Panasonic Broadcast. AJ-HDX900 Menu Information

Transcription

1 Panasonic Broadcast AJ-HDX900 Menu Information

2 Chapter Menu description tables - Menu configuration MENU USER MENU s selected in <USER MENU SELECT> MAIN MENU OPTI MENU OPTI SYSTEM SETTING PAINT RB GAIN CTROL RGB BLACK CTROL MATRIX COLOR CORRECTI LOW SETTING MID SETTING HIGH SETTING ADDITIAL DTL SKIN TE DTL KNEE/LEVEL GAMMA CAMERA SETTING SYSTEM MODE RENCTI OUTPUT SEL VIDEO OUT SETTING MITOR OUT SETTING RC OUT SETTING DOWNC SETTING GENLOCK OPTI MODE V V DISPLAY OPERATI CAMERA ID SHUTTER SPEED SHUTTER SELECT USER SW SW MODE WHITE BALANCE MODE USER SW GAIN LENS IRIS V MARKER V USER BOX V INDICATOR V INDICATOR2 MODE CHECK IND!LED How to open the menus USER MENU Press MENU button to display. MAIN MENU Hold down MENU button for 3 seconds or more to display. OPTI MENU Press MENU button while holding down LIGHT button to display. ILE CARD READ/WRITE MAINTENANCE SYSTEM CHECK DIAGNOSTIC LENS ADJ BLACK SHADING WHITE SHADING LENS ILE ADJ CARD R/W SELECT LENS ILE LENS ILE CARD R/W SCENE INITIALIZE VTR MENU VTR UNCTI BATTERY/TAPE USER MENU SELECT SYSTEM(USER) BATTERY SETTING PAINT(USER) BATTERY SETTING2 V(USER) MIC/AUDIO OPERATI(USER) MIC/AUDIO 2 ILE(USER) TC/UB MAINTENANCE(USER) UMID SET/INO VTR(USER) VTR DIAG <Notes> There is a total of 42 camera-related items on three pages (4 items per page) and 4 VTR-related items on one page which can be set. The items with the shading cannot be selected using <USER MENU SELECT>. The items with the underlining can be selected only using <USER MENU SELECT> on condition that all the items (equivalent to the number of items on one page) are selected together. Individual items cannot be selected. How to interpret the menu lists The following abbreviations indicate whether the menu changes are stored (written) in the corresponding data or loaded (read) from the data. The changes cannot be stored or loaded when / is indicated. S The changes can be stored or loaded as scene file data. C The changes can be stored or loaded using CARD READ/WRITE. U The changes can be stored or loaded as user data. Refer to sections -6-4 SCENE and -6-5 INITIALIZE. The changes can be stored or loaded as READ ACTORY DATA. Refer to section -6-5 INITIALIZE. R The changes can be stored or loaded using RC DATA SAVE. Refer to section 5-0 Connection of the remote control unit (AJ- RC0G). SYSTEM MODE i i 20-50P P This column indicates the variable in which the item can be set and the choice of the settings which can be selected for the item. or setting the system frequency and the recording format of the unit. When this item is switched, turn the POWER switch on the unit and then turn it again. Described in this column are the operations which can be expected to result when the item s settings are selected. 0

3 -2 SYSTEM SETTING -2- SYSTEM MODE SYSTEM MODE or AJ-HDX900E or AJ-HDX900P CAMERA MODE or AJ-HDX900E or AJ-HDX900P i i 20-50P P (080-50i) 50i 25P ( i) 60i 30P 24P 24PA (20-50P) 50P 25P ( P) 60P 30P 24P or setting the system frequency and the recording format of the unit. When this item is switched, turn the POWER switch on the unit and then turn it again. O When the remote control unit (AJ-RC0G) is connected, this item is not displayed. To switch this item, operate the main unit independently. or setting the video system for shooting. If the SYSTEM MODE item is changed while the time code is advanced in the free-run mode (the TCG switch is set to the -RUN position.), the time code may not record properly. When the SYTEM MODE item is changed and the power of the unit is turned on again, check the time code and set it again if necessary RENCTI INTERVAL REC MODE INTERVAL REC HOLD E SHOT or setting the INTERVAL REC function. or executing the interval recording. It is possible to record in intervals in increments of one frame. E SHOT Recording is performed only once for the time set in the REC TIME item, after which it stops. Interval recording is not performed. or details, refer to 3-5 Recording in intervals (INTERVAL REC function). or setting whether the settings in the INTERVAL REC MODE item are retained or released, when the power is turned. or retaining the settings in the INTERVAL REC MODE item. or releasing the settings in the INTERVAL REC MODE item. REC TIME or Hz or 50 Hz PAUSE TIME or Hz or 50 Hz TAKE TOTAL TIME TOTAL REC TIME AUDIO REC START DELAY PRE REC MODE PRE REC TIME RETAKE MODE 00s0f 59s29f 00s0f 59s24f 00h00m00s0f 00h04m59s29f 23h59m59s29f 00h00m00s0f 00h04m59s24f 23h59m59s24f NE 5day 00m00s0f 99m59s29f OVER 00min NE 0SEC 0SEC 0SEC SEC or setting the recording time (one cut). When the CAMERA MODE item is set to 24P or 24PA, the value is set in increments of 5 frames. or setting the recording pause time. When the CAMERA MODE item is set to 24P or 24PA, the value is set in increments of 5 frames. or setting the time required for shooting. Select a setting from NE (shooting continues until it is stopped manually) to 5DAY (5 days). or displaying the total recording time. The setting for this time cannot be changed. The total time yielded by adding the REC TIME, PAUSE TIME and TOTAL TAKE TIME is displayed. O This indication is just a guide for the recording time. It is impossible to record for a period longer than the recording time of the tape. or setting the availability of audio records during INTERVAL REC. or setting the time taken until recording is to start after the REC START button is pressed in the INTERVAL REC or setting the PRE RECORDING function. Recording starts about 0.4 seconds after pressing the REC START button or the VTR button on the lens. The PRE RECORDING function is activated. or details, refer to 3-4 To record video signals of a few seconds before starting recording (PRE-RECORDING function). or setting the length of time for which the video and audio signals can be recorded before the REC START button is pressed in PRE RECORDING. or setting the RETAKE function. The RETAKE function is activated. The RETAKE function is not activated. It returns to once the power is turned off. or details, refer to 3-6 To take the previous cut again (RETAKE function). The underlining in the variable column indicates the setting in the preset 02

