courses

More information

CALIFORNIA Music Education - Content Standards

CALIFORNIA Music Education - Content Standards CALIFORNIA Music Education - Content Standards Kindergarten 1.0 ARTISTIC PERCEPTION Processing, Analyzing, and Responding to Sensory Information through the Language and Skills Unique to Music Students

More information

Comprehensive Course Syllabus-Music Theory

Comprehensive Course Syllabus-Music Theory 1 Comprehensive Course Syllabus-Music Theory COURSE DESCRIPTION: In Music Theory, the student will implement higher-level musical language and grammar skills including musical notation, harmonic analysis,

More information

Choir Scope and Sequence Grade 6-12

Choir Scope and Sequence Grade 6-12 The Scope and Sequence document represents an articulation of what students should know and be able to do. The document supports teachers in knowing how to help students achieve the goals of the standards

More information

Requirements and Competencies for Credit and Non-Credit Participants Orff Schulwerk Certification Program George Mason University

Requirements and Competencies for Credit and Non-Credit Participants Orff Schulwerk Certification Program George Mason University Requirements and Competencies for Credit and Non-Credit Participants Orff Schulwerk Certification Program George Mason University Welcome to the George Mason Orff Schulwerk Certification Course. The Certification

More information

Introduction to Music Theory (HUMA 2104) Division of Humanities The Hong Kong University of Science and Technology Spring 2016

Introduction to Music Theory (HUMA 2104) Division of Humanities The Hong Kong University of Science and Technology Spring 2016 Introduction to Music Theory (HUMA 2104) Division of Humanities The Hong Kong University of Science and Technology Spring 2016 Instructor: Ilari Kaila Email: kaila@ust.hk Office hours: TBA and by appointment

More information

Music Theory Fundamentals/AP Music Theory Syllabus. School Year:

Music Theory Fundamentals/AP Music Theory Syllabus. School Year: Certificated Teacher: Desired Results: Music Theory Fundamentals/AP Music Theory Syllabus School Year: 2014-2015 Course Title : Music Theory Fundamentals/AP Music Theory Credit: one semester (.5) X two

More information

Fundamental Topics: Vocabulary will be tested in each unit.

Fundamental Topics: Vocabulary will be tested in each unit. AP Music Theory Mrs. Lynn Brewer lynnbrewer@tomballisd.net 2016-2017: Syllabus Course Overview Each week we explore the world of music theory using four methods writing, reading, singing and listening.

More information

Music Curriculum Glossary

Music Curriculum Glossary Acappella AB form ABA form Accent Accompaniment Analyze Arrangement Articulation Band Bass clef Beat Body percussion Bordun (drone) Brass family Canon Chant Chart Chord Chord progression Coda Color parts

More information

Cavalites/Honors Cavalites Show Choir Syllabus CHS Music Department

Cavalites/Honors Cavalites Show Choir Syllabus CHS Music Department 1 Cavalites/Honors Cavalites Show Choir Syllabus CHS Music Department Contact Information: Parents may contact me by phone, email or visiting the school. Teacher: Mala Kennard Email Address: mala.kennard@ccsd.us

More information

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One

NUMBER OF TIMES COURSE MAY BE TAKEN FOR CREDIT: One I. COURSE DESCRIPTION Division: Humanities Department: Speech and Performing Arts Course ID: MUS 202 Course Title: Music Theory IV: Harmony Units: 3 Lecture: 3 Hours Laboratory: None Prerequisite: Music

More information

SCOPE & SEQUENCE Show Choir High School. MUSIC STANDARD 1: Singing

SCOPE & SEQUENCE Show Choir High School. MUSIC STANDARD 1: Singing Massachusetts Standards for 9-12 Topics TEXTBOOK No textbook is used in this course 1.1 Sing independently, maintaining accurate innation, steady tempo, rhythmic accuracy, appropriately-produced sound

More information

University of Western Ontario Don Wright Faculty of Music Kodaly Summer Music Course KODÁLY Musicianship Level I SYLLABUS

University of Western Ontario Don Wright Faculty of Music Kodaly Summer Music Course KODÁLY Musicianship Level I SYLLABUS University of Western Ontario Don Wright Faculty of Music Kodaly Summer Music Course 2016 KODÁLY Musicianship Level I SYLLABUS Instructors: Dr. Cathy Benedict, Gabriela Ocadiz Musicianship Musicianship

More information

AP Music Theory Syllabus

AP Music Theory Syllabus AP Music Theory Syllabus Course Overview AP Music Theory is designed for the music student who has an interest in advanced knowledge of music theory, increased sight-singing ability, ear training composition.

More information

Eastern Kentucky University Department of Music Syllabus for MUS , Musicianship I, CRN T/TH 11:00-11:50 1 Credit Hour Fall 2012

Eastern Kentucky University Department of Music Syllabus for MUS , Musicianship I, CRN T/TH 11:00-11:50 1 Credit Hour Fall 2012 Eastern Kentucky University Department of Music Syllabus for MUS 161-002, Musicianship I, CRN 14053 T/TH 11:00-11:50 1 Credit Hour Fall 2012 Professor: Dr. Richard Byrd Office: Foster Building 202 office

More information