Tropological Interactions and Expressive Interpretation in Stravinsky s Neoclassical Works

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1 Troological Iteractios ad Exressive Iterretatio i Stravisky s Neoclassical Works Scott C. Schuma Cetral Michiga Uiversity Scott.Schuma1@gmail.com The Society for Music Theory 0 th Aual Coferece Thursday, November, 017 Arligto, VA Figure 1: Iteractios of Hatte s four troological axes (aotatios are my o) Dimesios alog hich a imorted toic ad its otetial troological iteractio may be marked ith resect to its e eviromet. Degree to hich a articular toic s stylistic features easily bled ith other toics or stylistic features ith hich it is combied Degree to hich oe toic is heard more or less romietly i a give arragemet Frequecy ith hich a certai toic or troe has bee used i a articular style Frequecy ith hich a toic or troe is used over the course of a ork Examle 1: Séréade e la, Mvt. I, mm. 1 6 Maestoso qd = 5 Declamatory f be articolato b Chorale texture b Active rhythmic cotet b b Œ. Œ. Dissoat B 9 Sace added for emhasis. b Œ. b b b b b b b 9 Œ.

2 Examle : Séréade e la, Mvt. I, mm. 7 1 Examle 3: Comariso of left had gestures i mm. 1 ad 7 i Séréade e la, Mvt. I

3 Examle : Séréade e la, Mvt. I, mm Vl. I,II Vcl. I,II (trs.) Vl. I,II Vcl. I,II (trs.) Drum rhythm Œ #! #.... # #... Examle 5: Aollo musagète, R... R # # Frech overture theme..... #.... #. # #..... #.... #. #.#.. ma marc. sub. sim. E: I (V 7 /IV) (IV) (toic edal throughout) sim.. #.. #. E: (IV) (V 7 /IV) C: I 6 (toic edal throughout)

4 Vl. I Vcl. I Vl. II Vcl. II (trs.) Static rhythm q = 5... Frech overture theme 99 Examle 6: Aollo musagète, R W W.. #.... #... D: I (V 7 /IV) (IV) (V 7 /IV) (toic edal throughout) #

5 Vl. I Vcl. I Vl. II Ombra chromatic tremblig Vcl. II (trs.) Vl. I Vcl. I Vl. II Vcl. II (trs.) 101 q = 5 More active accomaimet (rhythmic ad harmoic) Examle 7: Aollo musagète, R # # oco sf oco sf etc. simile.. Frech overture theme (modified).. # # (6) 7.. # # # # # U W uw U W W u.. # U #. # # Rhythmic augmetatio begis i Accomaimet

6 Examle : Frech overture theme comarisos at R., 15, 99, ad 101 # #. R. Comlete triad (E maor at R. ) (C maor at R. 15) (D maor at R. 99). R. 101 icomlete b mior triad ^ b6 ever ^ resolves to 5 ( ) Examle 9: Frech overture theme accomaimet atters at R., 15, 99, ad # Ó ma marc. (trasosed u m6 to C maor).. sare drum rhythm #! static rhythm marcato (R. /15) vs. legato (R. 99) articulatio

7 Works Cited Agau, Kofi. Music as Discourse: Semiotic Advetures i Romatic Music. Ne York: Oxford Uiversity Press, 009. Allabrook, Wye amiso. Rhythmic Gesture i Mozart: Le Nozze di Figaro Do Giovai. Chicago, IL: Uiversity of Chicago Press, 193. Carr, Mauree A. Multile Masks: Neoclassicism i Stravisky s Works o Greek Subects. Licol, NE: Uiversity of Nebraska Press, 00.. After the Rite: Stravisky s Path to Neoclassicism (191 5). Ne York: Oxford Uiversity Press, 01. Hatte, Robert S. Musical Meaig i Beethove: Markedess, Correlatio, Iterretatio. Bloomigto, IN: Idiaa Uiversity ress, The Troig of Toics i Mozart s Istrumetal Works. I The Oxford Hadbook of Toic Theory, edited by Dauta Mirka, Ne York: Oxford Uiversity Press, 01. Hyde, Martha M. Neoclassic ad Aachroistic Imulses i Tetieth-Cetury Music. Music Theory Sectrum 1, No. (Autum, 1996): Stravisky s Neoclassicism. I The Cambridge Comaio to Stravisky, edited by oatha Cross, Ne York: Cambridge Uiversity Press, 003. oseh, Charles M. Stravisky ad Balachie: A ourey of Ivetio. Ne Have, CT: Yale Uiversity Press, 00. McClellad, Clive. Ombra: Sueratural Music i the Eighteeth Cetury. Laham, MD: Lexigto Books, 01.. Ombra ad Temesta. I The Oxford Hadbook of Toic Theory, edited by Dauta Mirka, Ne York: Oxford Uiversity Press, 01. McKay, Nicholas. Dyshoric States: Stravisky s Toics Hutsme, Soldiers ad Sheherds. I Music Semiotics: A Netork of Sigificatios: I Hoour ad Memory of Raymod Moelle, edited by Esti Sheiberg, 9 6. Burligto, VT: Ashgate Publishig, Ltd., 01. McKee, Eric. The Toic of the Sacred Hym i Beethove s Istrumetal Music. College Music Symosium 7 (007): 3 5. Moelle, Raymod. The Musical Toic: Hut, Military, ad Pastoral. Bloomigto, IN: Idiaa Uiversity Press, 006. Rater, Leoard G. Classic Music: Exressio, Form, ad Style. Ne York: Schirmer Books, 190. Straus, oseh N. Remakig the Past: Musical Moderism ad the Ifluece of the Toal Traditio. Cambridge, MA: Harvard Uiversity Press, Whittall, Arold. Stravisky i Cotext. I The Cambridge Comaio to Stravisky, edited by oatha Cross, Ne York: Cambridge Uiversity Press, 003.

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