4 -2-3 OUTPUT SEL -2-4 VIDEO OUT SETTING OUTPUT ITEM MI OUT MI OUT CHARA MI OUT MODE V MODE TC STATUS MENU LY HD-SDI HD-Y CAM VTR CAM VTR or setting the characters superimposed on the output signals from the VIDEO OUT connector. TC Time codes are superimposed (when the menu is accessed, the menu screen is superimposed.) STATUS The characters that are the same as the characters superimposed in the viewfinder screen are superimposed. (When the menu is accessed, the menu screen is superimposed.) MENU LY The menu screen is superimposed only when the menu is accessed. This normally displays nothing. or details, refer to 4-8- Settings of signals output from VIDEO OUT connector. or setting video signals output from the M OUT connector. HD-SDI or outputting the HD SDI signals HD-Y or outputting the analog HD-Y signals or details, refer to Settings of signals output from M OUT connector. or superimposing characters on the HD SDI output signals from the M OUT connector. To superimpose Not to superimpose This does not link with the VIDEO OUT CHARACTER switch. or switching the signals output from the M OUT connector. CAM The camera images are output at all times. VTR In the recording or other EE mode, camera images are output from the connector; in playback mode, the VTR s playback signals are output. or switching the display mode of the viewfinder screen. CAM The camera images are output at all times. VTR In the recording or other EE mode, camera images are displayed; in playback mode, the VTR s playback images are displayed. VIDEO OUT CENTR MARK VIDEO OUT SAETY MARK SAETY AREA 80% 90% 00% VIDEO OUT RM MARK RM SIG VISTA VIDEO OUT USER BOX USER BOX WIDTH 3 00 USER BOX HEIGHT 3 00 USER BOX H POS USER BOX V POS or setting the center marker to be superimposed on the output signals of the VIDEO OUT connector. The center marker is not displayed. + (large) 2 Center blank (large) 3 + (small) 4 Center blank (small) or setting the type of safety marker frame to be superimposed on the output signals of the VIDEO OUT connector. The safety marker frame is not displayed. Box 2 Corner frames or setting the size of the safety marker. It is possible to set the size by units of % with a fixed ratio between of width and height. or superimposing the frame marker on the output signals from the VIDEO OUT connector. To superimpose Not to superimpose or setting the frame marker. The VISTA setting is or superimposing the user box on the output signals from the VIDEO OUT connector. To superimpose Not to superimpose O It is not superimposed when the VIDEO OUT switch is set to the SD-SDI or VBS position. or setting the horizontal width of the user box. or setting the vertical height of the user box. or setting the horizontal position of the user box center. or setting the vertical position of the user box center. O The user box can be displayed in any position as a boxtype cursor. O When the DOWNC MODE item on the DOWNC SETTING screen is set to LT-BOX or S-CROP, the frame marker and the safety marker are not displayed. The underlining in the variable column indicates the setting in the preset 03

5 -2-5 MITOR OUT SETTING -2-6 RC OUT SETTING MI OUT CENTR MARK MI OUT SAETY MARK or setting the center marker to be superimposed on the HD SDI output signals of the M OUT connector. The center marker is not displayed. + (large) 2 Center blank (large) 3 + (small) 4 Center blank (small) or setting the type of the safety marker frame to be superimposed on the HD SDI output signals of the M OUT connector. The safety marker frame is not displayed. Box RC OUT CENTR MARK RC OUT SAETY MARK or setting the center marker to be superimposed on the output signals of the REMOTE connector. The center marker is not displayed. + (large) 2 Center blank (large) 3 + (small) 4 Center blank (small) or setting the type of the safety marker frame to be superimposed on the output signals of the REMOTE connector. The safety marker frame is not displayed. Box 2 Corner frames 2 Corner frames SAETY AREA 80% MI OUT RM MARK MI OUT USER BOX USER BOX WIDTH 3 00 USER BOX HEIGHT 90% 00% RM SIG VISTA 3 00 USER BOX H POS USER BOX V POS or setting the size of the safety marker. It is possible to set the size by units of % with a fixed ratio between of width and height. or superimposing the frame marker on the HD SDI output signals from the M OUT connector. To superimpose Not to superimpose or setting the frame marker. The VISTA setting is or superimposing the user box on the HD SDI output signals from the M OUT connector. To superimpose Not to superimpose or setting the horizontal width of the user box. or setting the vertical height of the user box. or setting the horizontal position of the user box center. or setting the vertical position of the user box center. SAETY AREA 80% 90% 00% RC OUT RM MARK RM SIG VISTA or setting the size of the safety marker. It is possible to set the size by units of % with a fixed ratio between of width and height. or superimposing the frame marker on the output signals from the REMOTE connector. To superimpose Not to superimpose or setting the frame marker. The VISTA setting is <Notes> O Settings in the SAETY AERA item and the RM SIG item are interlinked with the respective connectors of VIDEO OUT, M OUT, and REMOTE. O Settings in the respective items of USER BOX WIDTH, USER BOX HEIGHT, USER BOX H POS, and USER BOX V POS are interlinked with the VIDEO OUT connector and the M OUT connector. O The user box can be displayed in any position as a boxtype cursor. O When the DOWNC MODE item on the DOWNC SETTING screen is set to LT-BOX or S-CROP, the frame marker and the safety marker are not displayed. The underlining in the variable column indicates the setting in the preset 04

6 -2- DOWNC SETTING -2-8 GENLOCK DOWNC MODE DETAIL H.DTL LEVEL V.DTL LEVEL DTL CORING H.DTL REQ. 2DLP SQUEEZ LT-BOX S-CROP 3 5 or setting the mode of the down converter output signals. or setting the detail function for the down converter output signals /. The down converter output signals contain detailed components that are set during HD signal processing. In this setting, these signals overlap the detailed components dedicated to the down converter outputs. Even if this setting is turned off, it is impossible to turn off the detailed components set during HD signal processing. or setting the horizontal detail correction level for the down converter output signals. or setting the vertical detail correction level for the down converter output signals. or setting the noise elimination level of the details. or selecting the horizontal detail frequencies. 2.5 MHz 4 4 MHz 2 3 MHz MHz MHz or setting the 2-D low path filter reducing cross colors. Cross colors are reduced. Cross colors are not reduced. GENLOCK GL PHASE INT EXT HD SDI COMPOSIT H PHASE COARSE H PHASE INE or setting the standard signals for executing the GENLOCK. INT or synchronizing to the standard signal within the unit regardless of the signals that are input in the GENLOCK IN connector. EXT or synchronizing to the standard signals that are input in the GENLOCK IN connector. or selecting the output signals that lock phases to the signals that are input in the GENLOCK IN connector. HD SDI or locking the HD SDI signals to the GENLOCK input. or the down converter output signals, the start position of the video delays by about 90 lines. COMPOSIT or locking the down converter output signals to the GENLOCK input. or the HD SDI output signals, the start position of the video gains by about 90 lines. or making coarse adjustment for aligning phases of the horizontal synchronization, for executing the GENLOCK. or making fine adjustment for aligning phases of the horizontal synchronization, for executing the GENLOCK. SET UP or AJ-HDX900E or AJ-HDX900P 0%.5% or setting the setup level for the down converter output signals. When the system frequency is set to 50 Hz, the setup level will be 0%. The underlining in the variable column indicates the setting in the preset 05

7 -2-9 OPTI MODE REC TALLY P. GPS DATA RED GREEN CHAR HOLD CLEAR 394 SPEED S200 S IN CH 0 63 AUTO 394 OUT CH 0 63 AUTO 394 CTROL BOTH 394 CMD SEL REC_P STOP SDI METADATA SDI EDH or selecting the method to access records on the unit when the unit is connected to peripheral devices and used remotely. RED The red tally lamp lights. GREEN The green tally lamp lights. CHAR or displaying REC in the viewfinder. or selecting whether or not to hold the UMID GPS position information while the power is off and record the information as the data still held as the previous value until another measurement can be taken after the power is next turned on. HOLD The data is held and recorded. CLEAR The data is cleared at the same time as the power is turned off, and all zeros (no information) are recorded from the time the power is turned on until the measurement is next taken. or setting the transfer rate of signals output from the DVCPRO connector. S Mbps S Mbps or setting the input channel of signals input to the DVCPRO connector To fix to the designated value AUTO To follow the settings of the externally connected devices or setting the input channel of signals output from the DVCPRO connector To fix to the designated value AUTO To follow the settings of the externally connected devices or setting the control for recording start/stop operations of external devices that are connected to the DVCPRO connector. Do not control the externally connected devices. BOTH To control both the unit and the externally connected devices or setting the control of recording stop operations of the external devices that are connected to the DVCPRO connector. REC_P Operation to pause recording STOP Stopping operation or setting metadata (UMID information) to output to the HD SDI signals. To output Not to output or setting that the detection signals of the communication error is output to the HD SDI signals. To output Not to output The underlining in the variable column indicates the setting in the preset 06

8 -3 PAINT -3- RB GAIN CTROL -3-2 RGB BLACK CTROL R GAIN AWB PRE S B GAIN AWB PRE 200 S R GAIN AWB A 200 S B GAIN AWB A 200 S R GAIN AWB B 200 S B GAIN AWB B 200 S AWB A GAIN SET S AWB B GAIN SET S or setting the Rch gain when the WHITE BAL switch is in the PRST position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the Bch gain when the WHITE BAL switch is in the PRST position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the Rch gain when the WHITE BAL switch is in the A position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the Bch gain when the WHITE BAL switch is in the A position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the Rch gain when the WHITE BAL switch is in the B position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the Bch gain when the WHITE BAL switch is in the B position. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the values of the Rch gain and the Bch gain when the auto white balance is executed as the WHITE BAL switch is in the A position. To retain the values set in the items of R GAIN AWB A and B GAIN AWB A The values of the Rch gain and the Bch gain is set to 0. or setting the values of the Rch gain and the Bch gain when the auto white balance is executed as the WHITE BAL switch is in the B position. To retain the values set in the items of R GAIN AWB B and B GAIN AWB B The values of the Rch gain and the Bch gain is set to 0. MASTER PED 200 S U R R PEDESTAL 00 S G PEDESTAL 00 S B PEDESTAL 00 S PEDESTAL SET S R LARE 00 S G LARE 00 S B LARE 00 S or setting the level of the master pedestal. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the pedestal level of the Rch. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the pedestal level of the Gch. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the pedestal level of the Bch. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or setting the pedestal levels of the Rch, the Gch and the Bch when the black balance is adjusted. To retain the values set in the respective items of R PEDESTAL, G PEDESTAL, and B PEDESTAL The pedestal levels of the Rch, the Gch and the Bch are set to 0. or adjusting the flare level of the Rch. Adjustment values in this item are added to the flare adjustment value that is adjusted on --6 <LENS ILE ADJ> screen. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or adjusting the flare level of the Gch. Adjustment values in this item are added to the flare adjustment value that is adjusted on --6 <LENS ILE ADJ> screen. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) or adjusting the flare level of the Bch. Adjustment values in this item are added to the flare adjustment value that is adjusted on --6 <LENS ILE ADJ> screen. O If the remote control unit is connected, settings made from the menu are disabled. (The set value is displayed.) The underlining in the variable column indicates the setting in the preset 0

9 -3-3 MATRIX -3-4 COLOR CORRECTI MATRIX TABLE A B S MATRIX R-G 63 S MATRIX R-B 63 S MATRIX G-R 63 S MATRIX G-B 63 S MATRIX B-R 63 S MATRIX B-G 63 S L MATRIX TABLE S M MATRIX TABLE S H MATRIX TABLE S A B A B A B or selecting the color correction table for the linear matrix. or performing the linear matrix adjustment. (red/green) or performing the linear matrix adjustment. (red/blue) or performing the linear matrix adjustment. (green/red) or performing the linear matrix adjustment. (green/blue) or performing the linear matrix adjustment. (blue/red) or performing the linear matrix adjustment. (blue/green) or selecting the color correction table when the GAIN switch is in the L position. or selecting the color correction table when the GAIN switch is in the M position. or selecting the color correction table when the GAIN switch is in the H position. s with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen. s without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item. or details, refer to -6-2 CARD R/W SELECT. R (SAT) 63 S R-Mg (SAT) 63 S Mg (SAT) 63 S Mg-B (SAT) 63 S B (SAT) 63 S B-Cy (SAT) 63 S Cy (SAT) 63 S Cy-G (SAT) 63 S G (SAT) 63 S G-Yl (SAT) 63 S Yl (SAT) 63 S Yl-R (SAT) 63 S or performing the color saturation correction of red. or performing the color saturation correction between red and magenta. or performing the color saturation correction of magenta. or performing the color saturation correction between magenta and blue. or performing the color saturation correction of blue. or performing the color saturation correction between blue and cyan. or performing the color saturation correction of cyan. or performing the color saturation correction between cyan and green. or performing the color saturation correction of green. or performing the color saturation correction between green and yellow. or performing the color saturation correction of yellow. or performing the color saturation correction between yellow and red. The underlining in the variable column indicates the setting in the preset 08

10 -3-5 LOW SETTING R (PHASE) 63 S R-Mg (PHASE) 63 S Mg (PHASE) 63 S Mg-B (PHASE) 63 S B (PHASE) 63 S B-Cy (PHASE) 63 S Cy (PHASE) 63 S Cy-G (PHASE) 63 S G (PHASE) 63 S G-Yl (PHASE) 63 S Yl (PHASE) 63 S Yl-R (PHASE) 63 S COLOR CORRECT S or performing the hue correction for red. or performing the hue correction between red and magenta. or performing the hue correction for magenta. or performing the hue correction between magenta and blue. or performing the hue correction for blue. or performing the hue correction between blue and cyan. or performing the hue correction for cyan. or performing the hue correction between cyan and green. or performing the hue correction for green. or performing the hue correction between green and yellow. or performing the hue correction for yellow. or performing the hue correction between yellow and red. or switching / of the 2-axis independent color correction of the position selected with the GAIN switch (L, M, H). MASTER GAIN S MATRIX TABLE S COLOR CORRECT 3dB 0dB 30dB H.DTL LEVEL S V.DTL LEVEL S DTL CORING S H.DTL REQ S LEVEL DEPEND. 0 5 S MASTER GAMMA S BLACK GAMMA 3 +3 S S U R A B or setting the master gain to 3, 0, 3, 6, 9, 2, 5, 8, 2, 24, 2 or 30 db. or performing the horizontal detail correction level setting. or performing the vertical detail correction level setting. or performing the noise elimination level setting for detail. or performing the horizontal detail frequency selection. or setting the LEVEL DEPEND. When the Y-detail is emphasized, details of dark sections are compressed. If the numerical value is larger, details of bright sections are also compressed. or setting the master gamma. (0.0 step) or setting the gamma curve for the dark portion. 3 to The dark portion is compressed. Standard state + to +3 The dark portion is extended. or selecting the color correction table for the linear matrix. or switching / of the 2-axis independent color correction. s with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen. s without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item. or details, refer to -6-2 CARD R/W SELECT. The underlining in the variable column indicates the setting in the preset 09

11 -3-6 MID SETTING -3- HIGH SETTING MASTER GAIN S S MATRIX TABLE S COLOR CORRECT 3dB 6dB 30dB H.DTL LEVEL S V.DTL LEVEL S DTL CORING S H.DTL REQ S LEVEL DEPEND. 0 5 S MASTER GAMMA S BLACK GAMMA 3 +3 A B or setting the master gain to 3, 0, 3, 6, 9, 2, 5, 8, 2, 24, 2 or 30 db. or performing the horizontal detail correction level setting. or performing the vertical detail correction level setting. or performing the noise elimination level setting for detail. or performing the horizontal detail frequency selection. or setting the LEVEL DEPEND. When the Y-detail is emphasized, details of dark sections are compressed. If the numerical value is larger, details of bright sections are also compressed. or setting the master gamma. (0.0 step) or setting the gamma curve for the dark portion. 3 to The dark portion is compressed. Standard state + to +3 The dark portion is extended. or selecting the color correction table for the linear matrix. or switching / of the 2-axis independent color correction. MASTER GAIN S MATRIX TABLE S COLOR CORRECT 3dB 2dB 30dB H.DTL LEVEL S V.DTL LEVEL S DTL CORING S H.DTL REQ S LEVEL DEPEND S MASTER GAMMA S BLACK GAMMA 3 +3 S A B or setting the master gain to 3, 0, 3, 6, 9, 2, 5, 8, 2, 24, 2 or 30 db. or performing the horizontal detail correction level setting. or performing the vertical detail correction level setting. or performing the noise elimination level setting for detail. or performing the horizontal detail frequency selection. or setting the LEVEL DEPEND. When the Y-detail is emphasized, details of dark sections are compressed. If the numerical value is larger, details of bright sections are also compressed. or setting the master gamma. (0.0 step) or setting the gamma curve for the dark portion. 3 to The dark portion is compressed. Standard state + to +3 The dark portion is extended. or selecting the color correction table for the linear matrix. or switching / of the 2-axis independent color correction. S U R S U R s with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen. s without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item. or details, refer to -6-2 CARD R/W SELECT. The underlining in the variable column indicates the setting in the preset 0

12 -3-8 ADDITIAL DTL KNEE APE LVL S 2 5 DTL GAIN(+) 3 +3 S DTL GAIN( ) 3 +3 S DTL CLIP 00 S 63 DTL SOURCE (G+B)/2 (R+G)/2 2G+R+B/4 (3G+R)/4 R G S V DTL REQ S H.DTL LINE MIX S MASTER DTL 3 S 360TV 450TV 540TV 630TV 20TV 0H H 2H +3 or changing the detail level of the high brightness portion. or changing the + direction level of the detail. or changing the (below) direction level of the detail. or setting the level for clipping the detail signals. or setting the proportion of the RGB signal components that provide the detail. or selecting the vertical detail frequency. O It is enabled when the recording format is set to 20P. or setting the number of scanning lines to be added to the video signals in order to generate the horizontal detail signals. or revising the master detail level. The underlining in the variable column indicates the setting in the preset

13 -3-9 SKIN TE DTL SKIN TE DTL S SKIN TE ZEBRA V S SKIN TE ZEBRA VOUT S SKIN TE ZEBRA MI S SKIN TE TABLE S SKIN DTL CORING 0 A B AB A B S Y MAX S Y MIN S 5 or selecting the skin color table for enabling the skin tone detail. The skin color table is provided in the SKIN TE TABLE item. By enabling the skin tone detail, it is possible to shoot human skin more accurately. or the setting to display the zebra pattern in the skin tone area displayed in the viewfinder screen. The zebra pattern is displayed when this item is turned and the <SKIN TE DTL> screen is opened. The zebra pattern is displayed on area A or B, which is selected in the SKIN TE TABLE item. It is impossible to display both area A and B at the same time. or the setting to superimpose the zebra pattern in the skin tone area output from the VIDEO OUT connector. O When the VIDEO OUT switch is set to the SD SDI or VBS position, the zebra pattern will not be superimposed. or the setting to superimpose the zebra pattern in the skin tone area output from the M OUT connector. or selecting the skin tone table for enabling the skin tone details. SKIN TE GET or fetching the color information of A or B, which is selected in the SKIN TE TABLE item, near the center marker. When this function is executed, data from I CENTER to Q PHASE are fetched S U R automatically. The fetched data will be the table data of A or B, which is selected in the SKIN TE TABLE item. It is impossible to obtain color information of both A and B at the same time. or setting the effect level of the skin tone detail. or setting the maximum value of brightness for enabling the skin tone. or setting the minimum value of brightness for enabling the skin tone. I CENTER S I WIDTH S Q WIDTH S Q PHASE S Q-WIDTH I-CENTER direction R-Y I-WIDTH + direction or setting the center position on the I axis (for setting an area that enables skin tone.) or setting the area width for enabling the skin tone on the I-axis of which the center is the I CENTER. or setting the area width for enabling the skin tone on the Q-axis of which the center is the I CENTER or setting phases of the area for enabling skin tone as setting the standard to the Q- axis. Q-PHASE B-Y =SKIN TE AREA Y-MAX Y-MIN s with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen. s without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item. or details, refer to -6-2 CARD R/W SELECT. 0 Y The underlining in the variable column indicates the setting in the preset 2

14 -3-0 KNEE/LEVEL -3- GAMMA MASTER PED S MANUAL KNEE S KNEE POINT 0.0% 93.0% 0.0% S KNEE SLOPE S WHITE CLIP S WHITE CLIP LVL 90% 09% S A.KNEE POINT 80% 93% 0% S A.KNEE LVL S A.KNEE RESPSE S 4 8 or performing the MASTER PEDESTAL setting. or setting the mode which is to be established when the AUTO KNEE switch is at. The KNEE POINT/SLOPE setting value is active when is selected. or setting the knee point position in increments of 0.5% steps. or setting the inclination of the knee. or selecting / of the white clip function. When it is set to, the set value for the WHITE CLIP LVL becomes effective. or performing the white clip level setting. or setting the auto knee point position in increments of 0.5% steps. When the OUTPUT/AUTO KNEE selection switch is set to CAM.AUTO KNEE, this function is enabled. or setting the auto knee level. or setting the auto knee response rate. When a numerical value is larger, the response speed is slower. MASTER GAMMA S U R R GAMMA 5 +5 S B GAMMA 5 +5 S GAMMA MODE SEL S HD SD ILM LIKE ILM LIKE2 ILM LIKE3 or setting the master gamma in increments of 0.0 steps. or performing the gamma setting for Rch. or performing the gamma setting for Bch. or selecting the gamma HD Video gamma characteristics for HD (High Definition) SD The gain in the dark section is higher than the HD gamma. ILM LIKE The cinema gamma characteristics for video applications are selected. ILM LIKE2 The cinema gamma characteristics for video applications are selected. In this setting gradations in highlit areas can be expressed better than when ILM LIKE is selected. ILM LIKE3 The cinema gamma characteristics for video applications are selected. In this setting gradations in highlit areas can be expressed better than when ILM LIKE2 is selected. ILM LIKE s with $ in front of their names are set by the PAINT MENU SW ($) R/W menu items on the <CARD R/W SELECT> screen. s without $ in front of their names are set by the PAINT MENU LEVEL R/W menu item. or details, refer to -6-2 CARD R/W SELECT. Video level SD HD ILM LIKE2 ILM LIKE3 Luminance O When the GAMMA MODE SEL item is used for ILM LIKE3, the following settings are recommended. MANUAL KNEE KNEE POINT 85.0% KNEE SLOPE 50 The underlining in the variable column indicates the setting in the preset 3

15 -3-2 CAMERA SETTING DETAIL S HIGH COLOR S GAMMA S TEST SAW S LARE S H- COMPE. S or switching / of the detail signals. or switching / of the mode enlarging the color dynamic. or switching / of the gamma correction. or switching / of the test signals. or switching / of the flare compensation. or switching / of the aperture correction. All items in CAMERA SETTING are setting targets of the item PAINT MENU SW($) R/W in the -6-2 CARD R/W SELECT screen. The underlining in the variable column indicates the setting in the preset 4

16 -4 V -4- V DISPLAY DISP CDITI NORMAL HOLD NORMAL The statuses are displayed at all times. HOLD The statuses are displayed only when the MODE CHECK switch is pressed. DISP MODE 2 3 or setting the display This sets what is displayed in the viewfinder screen when the state of the unit is changed. or details, refer to 4--4 Display modes and setting changes/ adjustment result messages. V OUT Y NAM R G B or selecting the video signals to display in the viewfinder screen. Y Luminance signal NAM The signal with the highest level among the R, G and B signals is output. R R channel signal G G channel signal B B channel signal V DTL 0 5 or setting the detail level of the viewfinder screen. If it is set to 0, it has the same detail as the main line system signals. If it is set to 5, it has about double of details of the main line system signals. ZEBRA DETECT 0% 0% 09% or setting the ZEBRA detection level (IRE level). Video level 09% Zebra pattern display ZEBRA 2 SPOT ZEBRA2 DETECT 0% 85% or setting the ZEBRA2 detection level (IRE level). 09% ZEBRA2 LOW LIGHT LVL SPOT 0% 5% 20% 25% 30% 35% or selecting or for ZEBRA2 or selecting SPOT. or setting how much lower the camera s input light quantity should be in order for LOW LIGHT to be displayed. ZEBRA 2 DETECT ZEBRA DETECT RC MENU DISP. or the setting to display the menu in the viewfinder screen when the remote control unit is connected to the unit. 0% MARKER/ CHAR LVL 50% 60% 0% 80% 90% 00% or setting the brightness of markers and characters in the viewfinder screen. The underlining in the variable column indicates the setting in the preset 5

17 -4-2 V MARKER -4-3 V USER BOX TABLE CENTER MARK SAETY MARK A B SAETY AREA 80% RAME MARK 90% 00% RAME SIG VISTA RAME LVL 0 5 or selecting the V MARKER setting table. This item is used to set the current values of table A or B which have been selected using the menu items listed below. or selecting the center marker. The center marker is not displayed. + (large) 2 Center blank (large) 3 + (small) 4 Center blank (small) or selecting the type of safety marker frame. The safety marker frame is not displayed. Box 2 Corner frames or setting the size of the safety marker. It is possible to set the size by units of % with a fixed ratio between of width and height. or selecting or for the frame marker. or setting the frame marker. The VISTA setting is or setting the level outside the frame marker. 0 Equivalent to signal (Blanking state) 5 Same brightness as center area USER BOX USER BOX WIDTH 3 00 USER BOX HEIGHT 3 00 USER BOX H POS USER BOX V POS or setting whether the user box is displayed in the viewfinder or not. or setting the horizontal width of the user box. or setting the vertical height of the user box. or setting the horizontal position of the user box center. or setting the vertical position of the user box center. O The user box can be displayed in any position as a boxtype cursor. The underlining in the variable column indicates the setting in the preset 6

18 -4-4 V INDICATOR -4-5 V INDICATOR2 EXTENDER SHUTTER ILTER WHITE GAIN IRIS CAMERA ID ID POSITI DATE/TIME ZOOM LVL COLOR TEMP SYSTEM MODE CAMERA MODE DRS IRIS S+IRIS S BAR UPPER R UPPER L LOWER R LOWER L or selecting or for the extender display. or selecting or for the shutter speed display. or selecting or for the filter No. display. or selecting or for the AWB PRE/A/B display. or selecting / of the gain currently selected, S.GAIN, DS. GAIN and LINE MIX GAIN displays. Neither the super iris status nor the aperture value is displayed. IRIS Only the aperture value is displayed. S+IRISBoth the super iris status and aperture value are displayed. S The super iris status is displayed. O The display of the aperture value and the display of the iris override are interlinked. When the iris override is changed, it is forcibly displayed for 3 seconds. or setting to record the camera ID. BAR The camera ID is recorded when the color bar signals are recorded. It is not recorded. or setting the position to display the camera ID. UPPER R Top right UPPER L Top left LOWER R Bottom right LOWER L Bottom left or selecting an option to display year/month/day and hour/minute/second simultaneously when the camera ID is displayed. or selecting or for the zoom position display. or selecting or for the color temperature display. or selecting or for the system mode display. or selecting or for the camera mode display. or selecting / of the dynamic stretcher mode display. TAPE BATTERY AUDIO LVL TC VTR WARNING COMPRESSI TCG TCR TCG/TCR ALWAYS NORMAL SAVE LED SAVE& TAPE SAVE or selecting or for the remaining tape amount display. or selecting or for the battery voltage display. or selecting or for the audio level meter display. or selecting the time code which is to be displayed. TCG The time code generator value is displayed in the E-E TCR or displaying the time code reader value during playback TCG/TCR In EE mode, the time code generator value is displayed from the connectors; in playback mode, the time code reader value is displayed. The time code is not displayed at any time. or selecting how VTR warnings are displayed. ALWAYS It is displayed every time a warning has occurred. NORMAL It is displayed for 3 seconds when a warning has occurred and also for 3 seconds after recording has started and after recording has finished. It is not displayed at any time. or selecting / of the compression mode, which is to be displayed. COMP will be displayed when the COMPRESSI MODE item (the VTR UNCTI screen on the VTR MENU page) is set to DARK. It is not displayed at any time. or setting the operation of the SAVE lamp. SAVE&TAPE The lamp lights up when the VTR SAVE/STBY switch has been set to the SAVE position. It is off during recording. As the tape is approaching the end, it starts flashing in tandem with the warning alarm. SAVE The lamp lights up when the VTR SAVE/STBY switch has been set to the SAVE position. It is off during recording. The underlining in the variable column indicates the setting in the preset

19 -4-6 MODE CHECK IND -4-!LED STATUS!LED UNCTI AUDIO P. IND or the setting to display the status screen when the MODE CHECK button is pressed. or the setting to indicate causes for turning on the lamp on the viewfinder is displayed when the MODE CHECK button is pressed. The causes for turning on the lamp are displayed with!. or the setting to display the UNCTI screen when the MODE CHECK button is pressed. or the setting to display the AUDIO screen when the MODE CHECK button is pressed. or the setting to display the status screen immediately after turning on the power of the unit. Even if it is set to in this item, the status screen is not displayed immediately after turning on the power of the unit when the STATUS item is set to. GAIN(0dB) DS.GAIN GAIN(-3dB) LINE MIX SHUTTER WHITE PRESET EXTENDER B.GAMMA MATRIX ILTER COLOR CORRECTI or the setting to turn the lamp on the viewfinder on when the GAIN is set to a value other than 0dB. or the setting to turn the lamp on the viewfinder on when the GAIN is set to a value other than 3dB or 6dB. or the setting to turn the lamp on the viewfinder on when the DS. GAIN (cumulative gain) is activated. or the setting to turn the lamp on the viewfinder on when the LINE MIX GAIN is activated. or the setting to turn the lamp on the viewfinder on when the electronic shutter is activated. or the setting to turn the lamp on the viewfinder on when the WHITE BAL switch is set to the PRESET position. or the setting to turn the lamp on the viewfinder on when the lens extender is activated. or the setting to turn the lamp on the viewfinder on when the BLACK GAMMA is activated. or the setting to turn the lamp on the viewfinder on when the color correction table for the linear matrix is selected. or the setting to turn the lamp on the viewfinder on when the 2-axis independent color correction is selected. or the setting to turn the lamp on the viewfinder on when the filter combination is anyone other than 3200K and CLEAR. The underlining in the variable column indicates the setting in the preset 8

20 -5 OPERATI -5- CAMERA ID -5-3 SHUTTER SELECT ID ********** CAMERA ID setting ID2 ********** CAMERA ID setting 2 ID3 ********** CAMERA ID setting 3 POSITI SEL or Hz /00 /20 /250 /500 /000 /2000 HAL or setting the shutter speed for POSITI. If READ ACTORY DATA is selected, this setting will be cleared SHUTTER SPEED SYNCHRO SCAN POSITI POSITI2 POSITI3 POSITI4 POSITI5 POSITI6 or selecting SYNCHRO SCAN as the shutter speed to be used. or selecting POSITI as the shutter speed to be used. or selecting POSITI2 as the shutter speed to be used. or selecting POSITI3 as the shutter speed to be used. or selecting POSITI4 as the shutter speed to be used. or selecting POSITI5 as the shutter speed to be used. or selecting POSITI6 as the shutter speed to be used. or 50 Hz POSITI2 SEL or Hz or 50 Hz POSITI3 SEL or Hz /60 /20 /250 /500 /000 /2000 HAL /00 /20 /250 /500 /000 /2000 HAL /60 /20 /250 /500 /000 /2000 HAL /00 /20 /250 /500 /000 /2000 HAL or setting the shutter speed for POSITI 2. or setting the shutter speed for POSITI 3. or 50 Hz /60 /20 /250 /500 /000 /2000 HAL The underlining in the variable column indicates the setting in the preset 9

21 -5-4 USER SW POSITI4 SEL or Hz or 50 Hz POSITI5 SEL or Hz or 50 Hz POSITI6 SEL or Hz or 50 Hz /00 /20 /250 /500 /000 /2000 HAL /60 /20 /250 /500 /000 /2000 HAL /00 /20 /250 /500 /000 /2000 HAL /60 /20 /250 /500 /000 /2000 HAL /00 /20 /250 /500 /000 /2000 HAL /60 /20 /250 /500 /000 /2000 HAL or setting the shutter speed for POSITI 4. or setting the shutter speed for POSITI 5. or setting the shutter speed for POSITI 6. USER MAIN SW USER SW USER 2 SW INH S.GAIN DS.GAIN LINE MIX S.IRIS I.OVR S.BLK B.GAMMA AUDIO CH AUDIO CH2 REC SW Y GET RET SW PRE REC DRS INH S.GAIN DS.GAIN LINE MIX S.IRIS I.OVR S.BLK B.GAMMA AUDIO CH AUDIO CH2 REC SW Y GET RET SW PRE REC DRS INH S.GAIN DS.GAIN LINE MIX S.IRIS I.OVR S.BLK B.GAMMA AUDIO CH AUDIO CH2 REC SW Y GET RET SW PRE REC DRS or setting the function to be allocated to the USER MAIN button. or details, refer to Allocating function to the USER MAIN, USER and USER2 buttons. or setting the function to be allocated to the USER button. or details, refer to Allocating function to the USER MAIN, USER and USER2 buttons. or setting the function to be allocated to the USER2 button. or details, refer to Allocating function to the USER MAIN, USER and USER2 buttons. The underlining in the variable column indicates the setting in the preset 20

22 -5-5 SW MODE -5-6 WHITE BALANCE MODE RET SW S.BLK LVL AUTO KNEE SW S SHD,ABB SW CTL COLOR BARS or AJ-HDX900P or AJ-HDX900E S.GAIN DS.GAIN R.REVIEW CAM RET SMPTE ULL BARS SPLIT ARIB L/M/H S.GAIN L/M/H DS.GAIN or setting the function when the USER button on the unit, to which the RET button of the lens or the RET SW function is allocated, is pressed. R.REVIEW REC view function It is possible to check a last few seconds of the records taken. CAM RET Return video function It is possible to confirm the return video signals (analog HD-Y signals) supplied to the GENKLOCK IN connector on the unit by using the viewfinder. <Notes> O If video signals are input with different formats from the HD-SDI output signals of the unit, the return video images are not displayed properly. O When the GENLOCK item (the GENLOCK screen on the SYSTEM SETTING page) is set to INT, the return video image may be displayed as slightly shaking horizontally. or setting the super black level. or selecting / of the AUTO KNEE function. When it is set to, the AUTO KNEE may not function even if the AUTO KNEE switch is turned. or the setting to adjust the black shading automatically when the AUTO W/B BAL switch is held to the ABB side for 8 seconds or more. or selecting the color bar to be used. SMPTE Color bar complied with the SMPTE standards ULL BARS ull color bar SPLIT SPLIT color bar for SNG (Satellite News Gathering) ARIB Color bar complied with the ARIB standards or selecting the method used to release the super gain L/M/H The mode is released by making a change in the L/M/H switch position and the S.GAIN switch (USER switch). S.GAIN The mode is released using only the S.GAIN switch (USER switch). or selecting the method used to release the digital super gain mode (cumulative gain). L/M/H The mode is released by making a change in the L/M/H switch position and the DS.GAIN switch (USER switch). DS.GAIN The mode is released using only the DS.GAIN switch (USER switch). ILTER INH SHOCKLESS AWB AST NORMAL SLOW SLOW2 SLOW3 AWB AREA 25% 50% 90% COLOR TEMP PRE 2300K; 3200K 8000K AWB A TEMP 2300K; 3200K 8000K AWB B TEMP 2300K; 3200K 8000K or selecting independently whether memory data for white balance (Ach, Bch) is retained or not for the respective CC filters. Regardless of the CC filter, data for the memories (2 memories) for Ach and Bch is retained. The memory data (8 memories) for Ach and Bch is retained for the respective CC filters. or setting the length of time for transiting to the switched position of white balance, when the position of the WHITE BAL switch is changed. To transit instantly AST About second NORMAL About 2 seconds SLOW About 3 seconds SLOW2 About 0 seconds SLOW3 About 20 seconds or switching the detection area for executing the automatic adjustment of white balance. 25% An area near the screen center equivalent to 25% of the screen is detected. 50% An area near the screen center equivalent to 50% of the screen is detected. 90% An area equivalent to 90% of the screen is detected. or setting the color temperature when the WHITE BAL switch is set to the PRST position. O Depending on the position of the CC filter, the of available color temperature varies. or setting the color temperature when the WHITE BAL switch is set to the A position. If the automatic adjustment of white balance is executed in the A position, the color temperature at that time is memorized in the position of the WHITE BAL switch A. or setting the color temperature when the WHITE BAL switch is set to the B position. If the automatic adjustment of white balance is executed in the B position, the color temperature at that time is memorized in the position of the WHITE BAL switch B. The underlining in the variable column indicates the setting in the preset 2

23 -5- USER SW GAIN -5-8 LENS/IRIS S.GAIN 30 db 2 O 36 db 2 O DS.GAIN 6 db 2 O 0 db 2 O 2 db 2 O 5 db 2 O 20 db 2 O or selecting whether or not to enable a setting of 30 db for SUPER GAIN. 2 The 30 db setting is enabled. O The 30 db setting is disabled. or selecting whether or not to enable a setting of 36 db for SUPER GAIN. 2 The 36 db setting is enabled. O The 36 db setting is disabled. or selecting whether or not to enable a setting increase of 6 db for DS.GAIN. 2 The 6 db setting increase is enabled. O The 6 db setting increase is disabled. or selecting whether or not to enable a setting increase of 0 db for DS.GAIN. 2 The 0 db setting increase is enabled. O The 0 db setting increase is disabled. or selecting whether or not to enable a setting increase of 2 db for DS.GAIN. 2 The 2 db setting increase is enabled. O The 2 db setting increase is disabled. or selecting whether or not to enable a setting increase of 5 db for DS.GAIN. 2 The 5 db setting increase is enabled. O The 5 db setting increase is disabled. or selecting whether or not to enable a setting increase of 20 db for DS.GAIN. 2 The 20 db setting increase is enabled. O The 20 db setting increase is disabled. A.IRIS LEVEL A.IRIS PEAK/AVE 000 A.IRIS WINDOW NORM NORM2 CENTR S.IRIS LEVEL IRIS GAIN CAM LENS IRIS GAIN VALUE or setting the AUTO IRIS target value. or determining the ratio of the peak to the AUTO IRIS reference. The higher the ratio, the greater the response to the peak inside the iris detection window; the lower the ratio, the greater the response to the average value inside the iris detection window. or selecting the auto iris detection window. NORM Window from the screen center NORM2 Window from the bottom of the screen CENTR Window in the shape of a spot at the screen center or setting the target value of the SUPER IRIS (backlight compensation function). or selecting whether the IRIS GAIN adjustment is executed by the camera or the lens. or a lens with an extender (k2, k0.8 etc.) that was manufactured before the DIGI POWER type lens from ujinon, the IRIS control on the unit will not operate properly when set to the CAM, since IRIS correction control is operated on the lens if the extender is inserted. or setting the IRIS GAIN adjustment value. The setting takes effect when IRIS GAIN has been set to CAM. The underlining in the variable column indicates the setting in the preset 22